#LateStart #HumpDay #WaffleWednesday in the #ArtStudio

$85 Million Van Gogh at Christie’s Auction House. Wow, That’s a lot of money!

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$81.3 Million for a Van Gogh. https://assets.bwbx.io/images/users/iqjWHBFdfxIU/ihP5evPMtsxY/v0/1000x-1.jpg

#69 Color is not Neutral: It has an emotional component. Certain colors have specific associations and induce certain responses. Learn what they are. When you use color, try to determine and understand the accompanying emotional response and how to use it effectively. Color has a visceral impact. Kit White 101 Things I Learned in Art School


Drawing: German’s and their Expressionism

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

MONDAY we are having a FINAL Crit – Step back NOW and see what you have in front of you. Today – spend a moment stepping back from your drawing FREQUENTLY as you work. Look at the ideas of the RUBRIC to see how you are handling the MATERIALS and the COMPOSITION.

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MoMA’s German Expressionism Exhibition: https://www.moma.org/wp/inside_out/wp-content/uploads/2011/08/DSC_0832_low_8001.jpg

Two days left to work in the studio – what are your plans for the final minutes of this work time?


Studio Art 360: Clay Faces and MUGS

7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.

What are three textures / techniques  you are going to have to interpret into your sculpture from your research?

faces-on-ceramic-mugs1
Fun Faces Again! http://blog.shoplet.com/wp-content/uploads/2015/09/Faces-on-Ceramic-Mugs.jpg

What techniques are REALLY important to be using to make sure any ADDITIVE clay really HOLD TIGHT to the clay you are adding it to?


AP Studio Art: Alice Neel and Georgia O’Keefe

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are you focusing on with your work? How are you solving the problems of this and next weeks 3 artworks?

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Georgia O’Keefe – watercolor painting and you. What are you doing that is similar to her work? What skills have you learned? http://www.berkshirefinearts.com/uploadedImages/articles/1213_Dove-OKeeffe915381.jpg

What did you accomplish today? What do you need to do tomorrow?  Georgia O’Keefe:

 

 

It’s the end of the week as we know it – and #IFeelFine

Art is the product of process. “Whether conceptual, experimental, emotional, or formal, the process you develop yields the image you produce. The materials you choose, the methods of production, and the sources of the images should all reflect the interests that command your attention. The process does not stop with each work completed. It is ongoing. The cumulative result of that process is a body of work.” Kit White 101 Things I Learned in Art School


Drawing: Faces – Assembling it all together

1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.

How is the Hair Line and DIRECTION of hair a different feature to draw than any other feature of the head? Please explain your ideas here.

how-to-draw-realistic-hair-featured-rfa-comp-534x280
GREAT HAIR MAN! http://rapidfireart.com/wp-content/uploads/2015/06/how-to-draw-realistic-hair-featured-RFA-comp-534×280.jpg

What successes did YOU have today?


Studio Art 360: Still Life

10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.

What challenges have you found in the process of drawing your still life from OBSERVATION?  

fish_grayscale
Black and White – Transparency and Layering… Janet Fish: http://www.utdallas.edu/~melacy/pages/2D_Design/value_DesignBasics/images/Fish_grayscale.jpg

Where can you see the idea of OBSERVATION as being a skill that is worthy of you focusing on?


AP Studio Art

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Where are you struggling with ideas as you resolve your artwork and plan your next two concentration works? What is it about FINDING YOUR VOICE? What did you take away from yesterday’s crit?

works4
agnes denese – Earth Art:http://www.agnesdenesstudio.com/img/works4/works4.jpg

What bit of advice did you get from your classmates that you will be able to put to use? What bit of advice did you give that might be used elsewhere? What are your goals for the next work(s) that will show your development? FINAL CRITIQUE on MONDAY!

#NoMrKorb in the #ArtStudio @fjkorb is missing! Nope… #Volunteering Elsewhere for the #Arts

Kandisnky as an Impression Painter: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000276/189732_3296010.jpg

“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews


Drawing: Soft Pastels

 

1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What ONE bit of theory has stuck with you as we have talked about the works and ideas of Wassily Kandinsky? Can you use any of his ideas on color and shape in your work as it is developed?

