#Monday in the #ArtStudio – #Critique and #PaperMache – #Plants too!


wpid-wp-1442836974364.jpeg
Mr. Korb – The NEW Greatest American Hero – 2015 – Happy Homecoming Spirit Week!

What Difference does it make whether you’re looking at a photograph or looking at a still life in front of you? You still have to look. Chuck Close

Painting and Advanced Painting: PAINTING your Social Commentary

Georgia O’Keefe: http://www.artexpertswebsite.com/pages/artists/artists_l-z/okeefe/O’Keeffe_EveningStarNo.V1917.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Looking over the work you have, what surprises do you see from where you started from two weeks ago? Stronger than you expected? Weaker? EXPLAIN! (I will be asking you about Georgia O’Keefe’s work on Friday – anything stand out today? Keep an eye on her work as the week progresses.)

Reflection / Evaluation: What ELEMENT of art do you find being the strongest one that you are using? Color? Line? Shape? Form? Space?

Studio Art 360: Boxes/ Sculpture / Paper Mache

Cardboard ona BIG SCALE! http://craftcouncil.org/magazine/article/cardboard-unpacked  http://craftcouncil.org/sites/craftcouncil.org/files/MM_AS11_01.jpg

Goals:

  • Use multiple approaches to begin creative endeavors.
  • What more do you need to do in order to be done with the sculpting of the form and then resolve the form to add the paper mache? IF YOU ARE PAPER MACHEing… What color are you interested in painting your sculpture, Black, White, or another color? WHY?

Reflection / Evaluation: List three things you see that the paper mache and color will do to SIMPLIFY and UNIFY your sculpture.

AP Studio Art:Plants and Drawing!

Jim Dine – Plants and Trees: https://korbartwuhs.files.wordpress.com/2014/09/e5371-1980tree2528thekimono2529.jpg AND THEN: Bring up an image from the Alan Cristea Gallery: https://www.alancristea.com/collection-41-109-Plants-Andamp%3B-Trees

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • Using the PLANT and the image by Jim Dine that I have shown you, what ideas FIRST COME TO YOUR MIND when told you are going to be working on a PLANT BASED drawing? Write out your FIRST THOUGHTS.

Reflection / Evaluation: What are your first marks on the paper? What are the areas that you are focusing on in the composition? How did you approach this work?

Drawing: CRIT – Let’s Review the PROCESS!

Your Work in the MoMA? Nope… Robert Chamberlain’s http://www.artic.edu/sites/default/files/styles/slideshow_scale/public/cal_TP_crit_360.png?itok=AhqbYJZS

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Looking at the still life in front of you, what is the one aspect of it that you are most pleased with? Why are you so pleased with how you handled the materials and composition?

Reflection: What was it that you took away from today’s critique? How did you contribute to the success of the conversation?

#LateStart #Wednesday… Get to #ArtWork #Fast and #Focused


“Goals are the fuel in the furnace of achievement.” Brian Tracy

Painting and Advanced Painting: Collage to PAINTING

What TECHNIQUES are you going to or ARE you using? mhttps://korbartwuhs.files.wordpress.com/2014/09/ed539-demo000.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • What do you feel about talking aloud when it comes to other’s works? What are your thoughts about why you may be apprehensive or confident when discussing other individual’s work? (Am I looking forward to a critique? YES!)

Reflection / Evaluation: What were 3 things that you took away from today’s MID critique?

Studio Art 360: Boxes/ Sculpture

Cool ways to use cardboard and paper to make useable objects! https://s-media-cache-ak0.pinimg.com/736x/5c/a3/47/5ca3470c7ce2e609b6d6915e8a3a0660.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • What changes can you make to the forms as you add the paper mache to them? How will this add or take away from the sculptural form?

Reflection / Evaluation:  What do you need to do to WRAP UP THE BUILDING part of this work?

AP Studio Art: Computer Lab – Website

WordPress AP Pages Add
Here’s where we can start!

