May 6, 2013 – Monday

Good Morning! Please note the time change for publication… 6:30 am. I am trying a new time in hoping to get more feedback from you all (and a few more followers maybe). Please – I am looking for your feedback – parents, teachers, students, artists, leaders, and anyone else who is following my page… Also… share me with your friends and colleagues… I am always looking to get my voice out there.

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“Very often a change of self is needed more than a change of scene.”  — Arthur Christopher Benson

What CHANGES are you making or are you just TALK?

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Good Morning – If there is NO PICTURE here – the video has not finished loading. Sorry – YouTube is really slow from my house uploading videos. No video? Please move along without it… but try reloading later… it will show up eventually.

Art Foundations: Grid Drawings – Colored Pencil and the 1:4 Ratio Enlargement. how are you doing with the enlargement?

What are your personal limitations as you work through your art?

Click HERE to see a BRIEF video on how Chuck Close works with his physical limitations.

GOALS:

  1. apply media (colored pencil), techniques (grid), and processes (one square at a time) with an 1.1.3 awareness so that your ideas are executed well

How are you doing watching the INDIVIDUAL SQUARES? Are you able to FOCUS and ANALYZE the single square that you are working on? Why is this easy or difficult for you? Give 3 reasons, specific reasons, you feel this way.

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Drawing: Fauvism… we are in the thick of it now… what can you do to make smart choices and work on the ideas?

Madame Matisse – she’s a popular one for the Fauvists to paint…

GOALS:

  1. 1.1 apply media (pastel), techniques (observation from photograph), and processes (slowly building pastels up) with an 1.1.3 awareness so that your ideas are executed well

Think about tomorrow… What are your fears about the sharing of your images and ideas in the process of the Google Drive Rubric? How do you think your ideas can help your assigned classmate in the process of making their are stronger? Give 2 strong ideas what you think you will be able to do to 1) help your classmate and 2) learn from your classmate.

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AP Studio Art: Oh boy… we are almost here…

Are you done? Here and ONLINE?

GOALS:

  1. Work on finalizing (Concentration and Breadth) works for mailing. (P)
  2. Create multiple solutions to solve visual problems. (Your Art and Fear Artwork)

Ok guys and gals… we are done. What do you have to do to make sure tomorrow runs smoothly and we are ready to roll with no hiccups? Write out 3 things you are proud of as you look back on the year. Write out 2 things that you feel you could have done differently / stonger?

May 4, 2013 – Saturday – NVAS: Standard 3

Visual Art GOALS and OBJECTIVES

National Visual Arts Standards – Standard 3
Choosing and evaluating a range of subject matter, symbols, and ideas

Frank Korb

As I have said in previous posts, there are 6 OVERARCHING GOALS that my  students work toward and focus on EVERY DAY during the year in all of my art classes. These standards are modified, but not “dumbed down,” from the National Standards for the Visual Arts so that they make more sense to the students and parents who are working with them through their art making and other art experiences. As I use GOALS in my classroom it OPENS THE FOLDER to learning.

This is the third in the series and the topic is choosing subject matter, symbols and ideas to create artwork about. We “unpack” so the standards are known about (declarative knowledge). It is important to note that, when the goals are given to the students, they are restructured (a smidgen) so that they are meaningful and pertinent to the day’s activity. Notice, they are not agenda items but rather bigger thinking topics.

The National Standards for the Visual Arts are now GOALS that are clear, measurable, observable, and understandable to the students, parents, and community. The use of goals is to keep the mind open to the idea of learning and focused on the act of learning, By combining both declarative (mind) and procedural (application) knowledge the intentionality is focused on the combination of art theory and art making as well as the investigating the close relationship between the two.

