#WAEA 2105 Convention Thoughts (and Studio Time)

WAEA Art e-times

Published in this month’s WAEA ART e-Times is my article on the 2105 WAEA Convention. I have my article below, but I have also included a link (above) to the e-times so you can read through the whole thing. Having the opportunity to teach in Waterford gives me the great pleasure to have the support of the community, administration, school-board, and fellow staff members (as well as the students – thank you students for your hard work) to challenge the young artists with what it is to be an artist in the 21st century. It’s not about making the pretty pictures, but it’s about the thought and consideration in the choices we make. Art is about the challenges and persistence to get through the difficult tasks. Making art is about the failures and successes, the time BETWEEN artworks that help us grow as artists. Enough already… here’s the article.

Frank

P.S. Remember Artists… I’ll be in the art studio at WUHS on Monday and Wednesday this coming week to work – but more importantly to help you out if you are in need of some studio time.

~~~

It’s been at least 17 years since my first (and last) WAEA Convention. I took little away from it then in comparison to what I learned this year. Maybe I was too young to truly appreciate what I didn’t know about teaching, students, or learning. Perhaps I was just naive in the ways of education. I just remember that I didn’t walk away with an appreciation of what was offered. As I look back on the 2015 convention, I find myself thinking more on what art education is, what it can be, and what it should should be for today’s student.

WHAT IT IS: Being part of the visual arts are problem solving skills that the arts offer but other academics may not. These skills however are ones that are helpful in the success other fields. Considering the hands on experiences we provide, the act of making allows risk taking and often encourages failure in the search for success that other fields may not. Process over product, something that we and our students rely on to create the world we create.

WHAT IT CAN BE: Our young artists (and older ones) can become stronger and more thoughtful members of society than their non-art counterparts. I consider the ideas about the National Visual Arts Standards and goal setting as examples. As grown-up artists (mature?), it seems natural that we should know what it takes to make successful, important, engaging art. However, implementing the use of standards and goals can allows for points of departure, reflection, and assessment in making the successful work that gets made. While our artists may not always be making art that changes society, is engaging, or is as successful as they (or we) thought it could be, at the very least it can begin to change the individual on a level that leads to larger changes down the road.

WHAT IT SHOULD BE: Sessions that looked at assessment and rubrics, techniques in art teaching and art making, and even the ever popular PDP, SLO and PPG reminded me how the arts need to make connections that engage with the larger community and (as I mentioned before) society. Seeing the arts out in the big world, not just in the tiny studio, is essential. I often feel that my students, as well as their families, teachers, and the larger community, need to be reminded that there are strong connections between what we do in studio and how it relates to what happens outside of the studio. Art is important in the world.

The arts (visual, musical, theatrical, written, to mention a few) need to be an experience, an encouraging place, an opportunity for experimentation, a happening, an object that encourages self-discovery, creativity, new ways of thinking, and invention that today’s world demands. I look forward to the development of new friendships, and connections that I made at this year’s convention. More importantly however, I look forward to the conversation, collaboration, and art making that inspired me, and in turn my students, from the 2015 WAEA State Convention.

#NewArt #Updated #APStudioArt #Website

Songs of Sanctuary: AP Studio Art 2015

maraea adiamus Quezaire
Adeimus: MaRaea Quezaire

Hello and HAPPY SATURDAY! Over the past two weeks, our AP Studio Artists have been working to put visual to the musical (Wassily Kandinsky inspired? The conversations around the studio mentioned his name a few times). Choir Director Mr. Derek Machan and his choirs at Waterford Union High School will be performing (January 9 and 10 100 Field Drive, Waterford, WI)  the music of Karl Jenkins, Songs of Sanctuary.

“I conceived Songs of Sanctuary in the European classical tradition, but it was my intention that the vocal sound should be more akin to those heard in ethnic or world music. The “words” are invented; in this respect the work is a vocalize, albeit one in which the vowels and consonants are specified.” – Karl Jenkins

Tintenaula West-Windschanz
Tintinnabulum: Julia West-Windschanz’s Statement
Please visit the AP Studio Art Website HERE (and SHARE IT AROUND) to see the works, read the artist statements, and listen to the music. Please, add comments to the page, offer the student artists feedback, and come join the choirs to hear the performance. All of the AP Studio Artists work will be on exhibition at the WUHS Gallery for you to enjoy.
