#Thursday – The #ArtWeek is REALLY FAST!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: YOUR PORTRAITS!

Todd Mrozinski: https://artwithkorb.com/wp-content/uploads/2015/05/b5f0b-todd2bpm.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What TWO things do you want to accomplish today? These works are small enough to take home and work on. The color schemes and materials are easy enough to work on in and out of class. How are you going to make this one of the most interesting works you have completed? 

Reflection: How have you advanced? What is ONE SPECIFIC ASPECT of your drawing that demonstrates your accomplishment?

Studio Art 360: The Grid – Let’s Review…

Andy – http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000337/264118_3998021.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Looking at your color wheel and all you’ve got done… what are your biggest challenges with color blending and painting with acrylics? 3 ideas NOW! 

Reflection: Tomorrow we begin on the portrait, what do you need to do to finish the transfer? The painting process will take 2 weeks – GET READY for tomorrow! 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Waterford Senior Living Art

What are you doing? http://www.autumngrove.com/wp-content/uploads/DSC_0008.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Best part of yesterday? Plans for today? how’s it coming?

Reflection: How are you moving forward in the process of developing a series of works based on someone else’s work? How are you keeping the images the SAME and how are you changing the ideas?

Advanced Drawing: Your Work!

http://newmexicomercury.com/themes/site_themes/freshnews/images/uploads/phillips9_lawrence_migration2.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Best part of yesterday? Plans for today? how’s it coming?

Reflection:  Best part of the day… This week is about the set and painting – just be aware of all that you are doing as a SERIES of WORKS! 

#MidWeek is HERE!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: YOUR PORTRAITS!

Todd Mrozinski: https://artconfetti.files.wordpress.com/2014/06/img_5747.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What is a color that POPS into your mind as you have spoken with and talked to your classmate? Why do you see that color as being something that represents them? 

Reflection: What was ONE accomplishment you made today in the process of the drawing? How have you felt about the PROCESS and MEANING in the work?

Studio Art 360: The Grid – Let’s Review…

Chairman Mao by Warhol: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000337/4396_4001158.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Why (again) is it important for an artist to choose colors CAREFULLY as they are developing a composition / artwork? What might the RIGHT colors for YOU and your PORTRAIT be in this artwork?

Reflection: Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others? Will these colors be in the portrait? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Waterford Senior Living Art

https://s-media-cache-ak0.pinimg.com/736x/1a/dc/f9/1adcf98791409ae59ca55dc3f3a54719.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • DON’T LOOK AT YOUR WORK –  Set it out and step back… go get it – step back… Now… turn around and LOOK! What are three things that you see as working and NOT working in the art? 

Reflection: GO Get TO WORK!You had a lot to think about today… What did you take a away? Look at the ORIGINAL WORK and look at your SERIES of works… what’s happening? 

Advanced Drawing: Your Work!

Jim Dine: http://static1.squarespace.com/static/53ed0a19e4b0a6f95242aaf2/54bad332e4b06856871c4445/54c2961ae4b0df35f1593841/1422038617026/Group.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • LOOK AT YOUR IDEAS and see what you are doing in the project. What are your inspirations in the world and in the project?
  • Handout HERE.

Reflection: You had a lot to think about today… What did you take a away? Look at the ORIGINAL IDEAS and look at your NEW SERIES of works… what’s happening? 

A #Tuesday without Mr. Korb is a good day to #WORK on #Art!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: YOUR PORTRAITS!

Todd Mrozinski at Cafe LuLu in Milwaukee! I’ve shown there! https://artwithkorb.com/wp-content/uploads/2015/05/30058-1414012525512.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What are three reasons that SIMPLIFYING a work of art may be a good way to make meaning easier to understand in a work of art?
  • Read Section from the Midwest Artists Series Book ALOUD in class. Sub has booklet to work from.

Now THIS Video 

  • Finally: Read this link ALOUD in Class together: https://goo.gl/hLsOeU
  • YOUR ASSIGNMENT – Team Up and have a CONVERSATION about each other – Likes / Dislikes, Favorite Colors, Favorite Hobbies (so you can have an object to bring in) types of PROFILES or Silhouettes that you may want to be working in / on / with… There is a lot that you might want to discuss BEFORE we begin the drawing process. Chose a partner – NOBODY is ALONE!

Reflection: What are three characteristics of your classmate that you think will be helpful to you in discovering a color scheme / ideas for compositions? Do you have an OBJECT that you can bring in tomorrow to be the third part of the triptych? BRING IT IN!

