#Monday is a good day to #Draw and talk about #Photography

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

AP Studio Art and Advanced Drawing: RELAX and FIGURE DRAW

Jim Dine – Reverse – Subtractive Drawing – Fill the space – erase out your drawing! http://haleypatterson.weebly.com/uploads/1/6/4/0/16400668/2824977_orig.jpg

Goals

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw:  How angry were you last Friday when you were asked to erase the drawing you spent time on Thursday? How did you feel AFTER you were told the rationale for the erasing?

AP and AdDraw: How does your drawing look in your own eyes? What did the process of ERASING the image in the beginning do for you?

Drawing: Get BACK to the Drawing – These last two days! CHECK OUT THE CRIT WAY DOWN ON THE PAGE – End of TODAY!

Back to where we started. A good place to revisit. http://cdn.bartongalleries.com/paintings/800/050242_Matisse_Madame%20Matisse.jpg

Goals

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Take a look at your previous day’s work – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?

What was the most aspect of the drawing for you? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

Studio Art 360: Let’s look at COMPOSITIONS and Photographs

POP Art Paintings! Nicely Done! – HERE

Bernd and Hilla Becher (German, established 1959 (partnership); 1931–2007 (Bernd); b. 1934 (Hilla). Water Towers (Cylindrical), 1978. Photography and you! We’re going to be working on photography soon. http://collection.mam.org/vmedia/tms768/r_m1984_117.jpg

Compositional Examples in Photography

GOALS:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What are THREE types of COMPOSITION that you REMEMBER from our conversations / lecture earlier in the year?

Which of the compositional approaches do YOU enjoy most? WHY?

Drawing Crit BELOW!

Happy Mother’s Day… And NEW CRITIQUE ONLINE Drawing Class!

Happy Mother’s Day to all the moms out there. If it weren’t for you, my job wouldn’t exist. Thank you for all, the great young artists I have the daily pleasure of working with. Enjoy this day moms (and all the rest of them too).

Drawing Class: New Critique Form is below. If you are interested in taking it out for a spin… here it is below!

2 Point Perspective Request by Luna Masamo

image

Luna Masamo posed a question about a different way to draw 2 point perspective sidewalks. His art teacher has a different approach than me, but that’s the great thing about art… So many ways to solve the same challenges. Above is my drawing based on his instructions. I hope it helps.

Masamo’s teachers approach: “First you draw a line from the opposite VP of the sidewalk side till it meets the front curb edge.  Next draw a line down from the HL Point to meet the end of the first line.  Next draw another line from the same VP through the place the line down from the HL Point crosses the back line of the sidewalk.  Repeat. ”

His teachers mark up example… A lot to look at… I have some thoughts that out feels a bit “steep” but, it seems accurate. I encourage the vanishing points tho be drawn at the edge if not off of the picture plane. Makes the drawing more believable, less squeezed in.

image

One more set of lines using a central VP on the HL to draw guidelines from in order to determine the “crack” in the sidewalk.

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#Friday and the #Figure – Let’s #DRAW!

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinsek

AP Studio Art and Advanced Drawing: RELAX and FIGURE DRAW

Drawing and OBSERVING! http://www.marylandhall.org/sites/default/files/images/7-22-13%201.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw:  What do you think the skills that you currently have will help you in the process of the figure drawing?

AP and AdDraw: How does your drawing look in your own eyes? What did the process of ERASING the image in the beginning do for you?

Drawing: Get BACK to the Drawing – This week is IT!

Alexi von Jawlenski: http://en.wahooart.com/Art.nsf/O/8YDE4Y/$File/Alexei-Jawlensky-Lola.JPG

GOALS:

  •  1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • This is it folks – last day – Every square inch needs pastel. What’s holding you back? What has propelled you forward in the process?

Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing?  Alex von Jawlensky:

Studio Art 360: Turn and and ORGANIZE

Bernd and Hilla Becher (German, established 1959 (partnership); 1931–2007 (Bernd); b. 1934 (Hilla)). Water Towers (Cylindrical), 1978. Photography and you! We’re going to be working on photography soon. http://collection.mam.org/vmedia/tms768/r_m1984_117.jpg

GOALS:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What do you KNOW about Photography? List 3 things that you are CERTAIN about.

Which of the compositional approaches do YOU enjoy most? WHY?

#Figure and the #Evaluation – #Fauvism and #Graffiti

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinsek

AP Studio Art and Advanced Drawing: RELAX and FIGURE DRAW

Let’s Draw! http://i.ytimg.com/vi/R44Pe3sxDv8/maxresdefault.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw: Figure Drawing is ESSENTIAL to the strong portfolio. Why do you feel that every artist should have a strong background in the world of figure drawing?

