Hey CHUCK… Look CLOSE at your skills and attitude… you CAN do ANYTHING!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Go Puppy – You Can Do IT!

Art Foundations: Grid Drawings and Ratios

How can you use the individual squares to help create interest in the final product? (Student Work).

Goals:

  1. 1.2 Create art that demonstrates an understanding of how your ideas relate to the techniques (colored pencil layering and blending) and process (grid and drawing) you are using.

With one week of drawing for this work, what do you need to do in order to make strong progress in this project? How has your day to day work been helping or hindering your work? Recognize the attitude / effort of the day to day work and how it affects the finished product

Advanced Drawing: Edward Hopper and Portraits Hopper Exhibition at the Whitney AND National Gallery of Art

Edward Hopper, American (1882–1967) Nighthawks, 1942 Friends of American Art Collection, 1942.51 The Art Institute of Chicago Photography © The Art Institute of Chicago (http://www.nga.gov/exhibitions/2007/hopper/hopperinfo-lg.jpg)

Goals:

  1. 1.4 Initiate, define, and solve challenging visual arts problems using skills of evaluation (What’s the imagery? What are you saying about yourself? How are we reading that? Why is it successful?.
  2. Identify the intentions and purposes behind making art.

AP Studio Art: One on One to resolve grades – Of Sailors and Whales /Art and Fear

WOW – What a great image! What’s your image coming along like? Have you listened to the music? (http://cdnimg.visualizeus.com/thumbs/f9/c9/painting,sea,ship,whale,texture,colour-f9c9c79e20a7112c9269778b6f6928ba_h.jpg?ts=93246)

Goals:

  1. 3.1 reflect on how your art differs (from your classmates) and describe how it relates to the BREADTH you have.
  2. 3.3 describe the creation of your images and ideas and how they work with your concentration.

What is the biggest challenge you see in the process of developing and making more than one artwork at a time? What is working to help be productive?

What are the self imposed limits you have?

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Remember this. (http://roimediadirect.com/NoLimitsAward/wp-content/uploads/2012/04/no-limits-logo.jpg)

Art Foundations: Color Scheme Drawings in Colored Pencil

Can you see the GRID? (http://farm6.staticflickr.com/5244/5309789988_abfbde9d3b_z.jpg)

Goals:

  1. 4.4 Evaluate and interpret art for its relationship in meanings showing understanding of the work of various art professionals (how different artists make different works).
  2. 6.1 compare aspects of the visual arts with aspects of other disciplines through Mathematical Ratios and Transferring images / blending colors

How do you see the work you are creating now improving or being more successful than the work you have done in the past? Do you REALLY think you are taking the time in drawing (sketchbooks) as being more thought out? Are you using techniques from our class elsewhere in your day-to-day making  of objects?.

Advanced Drawing: Self – Portrait Preliminary Drawings

Where might you want to be located? (http://cdn.dailypainters.com/paintings/self_portrait___magritte__interior_painting_by_k_m_interiors__still_life__0ba270a35bf03ee131073dc704debad5.jpg)

Goals:

  1. Identify the intentions and purposes behind making art.
  2. Create multiple solutions to visual challenges (of your self portrait!)

What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation?

AP Studio Art: Art and Fear / Of Sailors and Whales / Body of Work

One on One discussions with Mr. Korb about the past 6 weeks of works please. Let’s get caught up and share our ideas.

Oh No… a real big fish! (http://www.todayifoundout.com/wp-content/uploads/2011/12/Moby-Dick-3.jpg)

Goals:

  1. 3.1 reflect on how your art differs and describe how it relates to the Breadth you have begun.
  2. 3.3 describe the creation of your images and ideas and how they work with your breadth work.

Review the BREADTH works you have developed at this point and compare your thoughts with your classmates.