Studio Art 360: The Grid – Let’s Review…

While Andy Warhol didn’t originally work on the Mona Lisa – he did bring it to the masses in a NEW way so that others, everyone could have access to it. http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000332/259766_3945927.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • How many squares do you need to get done today to make REALLY GOOD PROGRESS so you are either DONE transferring the image or you have VERY LITTLE to do over the next two days at home or in study hall?

Reflection: How many squares did you get transferred up to the canvas today? What are 2 things that make this an exciting for you or scary for you artwork? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Waterford Senior Living Art

How might THIS inspire you to advance an idea? http://www.alzgla.org/wp-content/uploads/2015/09/LA-Memories-in-the-Making-Patricia-Disney.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • How has this last “concentration: challenging you? Working from OTHER’s work may be a new idea for you that is forcing you to think differently than you might have in the past. It is not JUST about your work – it is ALSO about their work.

Reflection: You had a lot to think about today… What did you take a away from the 1) conversation and then 2) WORK TIME?

Advanced Drawing: Your Work!

This is a MONET – What does he use as the common theme? Approach? Technique? How do we hear his VOICE? http://image.slidesharecdn.com/03painthandling-impressionistichard-edge-140310104042-phpapp02/95/paint-handling-assignments-impressionistic-hardedge-17-638.jpg?cb=1394448721

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • How has this idea of a SERIES challenged you? Working from your own ideas may be a new idea for you as it comes to an art class in school… What is challenging? What are your FIRST IDEAS that came as we looked over the AP Concentration works yesterday?
  • Handout HERE.

Reflection: You had a lot to think about today… What did you take a away from the 1) conversation and then 2) WORK TIME?

#NewWeek #NewWorks #LetsGo!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

I Love this video… ENJOY!

Drawing: YOUR PORTRAITS!

Henri Matisse at the Art Institute of Chicago: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000260/196879_3116026.jpg

Goals:

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What is one of the biggest lessons you learned in the creation of the FAUVIST / Kehinde Wiley Self-Portrait over the past 4 weeks? 
    • Fill out the Google Form and then 3) insert images from today into the GOOGLE DOCUMENT.
    • SHARED FOLDER OF IMAGES HERE

Reflection: How did you feel to see your work all wrapped up and finished, hanging in the hallways and up for all to see? 

Studio Art 360: The Grid – Let’s Review…

Andy Warhol – SIMPLIFIED A LOT! http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000338/265141_4009202.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • Looking at the portrait of yourself that you have created a tracing of, what portion of the face do you feel is going to be the most challenging to transfer ONE SQUARE AT A TIME and WHY?

Reflection: How many squares did you get transferred up to the canvas today? COUNT THEM and do some math. 88 squares minus what you got done today… this is what you have left. How much more for this week? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Senior Exhibition Time!

http://worldonline.media.clients.ellingtoncms.com/img/photos/2012/01/17/Alzheimers_photo_t754x500.jpg?e2ab5d5ff800159b25286787e4d07e06ad4e5dea

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What have your previous works of art been this year and how have you been planning the NEW and Important ideas out for your work based on the work of the residents of Waterford Senior Living? HOW DOES INSPIRATION FROM OTHERS WORK HELP or CHALLENGE YOU? 

Reflection: What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS? 

Advanced Drawing: Your Work!

Squeak Carnwath and a SERIES of WORKS!http://lh3.ggpht.com/_2MqkzpICYFQ/SkRrwZ-FhRI/AAAAAAAAB7g/qVhUM6qGTBA/Carnwath3.jpg?imgmax=800

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you see as your strongest bit of growth over the past semester in the Advanced Drawing course? N: Read handout – look at concentration images from AP Site.
  • Handout HERE.

Reflection: What ideas have you come up with? What materials are you considering as you think about moving forward?

#TGIF – Seriously – a LONG and CHALLENGING week!

“If you don’t like change, you’ll like irrelevance even less”

General Eric Shinseki

Taliesin – Frank LLoyd Wright’s Home and School. A look at my weekend HERE!

Drawing: FAUVISM and CONTEMPORARY PORTRAITS!

Ah Matisse! http://www.ibiblio.org/wm/paint/auth/matisse/matisse.mme-matisse-madras.jpg

Goals:

  • 6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
  • What is your reaction to the 1 works of art that is in front of you today. FIRST INITIAL REACTIONS! If you are done with your drawing – this is a day to WRAP up your written critique. If you are still drawing – you have a lot more on your plate in the critique end of things.
    • TODAY! We are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form and then 3) insert images from today into the GOOGLE DOCUMENT.
    • SHARED FOLDER OF IMAGES HERE

Reflection: What did you take away from today’s written critique? SERIOUSLY – What are you taking away from the process of writing about your works?

