A good day to #MakeGoodImpressions and #CeramicBoxes with#LinoleumPrints

Don’t ever forget that a small group of thoughtful people can change the world, it’s the only thing that ever has. Aaron Sorkin, Writer and Producer.

Get Out Your Handbooks – Page 16!

Ceramics 1: Let’s continue with our boxes!

  • 7.2Ac: Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.
  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Assignment Sheet is in your GOOGLE CLASSROOM (as always) and HERE.
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Small Ceramic Box with Lid and Feet:https://i.pinimg.com/originals/09/ac/53/09ac53130e34d0e9f1dba42d1262bff1.jpg
  • This has been a good week of work. We started with drawing out our plants, cutting into our linoleum, and resolving them for printing. We have also worked with creating successful slabs by rolling them out for today. Finally, today we took all of that information and put it all together successfully and you’ve resolved your boxes. What are three things about this process that you initially struggled with but in the end found a sense of success, accomplishment with? Write it out and then share it with your neighbor. Have a great weekend!

 

#HumpDay! This is the MIDDLE of the WEEK! YaHoo! Another day to make #ART!

Andy Warhol making Silk Screen Prints - It takes a lot of work to do the job. http://www.wetcanvas.com/Community/images/01-Aug-2012/538491-Gerard_Malanga_silk_screening_with_Andy_Warhol_Factory1965.jpg

“A dream only becomes overrated when not pursued by the dreamer.” ― Courtney Hickman


PLEIN AIR ART CLASS: Summer Opportunities – Plein Air and Printmaking!

Summer Plein Air Art - Taliesin - Frank Lloyd Wright - Spring Green, WI
Summer Plein Air Art – Taliesin – Frank Lloyd Wright – Spring Green, WI Images of Field Trip HERE.

ALL LATE WORK IS DUE FRIDAY – No Exceptions! Period.


Drawing: Shadows, Positive, and Negative Space

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What have you accomplished this week – three days in? What strengths do you see in the hands and mind you have that will add to the work you are creating? What is a weakness? Can you resolve that over the weekend?

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Todd Mrozonski at the work table in the studio. https://i.ytimg.com/vi/AlAbGuqwdMc/sddefault.jpg

What do you need to begin with tomorrow?


Studio Art 360: Printing Day # 2 is HERE!

2.1P: Engage in making a work of art or design without having a preconceived plan.

What do you need to do to PRINT this hour or rework your plate to GROUP PRINT? If you are DONE printing – how are you going to use the remainder of the time to prepare a note card for the exam – Look at the HANDBOOK and understand the ELEMENTS and PRINCIPLES, color wheel, grid… One note card is your tool? Think of a question that you might have for me for the end of the class to help you with your questions…

538491-gerard_malanga_silk_screening_with_andy_warhol_factory1965
Andy Warhol making Silk Screen Prints – It takes a lot of work to do the job. http://www.wetcanvas.com/Community/images/01-Aug-2012/538491-Gerard_Malanga_silk_screening_with_Andy_Warhol_Factory1965.jpg

What is ONE QUESTION I can help you with regarding the exam? Do you have any knowledge of the exam… Let’s talk tomorrow!


Advanced Drawing: Work like your ART depends on it!

Express: Learning to create works that convey an idea, a feeling, or a personal meaning.

Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?

vermeer_-_the_milkmaid
Vermeer: Indoor painting: http://upload.wikimedia.org/wikipedia/commons/a/a8/Vermeer_-_The_Milkmaid.jpg

What was the most challenging way to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation? Previous works from past classes. Indoor outdoor images (Vermeer).


AP Studio Art: 7 Deadly Art Sins – What’s the PROGRESS?

AP Art Show Nametags – Make a copy of this into your folder.

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Review your thoughts with you neighbors about the Myth. What are your thoughts about your classmates work. Sticky Note Comments.

jheronimus_bosch_table_of_the_mortal_sins_28invidia29
Hieronymous Bosch Envy: https://upload.wikimedia.org/wikipedia/commons/2/22/Jheronimus_Bosch_Table_of_the_Mortal_Sins_%28Invidia%29.jpg By Hieronymus Bosch – →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595483

Critique on MONDAY – What can you do over the next few days to continue working on it? Quiet Work Days Thursday and Friday. Envy:

#Tuesday is the day #TuesMakeArt! #LOL

Robert Rauschenberg working with his printmakers on prints: http://nga.gov.au/InternationalPrints/Tyler/IMAGES/SUPS/166510.jpg

“A dream only becomes overrated when not pursued by the dreamer.” ― Courtney Hickman


PLEIN AIR ART CLASS: Summer Opportunities – Plein Air and Printmaking!

Summer Plein Air Art - Taliesin - Frank Lloyd Wright - Spring Green, WI
Summer Plein Air Art – Taliesin – Frank Lloyd Wright – Spring Green, WI Images of Field Trip HERE.