– Frank
Cantus Inaequalis Heebsh
Cantus Inaequalis: Mary Heebsh

#MidWeek #Friday? #Reflect on #Portraits are #Passion!

There’s no retirement for an artist, it’s your way of living so there’s no end to it. Henry Moore

Painting and Advanced Painting: CANVAS Building

Alice Neel – How to handle the portrait? https://d1ycxz9plii3tb.cloudfront.net/additional_images/52fbd3077622ddb3300001c1/large.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What differences do you know about ACRYLIC Paints and OIL Paints? Today we are DEMONSTRATING the differences. We NEED to be AWARE of STORING THEM in the YELLOW RACK (or in the locker)  – Safer in there than on the TOPS OF THE LOCKERS.
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: What differences do you NOW KNOW about acrylic paint and oil paint?

Studio Art 360: Reflect on Progress

MODELING of the clay… http://edhamiltonworks.com/images/lincoln/bas_relief/slaves_detail.jpg

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • How does working three dimensionally make you think differently about the making of art than working on the collage (2D work) did?
  • http://edhamiltonworks.com/bas-relief.htm 
    • REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.

Reflection / Evaluation: What are you seeing in the works of others that you find successful? What are you doing that OTHERS could learn from? PAUSE 5 minutes before cleanup. GIVE COMMENTS in one another’s RUBRIC – PAPER COPY. WHAT DO YOU NEED TO DO TO KEEP IT FROM DRYING OUT THIS LONG WEEKEND?

AP Studio Art: Critique!

Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.

http://www.thelogomix.com/files/u7/art-on-music.png

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How have YOU begun to understand the importance of reflection and CRITIQUE? AND…
  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • You’ve got the music at your fingertips – how are you going to work and BUILD this creation over the Thanksgiving Break (in your sketchbook) so we can GO TO IT FAST AND FURIOUS when we get back. One Week to DO IT!

MUSIC TO BE INSPIRED BY HERE!

MUSIC SIGN UP SHEET HERE! Thanks Julia.

Reflection / Evaluation: What are you going to do on FRIDAY, SATURDAY, and then SUNDAY to be READY to work on Monday? 3 things…

Drawing: Google Slideshow

Andre Derain – Self Portrait: http://uploads7.wikiart.org/images/andre-derain/self-portrait-with-a-cap.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • How are you going to SOLVE the issue we are having with the combining of the PORTRAIT and the GRAFFITI? This is a CHALLENGING idea – how are you tackling it?

Reflection / Evaluation: What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.

#WiArtChat TONIGHT at 7:00 PM – What #Questions do YOU have for the#ArtTeacher?

#WiArtChat is on TWITTER TONIGHT! Join Us!

There’s no retirement for an artist, it’s your way of living so there’s no end to it. Henry Moore

Henry Moore – “King and Queen” 1954 http://www.henry-moore.org/images/glenkiln_lh350_4.jpg

Painting and Advanced Painting: CANVAS Building

What is your PORTRAIT going to START like? Continuous line? Observation from Photograph? http://watercolorjournal.files.wordpress.com/2011/11/inverted-drawing-of-portrait-of-igor-stravinsky-pablo-picasso.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • Knowing you have the options of REALISM in colors or going out on your own in choices of colors… what do you see as advantages of the direction you are NOT planning on going?
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: How do you see the plans you are developing as being successful? What ELEMENT are you focusing on? Line, Color, Texture, Value?

Studio Art 360: CLAY! Finally!

How did /can you use MODELING in the sculpture? No this is NOT Han Solo… http://edhamiltonworks.com/images/lincoln/bas_relief/bas_relief_young_lincoln.jpg

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What challenges did you have in getting started last week on Friday with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.:
This Is. http://williambeem.com/wp-content/uploads/2012/09/Han-Solo-in-Carbonite.jpg

Reflection / Evaluation: What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.

AP Studio Art: Critique!

Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.

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Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • We are listening to Erica Meier’s Gallery Talk today – As an AP Studio Artist who is DEVELOPING their OWN Body of work… What is a solid question you have that you can ask a contemporary artist about the development / process / working habits?

Reflection / Evaluation: Good Gallery Talk!