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Kandisnky as an Impression Painter: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000276/189732_3296010.jpg

  1. Blending ANALOGOUS colors with and without finger blending
  2. Blending COMPLEMENTS with and without finger blending
  3. Straight and Curved lines with the TIPS and with the SIDES of the pastels
  4. Filling large areas with a color and then doing smaller details over the top with another DIFFERENT color
  5. Blending with CIRCULAR marks as well as BACK AND FORTH marks
  6. Using PAPER as a masking tool
  7. Adding a WHITE HIGHLIGHT over a darker colored surface
  8. Working UPRIGHT on an easel versus on the FLAT on a table top
  9. Cleaning your pastels with paper towel
  10. Experiment on your own – use your initial images of SKETCHING for the VISUAL experiment inspiration
  11. CLEANING with SPRAY and a CLOTH RAG – that’s not an exercise but a technique that will clean a lot faster than paper towel

END OF CLASS TODAY – Write an answer to this on PAGE 19: What NEW ideas do you have about COLOR as you have used pastels?


Studio Art 360: Character Mugs

 

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design. A: How will you use the experience of working in 3D change the way you work in 2D in the future?

A Bit Blurry but... How's YOUR face on a mug? https://i.ytimg.com/vi/7-pk_0b1mKU/hqdefault.jpg
A Bit Blurry but… How’s YOUR face on a mug? https://i.ytimg.com/vi/7-pk_0b1mKU/hqdefault.jpg

END OF CLASS TODAY – Write an answer to this on PAGE 19: If you could do something in the beginning differently, what are the three things you might change? Why? 

DUE END OF CLASS ON THURSDAY.


Advanced Drawing: Figure Drawing and the GESTURE

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Look at the series of works from yesterday… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier?

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GEsture over Gesture over Gesture… well maybe not exactly but… http://www.studentartguide.com/wp-content/uploads/2015/02/line-drawings-wang-tzu-ting.jpg

Next week – LONGER FIGURE DRAWINGS – 

END OF CLASS TODAY – Write an answer to this on PAGE 19: What were the the challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing? How did you SUCCEED?


 

AP Studio Art: WORK on CONCENTRATION

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What have your previous sketches been over the past months? How have you been planning the NEW and Important ideas out for your work? HOW DOES THIS HELP YOU? (Hand out the Artists pages from their websites and remind them of the expectations.)

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How are YOU doing in YOUR studio? Concentration of works: https://s-media-cache-ak0.pinimg.com/originals/4c/91/30/4c9130b187f9557c4d1aad29c51cdb94.jpg

END OF CLASS TODAY – Write an answer to this on PAGE 19: What materials and ideas are you using that are elevating your concentration? How have you demonstrated the LEARNING and GROWTH in the body of work you have produced? 

WHAT’s the Assignment? If you need another 1, 2, or 3 concentration works – this is your assignment (one at the minimum). You will have your WEBSITE updated with 12 concentration works – PERIOD. You will rework your statements and answers to the AP Questions… ALL DUE on APRIL 3 for CRITIQUE & PRESENTATION.

 

#FourMoreDays to #BREAK

#20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School\

Edward Hopper “The Lighthouse at Two Lights”


Studio Art 360: Portraits in Color Schemes of Your Choice

What colors are you using in this portrait? What IS your color scheme and what colors are you going to be using?

What struggles are you having with this painting so far? This is DUE at the end of the week – End of Class Thursday. DO NOT RUSH.


Painting: Oils and HOW TO

What color scheme are you hoping to focus on with this portrait? How will this help you UNIFY your composition? Are you using OTHER elements to create a sense of unity? What might that be?

What are you anxious about as we begin to think about and use oil paints?

ABOVE: Oil Painting CLOSE UP: Karen Appleton

Oil Paint Characteristics


Drawing: Fauvist Faces and Graffiti

ASSIGNMENT HANDOUT HERE

Two days left… Now that you are more aware of the use of pastels and covering larger spaces faster (large to small, general to specific) how do you feel the drawing has progressed?

