Thursday in #Studio – Let’s get down to business… #COLOR is the Topic. GO

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. Kit White 101 Things to Learn in Art School


Drawing: Colored Pencil Worksheets and PRACTICE

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

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Gary Larson’s “The Far Side”… Still Life is moving.

How is the colored pencil work developing? What struggles are you having with the ideas of making marks with this medium?

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Fred Bell – Regular – ordinary objects: https://2.bp.blogspot.com/-po7P8yJjkCo/WXgGxsl9M3I/AAAAAAAAF2k/KvycvIW8qcgYNAq4uJ8DllC0072zK9XMACK4BGAYYCw/s1600/DK1.jpg

Progress? 3 points of progress please.

 

Studio Art 360: Color and the Wheel – RELATIONSHIPS

7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.

Where do you see color? How does the color on TV get blended together? How does color in a magazine get blended together? Optical color?

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This is the close up of an old school TV: RGB: https://ak9.picdn.net/shutterstock/videos/18871319/thumb/1.jpg

What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…


AP Studio Art: What are YOU doing today?

1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.

MONDAY we look at the sketchbooks as I will be gone tomorrow. What NEW ideas are you having about the concentration? Do you have a transition piece in mind that demonstrates GROWTH? 

http://seanscullystudio.com/

How is the WEBSITE developing? Will your questions be answered for MONDAY?

Tuesday, October 17, 2017 – #That’sIt – #MakeArt

Art is the product of process. “Whether conceptual, experimental, emotional, or formal, the process you develop yields the image you produce. The materials you choose, the methods of production, and the sources of the images should all reflect the interests that command your attention. The process does not stop with each work completed. It is ongoing. The cumulative result of that process is a body of work.” Kit White 101 Things I Learned in Art School


Drawing: Eyes and Mouth

1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.

When you start out drawing the MOUTH… what do you start with? Why do you feel that you start with that facial feature?

Mouth and all it can say: http://d28mt5n9lkji5m.cloudfront.net/i/WaDX6VlZA2i.jpg
Mouth and all it can say: http://d28mt5n9lkji5m.cloudfront.net/i/WaDX6VlZA2i.jpg

What mistakes did YOU make – how bad were they when it came to mouth?


Studio Art 360: Still Life – WAIT – Color Schemes and Sketchbooks

2.1P: Engage in making a work of art or design without having a preconceived plan.

What do you feel is the value of practicing in a sketchbook? How can you see this as being a place that others (engineers, designers, architects, artists) might need as a valuable tool?

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COLOR SCHEMES and your choices for UNITY! https://i.pinimg.com/736x/74/78/8f/74788f4874bf8167c4e7ab7968531b7c–dark-site-dark-colors.jpg

Instructions for Color:

  • Begin by drawing out three 7” x 4” FORMAT BOXES on three pages in your sketchbook.
  • Divide your format box up by using 7 straight or curved lines. Do the same on the next two pages.
  • On the first page, use one color scheme (page 29 in your handbook) of watercolor paints and fill the spaces in.
  • On the second page, choose another color scheme and do the same.
  • Lastly, on the third page – use whatever colors you want.
  • When they are all dry – either define the lines with black sharpie marker (thick / thin / variety) or crayons that are of similar color scheme.
  • When you evaluate this assignment – consider the success of the works that have a specific color scheme in comparison to the one without a specific color scheme.

What is your favorite color scheme? Why does it work for you so well?


AP Studio Art: Crit yesterday – moving forward?

7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, time-frame, or culture.

What have you been doing to try and create a work of art inspired by the outside? Where do you see this drawing / artwork going? How are you using the materials from outside to make GREAT ART?

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James Turrell: Nature AS the art: http://skyspace.rice.edu/site_media/media/cache/2f/98/2f98a170074f3e2a60d93038c289dbed.png

What have you accomplished in this day of work? What do you need to get accomplished for FRIDAY when your CURRENT BREADTH work is due online?

Rice University and James Turrell – Installation.

#Thursday is here and we are #MakingArt

Kandinsky and POST Bauhaus: http://media.guggenheim.org/content/New_York/exhibitions/2011/decisiverose_490x235.jpg


Art is an adventure into the unknown world, which can be explored only by those willing to take risks.”

– Mark Rothko


Drawing: MID-CRIT on Kandinsky

7.2Ac: Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.