When Mr. Korb is Away, the Artists Work REALLY hard!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

But you CANNOT fly or turn into a ROBOT. (http://fc02.deviantart.net/fs70/i/2010/224/d/1/You_Can_Do_Anything_by_Faceless_Fantasy.png)

Art Foundations: Grids and Math

Drawn from a GRID and a PHOTO (http://th00.deviantart.net/fs29/PRE/f/2008/128/d/0/Grid_Drawing___Headphones_by_vampyremuffin.jpg)

Goals:

  1. 1.2 Create art that demonstrates an understanding of how your ideas relate to the techniques (colored pencil layering) and process (grid and drawing) you are using.
  2. 6.1 compare aspects of the visual arts with aspects of other disciplines through Mathematical Ratios and Transferring images

What are the challenges you have been having with this process? What colors have you begun using and how easy / hard has this been for you?. Did you need or offer help from / to a classmate? Collaboration is ESSENTIAL to solving problems.

Advanced Drawing: One more day to practice the FACE!

Facial Features… but YOU draw the entire face. Watch and Look… Impress me so we aren’t starting back at individual features. (http://fc03.deviantart.net/fs71/f/2011/340/7/a/facial_features_by_arandadill-d4ib357.jpg)

Goals:

  1. 1.4 Initiate, define, and solve challenging visual arts problems using skills of (1.4.1) analysis (.2) synthesis (.3) evaluation.
  2. (5.1) Identify the intentions and purposes behind making art.

What interests you? What sorts of locations are you comfortable in? What sorts of locations make you uncomfortable? What did you do today that brought the work to a place where you can understand what is going to happen?

AP Studio Art: Art and Fear, Website too…

Thar She Blows! (http://upload.wikimedia.org/wikipedia/commons/8/8b/Moby_Dick_final_chase.jpg)

Goals:

  1. 2.6 create multiple solutions to visual challenges that show understanding in relationships between composition and meaning of artwork
  2. 6.1 compare aspects of the visual arts with aspects of other disciplines by being inspired by  music and text.

On your goal sheets…Think about your Art and Fear image and how it is coming. Also please consider the website you have been working on and think about how you are doing. If you need to make changes to your site – make sure you are making the changes. Are you ANY CHAPTERS behind in the Art and Fear Book? Make sure you are up to speed there. Take the last 5 minutes to talk with your neighbors about the meaning of your Art and Fear works – if you are struggling – ASK QUESTIONS and LISTEN to the conversations.

Relationships are the KEY to Life… and art.

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.” Zig Ziglar

Art Foundations: Color Theory – Color Wheel – Color Schemes

What are the DOMINANT COLORS that were used in this magazine cover?

Goals:

  1. 1.4 Define color schemes using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)

Review with your neighbors the relationships of the colors on the color wheel – what are the color schemes that we have discussed today?

Advanced Drawing: Gesture Drawing

Rembrandt used gesture drawings as preliminary idea drawings. How can you use them?

Lets begin with a drawing of the human form from MEMORY – 8 minutes… what do you remember a person looking like? GO!

Goals:

  1. 5.1 identify the rationale behind making gesture drawings
  2. 3.3 describe the creation of images and ideas and explain why they are of value

What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation?

AP Studio Art: What are you doing with Art and Fear? How goes the Website?

While Miley Cyrus is terrifying enough… this is really frightening. What make you fearful? Art?

Goals:

  1. 3.1 reflect on how your art differs and describe how it relates to the Breadth you have begun.
  2. 3.3 describe the creation of your images and ideas and how they work with your breadth work.

As we begin – stop and talk to your neighbors and discuss the Art and Fear Chapter – get FEEDBACK – and talk about the WEBSITE. How’s it going?

What did you accomplish today? What do you need to do tomorrow?  What are your challenges as we progess forward with the 

It’s ALMOST never too late… ALMOST!

High School Art Exhibit at the 2013 River Edge Art Walk! Way to Go!
High School Art Exhibit at the 2013 River Edge Art Walk! Way to Go!

REAW Studio 107

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“There is an immeasurable distance between late and too late.”

—Og Mandino (Paul Mark Sutherland http://goalhabits.com/2013/10/12/goal-achievement-quote-oct-12-2013/)

It’s ALMOST too late, but not quite, for missing work… What can you do? – WEDNESDAY IS THE LAST DAY FOR MISSING ASSIGNMENTS!

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Art Foundations: Intro to Perspective and Positive / Negative Compositions

READ THIS – How do you draw blocks so they look like they are REAL 3D blocks? Give it a shot – Right Now. Open your sketchbooks and draw a cube to the best of your ability. READ THIS and FOLLOW THE INSTRUCTIONS! Go To It!