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • WHY do we want to set up a webpage and digital images for AP Studio Art? Give 3 reasons and explanations.

Reflection / Evaluation: What challenges did you have using TECHNOLOGY today? Give 3 specifics.

DID YOU MAKE 2 PHOTOGRAPHS OF YOUR ARTWORK AND EMAIL OR PUT THEM ON YOUR GOOGLE DRIVE? Get it DONE for TOMORROW! Computer Lab AND… Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON FRIDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?  WE ARE USING THIS NEXT MONDAY ON THE AP WEBSITE!

Drawing: CRIT – Let’s Review the PROCESS!

Final Morandi for the Project? What is working – What is NOT? HA – It ALL Works! http://carpetmoss.files.wordpress.com/2011/03/giorgio-morandi-natura-morta-ii-1953.jpg Let’s Read Up HERE: http://www.italoamericano.org/story/2015-5-1/giorgio-morandi

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Looking at the still life you have drawn, what are aspects that you would talk about if you were critiquing the work as being successful or unsuccessful?

Reflection: What are your thoughts about the idea of the composition / white objects as subject matter? WRITE THAT IN YOUR GOAL SHEETS. Why do you feel this is worthy / unworthy / simple / complicated? What is working? What can you take forward to the next assignment?

#Critique #Sketchbook #ARTMAKING in the #Studio


“Goals are the fuel in the furnace of achievement.” Brian Tracy

Painting and Advanced Painting: Collage to PAINTING

http://marciglenn.files.wordpress.com/2013/06/watercolor-techniques-from-julie-balzer.jpg – Julie Balzer TECHNIQUES…

Goals:

  • 6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
  • How are you relating the ideas of making art to making art about yourself? Do you find this to be easy or difficult – WHY?

Reflection / Evaluation: As you are working, what are you seeing as an area that you might need to really focus on as you continue. 

Studio Art 360:Sketchbook Day! YEAH!

Jim Dine – Richard Gray Gallery: http://prod-images.exhibit-e.com/www_richardgraygallery_com/613b6576.jpg EXAMPLES of TOOLS: http://www.richardgraygallery.com/exhibitions/2000-10-26_jim-dine/ Jim Dine VIDEO at Richard Grey Gallery: http://www.richardgraygallery.com/artists/jim-dine/

Goals:

  • G: 2.1P: Engage in making a work of art or design without having a preconceived plan.
  • What was the most CHALLENGING part of drawing out your CITYSCAPE drawing for today’s sketchbook? If you looked at doing it again, what would you change so it was MORE successful?

Reflection / Evaluation:  What was it about the tool you chose that made you choose that tool? What did you do today to really LOOK at and UNDERSTAND the shape and form of the tool in order to make a unique and successful drawing? Do you have to continue working on it so that it is FINISHED for NEXT TUESDAY?

AP Studio Art: CRIT and FOOD! ONE MORE DAY!

http://www.jerrysartarama.com/blog/post/2011/image.axd?picture=2011%2F5%2Fcritique.jpg

Goals:

  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • What did you TAKE AWAY from the critique as the AUDIENCE or CRITIC yesterday?

Reflection / Evaluation: Looking back – what are your thoughts on the idea of a CONCENTRATION? Questions? Concerns?

DID YOU MAKE 2 PHOTOGRAPHS OF YOUR ARTWORK AND EMAIL OR PUT THEM ON YOUR GOOGLE DRIVE? Get it DONE for TOMORROW! Computer Lab AND… Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON FRIDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?  WE ARE USING THIS NEXT MONDAY ON THE AP WEBSITE!

Drawing: Last Day to DRAW!

MORANDI: http://uploads3.wikiart.org/images/giorgio-morandi/natura-morta-1(1).jpg  MoMA Let’s Look at his BIO: http://www.moma.org/collection/artist.php?artist_id=40790

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What are 3 things you see as BENEFICIAL to understanding and practicing the ideas of shading? How can this help in ALL your artworks?