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Standard #3: Choosing and evaluating a range of subject matter, symbols, and ideas

As an art student you will demonstrate the ability to:

  • 3.1 reflect on how art differs and describe how it relates to history and cultures

Throughout the course, I work to relate the ideas that the kids are being exposed to and how they can tie it into their own culture. In addition to the work they are creating, it is important that they are able to see how art was created in different cultures and times and how that art related to the times it was from. What was happening in 1905 France that caused Henri Matisse and Andre Derain to throw away the natural colors of the subject and use arbitrary colors and thus become “Wild Beasts  or “the Fauves?” How can this all relate to what the kids might be experiencing today and how can they use their own times to reflect that feeling?

  • 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

How can we use these ideas to help develop the necessary skills to become stronger artists, more dedicated artists, better thinkers? When we look at art in the classroom, specific elements and principles are looked at and focused on to help them push and challenge the basic ideas the kids oftgen have in their head. It is always nice to challenge them with “how can I figure this “proportion” issue out?” “How can I use this idea / trick / technique in another field / class?”

  • 3.3 describe the creation of images and ideas and explain why they are of value

Process versus product. Who is the one concerned with the process and who is the one concerned with the product. We are the artists and we are the ones who’s job it should be to be concerned with the process… not the product. In the past many kids would ask me “Can I be done?” they were more concerned with the product. Nowadays, the act of making art is the focus and the kids are looking more to HOW we get things done, how the colors work together, how the paper is handled, how the problems are resolved. That is the learning… the artwork is the byproduct of them learning how to make art (and lots of it).

  • 3.4 evaluate and defend the validity of sources for ideas

It is always easy to copy something from the National Geographic, but how does one come up with their own idea for an artwork? What makes it a strong idea or a weak one? Where artists come up with the ideas is a long time concern for us all. Only we, the artist, really care about how we came up with the idea and how we got the work done. More often than not the audience is more concerned with the “final product.” So, what is it that makes for quality subject matter? What was the artist trying to say? Was it successful? Does it really matter? (Thanks Ted Orland and David Bayles of Art and Fear for that one… buy your copy today!)

  • 3.5 evaluate and defend how
    •      3.5.1 subject matter
    •      3.5.2 symbols are used in art

Oh the critique. The world of art is SO MUCH MORE than just the art hanging on the wall. Writing about, thinking about, conversing about, talking, having coffee over, mumbling, grumbling, complaining, and being frustrated about the art. Standing in front of their peers and discussing the good, the bad, and the ugly and how / why / why not things happened. Writing about the process the challenged the struggles… it all goes into the process. From the critiques and reflection is where the real learning happens. Check out my classroom RUBRIC to see what I am talking about and using for collaborative feedback and grading… I love this.

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Keep in mind that once you open the door, you also need to close it.  During the last couple of minutes of my classes, we take time to reflect, to GENERALIZE the relationship to the goals and the day’s work. This is the CLOSING THE FOLDER that allows the neurons to settle down and pack away the learning, the experiences, until the following day.

You can find these (and more) in my Visual Arts Handbook HERE.

Thanks –

Frank

May 3, 2013, FRIDAY – SO FAST…

Hey Mom – The kids loved our conversation. They are also looking forward to cookies…

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ALL LATE SKETCHBOOKS / MAJOR PROJECTS ARE DUE TODAY at 3:05p.m. – THEY WILL BECOME ZERO’S PERMANENTLY AFTER TODAY…

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“Don’t let the perfect be the enemy of the good.” — Voltaire

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Art Foundations: Balance is IMPORTANT – Symmetry, Approximate Symmetry, Radial Balance, Asymmetry. What else can help create balance in an artwork?

Great to see how Chuck Close works… a VIDEO LINK is in this image. Click to go to the SFMoMA site.
Chuck Close’s first painting after he THREW AWAY all that he knew… Video Beneath this Image.

GOALS:

  1. Know about the creation of images (through the grid AND using your own images) and explain why they are of value.
  2. 6.1 Work on mathematical ratios in art and KNOW WHY THIS WILL MAKE IT EASIER to process the drawing.