Studio Art 360: The Grid – Let’s Review…

Marilyn Monroe by Andy Warhol. http://puffin.creighton.edu/museums/archive/7_abarnett/marilyn.jpg

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is it that makes painting or the “slow arts” scary and intimidating and sometimes put people off from investing time and effort (signing up for class)? WHAT CAN I DO TO HELP ENCOURAGE OTHERS?

Reflection: What is working in the use of the GRID drawing? Name 2 things that are coming along EASILY for you in the process of the transfer?

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Senior Exhibition Time!

Let’s get into the inspired works! http://ww1.hdnux.com/photos/24/62/11/5448284/3/1024×1024.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you think the skills that you currently have will help you in the process of the artwork?

Reflection: How does your drawing look in your own eyes? What are a few things that you are focusing on to be inspired by the work and not just COPY the work?

Advanced Drawing: 

What can you do on your own? https://img.washingtonpost.com/wp-apps/imrs.php?src=https://img.washingtonpost.com/express/wp-content/uploads/2015/03/Elaine-de-Kooning-Self-Portrait-NPG_94_81.jpg&w=1484

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • How does the freedom of this work 1) put you at ease and 2) scare the heck out of you? N: Series of Artworks on your own. This is NEW and SCARY. Working on your own ENTIRELY! What can you do to start? Let’s sit and chat…

Reflection: What NEW ideas have you come up with today? What advances are you making? This is a FASTER work than you might be used to – WORK in and out of class to continue to resolve this image(s).

AP Exam Day – #ColorTheory – #Taliesin – SO MUCH TO DO!

“If you don’t like change, you’ll like irrelevance even less”

General Eric Shinseki

 

Taliesin – Frank LLoyd Wright’s Home and School. A look at my weekend HERE!

Drawing: FAUVISM and CONTEMPORARY PORTRAITS!

Jawlenski! http://en.wahooart.com/Art.nsf/O/8XX6J7/$File/Alexei-Jawlensky-Child.JPG

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Step back – yesterday you looked at the class work and got some feedback from them. Take a HARD LOOK AT YOUR DRAWING and determine what you need to focus on in the next 46 minutes. WRITE IT OUT!
    • NEXT WEEK we are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form http://goo.gl/forms/3q3rPakz8m and then 3) insert images from today into the GOOGLE DOCUMENT.

Reflection: Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing?

Studio Art 360: COLOR and YOU!

Not Portrait – But WARHOL! http://assets.yellowtrace.com.au/wp-content/uploads/2013/05/Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?  

Reflection: What 3 challenges do you see in the process of drawing out your face onto the tracing paper?

ASSIGNMENT FOR TODAY! – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

Mr. Korb! Selfie!
Mr. Korb! Selfie!

 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: EXAMS! YIKES!

AP Readers at work… for REAL! http://blogs.edweek.org/edweek/curriculum/assets_c/2013/06/APArt2_400%20(2)-thumb-420×236-5362.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Share and REVIEW – EACH PERSON’S SITE and Mounted Works. What do you need to do before 7th Hour? Are you 100% Ready?

Reflection: No more reflection today. Are you done?

Advanced Drawing: Critique? Draw?

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • What do you have to do to complete your masterpiece drawings? How are you BEHIND? Are you up to speed?

Reflection: What did you accomplish today in your SKETCHBOOK TODAY? Are you working on your figure drawings tomorrow? What’s up? What do you need to accomplish?

#Portraits in the #ArtStudio and #Watercolors in #Studio360 (art that is)

“The Earth without ART is just… eh.”

WHOSE IN? Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 35 Students – 7 SPOTS LEFT!
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

http://www.artsunlight.com/artist-photo/Henri-Matisse/girl-with-a-black-cat-by-Henri-Matisse-027.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • How does this painting by Matisse look different than the previous work we saw? What are aspects of the FAUVISTS that you are REALLY getting your brain around in this drawing? 

Reflection: What was the most challenging aspect of this drawing for you to draw?Why was this most difficult way to go? What is most important about drawing when it comes to observation? 

Studio Art 360: COLOR and YOU!

What’s Picasso’s Color Scheme HERE? Don’t Know? Let’s Talk! http://www.dailyartfixx.com/wp-content/uploads/2010/10/Acr%C3%B3bata-y-joven-arlequ%C3%ADn-Pablo-Picasso-Rose-Period-1905.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Why (again) is it important for an artist to choose colors CAREFULLY as they are developing a composition / artwork? What might the RIGHT colors do in an image versus the “wrong” colors?  
  •  Assignment – FOR FRIDAY REPEAT THE ASSIGNMENT from above. MAGAZINE on SELFIES – Scholastic Art Magazine – May 2016

Reflection:  Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others?