Step back and look over your classmates work… what has been the biggest success from you classmate?


AP Studio Art: Concentration and ONLINE PRESENCE

What have your previous works of art been this year and how have you been planning the NEW and Important ideas out for your work based on the work of the residents of Waterford Senior Living? HOW DOES INSPIRATION FROM OTHERS WORK (or talking) HELP or CHALLENGE YOU?

 

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And the Migrants Kept Coming. Jacob Lawrence, 1941: http://www.phillipscollection.org/sites/default/files/styles/slideshow_image_size/public/media/The%20Migration%20Series-Panel%2060_0.jpg?itok=Ak5Vj5HH

What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS?

#HappyThanksgiving – See you in #Studio!

51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

STUDIO ART 360: color and Color Schemes

WHAT AN AWESOME FIELD TRIP! Check out the photos here: https://goo.gl/lmmiu9

What STRUGGLES do you have with OBSERVATION? How about VALUE? What about COLOR?  Sketchbook Assignment Page  and Stephen Shanabrook and Veronika Georgieva as well as the Studio Art 360 Images from Class

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Stephern Shananbrook and : https://static1.squarespace.com/static/52961d7ce4b098fd7ea44b6f/t/52d9eddae4b0d99728f6715b/1390013915741/01.jpg

Please grab hold of a PORTRAIT from the pile in the classroom. FOLD is a few times and overlap a bit of it. Choose a PORTION of it using the VIEWFINDERS (look at the new angles and values) and then draw it out to the best of your ability. USe NEW COLORS with the colored pencils and drawing pencils to get it started. Draw out the FORMAT BOX in your sketchbook. The ideas are all up to you. What are your thoughts about how you can draw this object?

What was the most challenging part of the process for you today? https://goo.gl/NmrgDX


PAINTING: Hallways and Abstraction OR Sketchbooks!

As an individual, what do you think you are going to struggle with the most in today’s (and tomorrow – and maybe Monday’s) Critique.

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Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What one thing did you add to the critique that nobody else did?


DRAWING: Kandinsky- Computer Lab – Google SlideShow

When it comes to drawing the FACE, what features do you have the hardest time with?  Why do you think that you have the hardest time with that feature?

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Facial Features: DRAW! https://rightbrainedmom.files.wordpress.com/2016/08/img_7777-1.jpg?w=768

What are the least successful aspect of the facial features that you drew out today? What do you feel makes them LEAST successful? Is it the same as you though in the beginning of the class? 


AP STUDIO ART: Adventures!

When you think of ADVENTURES… what are 3 things that come to mind? Give yourself a moment to THINK and RESPOND to this.

this_american_life

What was the struggle you had in the past 2 weeks? What struggled? What soared? What will you have to do to adjust your working schedule? This American Life: http://www.thisamericanlife.org/radio-archives/episode/448/adventure

Listen to ONE OF THESE STORIES about ADVENTURE from ACT TWO! Tell a STORY and we will share it with Ira Glass: https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#Tuesday in the #ArtStudio

REMEMBER THIS FOLKS! http://www.artlex.com/ArtLex/ij/images/imagination_einstein.gif

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

http://kehindewiley.com/wp/wp-content/uploads/2014/02/KW-PA12-010-Saint-Denis.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art
  • Having looked through Matisse’s Portraits – How are you going to use the ideas of Kehinde Wiley and APPROPRIATING COMPOSITION to develop the ideas for your self portrait?

Reflection: How have you progressed with the use of photography and the Henri Matisse images to help you develop your understanding of composition and contemporary art? What do you think you are doing to develop the ideas of the late 1800’s and early 1900’s into the early 2000’s?