GOALS: NOTE – these are LONG… what do they mean to you? Write them out in your OWN words if you can.

  1. 1.4 create, define, and solve visual challenges using 1.4.1 analysis (breaking up the artwork / subject matter to basic elements).
  2. 1.2 create art that demonstrates an understanding of how your ideas relate to the 1.2.3 and processes (linear perspective) you use

How do you see space? As we work in perspective, I hope you are able to understand the ideas of linear perspective and the creation of compositions.

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Advanced Drawing: Non-Objective Drawing based on REALITY!

What do you see? How can you create a NON-OBJECTIVE drawing from something that is REAL?
What do you see? How can you create a NON-OBJECTIVE drawing from something that is REAL?
How did Richard Dibenkorn create a non-objective image from reality?

GOALS:

  1. 2.6 Work on creating multiple solutions to solve visual challenges.
  2. 5.1 identify the rationale behind making art (NON-Objective from direct observation)

How did you develop the idea of the composition? Is it challenging for you to see non-objective inside the real observable objects? Is your composition interesting enough to stop someone and make them think?

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AP Studio Art: Concentration #1 and #2 – Yikes! Sketchbook Development too!

How can you use the sketchbook to REALLY develop your ideas? Can you? Do you still feel like the sketchbook is a precious object that mistakes and experiments can;t happen in?

GOALS: The BIG deal for the week(s) to come is to develop and advance the ideas for your concentration.

  1. 5.1 identify the rationale behind making art.
  2. 4.4 evaluate and interpret art for relationships in 4.4.1 form 4.4.2 context

What are your plans for the first 2 works. We are working on MULTIPLES!  What is the greatest FEAR you have regarding these works? What is your plan for tomorrow? (Due next Monday – Concentration #1).

How can we use the NEGATIVE to make the POSITIVE work better?

And here I am HANG GLIDING… I love to use my abilities to really have fun in life. http://www.seekextreme.com

“The question for each man is not what he would do if he had the means, time, influence and educational advantages, but what he will do with the things he has.” — Frank Hamilton

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Art Foundations: Space – Positive and Negative Space in your artwork and in life.

What did the artist focus their attention on? The NEGATIVE SPACE! http://www.drawingandpaintinglessons.com

GOALS:

  1. 1.4.1 analysis (breaking up the artwork / subject matter to basic elements)

What did you find as the most difficult aspect of the creation of the drawing? What was the hardest? What was the easiest? Are you able to see the negative space in the 1 – drawing, 2 – actual object?

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Advanced Drawing: Crit and PENCIL DRAWINGS.

Check out and SEE the GLASSES that Janet Fish Draws and Paints. How do you deal with TRANSPARENCY? http://2.bp.blogspot.com

GOALS:

  1. 2.6 Work on creating multiple solutions to solve visual challenges.

What are you drawn to? What is successful in your composition? What is it about the transparent glass that makes this a challenging or easy subject matter to work with? Share your preliminary work with your neighbor – write the thoughts down and share the challenges with your neighbors.

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AP Studio Art: RESEARCH and begin the ideas for your CONCENTRATION

Vincent Van Gogh spent time LOOKING at and THINKING about the works that he focused his life on… what are you going to do to do the same? http://www.vggallery.com

GOALS:

  1. Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information.
  2. Critical Thinking, Problem Solving, and Decision Making – Students use critical thinking skills to plan and conduct research, manage projects, solve problems, and make informed decisions using appropriate digital tools and resources.

Look over and SHARE your research about the artist that you have begun looking at and also share a bit about what your initial thoughts are regarding the idea of having a concentration.

Back to Normal… Whatever That Is.

http://isucceesbook – What skills can you use that will help you conquer your mountain?

“The question for each man is not what he would do if he had the means, time, influence and educational advantages, but what he will do with the things he has.” — Frank Hamilton

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Art Foundations: Resolve the mixed media self portrait / pattern. Self Evaluation!\

GOALS:

  1. 2.1 form criticism about artworks that work to accomplish 2.1.2 personal goals.
  2. 6.3 use the principles and techniques of art with those from other discipline

Regarding your background… what are you really happy with? What are the areas that need work? What would you do differently if you had the opportunity to rework some aspects of the work?