ASSIGNMENT FOR MONDAY – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

Mr. Korb's Selfie!
Mr. Korb’s Selfie!

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Portrait of One Another

Portraits: http://www.absolutearts.com/portfolio3/s/steen/Squared-1336615123.jpg

Goals:

  •  2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • TOMORROW is the LAST DAY TO DRAW / CREATE / RESOLVE your portrait… what are THREE THINGS you need to FINISH and FIX and RESOLVE? Look at it with that CRITICAL EYE.

Reflection:  YEP – REFLECT AGAIN…  Step back – SHUSH – 3 minutes left of class – What did you accomplish today? Do you need to take this home to resolve for MONDAY’s CRIT? Take your rubric and BEGIN to fill it out! 

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

Jim Dine Self Portrait: http://web.carteret.edu/keoughp/AFA%20images/Drawing/Jim%20Dine/jimDine-portrait%20of%20Chuch%20Close.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • How did spending a FULL period on the work and NOT having to erase it help you move the process forward? Are you still afraid of erasing a drawing as you progress through it?   Jim Dine Drawing of Chuck Close

Reflection: What are you struggling with in the drawing today? What HELD YOU BACK?

#Tuesday and #WORK on #ART

Here are the top 10 lessons learned from Sara’s Blakely’s journey from fax machine saleswoman to entrepreneurial superstar:

3)      Don’t share your fragile idea with the world too soon.  Sara kept her idea of making a fabulous new undergarment for women under wraps for an entire year while working on developing the prototype.  Only after she was 100% committed to it and ready to launch, did she sit her friends down and explain her new direction.  Sara explains that ideas are vulnerable, fragile things.  Wait until you’re completely read to move forward before you share it with people. Meaning well, they’ll shoot it down, offering all the reasons why it won’t work.  But when they do,  you’ll be ready to deal with it.

4)      Don’t take no for an answer. Sara reached out to slews of manufacturers and lawyers to help her patent her idea and create a successful prototype.  In every conversation she had with potential manufacturers, she was asked three questions: 1) Who are you? 2) Who are you with? 3) and Who is backing you?  When the answers to these three questions remained, “Sara Blakely,” no one wanted to take a chance on her, until one manufacturer called her back and said “OK.”  Why? Because he had gone home and told his daughters about the idea, and they said, “It’s brilliant!”

http://www.forbes.com/sites/kathycaprino/2012/05/23/10-lessons-i-learned-from-sara-blakely-that-you-wont-hear-in-business-school/#b7b88b174429

Drawing: MUSIC and ART!

Kandinsky MOTIF – What is it? http://www.wassilykandinsky.net/images/works/370.jpg

Goals:

  • 7.2Ac: Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.
  • As this develops, how are your ideas and Kandinsky’s similar and how are they different? What might you take away from this experience? How can you share that idea with the world?

Reflection: As this work develops, how are your ideas and Kandinsky’s similar and how are they different? WRITE this out from the beginning of the hour. Has it Changed? 

Studio Art 360: Sculpture

Coke Bottles – TODAY! http://www.scottzagar.com/arthistory/images_gallery/766_coke_t.jpg

Goals:

  • 10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
  • Page back through your first weeks of the sketchbooks and take a look at what  you have done so far. What are three things you are struggling with when it comes to drawing? What are three things you see as strengths in your skills?

Reflection: What three things can you do / are you going to do to to enhance your sketchbook drawing for next week’s grade?

AP Studio Art: 

Picasso’s Planning Stages – Guernica! http://juddtully.net/wp-content/uploads/picasso_sb_2.jpg

Goals:

  • 3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
  • What has this LAST batch of images helped you LEARN as an artist?

Reflection: We’re going to create one more SOLID SET of CONCENTRATION BEGINNING NEXT WEEK. Think about the FIRST works you created and the LAST work we are wrapping up this week. WHERE have you TRULY GROWN in the development of your work

Advanced Drawing: 50 Sheets of Paper!

Fred Stonehouse The Taste of Failure: https://artwithkorb.com/wp-content/uploads/2016/02/fred-stonehouse-the-taste-of-failure.jpg
Fred Stonehouse The Taste of Failure: https://artwithkorb.com/wp-content/uploads/2016/02/fred-stonehouse-the-taste-of-failure.jpg

Goals:

  •   2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • What are TWO THINGS that you have successfully done to develop this and begin to solve this very challenging PERSONAL JOURNEY?

Reflection: How has THE PROJECT art students want really helped you grow as an artist?