Drawing: Google Slideshow

Relax Ma… It’s Only Fauvism… http://www.craftsy.com/blog/wp-content/uploads/2013/10/498px-Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_1906.jpg

Goals:

  • G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro and color to better define the ideas of form (in the face especially)?

Reflection / Evaluation: What is the LARGER message that you are hoping to get across with your work? It is MORE than just creating a portrait… we could use a camera and do that.

#Green and #White #Friday of #SpiritWeek

goooOOOO Waterford!
goooOOOO Waterford!

PEP Assembly Schedule

  • 1 – 7:25 AM – 8:00 AM
  • 2 – 8:05 AM – 8:40 AM
  • 3 – 8:45 AM – 9:20 AM
  • 4 – 9:25 AM – 10:00 AM
  • 6 – 10:05 AM – 10:40 AM
  • 5A – 10:45 AM – 11:10 AM
  • 5B – 11:15 AM – 11:40 AM
  • 5C – 11:45 AM – 12:10 PM
  • 7 – 12:15 PM – 12:50 PM
  • 8 – 12:55 PM – 1:30 PM

What Difference does it make whether you’re looking at a photograph or looking at a still life in front of you? You still have to look. Chuck Close

Painting and Advanced Painting: PAINTING – WRAP IT UP!

How might her WATERCOLORS have led her to this “From the RIVER” OIL PAINTING? http://www.okeeffemuseum.org/wp-content/uploads/2009/09/from-the-river-pale-909-1200×1604.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Knowing we are critiquing on MONDAY – I will NOT assign a WRITTEN critique for this painting – ALSO KNOW IT IS HOMECOMING WEEKEND and I am gracious and understanding – What do you need to be REALLY focused on TODAY to WRAP THIS PAINTING UP? How is this collage / painting using traditional and contemporary ideas in the 1) Composition and 2) Techniques? – 5 Minute SELF – EVALUATION today… this will / can be used to FURTHER your thoughts on MONDAY and TUESDAY! In addition… What is the TITLE of your work? Using a blank page in your sketchbook – write out one brief paragraph that discusses the SOCIAL TOPIC, WHY it is important to you, 3 things (or more) in the painting help to explain that, 2 things you are PLEASED with, and 1 thing you would like to improve on for next time. THIS IS YOUR EXIT TICKET TODAY!

Reflection / Evaluation: Monday Crit – What 3 things stood out with O’Keefe’s work as you looked it over this week?

Studio Art 360: Boxes/ Sculpture / Paper Mache

SCULPTURE GARDEN! What would YOUR drawing look like in a sculpture garden? https://upload.wikimedia.org/wikipedia/commons/7/70/Sengkang_Sculpture_Park_6,_Nov_05.JPG

Goals:

  • 9.1P: Establish relevant criteria in order to evaluate a work of art or collection of works.
  • Looking at the forms you created – what is the STRONGEST / MOST SUCCESSFUL aspect of your sculpture? WHY? What is the WEAKEST / LEAST SUCCESSFUL aspect of your sculpture? WHY?

Reflection / Evaluation: What form was the most challenging for you to create with the DRAWING or the CARDBOARD? Why do you feel that was the biggest challenge? Use the ART TERMS that you know (Form, Shape, Effort, Execution…)

AP Studio Art: Plants and Drawing! Time to WORK!

How are you mixing your media? ARE YOU? Are you beginning to think about the composition? Do you NEED to? http://mhsartgallerymac.wikispaces.com/file/view/mid-summer.jpg/247110137/mid-summer.jpg

Goals:

Reflection / Evaluation: How did having conversation with your classmates about the processes / materials that you are using give you different ways, new ideas about the work you are making?

Drawing: Kandinsky and Shapes!

Lots to READ – Kandinsky Color Theory. http://img2.mappio.com/ewant/kandinsky-color-theory-4170-Large.jpg
Several Circles – What are your FEELINGS about this work? Let’s TALK about it and then READ about the colors from Kandinsky’s point of view. http://web.guggenheim.org/exhibitions/kandinsky/images/several_circles.jpg

Goals:

  • 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • How are you using geometric shapes in your life? How do you relate meaning to them? What are some shapes that are dominant in your life? 

Reflection / Evaluation: What NEW ideas might you have had about COLOR and SHAPE in the art you were creating?

#Ding Dong the witch is dead, but #Elphaba is a GOOD witch – right @arkorb?