Studio Art 360: Clay

SKETCHBOOK DUE NEXT TUESDAY: Using a camera ON YOUR OWN TIME THIS WEEK RECREATE a famous painting, sculpture, drawing… Print out the photograph that you have created and also include the famous work of art that you were inspired by. Here are a few examples: Student Examples: https://goo.gl/Tvwv4X

Bird’s Nest – Van Gogh: http://www.vangoghgallery.com/catalog/image/JH0943/Bird’s-Nest.jpg

Goals:

  • G: 10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
  • Who was your artist for this week? What did you ENJOY about the process of creating a vignette of the painting, sculpture, photograph, etc? What was CHALLENGING – HOW?. 3 – 5 sentences to explain

Reflection: What three things can you do / are you going to do to to enhance your sketchbook drawing for next week’s grade? Look at and work with image from assignment sheet!

AP Studio Art: Portfolio

http://pad1.whstatic.com/images/thumb/1/16/Create-a-Photography-Portfolio-Step-3.jpg/aid1124386-728px-Create-a-Photography-Portfolio-Step-3.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Get out your AP question answers… What are three things that stand out in your written answers that help the reader really understand the body of work that they are looking at.

Reflection: What did you get done today? If you step back from your 5 Quality works, what stands out as “DEVELOPMENT?” 

Advanced Drawing: Skeleton – Shared Album HERE

Ah – DaVinci! https://s-media-cache-ak0.pinimg.com/736x/ac/9f/78/ac9f782791c2cbcda3790b2fa73ddb7c.jpg Reflection:

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you think will be most difficult about the TORSO portion of the body to draw? Why is this so?

Reflection: On the yellow sticky notes, go through the studio and write out one aspect of your classmates drawing that seems CORRECT. Explain why too. 

What happened to the week? #Art on a #Thursday!

“Remember, all the answers you need are inside of you; you only have to become quiet enough to hear them.” — Debbie Ford

Mr Korb’s Spring Break Photographs HERE!

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

https://korbartwuhs.files.wordpress.com/2016/04/ea79a-theartofdrawingpeople-520copy.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • How is the SHAPE of the FACE and OTHER ASPECT of the BODY a different feature to draw? RELATIONSHIPS!

Reflection: What are a FEW of the RELATIONSHIPS that you saw today in the drawing of the FACIAL SHAPE – FEATURES – PLACEMENT of the features on the head that you discovered / realized?

Studio Art 360:

SKETCHBOOK DUE NEXT TUESDAY: Using a camera ON YOUR OWN TIME THIS WEEK RECREATE a famous painting, sculpture, drawing… Print out the photograph that you have created and also include the famous work of art that you were inspired by. Here are a few examples: Student Examples: https://goo.gl/Tvwv4X

Bes-Relief – OLD SCHOOL! http://www.buzzle.com/images/history/sculptures/egyptian-hieroglyph-bas-relief-large.jpg

Goals:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What are you NERVOUS about as we venture into the work of claY? 
    • Slide Show Link Here 
    • Photos of Collages HERE

Reflection: Working with the clay for ONE DAY now… what do you feel you are going to have to do to REALLY make this sculpture work? How are you going to have to balance and budget your time? 

AP Studio Art: Mounting Work

yes. http://www.theprospect.net/wp-content/uploads/2014/09/Rise-of-the-AP-exam.jpg

Goals:

  • Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information.
  • Yesterday we got things squared away with the AP Site – Logging in and getting ready for the test. How many images  do you need to work on, photograph, edit to get your final ONLINE COUNT to 12 in Concentration and 12 in Breadth?

Reflection: Reflect on your body of work… What are you proud of in the works you have completed? We have a COUPLE of weeks before we take the test.

Advanced Drawing: Gesture

Gesture! http://www.serenatran.com/images/2dsketchbook/gesture.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • Look at the series of works from yesterday… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier.

Reflection: What did taking an entire minute away from your drawings do for you? Harder? Easier? What did you have to do DIFFERENTLY? 

#MidWeek #Wednesday – I’m BACK!

Special Thanks to ALL the #NAEA16 Leaders for the 2016 Conference in #Chicago. This was a great experience! Thank you all.

Drawing: PORTRAITS! Eyes!

EYES: http://www.bhorg.com/wp-content/uploads/2015/11/eyes-29-1.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • What is it about the EYES that makes it EASIEST or most DIFFICULT to draw?