As this develops, how are your ideas and Kandinsky’s similar and how are they different? What might you take away from this experience? How can you share that idea with the world?

Kandinsky and POST Bauhaus: http://media.guggenheim.org/content/New_York/exhibitions/2011/decisiverose_490x235.jpg
Kandinsky and POST Bauhaus: http://media.guggenheim.org/content/New_York/exhibitions/2011/decisiverose_490x235.jpg

As this work develops, how are your ideas and Kandinsky’s similar and how are they different? WRITE this out from the beginning of the hour. Has it Changed?


Studio Art 360: Color Scheme Worksheets and WRAP UP

7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.

How do we ORGANIZE colors? What is all of this going to do to help you create more organized and unified works?

Color Schemes: https://oss.adm.ntu.edu.sg/lzhang041/wp-content/uploads/sites/423/2015/10/color_schemes.png
Color Schemes: https://oss.adm.ntu.edu.sg/lzhang041/wp-content/uploads/sites/423/2015/10/color_schemes.png

What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…


Advanced Drawing: Arms and Legs (Bones)

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Back to the LONG BONE of the FEMUR – How can you use your understanding of the BONES of the ARMS and LEGS to help you make sure the DRAWING work – Look at the bending portions of the leg and arm… REALLY LOOK.

shoulder-and-arm-16-3-by-drawing-academy
Arms (and then LEGS too): http://drawingacademy.com/images/drawings/Shoulder-and-Arm-16-3-by-Drawing-Academy.jpg

How will you use the knowledge of the shapes and joints to help you make the proportions CORRECT? Give some technique and ideas in your answer.


AP Studio Art: DEMO of MOUNTING

Reflect: Learning to think and talk with others about an aspect of one’s work or working process, and learning to judge one’s own work and working process and the work of others.

 

We are going to take a BREAK from the conversation and demonstrate the mounting of work. What pieces will you choose to mount? Why? What are your 5 BEST most SUCCESSFUL works?

Mounting Artwork: https://www.framedestination.com/frame_blog/wp-content/uploads/2015/04/1192.jpg
Mounting Artwork: https://www.framedestination.com/frame_blog/wp-content/uploads/2015/04/1192.jpg

What CHALLENGES do you see in the process of mounting your works to the boards? How long will each work take? Time to focus and WORK at it! YOU lead the crits tomorrow to wrap them up.

#3Days until #Thanksgiving. We are #WORKING on #ART!

printable-color-wheel-secondary-colors
I Love Color: https://images.mrprintables.com/learn/printable-color-wheel-secondary-colors.jpg

51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

STUDIO ART 360: color and Color Schemes

UW-M Field Trip: TOMORROW we will meet at DOOR #8 (Main Office) at 7:55 and go from there. We will NOT be dismissing you via the announcements – you’ll just have to  know to get up and leave class quietly and respectfully.

QUIZ – -What are the PRIMARY, SECONDARY, and TERTIARY colors? Sticky Note!

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Mark Rothko – Color Scheme of WHAT?

Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others?


PAINTING: Hallways and Abstraction

As an individual, what do you think you are going to struggle with the most in today’s (and tomorrow – and maybe Monday’s) Critique.

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Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What one thing did you add to the critique that nobody else did?


Drawing: Kandinsky- Computer Lab – Google SlideShow

What did you take away from the KANDINSKY / BAUHAUS / der Blau Reider project? How can you see using these skills, understanding, knowledge in the future of your artmaking career?

Expressionist Wassily Kandinsky Painting
Kandinsky painting hos works – in a TIE! https://s-media-cache-ak0.pinimg.com/originals/46/3e/aa/463eaa78c26e9402afe875bd79008723.jpg

What did writing about your image / ideas do to help you understand the ideas you were trying to communicate VISUALLY?  


AP STUDIO ART: Concentration

How have YOU begun to understand the importance of reflection and N: Class critique – REVIEW some of the things to talk about during the critique. Ask the kids to talk about what is helpful and appropriate.

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Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.

this_american_life

Listen to ONE OF THESE STORIES about ADVENTURE from ACT TWO! Tell a STORY and we will share it with Ira Glass: https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

What is the CENTRAL IDEA behind your concentration? Remember that you need to have a common thread / common theme / CENTRAL IDEA that ties your works together.

