3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
Set up your work in front of the class – let’s take a look and see what is happening – Write down 2 struggles that you see in YOUR work that others may be able to help with.
Reflection / Evaluation: What do you REALLY need to remember from today’s mid crit so that you are CONFIDENT to finish this painting by Wednesday of next . week? Will you need paints to take home?
Studio Art 360: Collage and Texture – Romare Bearden
Reflection / Evaluation: How do you feel your composition successfully uses the GOLDEN MEAN and imagery to explain the ideas of your social topic? EXPLAIN your answers.
AP Studio Art: Figure Drawing Critique – OPEN CANVAS CALENDAR!
Hereis the AP Studio Art Portfolio Example Pages too
3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
What are you focusing on with your work? How are you solving the problems of this and next weeks 3 artworks?
Reflection / Evaluation: What did you accomplish today? What do you need to do this weekend in order to develop a beginning of an concentration? It is NOT about the medium… it is the message.
3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
What were the similarities and differences in your ideas and Kandinsky’s?
Reflection / Evaluation: How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas?
.3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
What was helpful about 1) seeing your work from a distance and 2) hearing what others thought about the work you created?
Reflection / Evaluation: What are two things you took away from the critique today – whether it be about YOUR work or about another person’s work, written, heard, or observed?
Studio Art 360: Value and DRAWING – ONE WEEK OFF of SKETCHBOOK!
Reflection / Evaluation: Of ALL the value scale drawings you created today, which one are you happiest with? WHY? What are TWO things you see as being developed successfully?
3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
Take a FEW MOMENTS and think about the work you have in front of you – your work. Like yesterday – think about and then write a brief self critique about your work, using the art terms on page 29 in the handbook. Work and try to resolve the images for Friday’s Critique.
1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
What ONE bit of theory has stuck with you as we have talked about the works and ideas of Wassily Kandinsky? Are there any ideas that you feel you can use about his ideas on color and shape in your work as it is developed?
Reflection / Evaluation: What NEW ideas do you have about COLOR and Shape in the art you are creating now that we have had some conversation and learning about the ideas of Wassily Kandinsky?
2.1P: Engage in making a work of art or design without having a preconceived plan.
What was the biggest challenge you found as you began coming up with ideas and drawing your cube, cylinder, or pyramid yesterday?
Reflection / Evaluation: What are 2 skills you have already that are going to make your experiences in Studio Art 360 easier?
AP Studio Art: Bag of Ideas?
Goals:
1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
Where / when in your past have you used the ideas of the repetition of single object in a SERIES of drawings, paintings, artworks… something else?
Reflection / Evaluation: g been successful in TODAY’s beginnings of a CONCENTRATION?
Assignment ONLINE – Google Document – SHARE WITH ME at fkorb@waterforduhs.k12.wi.us! DUE ON MONDAY. CLICK HERE FOR A GOOD EXAMPLE. READ THE BRIEF BLOG POST! Where do you see yourself artistically now, where in 5 Years?
Drawing: Observation and Pencils?
Boxes, Objects, COMPOSITION!
Goals:
2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
Most young artists work with their FIRST idea and that’s it. What might the benefit be to begin with MORE ideas? When you sketch in your sketchbooks / artworks… where do you mostly get your ideas from? How do you define OBSERVATION?
Reflection / Evaluation: What skills do you hope to develop this year in Drawing? What do you feel you will be able to improve on regarding the skills you have currently?
Please take some time and SUBSCRIBE or FOLLOW this website (look to the right of this screen). You will get up to date information about this class and all that we are doing during the day – WAY AHEAD OF CLASS TIME! Woo Hoo! If you are NOT in my class… THANK YOU for visiting!
What is Art?
“Art is the concrete representation of our most subtle feelings.” Anges Martin, Art In America (p.124, 1996)
2.1P: Engage in making a work of art or design without having a preconceived plan.
How do you draw something in 3 dimensions? What are different techniques you know? Sit with your neighbor and BEGIN with a box, a cylinder, a pyramid, and the first letter of your first or last name. NO OBSERVATION – Talk about and visually demonstrate the ideas in your GOALS PAGE!
Reflection / Evaluation:
What are 3 things you hope to learn in this room? END OF CLASS – Stand up – Think about what you are hoping to learn – in ONE WORD (and you cannot repeat another person’s comment) Your name and then your word. That’s it. Speak it out loud.
1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
What is your understanding of AP Art? How do you plan on using your skills to make the best you can? Talk to your classmates about this – write this in your GOALS folder.