Reflection: What 3 mistakes did YOU make – how bad were they when it came to eyes?

Studio Art 360: TEXTURE – COLLAGE it BEARDEN style

John Steazaker: http://cdn.gestalten.com/media/catalog/product/cache/3/image/9df78eab33525d08d6e5fb8d27136e95/t/h/theageofcollage_web_1.jpeg

Goals:

  • 10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
  • What are you doing to SUCCESSFULLY create a REAL sense of SPACE in your COMPOSITION?
  •  BOOK: http://usshop.gestalten.com/age-of-collage.html
    • Let’s Look at Romare Bearden for a bit to give you a better understanding… HERE

Reflection: How have you been able to think about your artwork being something that CAN affect how someone who looks at your work and their ideas about your subject matter?

AP Studio Art: Figurative Art –  Richard Diebenkorn

Richard Diebenkorn: http://www.reproduction-gallery.com/catalogue/uploads/1141454024_large-image_1065180426_largeimage.jpg

www.sfmoma.org/explore/multimedia/videos/252

Goals:

  • Observe: Learning to attend to visual contexts more closely than ordinary “looking” requires, and thereby to see things that otherwise might not be seen.
  • What is the ONE thing you are learning about the figure at this point? Maybe it is an OBSERVATIONAL thing… Maybe it is something else entirely (look at page 30 in your folder…).

Reflection: Have you explored a new medium? Have you attempted to work with and through a new (or familiar) material in your work? EXPLAIN in THREE SENTENCES. What has it done for your drawing? DUE END OF CLASS TOMORROW – CRIT IS DUE TOO. Last 10 minutes of class.

Paul Andrews Photography
Guess what happens on April 4? We are going to revisit our outdoor projects with another outdide artist – Peregrine Honig – from Work Of Art!

Advanced Drawing: 50 Sheets of Paper – FINAL DAYS THIS WEEK!

Habits of Mind: https://korbartwuhs.files.wordpress.com/2016/03/artists-studio-habits-of-mind.jpg?w=620

Goals:

  • 4.2Ac: Analyze, select, and critique personal artwork for a collection or portfolio presentation.
  • What ONE ARTISTIC SKILL from PAGE 30 of Artist Habits of Mind did you take away from the 50 Sheets of Paper? 

Reflection: What is one thing you added to today’s critique that made the conversation truly move forward? If nothing – what is ONE THING YOU THOUGHT ABOUT! 

Where is #MrKorb? #NEAE16 again… NOPE… #YouthFrontiers

Special Thanks to ALL the #NAEA16 Leaders for the 2016 Conference in #Chicago. This was a great experience! Thank you all.

Drawing: MUSIC and ART ONLINE!

What a face! how will you draw it?  http://farm4.staticflickr.com/3060/2605312538_01f09a2356.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • When it comes to drawing the FACE, what features do you have the hardest time with?  Why do you think that you have the hardest time with that feature?

Reflection: What are the least successful aspect of the facial features that you drew out today? What do you feel makes them LEAST successful? Is it the same as you though in the beginning of the class?

Studio Art 360: TEXTURE – COLLAGE it BEARDEN style

Sarah Eisenlohr and her collage. http://cdn.gestalten.com/media/catalog/product/cache/3/image/9df78eab33525d08d6e5fb8d27136e95/t/h/theageofcollage_web_5.jpeg

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What are the textures you are hoping to work into your collage (remember that this will be translated into a SCULPTURE)?
  •  BOOK: http://usshop.gestalten.com/age-of-collage.html
    • Let’s Look at Romare Bearden for a bit to give you a better understanding… HERE

Reflection: How is the collage coming along? What is ONE VERY SUCCESSFUL aspect to the work SO FAR? What is one area you are having a CHALLENGE with?

AP Studio Art: Figurative Art –  Richard Diebenkorn

Richard Diebenkorn and MOVEMENT! What do you see as being SIMILAR in ideas to what we are doing with Duchamp? http://www.artnet.com/Magazine/features/klein/Images/klein10-29-10.jpg

Goals:

  • Envision: Learning to picture mentally what cannot be directly observed, and imagine possible next steps in making a piece.
  • Look at YESTERDAY’s day 4 Drawing – What is working with how you initially ENVISIONED the drawing? What are you going to do to IMPROVE it today to create an AUTHENTIC artwork?