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Advanced Drawing: The critiques start today – Review Critique ideas – 3 page handout! Oral Crit HERE

http://escapingartist.com – What are you going to add to the crit? What are you going to take a way?

GOALS:

  1. (3.3) describe the creation of images and ideas and explain why they are of value Orally participate in the discussion of your classmates drawing.
  2. (4.3) compare relationships in visual art in terms of (4.3.2) aesthetics (1, 2, 3, 5)

hat did you take away from the critique today? Write down what you have taken from the crit.

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AP Studio Art: Crit! Oral Crit HERE

http://www.rovertfinchart.com – What will you bring to and take away from the crit?

GOALS:

  1. 2.2 evaluate the effectiveness of artworks.

  2. 5.3 describe meanings of artworks by analyzing 5.3.1 techniques. (1, 2, 3, 5)

What did you take away from the critique today? Write down what you have taken from the crit. ON YOUR PRINTED SELF-CRIT. (1, 3, 5).  What notes are you taking?

What’s your FEAR about Art? “Talent?” Ha! TRICK QUESTION! No such thing as “TALENT”

Welcome to GREEN DAY (Color day that is...)
Welcome to GREEN DAY (Color day that is…)

“We’ve gotten to the point where we think the camera can capture anything at all.” “Well, it can’t really. The camera can’t compete with painting at all. The paintings are much more vivid about the place than photographs are.” – David Hockney, “Modern Painters, “

David Hockney, on his latest inspiration – Yorkshire, Into the Woods,” by: Marina Cashdan, April 2010, p. 66.

Not outside, but check out David Hockney’s painting! Great Studio Space!

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Art Foundations: Portrait Drawing AND Pattern Painting – PAIR SHARE YOUR PATTERNS AND YOUR DRAWINGS… Tell the story!

While this is NOT a continuous line portrait – check out the way the artist used the line to fill in the negative spaces. This is one way that we will be using line to help fill the space.

GOAL: BEFORE YOU WRITE THIS DOWN WITH NO THOUGHT… WHAT DO THEY MEAN TO YOU?

  1. (1.1.1) Apply art materials (markers, pencils, watercolors) being aware of your skills.
  2. (1.4) Solve visual challenges using synthesis (element of Line and putting the drawing together, shape and color with pattern).

What is the most challenging aspect of the portrait / pattern painting? What emotions have you chosen to represent yourself through the painting and the drawing? Why and HOW? Be Thoughtful and WRITE A STRONG ANSWER!

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Advanced Drawing: Computer Lab to talk about the critique and take a day away from the drawing.

Chuck Close works being discussed. How would YOU talk about an artwork if you were asked to discuss it?

GOAL: BEFORE YOU WRITE THIS DOWN WITH NO THOUGHT… WHAT DO THEY MEAN TO YOU? WRITE IT OUT SO IT MAKES SENSE.

  1.  2) Use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others.
  2. 3) Apply digital tools to gather, evaluate, and use information.

How has the process of observation and the “simple” objects challenged you in the creation of the compositions here? Considering the idea that this basic topic has “been done before” what have you done to take it up a notch, make it more impressive, stronger than what you may have done in the past? 

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AP Studio Art: Photographs and WEB PAGE Design. ART AND FEAR BLOG!

What is your FEAR in ART? We are going to read ART and FEAR to get over some of your fears about being an artist and dealing with the arts.

GOAL: BEFORE YOU WRITE THIS DOWN WITH NO THOUGHT… WHAT DO THEY MEAN TO YOU?

  1. 5.3 describe meanings of artworks by analyzing 5.3.2 how they relate to history and culture (Art and Fear Readings)

What is the main point that you took away from David Bayles and Ted Orland’s Chapter 1 in “ART and FEAR”? We are going to use the ART and FEAR blog to have a REAL STRONG conversation about what it is to be an artist. I WISH I HAD THIS BOOK IN HIGH SCHOOL AND IN COLLEGE. A lot of this is ABOVE YOU and WILL BE for some time… read it – reread it – and do that again. I will be setting out deadlines online for the chapter responses.

 

 

Everybody was Kung-Fu Fighting! Ninja Day at WUHS!