Reflection / Evaluation:
Art From OBSERVATION – What are / were you able to create from the materials in your bag of ideas? This is what you will use to create a small body of works this week… Drawing / Painting / Photography / Sculpture / Whatever? What is the interesting – worthwhile object(s) and how do you relate to it? 5 different artworks – all from the same focus / visual starting point.
Aspects of Creative Thinking are not usually Taught
You are creative. The artist is not a special person, each one of us is a special kind of artist. Every one of us is born a creative, spontaneous thinker. The only difference between people who are creative and people who are not is a simple belief. Creative people believe they are creative. People who believe they are not creative, are not. Once you have a particular identity and set of beliefs about yourself, you become interested in seeking out the skills needed to express your identity and beliefs. This is why people who believe they are creative become creative. If you believe you are not creative, then there is no need to learn how to become creative and you don’t. The reality is that believing you are not creative excuses you from trying or attempting anything new. When someone tells you that they are not creative, you are talking to someone who has no interest and will make no effort to be a creative thinker.
Creative thinking is work. You must have passion and the determination to immerse yourself in the process of creating new and different ideas. Then you must have patience to persevere against all adversity. All creative geniuses work passionately hard and produce incredible numbers of ideas, most of which are bad. In fact, more bad poems were written by the major poets than by minor poets. Thomas Edison created 3000 different ideas for lighting systems before he evaluated them for practicality and profitability. Wolfgang Amadeus Mozart produced more than six hundred pieces of music, including forty-one symphonies and some forty-odd operas and masses, during his short creative life. Rembrandt produced around 650 paintings and 2,000 drawings and Picasso executed more than 20,000 works. Shakespeare wrote 154 sonnets. Some were masterpieces, while others were no better than his contemporaries could have written, and some were simply bad.
You must go through the motions of being creative. When you are producing ideas, you are replenishing neurotransmitters linked to genes that are being turned on and off in response to what your brain is doing, which in turn is responding to challenges. When you go through the motions of trying to come up with new ideas, you are energizing your brain by increasing the number of contacts between neurons. The more times you try to get ideas, the more active your brain becomes and the more creative you become. If you want to become an artist and all you did was paint a picture every day, you will become an artist. You may not become another Vincent Van Gogh, but you will become more of an artist than someone who has never tried.
Your brain is not a computer. Your brain is a dynamic system that evolves its patterns of activity rather than computes them like a computer. It thrives on the creative energy of feedback from experiences real or fictional. You can synthesize experience; literally create it in your own imagination. The human brain cannot tell the difference between an “actual” experience and an experience imagined vividly and in detail. This discovery is what enabled Albert Einstein to create his thought experiments with imaginary scenarios that led to his revolutionary ideas about space and time. One day, for example, he imagined falling in love. Then he imagined meeting the woman he fell in love with two weeks after he fell in love. This led to his theory of acausality. The same process of synthesizing experience allowed Walt Disney to bring his fantasies to life.
There is no one right answer. Reality is ambiguous. Aristotle said it is either A or not-A. It cannot be both. The sky is either blue or not blue. This is black and white thinking as the sky is a billion different shades of blue. A beam of light is either a wave or not a wave (A or not-A). Physicists discovered that light can be either a wave or particle depending on the viewpoint of the observer. The only certainty in life is uncertainty. When trying to get ideas, do not censor or evaluate them as they occur. Nothing kills creativity faster than self-censorship of ideas while generating them. Think of all your ideas as possibilities and generate as many as you can before you decide which ones to select. The world is not black or white. It is grey.
Never stop with your first good idea. Always strive to find a better one and continue until you have one that is still better. In 1862, Phillip Reis demonstrated his invention which could transmit music over the wires. He was days away from improving it into a telephone that could transmit speech. Every communication expert in Germany dissuaded him from making improvements, as they said the telegraph is good enough. No one would buy or use a telephone. Ten years later, Alexander Graham Bell patented the telephone. Spencer Silver developed a new adhesive for 3M that stuck to objects but could easily be lifted off. It was first marketed as a bulletin board adhesive so the boards could be moved easily from place to place. There was no market for it. Silver didn’t discard it. One day Arthur Fry, another 3M employee, was singing in the church’s choir when his page marker fell out of his hymnal. Fry coated his page markers with Silver’s adhesive and discovered the markers stayed in place, yet lifted off without damaging the page. Hence the Post-it Notes were born. Thomas Edison was always trying to spring board from one idea to another in his work. He spring boarded his work from the telephone (sounds transmitted) to the phonograph (sounds recorded) and, finally, to motion pictures (images recorded).