Reflection: What are you doing in your ARTIST’s BRAIN to make PERSONAL CONNECTIONS with this drawing? Notice we are looking at RICHARD DIEBENKORN? Tomorrow – we take a moment and look at HIM and his ideas… Richard Diebenkorn

Advanced Drawing: 50 Sheets of Paper – FINAL DAYS THIS WEEK!

Christine Mackey: Lots of ideas… http://gallery.limerick.ie/media/Media,10281,en.jpg

Goals:

  • Envision: Learning to picture mentally what cannot be directly observed, and imagine possible next steps in making a piece.
  • What are three VERY SPECIFIC things you are doing TODAY to get this gigantic undertaking done for tomorrow? How has your vision changed or been the same since the beginning of the art making process – EXPLAIN. 

Reflection: TOMORROW and THURSDAY we are going to HANG THEM UP and CRITRIQUE… What is ONE THING that you have seen change DRAMATICALLY in the drawing – process – product – ideas – WHAT WHY?

Happy Homecoming Day Waterford! Remember where you came from 20 years from now!

Cheerleader Korb - Ready to Cheer!
Cheerleader Korb – Ready to Cheer!
IMG_20131004_065927_788
I’ve got spirit! Yes I do! I’ve got spirit! How ’bout YOU?

“We’ve gotten to the point where we think the camera can capture anything at all.” “Well, it can’t really. The camera can’t compete with painting at all. The paintings are much more vivid about the place than photographs are.” – David Hockney, “Modern Painters, “

David Hockney, on his latest inspiration – Yorkshire, Into the Woods,” by: Marina Cashdan, April 2010, p. 66.

Let us go to the studio and PAINT!

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Art Foundations – Draw in Continuous Line, Painting Patterns with Watercolor, Assemble Final Artworks

Check out how this artist used VALUE through the use of line. How are YOU doing the same?

GOALS:

  1. (5.3) Describe meaning of artwork by analyzing use of contour line and pattern.
  2. (3.2) apply ideas in art to solve visual challenges.

What types of lines are you in favor of using? Where do you find it easiest to use the idea of contour line to represent the face / form? What sorts of pattern do you think you would like to recreate with the use of WATERCOLOR to represent YOU? Share with your classmates.

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Advanced Drawing: Final day to work on PAPER BAG MANNEQUIN drawing – Take it home to finish if you need to.

Last day to check your values and artwork… how’s it gone?

GOALS:

  1. 1.4 RESOLVE and DEFEND the visual challenges you set up using 1.4.2. synthesis (assembling the various parts that build up the up the artwork / subject matter from its basic elements).

What was your plan for the paper bag / mannequin drawing that you began two weeks ago? Did you meet of exceed that goal? Did you fall short? What did you learn and what can you take away and use in the next work?

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AP Studio Art: CRITIQUE – What do you need to say about your work? What can you say? What were you TRYING to say? Do you want some help? Check HERE.

WHAT DO I HAVE TO SAY ABOUT MY WORK?

GOALS:

  1. (3.3) describe the creation of images and ideas and explain why they are of value Orally participate in the discussion of your classmates drawing.
  2. (4.3) compare relationships in visual art in terms of (4.3.2) aesthetics

What did you take away from the critique today? Write down what you have taken from the crit.

~~~

PEP ASSEMBLY SCHEDULE

1st hour 7:25AM-8:05AM
2nd hour 8:10AM-8:45AM
3rd hour 8:50AM-9:25AM
4th hour 9:30AM-10:05AM
6th hour 10:10AM-10:45AM
5AB hour 10:50AM-11:45AM
A Lunch 10:45AM-11:15AM
B Lunch 11:15AM-11:45AM
C Lunch 11:45AM -12:15PM
5BC 11:20AM -12:15PM
7th hour 12:20PM -12:55PM
8th hour 1:00PM -1:30PM