5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
What differences do you know about ACRYLIC Paints and OIL Paints? Today we are DEMONSTRATING the differences. We NEED to be AWARE of STORING THEM in the YELLOW RACK (or in the locker) – Safer in there than on the TOPS OF THE LOCKERS.
REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.
Reflection / Evaluation: What are you seeing in the works of others that you find successful? What are you doing that OTHERS could learn from? PAUSE 5 minutes before cleanup. GIVE COMMENTS in one another’s RUBRIC – PAPER COPY. WHAT DO YOU NEED TO DO TO KEEP IT FROM DRYING OUT THIS LONG WEEKEND?
AP Studio Art: Critique!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
How have YOU begun to understand the importance of reflection and CRITIQUE? AND…
7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
You’ve got the music at your fingertips – how are you going to work and BUILD this creation over the Thanksgiving Break (in your sketchbook) so we can GO TO IT FAST AND FURIOUS when we get back. One Week to DO IT!
2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
How are you going to SOLVE the issue we are having with the combining of the PORTRAIT and the GRAFFITI? This is a CHALLENGING idea – how are you tackling it?
Reflection / Evaluation: What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.
5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
Knowing you have the options of REALISM in colors or going out on your own in choices of colors… what do you see as advantages of the direction you are planning on going? I want you to think about both approaches.
Reflection / Evaluation: What ideas do you see coming out from others as you develop your own ideas? How can you see working with OTHERS in a COMMUNITY as being beneficial to the development of your art?
1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
What challenges are you having COMPOSITIONALLY with your image / sculpture?
REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.
Reflection / Evaluation: How have you begun to SOLVE the COMPOSITIONAL CHALLENGES / PROBLEMS in your work?
AP Studio Art: Critique!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
How can Music Inspire your ART? – Listen to the SONGS in the link below for your inspiration – CHOOSE TWO to work from – We will assign them tomorrow!
Goals:
4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
How have YOU begun to understand the importance of reflection and CRITIQUE? AND…
When you think of your favorite music… do you think of images, colors, shapes and forms? How HAVE you , COULD you use your past / current ideas about MUSIC to create works that will represent / draw upon music
2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor.
Reflection / Evaluation: What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.
#WiArtChat is on TWITTER NEEDS your INPUT! Please visit goo.gl/UvXgQM
“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
What do you need to do in order to be READY to transfer your image up to the canvas on MONDAY, TUESDAY, WEDNESDAY? Study Halls? After School? Before School? PROCESS!!! THIS IS HUGE!
ONE ADDITION TO THE HANDOUT – RESEARCH A CONTEMPORARY PORTRAIT ARTIST, Write a One Paragraph (or more) Biography about the artist, have 5 images as visual reference with TITLE, SIZE, YEAR, MEDIUM, and have VISUAL REFERENCES to their art in YOUR painting!
1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
What challenges did you have in getting started this week on with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture Slaves Detail Planning:
Reflection / Evaluation: What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.
AP Studio Art: Concentration!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
Critique with the Painting Class – As an individual, what do you think you are going to struggle with the most in today’s (and tomorrow – and maybe Wednesday’s) Critique
Reflection / Evaluation: What one thing did you add to the critique that nobody else did?
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Of ALL the aspects of the face – what are you having the most success with and what is the most challenging? What is hardest about the most challenging part?
Reflection / Evaluation: Having worked with PASTELS for one period… what did you LEARN about them? Write out 3 thinigs you DISCOVERED for YOURSELF!
#WiArtChat is on TWITTER NEEDS your INPUT! Please visit goo.gl/UvXgQM
“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Consider the layering and transparency of the images / colors… what does this visually do for you, the painter? What does it do visually for the audience?
ONE ADDITION TO THE HANDOUT – RESEARCH A CONTEMPORARY PORTRAIT ARTIST, Write a One Paragraph (or more) Biography about the artist, have 5 images as visual reference with TITLE, SIZE, YEAR, MEDIUM, and have VISUAL REFERENCES to their art in YOUR painting!