What part of the grid process is giving you difficulties? What part of the grid process is making it easier for you to create the work you are creating? How can you use this in the future? BALANCE: Please TEACH a classmate about the four different types of balance and talk about how you are using it in your composition.

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DRAWING: We are working on the portraits, making photographs of our current work – posting them into our GOOGLE DOCS over the weekend and commenting on them, and learning about PASTELS and how we can use ARBITRARY COLORS to make them work in our portraits.

GOALS:

  1. 5.5 evaluate your personal and classmates responses to works of art for communicating ideas
  2. Communication and Collaboration – Students use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others. – WHO will we share our GOOGLE DRIVE DOCUMENTS WITH  (MONDAY) so we can begin COLLABORATIVE critiquing?
Andre Derain Self Portrait

What has challenged you THE MOST about this process? Why is the portrait so important? Teach your classmate a little about what you have learned in the process of using PROPORTIONS and FACIAL FEATURE shapes and forms that has helped you in the drawing of your Fauvist / Hip-Hop Contemporary Portrait.

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AP Studio Art: With the time left… how are you doing? What more have you got to accomplish. Can we take time today to look over your work or do we need it to WORK on presenting our portfolios?

Austin – you need to check your registration – your name is in it twice – First First or Last Last… Please fix that…

How is Art and Fear making you think about making your art?

GOALS:

  1. Work on Quality Mounting of artworks and ASSEMBLE THE PORTFOLIO!
  2. 3.3 ONLINE Describe the creation of images and ideas and explain why they are value. (if you and NOT submitting a portfolio – I will be collecting your answers on Tuesday through an E-MAIL or Shared Google Document)

Are you READY? Are you Good to go? Please teach a classmate a bit about your work and why you have chosen the works that you did. Write out the most important thing that comes to mind about the QUALITY work you have gathered for the next 3 minutes – NON STOP WRITING…

May 2, 2013 – Thursday – Already?

  •  Ginger Boglitsch Hey Frank
  •  Ginger Boglitsch I was impressed with all the math you were teaching!:)

    THANKS MOM!

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ALL LATE SKETCHBOOKS / MAJOR PROJECTS ARE DUE ON FRIDAY – THEY WILL BECOME ZERO’S PERMANENTLY AFTER FRIDAY…

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“Don’t let the perfect be the enemy of the good.” — Voltaire

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Art Foundations: GRIDS – Finally Grids. Chuck Close video – brief, and then onto MATH – Ratios 1:4. How can we use a ruler successfully? Did you bring your photo?

GOALS:

  1. 3.3 Know about the creation of images and explain why they are of value. (How can this help you in the making of art in the future?)
  2. 6.1 Work on mathematical ratios in art as other disciplines might use math. (How might you use the idea of RATIOS / MATH in your future works?)

One square at a time… how is it going? We dealt with pencils today – have you got the basics of the drawing in? What was your biggest issue with the grid and RATIOs? Think about the problems and the accomplishments you are having. Be aware of the process. Self – evaluation Share image with your classmate and explain the process of measuring and transferring images.

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Drawing: WORK – little to no lecture. WORK through the process of drawing these portraits.

What a change in Matisse’s work from yesterday! Matisse later on in life.

GOALS:

  1. (2.3) Create artworks that use organization and function to solve specific visual challenges.
  2. (5.1) Identify the intentions and purposes behind making art.

Now that we are a little further in the process, how are things going? What are your big challenges today with these LARGER than LIFE drawings? Write out your ACCOMPLISHMENTS today. What was the most challenging way to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

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AP Studio Art: WORK mi Amigo’s – Get to the process of presenting… How was the Brewer’s game?

GOALS:

  1. Work on Quality Mounting of artworks.
  2. Evaluate the effectiveness of artworks.

Tomorrow is Friday… what are you lacking in completion for next Tuesday? What situation in life is it important to present yourself in the best light possible? When does it not matter so much? How does the presentation of your artwork relate?