ASSIGNMENT PART 2: 3 concentration works. DUE NOVEMBER 21.

#Middle of the #Week – Already? Making #Art in #Stduio

delta-theta-1961
Morris Loius “Delta Theta” 1961 COlor Field Painter: https://uploads8.wikiart.org/images/morris-louis/delta-theta-1961.jpg

#69 Color is not Neutral It has an emotional component. Certain colors have specific associations and induce certain responses. Learn what they are. When you use color, try to determine and understand the accompanying emotional response and how to use it effectively. Color has a visceral impact. – Kit White 101 Things  to Learn in Art School.


capture


Studio Art 360: Color Wheel and Schemes!

Permission slips are due Monday. If you’re interested, or need a new one, let me know.  I will be accepting people until Friday.

What are the PRIMARY colors in the color wheel? What are the SECONDARY colors in the color wheel? How do you MIX the secondary colors? STICKY NOTE QUIZ!

Something is wrong with this color wheel... What is it? https://korbartwuhs.files.wordpress.com/2011/04/color_wheel_pencils.jpg
Something is wrong with this color wheel… What is it? https://korbartwuhs.files.wordpress.com/2011/04/color_wheel_pencils.jpg

Review with your neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors. 


PAINTING: Hallways and Abstraction

How does this work relate to the space / feelings about the space or yourself? What can you do with the VISUAL ARTS that the written or spoken word cannot? Have you begun or finished the written critique? Have you reflected and edited the critique? DUE WHEN YOU WALK IN TOMORROW! Bring in a snack to eat during the CRIT!

Sean Scully and his work: https://i1.wp.com/gabriellejones.com.au/wp-content/uploads/2014/01/1997_scully.jpg
Sean Scully and his work: http://gabriellejones.com.au/wp-content/uploads/2014/01/1997_scully.jpg

What is the strongest aspect of your painting that you feel communicates a message or feeling?


Drawing: Kandinsky- CRITIQUE!

What were the similarities and differences in your ideas and Kandinsky’s

Kandinsky's work - how did you do? https://i2.wp.com/www.moma.org/collection_images/resized/443/w500h420/CRI_241443.jpg
Kandinsky’s work – how did you do? http://www.moma.org/collection_images/resized/443/w500h420/CRI_241443.jpg

How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas?) 


AP Studio Art: Concentration

How have you been able to use the NEW skills you’ve developed this year and create a STRONG BODY of CONCENTRATION works? How are you being interested in the CONCENTRATION work that you are creating?

anne-truitt-working
Anne Truit and her Paintings / Sculptures. (MAM has a couple) http://s3.amazonaws.com/auteurs_production/images/film/anne-truitt-working/w856/anne-truitt-working.jpg

Knowing that you are working on your concentration works and STRONG IDEAS with SKILL Building ideas, how are you advancing the ideas of the ARTIST’S JOB? (Or would you like to draw / make JUST TO MAKE ART TO CHALLENGE YOURSELF)?

What is the CENTRAL IDEA behind your concentration? Remember that you need to have a common thread / common theme / CENTRAL IDEA that ties your works together.

ASSIGNMENT PART 2: 3 concentration works. DUE NOVEMBER 21.

#2MoreDays then #EXAMS

EMPTY YOUR LOCKERS THIS WEEK! Take it ALL HOME – Except what you are working on right now (and your folders).

“Every problem has in it the seeds of its own solution. If you don’t have any problems, you don’t get any seeds.” —Norman Vincent Peal

Drawing – Todd Mrozinski and YOU!

Todd Mrozinski – or one of you? https://midwestartiststudios.files.wordpress.com/2016/03/img_4202.jpg?w=640

Goals:

  •  2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What have you accomplished to make this work REALLY STAND OUT in your mind? Can you resolve this image over tomorrow and this weekend? 

Reflection: What are you taking home? PLEASE use the ONLINE CRITIQUE FORM that is on the side of our website to prepare your final written critique for EXAM DAY. I am NOT looking for it until EXAM DAY. If it is not there, the written portion is a zero… Know that you need to include a photograph into the Google Document that comes to you from filling out the online form. 

Studio Art 360: PORTRAITS – RUBRIC – REVIEW!