ALL LATE WORK IS DUE FRIDAY – No Exceptions! Period.


Drawing: Shadows, Positive, and Negative Space

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What TWO things do you want to accomplish today? Is there time to complete ONE MORE DRAWING? The Person Made Object shadow?

Todd Mrozinski and his tracings a the Pfister: https://s-media-cache-ak0.pinimg.com/736x/e2/a9/f9/e2a9f95faa72ac84d6a3df32c0dded44.jpg
Todd Mrozinski and his tracings a the Pfister: https://s-media-cache-ak0.pinimg.com/736x/e2/a9/f9/e2a9f95faa72ac84d6a3df32c0dded44.jpg

What are TWO THINGS that you see as being successful in the BEGINNING of the work you and your collaborator are doing in your respective works.


Studio Art 360: Printing Day is HERE!

2.1P: Engage in making a work of art or design without having a preconceived plan.

What do you need to do in order to work the plate so we can PRINT this hour? Two things or are you ready?

Robert Rauschenberg working with his printmakers on prints: http://nga.gov.au/InternationalPrints/Tyler/IMAGES/SUPS/166510.jpg
Robert Rauschenberg working with his printmakers on prints: http://nga.gov.au/InternationalPrints/Tyler/IMAGES/SUPS/166510.jpg

What is ONE THING you are happy with about the print? What is ONE THING you would do differently?


Advanced Drawing: Work like your ART depends on it!

Express: Learning to create works that convey an idea, a feeling, or a personal meaning.

Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro to better define the ideas of form (in the face especially)?

Jan Van Eyck "The Arnolfini Wedding" http://3.bp.blogspot.com/-zzMCtDT8eAY/TfDsmfLvYSI/AAAAAAAAAvo/9_GMs6OWHyY/s1600/jan-van-eyck-arnolfini%2BPortraity%2Bdes%2Bdonateurs.jpg
Jan Van Eyck “The Arnolfini Wedding” http://3.bp.blogspot.com/-zzMCtDT8eAY/TfDsmfLvYSI/AAAAAAAAAvo/9_GMs6OWHyY/s1600/jan-van-eyck-arnolfini%2BPortraity%2Bdes%2Bdonateurs.jpg

What was the most challenging way to draw? Why was this most difficult way to go? What is most important about drawing when it comes to observation?


AP Studio Art: Gallery Looking – Let’s See What We Have Done!

AP Art Show Nametags – Make a copy of this into your folder.

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Looking at the show – What needs tweeking? What needs work? Ok? Then we are back to the SEVEN DEADLY ART MYTHS.

jheronimus_bosch_table_of_the_mortal_sins_28ira29
Hieronymous Bosch – Wrath: The Seven Deadly Sins: https://upload.wikimedia.org/wikipedia/commons/7/7b/Jheronimus_Bosch_Table_of_the_Mortal_Sins_%28Ira%29.jpg By Hieronymus Bosch – →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595441

How much do you need to do in order to continue on your Seven Deadly Art Myths? WRATH

 

#WaffleWednesday – YUM

Waffle Wednesday: http://food.fnr.sndimg.com/content/dam/images/food/fullset/2015/10/9/4/WU1110H_Chicken-and-Waffles_s4x3.jpg.rend.hgtvcom.616.462.jpeg

DRAWING’s Morning Scenery Books – Now in the Library.

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Morning Scenery Handmade Japanese Accordion Books: https://goo.gl/ls2WjH

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes


Drawing: 30 Minutes of OUTSIDE TIME

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What is a color that POPS into your mind as you have spoken with and talked to your classmate? Why do you see that color as being something that represents them?

img_5747
Look at the SOFTNESS of the leaves and branches of the background… Todd Mrozinski and shadows. https://artconfetti.files.wordpress.com/2014/06/img_5747.jpg

What was ONE accomplishment you made today in the process of the drawing? How have you felt about the PROCESS and MEANING in the work?


Studio Art 360: 30 Minutes of OUTSIDE TIME

2.1P: Engage in making a work of art or design without having a preconceived plan.

Look at last weeks drawing from YESTERDAY and even FRIDAY , what do you enjoy about the working outside in your sketchbooks? What challenged you?

landscape-of-creuse
Landscapes Berthe Morisot Impressionism and the Plein Air Expereince: https://uploads4.wikiart.org/images/berthe-morisot/landscape-of-creuse.jpg

Strength of today’s composition is?


Advanced Drawing: I say “Frida”, you say “Kahlo”

2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What did yesterday’s conversation do to help you with your images? Your Thoughts?

Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357
Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357

What’s working and what is not? Where have you struggled in this drawing so far?


AP Studio Art: Deadly Sins – of the ART WORLD!

.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

What are three things that you see as being SOLID PROGRESS in your visualization of the Seven Deadly Art Myths.

 

Attribution: By Hieronymus Bosch - →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595862
Attribution: By Hieronymus Bosch – →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595862

IF you could change one thing about the work you are creating so far… what would you do to make it stronger?