Expect the experts to be negative. The more expert and specialized a person becomes, the more their mindset becomes narrowed and the more fixated they become on confirming what they believe to be absolute. Consequently, when confronted with new and different ideas, their focus will be on conformity. Does it conform with what I know is right? If not, experts will spend all their time showing and explaining why it can’t be done and why it can’t work. They will not look for ways to make it work or get it done because this might demonstrate that what they regarded as absolute is not absolute at all. This is why when Fred Smith created Federal Express, every delivery expert in the U.S. predicted its certain doom. After all, they said, if this delivery concept was doable, the Post Office or UPS would have done it long ago.
Trust your instincts. Don’t allow yourself to get discouraged. Albert Einstein was expelled from school because his attitude had a negative effect on serious students; he failed his university entrance exam and had to attend a trade school for one year before finally being admitted; and was the only one in his graduating class who did not get a teaching position because no professor would recommend him. One professor said Einstein was “the laziest dog” the university ever had. Beethoven’s parents were told he was too stupid to be a music composer. Charles Darwin’s colleagues called him a fool and what he was doing “fool’s experiments” when he worked on his theory of biological evolution. Walt Disney was fired from his first job on a newspaper because “he lacked imagination.” Thomas Edison had only two years of formal schooling, was totally deaf in one ear and was hard of hearing in the other, was fired from his first job as a newsboy and later fired from his job as a telegrapher; and still he became the most famous inventor in the history of the U.S.
There is no such thing as failure. Whenever you try to do something and do not succeed, you do not fail. You have learned something that does not work. Always ask “What have I learned about what doesn’t work?”, “Can this explain something that I didn’t set out to explain?”, and “What have I discovered that I didn’t set out to discover?” Whenever someone tells you that they have never made a mistake, you are talking to someone who has never tried anything new.
You do not see things as they are; you see them as you are. Interpret your own experiences. All experiences are neutral. They have no meaning. You give them meaning by the way you choose to interpret them. If you are a priest, you see evidence of God everywhere. If you are an atheist, you see the absence of God everywhere. IBM observed that no one in the world had a personal computer. IBM interpreted this to mean there was no market. College dropouts, Bill Gates and Steve Jobs, looked at the same absence of personal computers and saw a massive opportunity. Once Thomas Edison was approached by an assistant while working on the filament for the light bulb. The assistant asked Edison why he didn’t give up. “After all,” he said, “you have failed 5000 times.” Edison looked at him and told him that he didn’t understand what the assistant meant by failure, because, Edison said, “I have discovered 5000 things that don’t work.” You construct your own reality by how you choose to interpret your experiences.
Always approach a problem on its own terms. Do not trust your first perspective of a problem as it will be too biased toward your usual way of thinking. Always look at your problem from multiple perspectives. Always remember that genius is finding a perspective no one else has taken. Look for different ways to look at the problem. Write the problem statement several times using different words. Take another role, for example, how would someone else see it, how would Jay Leno, Pablo Picasso, George Patton see it? Draw a picture of the problem, make a model, or mold a sculpture. Take a walk and look for things that metaphorically represent the problem and force connections between those things and the problem (How is a broken store window like my communications problem with my students?) Ask your friends and strangers how they see the problem. Ask a child. How would a ten year old solve it? Ask a grandparent. Imagine you are the problem. When you change the way you look at things, the things you look at change.
Learn to think unconventionally. Creative geniuses do not think analytically and logically. Conventional, logical, analytical thinkers are exclusive thinkers which means they exclude all information that is not related to the problem. They look for ways to eliminate possibilities. Creative geniuses are inclusive thinkers which mean they look for ways to include everything, including things that are dissimilar and totally unrelated. Generating associations and connections between unrelated or dissimilar subjects is how they provoke different thinking patterns in their brain. These new patterns lead to new connections which give them a different way to focus on the information and different ways to interpret what they are focusing on. This is how original and truly novel ideas are created. Albert Einstein once famously remarked “Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”
And, finally, Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.- See more at: http://www.creativitypost.com/create/twelve_things_you_were_not_taught_in_school_about_creative_thinking#sthash.ldO1JQvB.dpuf
NVAS: 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
Question to begin with: What did you get lost in yesterday as you made your art? Where did you FLY? Take a REAL MOMENT before you begin finishing or setting up a NEW composition and consider the progress of the works you are making. PLEASE GIVE SOME EXAMPLES and EXPLAIN!
Go MATT!
End of the Day Reflection (use the back of this page for more reflection space): As you look back on the past two weeks of painting, what are the highlights of the experience (remember that the word EXPERIENCE is emphasized here)? How do you see some of the ideas as being those that MAY carry you forward into your future paintings? Techniques? Compositions? New Skills? What else and WHY – ELABORATE!
You are creating WONDERFUL works!