Jackie Kennedy – Andy Warhol: https://assets.paddle8.com/510/147/16390/p17lft6sa31rpmdj21fn81lhk17k83-xl.png

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What are two things that are helping you EMPHASIZING the idea of  YOU as you create this self portrait? 

Reflection: How can ART be used to discuss IMPORTANT things in culture? List 3 ways in which you could use art to communicate ideas.

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Collaboration

wp-1464026049681.jpg

NAMETAGS HERE for your ART in the GALLERY

 

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept
  • What do you think of the show? What do you need to do in order to WRAP UP YOUR ONLINE presence for OUR WEBSITE – That’s part of the EXAM!

Reflection: Take the last few minutes of class, sit BACK in the gallery work and see what you see.

Advanced Drawing: Individualized SERIES

PATTERN and SERIES and REPETITION: http://www.redtedart.com/wp-content/uploads/2015/12/Valentines-Crafts-for-Kids-Resist-Art-1.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What do you need to RESOLVE in the next few days? What skills are you pleased with in how you are completing this work?

Reflection: What are challenges you are going to TALK about and WRITE about? DO NOT FORGET TO WRITE! EXTRA CREDIT for ANYONE WHO HELPS CLEAN THE ROOM during STUDY HALLS and AFTER EXAMS!

#Monday in the #Arts… What did YOU do this weekend? #WIArtChat

“If you don’t like change, you’ll like irrelevance even less” General Eric Shinseki

My Weekend: Let’s Look HERE!

Taliesin – Frank LLoyd Wright’s Home and School

Drawing: FAUVISM and CONTEMPORARY PORTRAITS!

WWHT? What would Henri think? http://www.henrimatisse.org/images/Henri-Matisse.jpg

Goals:

  • G: 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Two days left… Now that you are more aware of the use of pastels and covering larger spaces faster (large to small, general to specific) how do you feel the drawing has progressed?
    • NEXT WEEK we are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form http://goo.gl/forms/3q3rPakz8m and then 3) insert images from today into the GOOGLE DOCUMENT.

Reflection: Step back and look over your classmates work… what has been the biggest success from you classmate? 

Studio Art 360: COLOR and YOU!

Andy Andy Andy… http://www.moma.org/wp/moma_learning/wp-content/uploads/2012/07/Warhol.-Self-Portrait-393×395.jpg

Goals:

  • G: 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • QUIZ TIME! Get out a sheet of sketchbook paper and pencil!

Reflection: Assignment – FOR TOMORROW- Make sure you have your SELFIE made for the SELF-PORTRAIT in the style of Andy Warhol.

ASSIGNMENT FOR MONDAY – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

20160428_125757

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: EXAMS! YIKES!

How’s your PORTFOLIO? https://korbartwuhs.files.wordpress.com/2015/05/13eac-110520122437.jpg

Goals:

  • G: 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • What are your answers to your AP Online uploads? Are they concise? Are they thorough? Do they answer the questions effectively? 

Reflection: Are you ready for TUESDAY? Both online and on mounting boards? 

Advanced Drawing: Critique!

Jim Dine’s Self Portrait! https://d32dm0rphc51dk.cloudfront.net/X2X3-mp8VUIDH7fiyyM-uQ/tall.jpg

Goals:

  • G: 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What are two ideas that you have taken away from this idea of the PROCESS of drawing rather than the idea of the PRODUCT?

Reflection: What is one skill that you are going to think about, keep in the mind as you move forward as successful and hard looking drawers? 

#Art at the Midpoint (of the week) – Where are #YOU?

“The Earth without ART is just… eh.”

WHOSE IN? Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 45 Students
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

Madame Matisse – Where we started! http://cdn.bartongalleries.com/paintings/800/050242_Matisse_Madame%20Matisse.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Take a look at your previous day’s work – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?

Reflection: What was the most challenging way to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

Studio Art 360: COLOR and YOU!

Color Schemes? What are they here? https://agraphicworld2.files.wordpress.com/2010/11/monopoly_pennsylvania_green.jpg

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  •  We spoke about 4 color schemes yesterday – WHAT ARE THEY? WRITE them out and HOW THEY can be defined. Ask your neighbors – do NOT use your notes.