1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
What challenges did you have in getting started this week on Tuesday with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.
Reflection / Evaluation: What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.
AP Studio Art: Concentration!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
Critique with the Painting Class – As an individual, what do you think you are going to struggle with the most in today’s (and tomorrow – and maybe Wednesday’s) Critique
Reflection / Evaluation: What one thing did you add to the critique that nobody else did?
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Where in society today do you think most people get PORTRAITS of themselves made? Share your answers with your neighbor.
Reflection / Evaluation: What is the progress of the drawing thus far? What is the progress of the SELFIE / GRAFFITI? What are you hoping to COMMUNICATE in your work? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.
#WiArtChat is on TWITTER NEEDS your INPUT! Please visit goo.gl/UvXgQM
“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
How are you coming along in the process of the painting construction? What is a benefit that you can see in learning how to build a canvas? N: Construction of the canvas.
ONE ADDITION TO THE HANDOUT – RESEARCH A CONTEMPORARY PORTRAIT ARTIST, Write a One Paragraph (or more) Biography about the artist, have 5 images as visual reference with TITLE, SIZE, YEAR, MEDIUM, and have VISUAL REFERENCES to their art in YOUR painting!
Reflection / Evaluation: While there are MANY advantages to the building, what is a disadvantage to the building of a canvas?
1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
What are the MAJOR textures you are hoping to work into your BAS – RELIEF sculpture? How will they help create the idea of SPACE in a somewhat flat (low-relief) picture plane?
Reflection / Evaluation: How are you going to keep the clay from drying out over the evening? What techniques are REALLY important to be using to make sure any ADDITIVE clay really HOLD TIGHT to the clay you are adding it to?
AP Studio Art: Concentration!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
SELF CRITIQUE on Thursday… You will be critiquing your own works – One person will be the comment mark keeper. You will moderate your own work… What is ONE BIG STATEMENT you feel you will make about your own work? EVERYONE speaks about their own work AND about each person’s work.
Reflection / Evaluation: Of all the Edvard Munch works we have seen this week – What was something that TIED THEM ALL TOGETHER? How do you see this idea as being able to help you tie YOUR works together?
2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
Now that we’ve gone over ALL the facial features – What challenges are you facing in the drawing of the face itself? Be AWARE of the MOST CHALLENGING parts – DO NOT SKIMP on the PRACTICE! FOCUS! N: Proportions on the head / shoulders.
Reflection / Evaluation: What are some REALLY IMPORTANT GUIDELINES that you will be using to make ACCURATE references in the face drawings?
#WiArtChat is on TWITTER NEEDS your INPUT! Please visit goo.gl/UvXgQM
“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman
Painting and Advanced Painting: CANVAS Building
Ruth Shively – http://ruthshively.com/
Goals:
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Looking at the TOOLS in front of you and TALKING with your classmates, what is the BASIC PROCESS of cutting the lengths of wood for your stretcher? What is one question you have about the process of building a canvas?
ONE ADDITION TO THE HANDOUT – RESEARCH A CONTEMPORARY PORTRAIT ARTIST and have VISUAL REFERENCES TO THEIR WORK IN YOUR WORK!
Reflection / Evaluation: What stage are you at in the process of building the canvas? How can you offer assistance in the process with your classmates.
Studio Art 360: SHOES and ARCHITECTURE!
Goals
1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
AS you used OBSERVATION in your SCULPTURAL DRAWINGS – how can you use the SAME ideas in a LESS than GEOMETRIC Drawing? What skills are you STRONG with and what skills do you LACK?
Reflection / Evaluation: Look ta today’s drawing – what is the STRONGEST ASPECT of it? What do you need to work on for TUESDAY of NEXT WEEK?
AP Studio Art: Concentration!
Have you looked at the AP Studio Art Portfolio for Inspiration? Hereare the AP Studio Art Portfolio Example Pages.