Reflection: What is the #1 Skill you see as having been develeoped over hte past 2 weeks? What is ONE strugfgle you still need to work on and overcome?

#Tuesday – 5 Days Left – Let’s make #ArtWork

“Every problem has in it the seeds of its own solution. If you don’t have any problems, you don’t get any seeds.” —Norman Vincent Peal

Seeds and Trees: http://turkeysong.files.wordpress.com/2009/12/buckeye-seed-and-buckeye-trees1.jpg?w=640&h=480

AP Studio Art: GALLERY TIME – Really

Let’s hang a show! https://osuma.files.wordpress.com/2013/12/casey-and-canyon.jpg
  • 6.1Ad: Curate a collection of objects, artifacts, or artwork to impact the viewer’s understanding of social, cultural, and/or political experiences.
  • Of all the works you still have in your possession, what are 5 that you will insert into your AP Exhibition? These are the works that you are hanging today. I hope that you have considered these before today.

What work do you need to hang? Nametags? Artist statement?

Advanced Drawing: Self-Portrait

Chuck Close’s First Self-Portrait: http://25.media.tumblr.com/504e4ae315264b1e7a19ce4a3be1beda/tumblr_mt75jfBXdu1rx60a3o1_1280.jpg
  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • You MUST have an artist that you are basing your work on… WHO IS IT and WHAT IS THE REASON? What  images are you using as REFERENCE? THINK about the use of COMPOSITION from the artist you have chosen.

What aspects of the artist you have chosen are you incorporating into your own self portrait? Do you feel you have used that approach in your work up to this point or are you stretching for new ideas?

Drawing: Partner Drawing

Todd Mrozinski plants and windows: https://korbartwuhs.files.wordpress.com/2015/05/f3516-window6.jpg
  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What is one thing you accomplished last week with your drawing?

What is one thing your classmate / partner gave you feedback on – whether or not it was a part of the conversation – think about what was said…

http://toddmrozinski.com/  (Show the video AGAIN) 

Studio Art 360: TREES!

Jim Dine and his tree drawings: http://cdn0.walkerart.org/public/collections-thumbs/wac_5035/340×438.jpeg
  • 2.1P: Engage in making a work of art or design without having a preconceived plan.
  • Look at last week’s drawing from FRIDAY. What is one thing that you did well on? What are two things you would like to improve on?

What was your biggest challenge in the drawing from observation? What are 2 things that were a challenge as you were looking at a REAL object?

… Drawing and Studio Art 360: Clean Room!

Let’s CLEAN this room. Maybe not QUITE as clean as this but… http://www.modularcleanrooms.com/assets/images/hardwall_cleanroom_interior_1_full.jpg
  • 11.1Ac: Utilize inquiry methods of observation, research, and experimentation to explore unfamiliar subjects through art-making.
  • What works of art from this year REALLY stand out in your mind from this past year? What about it stand out.

What was ONE accomplishment you made this year in the process of making art that you will be able to reflection in 10 weeks and remember? How have you felt about the PROCESS and MEANING in the making of art? 

EXTRA CREDIT SURVEY

#Monday is a #GoodPlaceToBe in the #ArtStudio

Are you chasing and grabbing hold of your dreams? http://images.elephantjournal.com/wp-content/uploads/2013/12/chasing_dreams-e1415051600136.jpg

“A dream only becomes overrated when not pursued by the dreamer.” ― Courtney Hickman 

Let’s take a trip to the Venice Biennale: Thank you Blouin ArtInfo for the tour!

Advanced Drawing and AP Studio Art: Last Group Day of Working Together

Jim Dine – How is the PROCESS the important part – Not a figure but a self portrait! https://d32dm0rphc51dk.cloudfront.net/X2X3-mp8VUIDH7fiyyM-uQ/tall.jpg
  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What are two ideas that you have taken away from this idea of the PROCESS of drawing rather than the idea of the PRODUCT?