Reflection: Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors. What were the most CHALLENGING COLORS for you to mix? Which were the easiest to work with? ASSIGNMENT FOR FRIDAY – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

AP Studio Art: Portrait of One Another

Portrait? Hpw’s it going? https://img1.etsystatic.com/068/1/6145735/il_570xN.750783775_c3dw.jpg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • What have you done that is  NEW in this work – 2 things? What are you LEARNING in this work – 2 things. 

Reflection:  Ok –  Step back – SHUSH – 3 minutes left of class – WHAT DO YOU START WITH TOMORROW?

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

Jim Dine – Figure Drawing: http://www.themorgan.org/sites/default/files/images/blog/302743_021.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you think the skills that you currently have will help you in the process of the figure drawing?

Reflection: How does your drawing look in your own eyes? What did the process of ERASING the image in the beginning do for you?

#Draw #Color #Fauvism #Portraits We’re doing a lot in the #ArtStudio

http://41.media.tumblr.com/9fb0dec87e24d32853d89658c2fe9a07/tumblr_nhvpzqtVOS1smyyw8o1_500.jpg

Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 45 Students
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

Alex Jawlenski: http://en.wahooart.com/Art.nsf/O/8YDE4Y/$File/Alexei-Jawlensky-Lola.JPG

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • We’re getting theie folks – three more days – Every square inch needs pastel. What’s holding you back? What has propelled you forward in the process?

Reflection:Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing

Studio Art 360: COLOR and YOU!

Jamie Treadwell Color Wheel – Thanks Jamie: http://www.jaimetreadwell.com/colorwheel.JPG

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • Review with your neighbor the relationships of color on the color wheel.

Reflection: Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors.

AP Studio Art: Portrait of One Another

Collage Portrait! Mia – you’d like this one! http://cdn.trendhunterstatic.com/phpthumbnails/40/40829/40829_1_800.jpeg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • Take a minute with your partner and share your thoughts about the work you are completing. Take a compliment, take a criticism… repeat to your partner. 

Reflection:  Step back – SHUSH – 3 minutes left of class – WHAT DO YOU START WITH TOMORROW? 

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

 

Jim Dine Figure Drawing: https://s-media-cache-ak0.pinimg.com/736x/1b/26/76/1b2676ac3a8cbe8cd9a84937684d1eaa.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • Figure Drawing is ESSENTIAL to the strong portfolio. Why do you feel that every artist should have a strong background in the world of figure drawing? Or DO you? Why or Why NOT?

Reflection: How did your drawing challenge you today? Are you able to be focused on the figure for the period? Why do you stop short if you do? 

What’s YOUR take on using #color in the #VisualArts

Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 45 Students
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

https://i1.wp.com/www.streetartutopia.com/wp-content/uploads/2012/04/the-earth-without-art-is-just-eh.jpeg

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

Alexi von Jawlensky: http://www.allpaintings.org/d/34361-2/Alexej+von+Jawlensky+-+Young+Girl+with+Green+Eyes.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Step back – yesterday you looked at the class work and got some feedback from them. Take a HARD LOOK AT YOUR DRAWING and determine what you need to focus on in the next 46 minutes. WRITE IT OUT in COMPLETE SENTENCES! 

Reflection: Until THURSDAY to work in class. What is working successfully in your drawing? WHY?

Studio Art 360: COLOR and YOU!

http://www.photo-dictionary.com/photofiles/list/699/1110prism.jpg

Goals:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • THINK ABOUT SCIENCE for a minute… How do we SEE color? How does the color on a digital device get blended together? How does color in a magazine get blended together? 

Reflection: What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…

AP Studio Art: Portrait of One Another

Duchamp talking about his work… what have YOU got to say? http://i.huffpost.com/gen/1399585/images/o-ARMORY-SHOW-1913-facebook.jpg

Goals:

  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • How does stepping back and looking at the works as a whole offer you insight into other’s skills, approaches, and intents and how YOU can learn from others and teach others? 

Reflection: What has been the STRENGTH of the CRIT for you this week?

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

No bad poses – all are difficult.  http://www.toa.edu.my/aboutus/gfx/facilities/life_b.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What is it about the figure that you are still uncertain about? If you have to go back and change something about your current state of the figure, what are you needing to rework? These Drawings are ALL ABOUT LOOKING and I expect you to be working and FOCUSED 100% of the time.

Reflection: What aspect of the drawing do you find successful? What was it that made the second part of the drawing – the part of the drawing that may have surprised you – angered you? Why?