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
With three works due WEDNESDAY (Thursday Really) – what are steps that you can make to be CERTAIN that you will be ready to LEAD a critique on Thursday? We need to continue working at a quicker pace… lots to do yet…
Reflection / Evaluation: What is the ONE THREAD that your AP READER might see as they look at the 3 works you have (or are working on) that will tie things together?
2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
Take a look at your previous 3 day’s works – where did you struggle the most with the idea of the facial features? Where did you succeed the most?
Reflection / Evaluation: What was the most challenging part of the face for you to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation?
#WiArtChat is on TWITTER NEEDS your INPUT! Please visit goo.gl/UvXgQM
“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman
3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
Who have you begun to think about for the idea of the portrait? Self Portrait? Friend? Family? Take a minute – write it down and the big WHY! Tell your neighbor your plan.
Reflection / Evaluation: What is the ONE challenge you will have in the process of building a canvas? What are TWO aspects of your portrait that are going to make this a STRONG and engaging painting for you?
NETS Students use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others.
When you WROTE your poetry – what imagery in your artwork really began to stand out? How might this help you develop your bas relief sculpture?
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
What are you thinking about carrying forward as you WRAP UP the FIRST three works (by Wednesday) and move into the NEXT three images? Write your ideas out in your sketchbook as you work.
Reflection / Evaluation: What are two things that you would judge as successful as you look at the 3 works together? Consider these FIRST three works as beginnings.
6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
When you think of what is popular in today’s art world – what kinds of imagery comes to mind? What kind of art do you like? Images, artists, colors? Graffiti and Fauvism – BOTH – worked to advance art beyond the current art of their time.
Reflection / Evaluation: What are 2 things you enjoy or are challenged by throught the ideas and imagery of graffiti? BEGIN WORKING ON PRACTICE DRAWINGSof a person’s ENTIRE FACE – Front on or 1/4 turn at the most! PRACTICE is all it is – DUE Thursday – Famous person – BIG.
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Consider the techniques in the application of paint you used in your acrylic paintings. Layering MANY layers versus one flat color. Thin layers upon layers or one solid thick color. Smooth and flat versus textured. What does this visually do for you, the painter? What does it do visually for the audience?
Reflection / Evaluation: As some of you will be SEARCHING for ideas, others may be Researching for them (appropriation and making it your own). What is one struggle you are having in the idea of the portrait so that it is NOT JUST a mug shot, but rather an investigation of the PERSON – a portrait with MEANING?
Studio Art 360: Collage – Self Assessment and POETRY! (Photographs too).
Let’s Look at another by Writer and Collage Artist Erica Beebe – HERE!
Goals
NETS: Students use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others.
As you WROTE about your artwork – and thought about it from the idea of POETRY – what are 2 or 3 NEW IDEAS you had about your work? BE specific!
2.3Ad: Demonstrate in works of art or design how visual and material culture defines, shapes, enhances, inhibits, and/or empowers people’s lives.
How will your audience be MOVED by the work you are presenting? Remember that one of the CRITERIA is all about creating work that is moving and engaging? ALSO – how do you see your CULTURE / SOCIETY / ENVIRONMENT as being IMPORTANT in the work you are creating?
Reflection / Evaluation: What work are you planning for this weekend? Be specific… What are you going to set time aside for and work on? Friday Night… Saturday… Sunday…
6.1P: Analyze and describe the impact that an exhibition or collection has on personal awareness of social, cultural, or political beliefs and understandings.
What are you seeing about your collage as being a NEW skill / a NEW understanding / a NEW technique that you might take into the future of your art making toolbox?
Reflection / Evaluation: What is the ONE area of the collage that you see yourself as carrying into the BAS RELIEF Sculpture? How do you hope to see this as carrying the SOCIAL COMMENTARY forward?
AP Studio Art: Concentration to work on!
Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
Considering the ideas you are developing… how are you using imagery / symbolism / techniques to tie the art works together? Please think about the larger MESSAGE as well as the APPROACH you are using to tie the works together
Reflection / Evaluation: Imagine yourself in front of the AP BOARD… how would you, in 30 seconds, defend your body of work so far?
Art With Korb 