What is one skill that you are going to think about, keep in the mind as you move forward as successful and hard looking drawers?

Drawing: MOUNT and ART SHOW – TOGETHER!

Graffiti in the gallery – NYTimes Website Article. http://static01.nyt.com/images/2011/06/22/nyregion/EXHIBIT/EXHIBIT-articleLarge.jpg
  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What is one of the biggest lessons you learned in the creation of the FAUVIST / GRAFFITI Self-Portrait over the past 4 weeks?

How did you feel to see your work all wrapped up and finished, hanging in the hallways and up for all to see?

Studio Art 360: Last PHOTO day in the HALLWAY – Maybe Outside!

What is Lang’s COMPOSITION STYLE in this Couple Seated on Front Porch? http://news.byu.edu/releases/archive11/Jan/lange/Couple%20on%20Porch.jpg
  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • What are three ways you have changed your thinking about the MAKING of PHOTOGRAPHS versus TAKING PICTURES? – TODAY – FOCUS ON FIGURES and PEOPLE!
  • HERE is the rubric we are going to use tomorrow. If you are interested and want to try and get a head start – go ahead and SAVE A COPY to your Google Folder (is your are using your school google account it is firstname.lastname@students.waterforduhs.us and then your password is whatever gets you logged into the school computers). Read the instructions and go for it. I will walk you all through it tomorrow. you CAN’T break it.

What FIVE compositions have you found and made – ready to upload to the computer on Tuesday?

GREAT PHOTOGRAPHERS – HERE

#Critique, #Photography, #Drawing, #FigureDrawing in the #ArtStudio

1 Billion Dollars in 1 week… Go Christies. http://nyti.ms/1Hi1PAf

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

SUMMER COURSES: Painting (Korb) Printing (Robert’s / Dukowitz) registration ends THIS FRIDAY!

AP Studio Art and Advanced Drawing: RELAX and WE ARE DRAWING TODAY – No Erasing!

Drawing of Chuck Close by Jim Dine http://web.carteret.edu/keoughp/AFA%20images/Drawing/Jim%20Dine/jimDine-portrait%20of%20Chuch%20Close.jpg

Goals

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw: How did looking at the video yesterday give you a new insight / appreciation for the process of drawing?Today – a FULL period on the work and NOT having to erase it may help you move the process forward. Are you still afraid of erasing as you progress through your drawing?

AP and AdDraw: What are you struggling with in the drawing today? What HELD YOU BACK? 

Drawing: Get Work Out, Sit Down, and Log in

Matisse and the simplification of the form. http://www.ibiblio.org/wm/paint/auth/matisse/matisse.mme-matisse-madras.jpg

Goals

  • Form http://goo.gl/forms/3q3rPakz8m 
  • Critiquing HELPER sheet HERE
  • 6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
  • Finished Fauvist Drawings HERE

What did you take away from completing a WRITTEN CRITIQUE? Tomorrow – the ORAL CRITIQUES BEGIN! 

Studio Art 360: Let’s look at COMPOSITIONS and Photographs

POP Art Paintings! Nicely Done! – HERE

Compositional Examples in Photography

Photography Lesson Instructions: HERE

Photography RUBRIC HERE

July 4th Camper, Yosemite Valley copyright Ted Orland. My Friend Ted Orland’s Photograph – Great guy!

GOALS:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What stories could you tell using a camera that documents your present-day life? What could you do to make an everyday “boring” part of the day interesting and inviting? Let’s use today in the hallway to “Document” some of what you might do in the hallway.

What did you do with the camera to make the BORING interesting? Remember – it is not the subject that makes an interesting image, it is the composition. July 4th Camper, Yosemite Valley copyright Ted Orland.