AP and AdDraw: How did your drawing challenge you today? Are you able to be focused on the figure for the period? Why do you stop short if you do? 

Drawing: Get BACK to the Drawing – This week is IT!

Alex von Jawlensky, Young Girl with Green Eyes: http://www.allpaintings.org/d/34361-2/Alexej+von+Jawlensky+-+Young+Girl+with+Green+Eyes.jpg

GOALS:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Step back – yesterday you looked at the class work and got some feedback from them. Take a HARD LOOK AT YOUR DRAWING and determine what you need to focus on in the next 46 minutes. WRITE IT OUT!

ONE MORE DAY to work in class. What is working successfully in your drawing? WHY? 

Studio Art 360: DUE FIRST THING THURSDAY (then to mount and evaluate).

Let’s auction your work along side of Andy Warhol! http://www4.pictures.zimbio.com/gi/Warhol+Silver+Car+Crash+Auctioned+Sotheby+ALA4TBweZg1l.jpg

GOALS:

  • 6.1P: Analyze and describe the impact that an exhibition or collection has on personal awareness of social, cultural, or political beliefs and understandings.
  • DONE! Time to reflect on the work. 3 warm up questions 1) What is the STRONGEST aspect of your painting? 2) What is the LEAST SUCCESSFUL aspect of your painting? 3) Why do you feel the way you do on either of the first 2 questions.

WHY do you feel the ideas of COLOR SCHEMES in artwork are worthwhile in the process of making an artwork? 

#FigureDrawing in the #Studio – #GoFigure

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinsek

AP Studio Art and Advanced Drawing: RELAX and FIGURE DRAW

http://www.toa.edu.my/aboutus/gfx/facilities/life_b.jpg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP: Now that we are done with the AP Testing – time to move forward. Rather than the initial project I had planned – let’s team up with the Advanced Drawing Class for the next week but take it that next step. What is it about the drawing of the figure that you have become rather confident with?
  • AdDraw: What is it about the figure that you are still uncertain about? The Drawings are ALL ABOUT LOOKING and I expect you to be working and FOCUSED 100% of the time.

AP: How are you approaching the drawing in your own fashion?

AdDraw: What aspect of the drawing do you find successful? Why?

Drawing: Get BACK to the Drawing – This week is IT!

GOALS:

YO! http://www.thehindu.com/multimedia/dynamic/01150/21DMC_GRAFFITI_1150072g.jpg
  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.  
  • Step back and look over your classmates work… what has been the biggest success from you classmate? Tell them and then write down 3 things you observed as successful in your classsmates work.

Four days left… Now that you are more aware of the use of pastels and covering larger spaces faster (large to small, general to specific) how do you feel the drawing has progressed?

Studio Art 360: DUE FIRST THING THURSDAY (then to mount and evaluate).

Chairman Mao… http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2012/8/1/1343836319588/Andy-Warhol-art-at-Tehran-008.jpg

GOALS:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • Working on the POP Art painting today, what is the ONE MAJOR ASPECT you need to clean up, finish up in the work today?

What is the biggest strength in your painting? What Color scheme do you feel turned out the best and why? 

#GradesAreDueToday – Do you have your #LateWork in?

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinsek

AP Studio Art: Prepare for the AP FINAL TODAY!

Here they are – grading your work! http://blogs.edweek.org/edweek/curriculum/assets_c/2013/06/APArt2_400%20(2)-thumb-420×236-5362.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • What do you need to do before 6th Hour? Are you 100% Ready?

No more reflection today. Are you done?

Advanced Drawing: Gesture Drawing to warm up – Longer drawing today!

Today – Longer Drawing Time! Ready? http://artdivision.org/wp-content/uploads/2013/06/Drawing-Class.jpg

Goals:

  • G: 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • Beginning with the warm ups, how do you think having MORE time to draw will make it a STRONGER drawing?

Look carefully at your drawing from today… what’s the STRONGEST part of it? WHY?

Drawing: Get BACK to the Drawing – This week is IT!

Maurice de Vlaminck’s portrait: http://farm5.static.flickr.com/4115/4871508338_48bc1811d0.jpg

GOALS:

  • G: 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • If you were to look at your paper in terms of percentages, how much of the paper have you touched with pastel? Do you feel you are covering LARGE areas first or DETAILS first?

How does FINGER BLENDING muddy the drawing and keep it from staying fresh? Under what circumstances would you WANT to finger blend – give me examples!

Studio Art 360: Wednesday DUE – then to mount and evaluate.

http://www.quotessays.com/images/andy-warhol-quotes-2.jpg

GOALS:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What seems to be the one LARGEST CHALLENGE you are facing with your acrylic paintings?