King-Fu Frank!
King-Fu Frank!

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Painting from DIRECT OBSERVATION! David Hockney demonstrates the skills behind it all!

“We’ve gotten to the point where we think the camera can capture anything at all.” “Well, it can’t really. The camera can’t compete with painting at all. The paintings are much more vivid about the place than photographs are.” – David Hockney, “Modern Painters, “

David Hockney, on his latest inspiration – Yorkshire, Into the Woods,” by: Marina Cashdan, April 2010, p. 66.

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Art Foundations: Pattern in the background and Portraits in the foreground.

What patterns did Henri Matisse use? What patterns are you considering?

GOALS:

  1. 3.5 Reflect and evaluate how (3.5.2) symbols (your choice in pattern) are used in art.
  2. 4.4 evaluate and interpret art for relationships in 4.4.2 context.

What is your favorite type of pattern? If you were to describe yourself with a pattern or sense of rhythm, which would best describe you?

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Advanced Drawing: Final 2 days on the drawing of the paper bag and figure drawing.

What values are you working with? What are you struggling with? Succeeding?

GOALS:

  1. 1.1 apply media, techniques, and processes with 1.1.1 skill 1.1.2 confidence 1.1.3 and awareness so that your ideas are executed well.

What did you take away from the drawing today? What are you succeeding with?

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AP Studio Art: Final days of plant drawing.

Korb Magazine Article: https://docs.google.com/open?id=0B89E3WNWaCjUQUlxeVRZWWZUeGs – We are going to develop this idea into an ONLINE Portfolio – WEB PAGE – This is coming up FAST… be ready to insert images and develop an ONLINE Presence. Not today… but soon.

What does this plant drawing have that your’s does not?

GOALS:

  1. 1.1 apply media, techniques, and processes with (1.1.3) an awareness so that your ideas are executed well.

With only two days left, what are the biggest problems that you have had to overcome in this work? Think about it… where did you start and where are you now? What GAINS have you made? Where have you fallen down?

May 24, 2013 – Friday – Happy Birthday Abby!

“A dream only becomes overrated when not pursued by the dreamer.” ― Courtney Hickman

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Art Foundations: Collage and build the ABSTRACT IMAGE based on your personal life and feelings…

Simplicity in the use of ELEMENTS of ART can make an abstraction – what are you doing? What are your textures?

GOALS:

  1. 1.3 communicate your thoughts on social topics clearly
  2. 4.3 compare relationships in visual art in terms of 4.3.3 your culture as it relates to your own art.

What have you learned about the creation of ABSTRACT ART? What have you learned about the important things in your life THROUGH the creation of your ABSTRACT ART PROCESS?

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DRAWING: 1) Perspective and 2) Critiques… 6th hour is going to have to hustle ONE DAY tocatch up. PHOTOGRAPHS will HAVE TO BE a part of the process. THESE Photos are going to be UPLOADED to the FINAL CRITIQUE for the FINAL EXAM… make sure you are documenting the process.

EVOL, “DRESDEN 09”, 2010 Spray paint on cardboard, 61 x 76 cm —> High Resolution… How can you do this… GOUACHE, GESSO, PENCIL!

GOALS:

  1. 5.1 Identify the rationale behind making art.
  2. 1.4 Create, define, and solve visual challenges using 1.4.1 Analysis (how do you see the perspective in your drawing?)

Where did you struggle in remembering perspective? How can you use the skills of sighting in to refresh your memory and heighten your skills? THIS IS A FAST PROJECT that IS the basis of the FINAL EXAM. If you do not finish the drawing in the time allotted – you will have a hard time passing the final exam. HOW can you make this YOUR own special drawing? Your locker? Your favorite hallway / doorway / classroom?

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AP Studio Art: CONGRATULATIONS! Let’s get out there and be proud of the 9 months of ART MAKING!

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GOALS:

  1. 2.5 defend personal evaluations
  2. 3.3 describe the creation of images and ideas and explain why they are of value Work at the (AP) Art Exhibition.

What did you contribute to the cultural end of the school day? What questions came up? What controversy came up? Who do you impress and why? What were your thoughts as the day / hour went by? Good job folks… One more week of Art Making and then the end…

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