What Difference does it make whether you’re looking at a photograph or looking at a still life in front of you? You still have to look. Chuck Close

I'll get you my pretty, and your little dog too. Because I defy gravity and you want to make me popular.
I’ll get you my pretty, and your little dog too. Because I defy gravity and you want to make me popular.

Painting and Advanced Painting: PAINTING your Social Commentary

Georgia O’Keefe – WATERCOLOR! http://www.wtamu.edu/library/okeeffe/images/lightontheplains2_credit.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • How do you feel that working with WATERCOLORS might take you to the next medium of Acrylic? Based on PAST EXPERIENCES… what similarities do you see being part of the process?

Reflection / Evaluation: Biggest accomplishment with the watercolor today? how have you seen GROWTH as an artist so far?

Studio Art 360: Boxes/ Sculpture / Paper Mache

Form in your sketchbook – Let’s begin to think about setting up COMPOSITIONS. https://marcgodfreysketchblog.files.wordpress.com/2013/06/sculpture3.png?w=500

Goals:

  • 2.1P: Engage in making a work of art or design without having a preconceived plan.
  • Two weeks into sketchbooks – what are you accomplishing with the TOOLS drawing that you failed on in the CITYSCAPE – or what are you doing better in this week’s work?

Reflection / Evaluation: How have you SEEN your sculpture DIFFERENTLY now that you are DRAWING it versus BUILDING it? Do you have to continue working on it so that it is FINISHED for NEXT TUESDAY?

AP Studio Art: Plants and Drawing! Time to WORK!

What materials have you used today? What were the focal points of the drawings for the day. http://p1.la-img.com/335/1786/768265_2_l.jpg

Goals:

  • 10.1Ad: Synthesize knowledge of social, cultural, historical, and personal life with art-making approaches to create meaningful works of art or design.
  • Not knowing what your thoughts are about plants / flowers, know that they have been and will be a large and important image in art. Working to make sure you have a REAL connection with the images you make, what are your personal connections to the art or the making of the art?

Reflection / Evaluation: What materials have you used today? What were the focal points of the drawings for the day.

Drawing: CRIT – Let’s Review the PROCESS!

The CRIT! http://iupui.mcnrc.org/wp-content/uploads/sites/12/2013/11/jacobson-story-image.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Think about yesterday’s critique… How can you CONTINUE to consider the ELEMENTS and PRINCIPLES to be a successful and productive member of the oral critique?

Reflection / Evaluation: How are you falling short of being able to REALLY add to the critique? THIS IS A PART OF YOUR GRADE!

#Monday in the #ArtStudio – #Critique and #PaperMache – #Plants too!


wpid-wp-1442836974364.jpeg
Mr. Korb – The NEW Greatest American Hero – 2015 – Happy Homecoming Spirit Week!

https://youtu.be/B4JCehDOy54

What Difference does it make whether you’re looking at a photograph or looking at a still life in front of you? You still have to look. Chuck Close

Painting and Advanced Painting: PAINTING your Social Commentary

Georgia O’Keefe: http://www.artexpertswebsite.com/pages/artists/artists_l-z/okeefe/O’Keeffe_EveningStarNo.V1917.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Looking over the work you have, what surprises do you see from where you started from two weeks ago? Stronger than you expected? Weaker? EXPLAIN! (I will be asking you about Georgia O’Keefe’s work on Friday – anything stand out today? Keep an eye on her work as the week progresses.)

Reflection / Evaluation: What ELEMENT of art do you find being the strongest one that you are using? Color? Line? Shape? Form? Space?

Studio Art 360: Boxes/ Sculpture / Paper Mache

Cardboard ona BIG SCALE! http://craftcouncil.org/magazine/article/cardboard-unpacked  http://craftcouncil.org/sites/craftcouncil.org/files/MM_AS11_01.jpg

Goals:

  • Use multiple approaches to begin creative endeavors.
  • What more do you need to do in order to be done with the sculpting of the form and then resolve the form to add the paper mache? IF YOU ARE PAPER MACHEing… What color are you interested in painting your sculpture, Black, White, or another color? WHY?

Reflection / Evaluation: List three things you see that the paper mache and color will do to SIMPLIFY and UNIFY your sculpture.

AP Studio Art:Plants and Drawing!