#4DaysLeft – #Work on your #ART

“An average person with average talent, ambition and education, can outstrip the most brilliant genius in our society, if that person has clear, focused goals.” – Brian Tracy

”Even talent is rarely indistinguishable, over the long run, from perseverance and lots of hard work.” Ted Orland and David Bayles – Art and Fear

Painting and Advanced Painting:Critique? Paint? Stay Focused.

painting_critique
How’s the CRIT going?

Goals: 

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • You were asked to begin thinking about the work in front of you… What DO YOU SEE IN YOUR PAINTING? That’s it.. WHAT DO YOU SEE? Take your time… look at everything you see in the work and write down all that you see.
  • Folder to upload from is HERE.

Reflection: Time to work today began with DESCRIPTION – was there anything NEW that you saw when you began writing and working today? We do not have a lot of time to work this week but… lots of time use that knowledge in your life. 

Studio Art 360: POP!

EXAMPLES from LAST YEAR!

Andy Warhol art at Tehran's Museum of Contemporary Art - Pop Art & Op Art exhibition
Andy Warhol!

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • Working on the POP Art painting today, what is the ONE MAJOR ASPECT you need to clean up, finish up in the work today?

Reflection: What is the biggest strength in your painting? What Color scheme do you feel turned out the best and why?

AP Studio Art: CRIT Today! How’s your WEBSITE?

http://frankjuarezpaintings.com/

untitled-2-269-frank-juarez
Frank Juarez Painting – Art in America

Goals:

  •  4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How is the online presentation coming along? What do you STILL NEED TO DO in order to get the website finished and polished?

Reflection: Presentation of your current body of work is on THURSDAY. What do you have to do in order to get the 3 works finished? 

Drawing: Wrap up by FRIDAY?

050242_matisse_madame20matisse
Remember where we bagan? Madam Matisse! http://cdn.bartongalleries.com/paintings/800/050242_Matisse_Madame%20Matisse.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Take a look at your previous day’s work – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?
  • Folder to UPLOAD FROM is HERE

Reflection: What was the most challenging way to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

#MidWeekWednesday – #3DaysToWork

“An average person with average talent, ambition and education, can outstrip the most brilliant genius in our society, if that person has clear, focused goals.” – Brian Tracy

”Even talent is rarely indistinguishable, over the long run, from perseverance and lots of hard work.” Ted Orland and David Bayles – Art and Fear

Painting and Advanced Painting: STAY ON TARGET!

How’s the critique go for Ferris? What are you thinking about in your work? http://99designs.com/designer-blog/wp-content/uploads/2014/07/ferrismuseum.jpg

Goals: 

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • There are four parts to a well written critique. Description, Analysis, Interpretation, and Judgement. What challenges do YOU have when it comes to the WRITING about art? Your Art? Writing in general…
  • Folder to upload from is HERE.

Reflection: Reviewing the 4 parts of the critique – what challenges do you see coming your way? What seems to be the most challenging part of the process?

ONLINE CRITIQUE HERE!

Studio Art 360: PAINT your POP!

EXAMPLES from LAST YEAR!

VISUAL EXAMPLE of SETTING UP YOUR IMAGE.

Andy Warhol and HIS GENIUS! http://www.quotationof.com/images/andy-warhol-quotes-2.jpg

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What seems to be the one LARGEST CHALLENGE you are facing with your acrylic paintings?

Reflection:  What color scheme is your MOST SUCCESSFUL ONE at this point and WHY?

AP Studio Art: CRIT Today! How’s your WEBSITE?

http://frankjuarezpaintings.com/

Frank Juarez: http://frankjuarez.files.wordpress.com/2010/05/indiana-green-by-frank-juarez.jpg?w=299&h=300

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • What are you doing to RESEARCH your work? This is the SECOND QUESTION on the exam (1350 characters). You will be presenting your 2 questions and the works to the WORLD in the ONLINE Blog – THIS IS YOUR EXAM. Mid-Term exam GRADES WILL BE MADE ON YOUR online presentation. 

Reflection: What have you learned about the work that you are creating? Is there anything you feel that has really advanced and developed? Something that you have really GROWN from?

Drawing: Wrap up by FRIDAY?

LOLA – Alexi van Jawlenski: http://en.wahooart.com/Art.nsf/O/8YDE4Y/$File/Alexei-Jawlensky-Lola.JPG

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • This is it folks – last day – Every square inch needs pastel. What’s holding you back? What has propelled you forward in the process?
  • Folder to UPLOAD FROM is HERE

Reflection: Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing?

ONLINE CRITIQUE HERE!