Remember that you have HOMEWORK this weekend. Take the artist you most enjoy from your list of 3 and CREATE your best version (copy) of one of their works of your choice. ALSO – make sure you create one or two paintings of your choice based on the style of your artist of choice.
4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
Choose one MORE of the BEST works that you have in your collection… This is going to be the SECOND of your QUALITY works that we are MOUNTING for the portfolio. What is it about the work that makes it STAND OUT FROM the others as one of the BEST works?
We have 2 weeks to pull the 5 total QUALITY works to mount and 24 total other works to photograph, edit, and UPLOAD to the AP Site AND OUR AP Site… How many DIGITAL WORKS do you need to work on?
Advanced Drawing: Mat and Frame your work – Hallways and Hanging!
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
Look at the series of works from a few days ago… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier?
Next week – LONGER FIGURE DRAWINGS – Be aware of the challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing?
“There is an immeasurable distance between late and too late.” —Og Mandino
Please Play for ALL Classes.
AP and Advanced Drawing Intro Video:
AP Studio Art: REGISTRATION in due TOMORROW!!!
Ideas? What’s going on in your head?
Goals:
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
What have your previous sketches been over the past months? How have you been planning the NEW and Important ideas out for your work? HOW DOES THIS HELP YOU?
What have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work? How does it REACH OUT into NEW IDEAS?
Advanced Drawing: Stairway Drawing.
Your Paper Bag Drawings are HERE. Copy YOUR image into YOUR document! Questions – ask me on Wednesday.
DO NOT GO UPSTAIRS TODAY! ACT Testing… Thanks. Goals:
2.3Ad: Demonstrate in works of art or design how visual and material culture defines, shapes, enhances, inhibits, and/or empowers people’s lives.
What type of images have you created in the past REGARDING PERSPECTIVE? What was visually successful in the composition? What was technically successful in your execution? Same with the unsuccessful aspects? Share with your neighbor. Use of (Element) to create a unified artwork.
What was the success in today’s drawing? What was the challenge? Back out Thursday for preliminary drawings.
RUBRIC LINK, but it should ALREADY be in your Google Drive. SHARE it with me...
Drawing: Oil Pastels!
Goals:
7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
Reflect on YESTERDAY before you begin today! What worked? What didn’t?
Biggest struggle / success for today? Write it out and the WHY!
By The Way… Share your STILL LIFE DRAWINGS by visiting them HERE.
1.1P: Use multiple approaches to begin creative endeavors.
Looking at the ROMARE BEARDEN collage on the screen, what do you think this work is about? WHY? Please work with your neighbor on answering this question.
What is the most challenging aspect to creating a collaborative work of art? What did you feel will be helpful in working with a classmate? What did you feel will be a challenge?
4. You can’t thinkyour way through an art problem. As John Cage said, “Work comes from work.” – Jerry Saltz – Art Critic and personality.
Personality JERRY SALTZ!
AP Studio Art: Outside of the box thinking?
Using nature to make art – how are are you doing? Nils-Udo.
Goals:
1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
What has been successful for your outdoor work? What has FAILED you? Where do you need to go from here?
With this OUT OF THE BOX (out of the doors) assignment… What struggles are you facing> Where are you falling in the snow? What are your challenges? Nils-Udo
Advanced Drawing: Time to CRIT!
Critique – TODAY! Let’s REALLY get to it!
Goals:
3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
What was the successful part of the drawing for you? What will you carry forward as you make more art?
How did doing the critique open your ears to what was said? How did it open your eyes to what you saw?
Drawing: DRAWING – What is the criteria you think about when judging art!
Morandi did it well – How well are you doing? How well did you do?
Goals:
3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
Looking at the still life you have drawn, what are aspects that you would talk about if you were critiquing the work as being successful or unsuccessful?
Why do you feel that using white objects is worthy or unworthy, simple or complicated as the subject matter or idea for a drawing? What can you take forward from this experience into the next artwork?
Studio Art 360: How to draw? Thumbnails and IDEAS! – VALUE TOO!
Morandi’s studio – how would you like to have a studio space like this?
Goals:
10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
Look back at yesterday’s drawings – Which one is the BEST and SHARE WHY YOU FEEL THIS with your neighbor. SERIOUSLY – SHARE.
What went well today? Where did you struggle? Explain your thoughts here… Morandi’s studio…
How about COMPOSITIONS? Looking for ideas? Let’s Look HERE!
How To Do Everything
How To Do Everything with your chef – Mr. Korb… Listen to the second half of the show to hear Mr. Korb’s Contributuion to the BIG GAME snack dip recipe. Start at 5:55.