#MidWeek #Critique – Time to #REFLECT! Time to #learn from the #Master

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

SUMMER COURSES: Painting (Korb) Printing (Robert’s / Dukowitz) registration ends THIS FRIDAY!

AP Studio Art and Advanced Drawing: RELAX and WE ARE WATCHING “All About  Looking!”

Self Portrait – Jim Dine: http://prod-images.exhibit-e.com/www_richardgraygallery_com/32012f6a.jpg

Goals

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw:  
    • SMILE — NO ERASING TODAY! How relieved (and WHY) are you feeling about that? What is ONE STRONG DRAWING LESSON you learned from the process we went through over the past three days?

AP and AdDraw: What lesson did you learn from Jim Dine that Mr. Korb hadn’t taught you or told you? New information? Mr. Korb wants to know so he can teach it later! Stickynote on the chalk board before you leave!

Drawing: Get Work Out, Sit Down, and Log in

Andre Derain – Self Portrait with Cap: http://uploads7.wikipaintings.org/images/andre-derain/self-portrait-with-a-cap.jpg

Goals

  • Communication and Collaboration – Students use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others.
  • What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor. NOTE: We are going to
    • 1) make photographs of the work we have RIGHT NOW
    • 2) go to the COMPUTER LAB (Laptops) and fill out the Google Form http://goo.gl/forms/3q3rPakz8m and then
    • 3) insert images from today into the GOOGLE DOCUMENT

How did the use of the GOOGLE FORM help you in the critiquing of your work?. Andre Derain: Self-Portrait with a Cap: 

Studio Art 360: Let’s look at COMPOSITIONS and Photographs

POP Art Paintings! Nicely Done! – HERE

Compositional Examples in Photography

Walker Evansm Tenant Farmer Wife (Allie Mae Burroughs) 1936. http://collection.mam.org/vmedia/tms768/r_m2006_6.jpg

GOALS:

  • 1.1P: Use multiple approaches to begin creative endeavors.
  • What do you think about making visual choices as you make photographs versus taking pictures? Does this mean anything to you?

What is, in your mind, the difference in MAKING a photograph versus TAKING a picture? Please explain your thoughts.

#Monday is a good day to #Draw and talk about #Photography

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

AP Studio Art and Advanced Drawing: RELAX and FIGURE DRAW

Jim Dine – Reverse – Subtractive Drawing – Fill the space – erase out your drawing! http://haleypatterson.weebly.com/uploads/1/6/4/0/16400668/2824977_orig.jpg

Goals

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Larger Drawing Goals:

  • Observation (80% – 92% time looking), Guidelines, Concentration, Slow Drawing
  • Focus on the figure, Proportions, Scale, Sighting In
  • Full Page, Composition
  • AP and AdDraw:  How angry were you last Friday when you were asked to erase the drawing you spent time on Thursday? How did you feel AFTER you were told the rationale for the erasing?

AP and AdDraw: How does your drawing look in your own eyes? What did the process of ERASING the image in the beginning do for you?

Drawing: Get BACK to the Drawing – These last two days! CHECK OUT THE CRIT WAY DOWN ON THE PAGE – End of TODAY!

Back to where we started. A good place to revisit. http://cdn.bartongalleries.com/paintings/800/050242_Matisse_Madame%20Matisse.jpg

Goals

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Take a look at your previous day’s work – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?

What was the most aspect of the drawing for you? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

Studio Art 360: Let’s look at COMPOSITIONS and Photographs

POP Art Paintings! Nicely Done! – HERE

Bernd and Hilla Becher (German, established 1959 (partnership); 1931–2007 (Bernd); b. 1934 (Hilla). Water Towers (Cylindrical), 1978. Photography and you! We’re going to be working on photography soon. http://collection.mam.org/vmedia/tms768/r_m1984_117.jpg

Compositional Examples in Photography

GOALS:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What are THREE types of COMPOSITION that you REMEMBER from our conversations / lecture earlier in the year?

Which of the compositional approaches do YOU enjoy most? WHY?