May 1, 2013 – Wednesday – May Already?

HI MOM!

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ALL LATE SKETCHBOOKS / MAJOR PROJECTS ARE DUE ON FRIDAY – THEY WILL BECOME ZERO’S PERMANENTLY AFTER FRIDAY…

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“Don’t let the perfect be the enemy of the good.” — Voltaire

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Art Foundations: GRIDS – Finally Grids. Chuck Close video – brief, and then onto MATH – Ratios 1:4. How can we use a ruler successfully?

GOALS:

  1. 3.3 Know about the creation of images and explain why they are of value.
  2. 6.1 Work on mathematical rations in art as other disciplines might use math.

What part of the process are you struggling with? How can you use MATH elsewhere in life – the idea of the RATIO?

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Drawing: No SHAKY Video today – that was AWFUL!

Madame Matisse

GOALS:

  1. (2.3) Create artworks that use organization and function to solve specific visual challenges. (P).
  2. (5.1) Identify the intentions and purposes behind making art.

Looking at the challenges you had today… what can you do to continue moving forward? What was the most challenging part of  enlarging your head today? Why was this most difficult way to go?How can you use your knowledge of the SHAPES of the facial features to help? What is most important about drawing when it comes to observation?

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AP Studio Art: Art and Fear Chapters 3 and 4 – brief reading. How much MORE to do for the PORTFOLIO? If you are NOT actively working on the portfolio – READ YOUR CHAPTER!

ART and FEAR Chapter ARTWORK REQUIREMENTS:

  • We are all going to work on the SAME SIZE PAPER… 18 TALL x 9 WIDE… How to deal with those constraints? This is going to be a challenge you have to deal with.
What do you do to PROCEED?

GOALS:

  1.  Work on wrapping up the portfolios and presentation of the BEST work.
  2. 2.6 create multiple solutions to visual challenges that show understanding in relationships between composition and meaning of artwork .

How many ideas do you feel you need to come up with ONE solid / successful composition for your Art and Fear Chapter? What are you going to do about the proportional challenge?

April 30, 2013 – Tuesday

ALL LATE SKETCHBOOKS / MAJOR PROJECTS ARE DUE ON FRIDAY – THEY WILL BECOME ZERO’S PERMANENTLY AFTER FRIDAY…

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“Don’t let the perfect be the enemy of the good.” — Voltaire

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Art Foundations: Grid our paper and finish our color wheels. If you are done with the color wheel and you finish the grid… make sure your sketchbook and LATE WORK are complete.

Click on the “head” to see a video on how Chuck Close paints with a grid.

GOALS:

  1. Describe the creation of images and explain why they are of value.
  2. Work on Mathematical Ratios and Transferring images.

What COLOR SCHEMES are you struggling with understanding? Go through EACH of the color schemes with your neighbor and explain each one to one another. In your GOALS PAGES COMMENTS – write down your most challenging understanding of color schemes.

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DRAWING: We are working with proportions and getting the drawing “picture plane” onto the photograph. Let’s get the drawing CAREFULLY up to the drawing paper. This paper is NOT CHEAP – it is a one sheet rule.

Henri Matisse’s painting of Andre Derain – I think they knew one another!

GOLAS:

  1. 3.1 reflect on how art differs and describe how it relates to history and cultures
  2. 4.1 recognize differences in historical and cultural contexts of art

What part of the math was a challenge to you? How well were you able to read the ruler and figure out how to make a QUALITY picture plane? As you draw this up, make sure that you are making references to the RELATIONSHIPS of COMPOSITIONAL ELEMENTS. We are looking for good to great – NOT PERFECT.

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AP Studio Art: Chapters in the book – Paragraph 1 Chapter 1 and Chapter 2… Sit and Enjoy!

What’s your chapter? We are going to READ and MAKE ART and EDUCATE… YOU WILL TEACH!