Jim Dine – Plants and Trees: https://artwithkorb.com/wp-content/uploads/2014/09/e5371-1980tree2528thekimono2529.jpg AND THEN: Bring up an image from the Alan Cristea Gallery: https://www.alancristea.com/collection-41-109-Plants-Andamp%3B-Trees

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • Using the PLANT and the image by Jim Dine that I have shown you, what ideas FIRST COME TO YOUR MIND when told you are going to be working on a PLANT BASED drawing? Write out your FIRST THOUGHTS.

Reflection / Evaluation: What are your first marks on the paper? What are the areas that you are focusing on in the composition? How did you approach this work?

Drawing: CRIT – Let’s Review the PROCESS!

Your Work in the MoMA? Nope… Robert Chamberlain’s http://www.artic.edu/sites/default/files/styles/slideshow_scale/public/cal_TP_crit_360.png?itok=AhqbYJZS

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Looking at the still life in front of you, what is the one aspect of it that you are most pleased with? Why are you so pleased with how you handled the materials and composition?

Reflection: What was it that you took away from today’s critique? How did you contribute to the success of the conversation?

#Thursday and #BackToNormal (whatever that is) in the #ArtStudio


“Goals are the fuel in the furnace of achievement.” Brian Tracy

Painting and Advanced Painting: PAINTING

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • As you have been working on your watercolors – what skills do you feel you have developed in your body of work?

Reflection / Evaluation: How have you used persistence and grit to continue and work through the issues you are having?

Studio Art 360: Boxes/ Sculpture / Paper Mache

What can YOU build using the techniques we have LEARNED in StArt360?

Goals:

  • G: 9.1P: Establish relevant criteria in order to evaluate a work of art or collection of works.
  • What are are some of the PERSONAL criteria that you might set up for yourself as you work on an artwork (if you were to SELF-EVALUATE along the way)?

Reflection / Evaluation: Based on your initial thoughts about personal criteria, are you matching, exceeding, or just barely hitting the standards you would set up for yourself? WHY?

AP Studio Art: ENGLISH Computer Lab – Website

Wordpress Dashboard AP Studio Art

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What skills do you have in the realm of TECHNOLOGY that you see as being HELPFUL TO OTHERS in the class?

Reflection / Evaluation: Now that we’ve been in the lab… What challenges did you have using TECHNOLOGY today? Give 3 specifics.

DID YOU MAKE 2 PHOTOGRAPHS OF YOUR ARTWORK AND EMAIL OR PUT THEM ON YOUR GOOGLE DRIVE? Get it DONE! Computer Lab AND… Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON FRIDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?  WE ARE USING THIS NEXT MONDAY ON THE AP WEBSITE!

Drawing: CRIT – Let’s Review the PROCESS!

Hanging our work up for a crit is SCARY – but SO WORTHWHILE!

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Looking at the still life in front of you, what is the one aspect of it that you are most pleased with? Why are you so pleased with how you handled the materials and composition?

Reflection: What was it that you took away from today’s critique? How did you contribute to the success of the conversation?

#LateStart #Wednesday… Get to #ArtWork #Fast and #Focused


“Goals are the fuel in the furnace of achievement.” Brian Tracy

Painting and Advanced Painting: Collage to PAINTING

What TECHNIQUES are you going to or ARE you using? mhttps://artwithkorb.com/wp-content/uploads/2014/09/ed539-demo000.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • What do you feel about talking aloud when it comes to other’s works? What are your thoughts about why you may be apprehensive or confident when discussing other individual’s work? (Am I looking forward to a critique? YES!)

Reflection / Evaluation: What were 3 things that you took away from today’s MID critique?

Studio Art 360: Boxes/ Sculpture

Cool ways to use cardboard and paper to make useable objects! https://s-media-cache-ak0.pinimg.com/736x/5c/a3/47/5ca3470c7ce2e609b6d6915e8a3a0660.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • What changes can you make to the forms as you add the paper mache to them? How will this add or take away from the sculptural form?

Reflection / Evaluation:  What do you need to do to WRAP UP THE BUILDING part of this work?

AP Studio Art: Computer Lab – Website

WordPress AP Pages Add
Here’s where we can start!

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • WHY do we want to set up a webpage and digital images for AP Studio Art? Give 3 reasons and explanations.

Reflection / Evaluation: What challenges did you have using TECHNOLOGY today? Give 3 specifics.