Drawing Crit BELOW!

While Mr. Korb is Away the Art Students will #WORK!

AP and Advanced Drawing VIDEO

AP Studio Art: Update to AP Sites / Preparing work for Presentation

Great Quote!

 Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How does one of the 5 QUALITY works you’ve chosen represent the visual art abilities that you possess?

When it comes to the making of art, what have you learned in the class about that part of being an artist?

Advanced Drawing: GESTURE!

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What details in the earlier gesture drawings are you forcing yourself to overlook and ignore in the process of the GESTURE drawing? What makes it difficult for you to OVERLOOK these and focus on the ideas of GESTURE?

Next week – LONGER FIGURE DRAWINGS – Be aware of the challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing? 

Drawing: Graffiti and Fauvism

Keith Haring in front of Crack is Wack!

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Think about the PROCESS you have been going through with your drawing. Stop and SILENTLY think. What NEW SKILLS have you learned about / developed in the process of this drawing?

What do you need to look at tomorrow and think about – fix, change, clean up? WRITE THAT DOWN and make sure you deal with that first thing tomorrow! 

Studio Art 360: POP Art Painting

Jim Dine’s Bathrobes – Self Portrait through color and line!

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is ONE THING you have learned about the use of ACRYLIC PAINTS so far in the process?

What are three things you would / will CHANGE about the artwork that you are doing SO FAR? We are in a good spot to EXAMINE and REFLECT on the work in front of you. 

.@JerrySaltz advice to #Art #Students read by .@fkjorb to HIS #ArtStudents

Thank you Jerry for the Visit - Id  love to meet again for the first time.
Thank you Jerry for the Visit – I’d love to meet again for the first time.

Listen to the SAGE words of Advice to Art Students by Art Critic and Writier Jerry Saltz as read by your favorite (or at least top 3) art teacher Frank Korb. PLEASE play for all classes before their individual videos. Thanks.

AP Studio Art: PREPARE for the PRESENTATION on MONDAY! Gallery?

Alice Aycock “Clay #2” – http://blogs.artinfo.com/lacmonfire/files/2012/05/Aycock.jpg

Goals:

  •  7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • Looking at the work you’ve been creating, what do you need to do in order to not get voted out of the Art Studio? How is your work challenging and innovative?

How does this work offer you the opportunity to thing outside of the normal “art” supplies and “art” ideas?

Advanced Drawing: PAPER BAGS and Watercolor!

Paper Bags 1

Goals:

  • 1.4 create, define, and solve visual challenges using 1.4.1 analysis (breaking up the artwork / subject matter to basic elements) 2.3 create artworks that solve visual challenges.
  • What skills do you feel you are able to be falling back onto as you move into this drawing?

What has been your most successful are of this drawing today? How are you COMMUNICATING a MESSAGE about your CULTURE or SELF?

Drawing: PLANTS!

Jim Dine Plant Drawing – What are you going to do with YOURS?

Goals:

  •   2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What skill / technique do you feel that you REALLY gained in the last still life drawing? How are you GROWING as an artist SO FAR?

One day drawing – what was successful? What was a fail? These are your SKETCHBOOKS for next week – what can you do to make it BETTER from this point forward?

Studio Art 360: Thumbnails and IDEAS! – VALUE TOO!

May not be just a cylinder, cube and pyramid, but the ideas are in the same vein!

Goals:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What are THREE things you struggle with when it comes to using VALUE in your drawings that you can focus SINCERE attention on today?

Look back on the THREE areas of improvement, how did you do? Choose one and write 3 sentences about the success or failure!

How about COMPOSITIONS? Looking for ideas? Let’s Look HERE!

How To Do Everything

How to do Everything Image
How To Do Everything with your chef – Mr. Korb… Listen to the second half of the show to hear Mr. Korb’s Contributuion to the BIG GAME snack dip recipe. Start at 5:55.