What color scheme is your MOST SUCCESSFUL ONE at this point and WHY?

#Changes – #BeTheChange you want to see!

http://cdnvideo.dolimg.com/cdn_assets/4d6b2aaa64d5bfc60cee1ecadcf02b3c67395bb6.jpg

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinsek

AP Studio Art: Prepare for the AP FINAL on WEDNESDAY!

https://artwithkorb.com/wp-content/uploads/2015/05/13eac-110520122437.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • What are your answers to your AP Online uploads? Are they concise? Are they thorough? Do they answer the questions effectively?

Are you ready for Wednesday – both online and on mounting boards?

Advanced Drawing: Gesture Drawing to warm up – Longer drawing tomorrow!

How to use the GESTURE to get the larger drawing started? https://eddietuckerblog.files.wordpress.com/2014/06/degas-drawing.jpg

Goals:

  • G: 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What was successful in the series of drawings you did yesterday? How did the STRONGEST DRAWING stand out among the rest of them? Mark making? Line? Variation?

TOMORROW – LONGER FIGURE DRAWINGS – What are 3 STRENGTHS you had today? What is the BIGGEST CHALLENGE you faced today?

Drawing: Get BACK to the Drawing – This week is IT!

John Feckner is a graffiti artist – http://hyperallergic.com/wp-content/uploads/2010/04/space-invader-old-new.jpg

GOALS:

  • G: 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • After ONE WEEK of pastels, what is your STRONGEST aspect of the composition? Describe WHY you feel it is working so well.

How do you feel about the work you accomplished today? What has changed in how you are looking at using Soft Pastels?

Studio Art 360: Paint – this week is the END – Wednesday – then to mount and evaluate.

Non-Erased Dekooning: http://htmlgiant.com/wp-content/uploads/2010/03/woman-500×584.png
Erased DeKooning: http://www.sfmoma.org/images/artwork/medium/98.298_01_B02.jpg

GOALS:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • How are you EMPHASIZING the idea of PRODUCT or YOU as you create this artwork? N: Color mixing with acrylic paints – obtaining neutral grey.

Why is it easier for you to use YOUR ideas rather than MY ideas to make YOUR artwork?.

#SayItAin’tSo – #Friday in the #ArtRoom

AP Studio Art: Update to AP Sites / Preparing work for Presentation

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • After our AP Test we are going to present an art exhibition in the gallery. We will mount 3 of the BEST works you have remaining. Please think about those works… which of them are you going to use to represent you?

Are you ready for Wednesday – both online and on mounting boards?

Advanced Drawing and Drawing: Karl Borgeson – Ceramic Artist!

Karl Borgeson – Ceramiacist

 

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • Looking at Karl Borgeson’s work, history, and ideas may give you WHAT as you move forward as an artist?How might seeing another artist and their work help YOU as an artist?

We will discuss on MONDAY what we saw today.

Studio Art 360: POP Art Painting

 

 

 

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • How are you EMPHASIZING the idea of PRODUCT or YOU as you create this artwork?

How can ART be used to discuss IMPORTANT things in culture? List 3 ways in swich you could use art to communicate ideas.

Can you believe it is #Thursday already?

AP Studio Art: Update to AP Sites / Preparing work for Presentation

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Choose TWO of the QUALITY works and describe differences you see in the skills you are representing. N: Deciding on the artwork, writing out the statement.

By choosing the 5 BEST works you have made is important in presenting your skills to an AP reading board, how do you see this as a larger life skill in presenting yourself in the best possible light  (1, 3, 7) 

Advanced Drawing: GESTURE!

Leo can do gestures – so can YOU. http://www.wga.hu/art/l/leonardo/09study/03nursin.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • How does the WARM up of the gesture help “warm you up?” in the drawing process? N: Series of QUICK GESTURE drawings to warm up. Then spend the hour with 5 minute drawings – classmates volunteering.

Next week – LONGER FIGURE DRAWINGS – What are 3 challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing? 

Drawing: Graffiti and Fauvism

Mr. Brainwash and HIS art!

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • What positive qualities are coming through with your drawing as you are working on the techniques in soft pastels drawings? NO FINGER BLENDING!?

What is the ONE STRUGGLE that you could sit back on and write about if you were asked to do so today? Explain in more than just one word. Mr. Brainwash in front of one of his works: 

Studio Art 360: POP Art Painting

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is one thing you would like to LEARN MORE ABOUT when it comes to ACRYLIC PAINTS / PAINTING?

What is working in the use of COLOR MIXING? It is DUE at the BEGINNING of class on Monday.