DID YOU MAKE 2 PHOTOGRAPHS OF YOUR ARTWORK AND EMAIL OR PUT THEM ON YOUR GOOGLE DRIVE? Get it DONE for TOMORROW! Computer Lab AND… Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON FRIDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?  WE ARE USING THIS NEXT MONDAY ON THE AP WEBSITE!

Drawing: CRIT – Let’s Review the PROCESS!

Final Morandi for the Project? What is working – What is NOT? HA – It ALL Works! http://carpetmoss.files.wordpress.com/2011/03/giorgio-morandi-natura-morta-ii-1953.jpg Let’s Read Up HERE: http://www.italoamericano.org/story/2015-5-1/giorgio-morandi

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Looking at the still life you have drawn, what are aspects that you would talk about if you were critiquing the work as being successful or unsuccessful?

Reflection: What are your thoughts about the idea of the composition / white objects as subject matter? WRITE THAT IN YOUR GOAL SHEETS. Why do you feel this is worthy / unworthy / simple / complicated? What is working? What can you take forward to the next assignment?

#FineArt #Friday is Finally Here!


“Unless you have a definite, precise, clearly set goals, you are not going to realize the maximum potential that lies within you.” — Zig Ziglar

Painting and Advanced Painting: Collage Social Commentary – Building the Collage – Beginning the PAINTING

Dong Kingman: http://www.dongkingman.com/images/hm-painting.jpg http://www.dongkingman.com/

Goals:

  • Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.
  • What is the story you are telling with your work? What is the audience going to learn about you through this art?

QUESTIONS ABOUT YOUR SOCIAL TOPIC. Please write these in your sketchbook for future reference. Look back o your thoughts from yesterday…

  1. What is the LARGER OVERALL TOPIC you have chosen?
  2. If you had to discuss the topic with someone, what are 5 key points that you would try to make in order to “sell” your viewpoint?
  3. What are 2 questions that you have about the topic that require a bit more research?
  4. What is a question / argument that someone else might pose to you about the topic?
  5. What are IMAGES / ENVIRONMENTS / SPACES that you are hoping to create for your collage / watercolor?
  6. What are the KEY images you have gathered SO FAR that are going to help with the building / communicating of your message?
  7. What is a WORKING TITLE for the IDEA you are having SO FAR?

Reflection / Evaluation: What challenges do you see the process of going FROM collage TO the painting? Give yourself 3 ideas that you may have to overcome…

Studio Art 360:Sketchbooks – BRING CARDBOARD FOR MONDAY!

Robert Morris LETS VISIT THE SITE: http://collection.whitney.org/object/1774

Goals:

  • 10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
  • What is the biggest challenge you see in the process of cutting out the SHAPES in order to build up the FORM?

Reflection / Evaluation:  How much of your letter did you get done? One shape? two shapes? How are you assembling the form… Gluing / Taping sides?

AP Studio Art: Bag of Objects. How is your first CONCENTRATION going?

Frank Stella's Paintings - What the COMMON THREAD in the works you see?
Frank Stella’s Paintings – What the COMMON THREAD in the works you see?

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • What do you SEE as something you need to work on in order to FINISH the FIVE works for Monday’s CRIT? SNACK DAY BTW…

Reflection / Evaluation: As a body / concentration of works, what do you see as interesting, worthwhile for 1) YOU to create and 2) the audience to sit and look at?

THIS WEEKEND… BE READY FOR THIS… MAKE 2 PHOTOGRAPHS OF YOUR ARTWORK AND EMAIL OR PUT THEM ON YOUR GOOGLE DRIVE.

Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON FRIDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?  WE ARE USING THIS NEXT MONDAY ON THE AP WEBSITE!

Drawing: Group of Objects – STEP BACK from your drawing and REFLECT on the MID CRIT from yesterday!

Morandi: http://www.moma.org/collection_images/resized/698/w500h420/CRI_167698.jpg MoMA http://www.moma.org/collection/artist.php?artist_id=4079

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • What did you hope to take / hear /  learn from the MID – CRIT from yesterday? Identify with your neighbor the absolute black, absolute white, and 3 different levels of grey.

Reflection: What have you learned today about how to push / pull space with value? What have you accomplished with pencil? What is SUCCESSFUL ? What is a STRUGGLE?