GOALS:

  1. Work on finishing up presentation of portfolios and uploads.
  2. 2.6 create multiple solutions to visual challenges of Art and Fear that show understanding in relationships between composition and meaning of artwork.

What did you get done today? What have you read from the book?

April 29, 2013 – Monday – Week 14: 5 more to go… SO much to do!

“Don’t let the perfect be the enemy of the good.” — Voltaire

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What are the colors used? Piet Mondrian – De Stijl Artist!

Art Foundations: Continue on the color wheel AND learn about using a GRID to plan out an artwork.

GOALS:

  1. 1.4 Define color schemes and value scales using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)
  2. 1.2 Create art that demonstrates an understanding of how your ideas relate to materials and techniques.

Share image with your classmate and explain the process of measuring and transferring images.

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Drawing: Transfer the photograph to the paper with pencil and consider the colors you might use (Color Scheme) to communicate a message / emotion.

Portrait of Henri Matisse by Andre Derain.

GOALS:

  1. 3.1 reflect on how art differs and describe how it relates to history and cultures
  2. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

What was the most challenging aspect of your drawing to get done today? How are you using OBSERVATION and COMPARISON – sighting in – to get your drawings set up correctly?

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AP Studio Art: We are beginning a NEW ARTWORK based on literature. We are ALSO finishing the wrapping up of the portfolio.

How are you filling this?

GOALS:

  1. Work on Quality Mounting of artworks.
  2. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

As last week – what do you need to complete so that you have a complete portfolio by Friday?

April 27, 2013 – Saturday – NVAS: Standard 2

Visual Art GOALS and OBJECTIVES

National Visual Arts Standards – Standard 2
Using knowledge of PRINCIPLES and FUNCTIONS

Frank Korb

As I have said in previous posts, there are 6 OVERARCHING GOALS that my  students work toward and focus on EVERY DAY during the year in all of my art classes. These standards are modified, but not “dumbed down,” from the National Standards for the Visual Arts so that they make more sense to the students and parents who are working with them through their art making and other art experiences.

AS I use GOALS in my classroom (in any classroom for that matter) the essential part of the process of the goal is that it fires up and activates the neurons in the brain and gets the artist (student, teacher, whomever) focused on the work that will be undertaken. This OPENS THE FOLDER to learning.

This is the second in the series that we will look at and “unpack” so the standards (or GOALS at this point) are known about (declarative knowledge). It is important to note that, when the goals are given to the students, they are restructured (a smidgen) so that they are meaningful and pertinent to the day’s activity. Notice, they are not agenda items but rather bigger thinking topics.

The National Standards for the Visual Arts are now GOALS that are clear, measurable, observable, and understandable to the students, parents, and community. The use of goals is to keep the mind open to the idea of learning and focused on the act of learning, By combining both declarative (mind) and procedural (application) knowledge the intentionality is focused on the combination of art theory and art making as well as the investigating the close relationship between the two.

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Standard #2: Using knowledge of PRINCIPLES and FUNCTIONS

As an art student you will demonstrate the ability to:

  • 2.1 form criticism about artworks that work to accomplish
    •      2.1.1    commercial
    •      2.1.2    personal
    •      2.1.3    communal
    •      2.1.4    or other meanings

Critiquing is an essential part of the reflection process as we make our art and work towards the development of the skills we need to make successful art. The use of the critique allows artists to be self-reflective while also being able to be critical (constructively hopefully) to their fellow artists (in the classroom, around the coffee shop table, via the internet and collaborative discussions.

  • 2.2 evaluate the effectiveness of artworks

What is working and what is not. The thought about the use of materials, communication of messages, asking deeper questions about the successful and unsuccessful aspects – with deliberate and specific parts of the work in mind.

  • 2.3 create artworks that solve visual challenges

By the simple act of making marks, the challenges and struggles that MAKING art can allow for solutions to be dealt with.

  • 2.4 compare different points of view regarding composition and meaning in artwork

This is great to hear when one has a group of kids / artists. Getting more feedback (formative and summative) from more than one person is great. It is also a great thing for the kids to hear from their classmates and NOT JUST FROM THE TEACHER!

  • 2.5 defend personal evaluations

Being able to justify and stand behind the works through the use of ART VOCABULARY is a great way to help the artist learn to SPEAK ABOUT THEIR ART. I have heard MANY BAD discussions and I hope that my students walk out with the skills and confidence to be public speakers who can voice their opinions and back them up with evidence.

  • 2.6 create multiple solutions to visual challenges that show understanding in relationships between composition and meaning of artwork

Here is the place that making a lot of work is key. 10 sketches, 3 drawing, 7 sculptures, 100 bowls… all in the name of becoming stronger int he solution of the challenges that are at hand. Relationships, forms, balance… you name it and all of these will be realized (and more) as more and more art is made.

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Keep in mind that once you open the door, you also need to close it.  During the last couple of minutes of my classes, we take time to reflect, to GENERALIZE the relationship to the goals and the day’s work. This is the CLOSING THE FOLDER that allows the neurons to settle down and pack away the learning, the experiences, until the following day.

You can find these (and more) in my Visual Arts Handbook HERE.

Thanks –

Frank

April 26, 2013 – Friday – Already? A REAL week has passed.

“You never truly lead anybody until you learn to serve, and you never truly learn to serve until you learn there’s something so much greater than yourself.”

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Art Foundations: Color Scheme readings and Color Scheme Notecards… that’s it…

GOALS:

  1. 1.4 Define color schemes using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)
Color Wheel from Class – Label as such…

What color schemes do you fully understand? What color schemes are you struggling with a little bit? Write them out and have a conversation with your neighbor as to which ones you are challenged with.

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Drawing: SnapChat… You made portraits yesterday and 2 days ago… today you are going to show me the image you would like to use and then get them printed out. We begin with pastel drawing – guided experimentation first. Photo Folder to SAVE IMAGE and ADD TO YOUR RUBRIC!

Matisse a bit toned down from yesterday… Still on the changed colors? A smidge maybe…

GOALS:

  1. (1.4.1) Know about solving visual challenges (making art) using analysis (breaking the work into its parts).

What were the challenges that you had with the guided use of the pastels? What are you a bit worried about with the upcoming project. How have you chosen to use the color printout and modify the composition?

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AP Studio Art: Ok guys and gals – you have been great this week – so far… Biggest concerns?

GOALS:

  1. Work on Quality Mounting of artworks. 3.3 Describe the creation of images and ideas and explain why they are value.  

What situation in life is it important to present yourself in the best light possible? When does it not matter so much? How does the presentation of your artwork relate?

April 25, 2013 – Thursday

“You never truly lead anybody until you learn to serve, and you never truly learn to serve until you learn there’s something so much greater than yourself.”

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Art Foundations: Color Scheme readings and Color Scheme Notecards… that’s it…

Working on Color Schemes today!

GOALS:

  1. 1.4 Define color schemes using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)

What color schemes do you fully understand? What color schemes are you struggling with a little bit? Write them out and have a conversation with your neighbor as to which ones you are challenged with.

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Drawing: SnapChat… You made portraits yesterday and 2 days ago… today you are going to show me the image you would like to use and then get them printed out. We begin with pastel drawing – guided experimentation first.

 

GOALS:

  1. (1.4.1) Know about solving visual challenges (making art) using analysis (breaking the work into its parts).

What were the challenges that you had with the guided use of the pastels? What are you a bit worried about with the upcoming project.

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AP Studio Art: Ok guys and gals – you have been great this week – so far… Biggest concerns?

GOALS:

  1. Work on Quality Mounting of artworks. 3.3 Describe the creation of images and ideas and explain why they are value.  

What situation in life is it important to present yourself in the best light possible? When does it not matter so much? How does the presentation of your artwork relate?