#85Degrees today – Let’s go out and #MAKEART!(Not everyone… 360).

Todd Mrozinski: Wall images: http://2.bp.blogspot.com/-zlgMPWRueGQ/VET5jmurXgI/AAAAAAAAA04/5nhxh8k5Cfo/s1600/big%2Bpicture%2Bpm.jpg

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes


Drawing: Shadows and Todd Mrozinski

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What are three reasons that SIMPLIFYING a work of art may be a good way to make meaning easier to understand in a work of art?

Todd Mrozinski: Wall images: http://2.bp.blogspot.com/-zlgMPWRueGQ/VET5jmurXgI/AAAAAAAAA04/5nhxh8k5Cfo/s1600/big%2Bpicture%2Bpm.jpg
Todd Mrozinski: Wall images: http://2.bp.blogspot.com/-zlgMPWRueGQ/VET5jmurXgI/AAAAAAAAA04/5nhxh8k5Cfo/s1600/big%2Bpicture%2Bpm.jpg

What are three characteristics of your classmate that you think will be helpful to you in discovering a color scheme / ideas for compositions? Do you have an OBJECT that you can bring in tomorrow to be the third part of the triptych? BRING IT IN!


Studio Art 360: Outside and Observe!

2.1P: Engage in making a work of art or design without having a preconceived plan.

Look at last weeks drawing from FRIDAY. What is one thing that you did well on? What are two things you would like to improve on?

Jim Dine: Observational Drawings: BIG TREE! http://cdn0.walkerart.org/public/collections-thumbs/wac_5035/340x438.jpeg
Jim Dine: Observational Drawings: BIG TREE! http://cdn0.walkerart.org/public/collections-thumbs/wac_5035/340×438.jpeg

What was your biggest challenge in the drawing from observation? What are 2 things that were a challenge as you were looking at a REAL object?


Advanced Drawing:  Edward Hopper and Frida… KAHLO!

G: Reflect: Learning to think and talk with others about an aspect of one’s work or working process, and learning to judge one’s own work and working process and the work of others.

Where have you used criticism in the past to evaluate something as good or bad? What were some of the criteria that you have used to do that?

Sit back - share your ideas with your classmates... gather a couple around and talk. http://www.uarts.edu/sites/default/files/imagecache/audience_slide/images/fineartcrit.jpg
Sit back – share your ideas with your classmates… gather a couple around and talk. http://www.uarts.edu/sites/default/files/imagecache/audience_slide/images/fineartcrit.jpg

What was difficult about this project? What have you learned and what are you going to take into the next work?


AP Studio Art: Remember we are pulling your SHOW together this week

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

What symbols are you using to visualize the myth or to denounce the myth?

By Hieronymus Bosch - →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595816 https://upload.wikimedia.org/wikipedia/commons/d/da/Jheronimus_Bosch_Table_of_the_Mortal_Sins_%28Gula%29.jpg
By Hieronymus Bosch – →This file has been extracted from another file: Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG, Public Domain, https://commons.wikimedia.org/w/index.php?curid=5595816 https://upload.wikimedia.org/wikipedia/commons/d/da/Jheronimus_Bosch_Table_of_the_Mortal_Sins_%28Gula%29.jpg

How are you using the images to fully communicate the ideas you have about your myth?

Last Day of the Quarter and #School’sCancelled for the Day.

With a phone call from Mr. Foster this morning at 6:00 – we all learned that SCHOOL’S OUT for the day. Well… There is still work to be done.

  • Locker clean out will happen after hours on exam day.
  • Extra Credit in character will be available for everyone who wants to help out in the afternoons of exam day.
  • Paintings that need completing – after exams if you need it – otherwise CALL ME and we will figure something out. 
  • Would I rather be in school – you bet. Are you happy we do not have school – I am sure you are.
  • Contact me if there is anything you need from me about your artwork.

Thanks – 

Mr. Korb

Looking for a smidge of EXTRA CREDIT in your CHARACTER grade?

b039fccd29fecbde00ee3419ad50cfb7
Studio Habits of Mind https://s-media-cache-ak0.pinimg.com/736x/b0/39/fc/b039fccd29fecbde00ee3419ad50cfb7.jpg

Studio Art 360: Cleaning and Review

G: 2.2P: Explain how traditional and non-traditional materials may impact human health and the environment and demonstrate safe handling of materials, tools, and equipment.

If you look at these Habits of Mind, which one do you feel like you can most relate to? Which one do you feel like you are the furthest from? WHY? COMPUTER LOG IN and COMPLETE SURVEY on course.

What is ONE QUESTION you have for me about the final exam: Write it out on a notecard. 


Painting / Advanced Painting: Paint and Clean

2.2Ac: Demonstrate awareness of ethical implications of making and distributing creative work.

Read over the Artist Habits of Mind. If you look at these Habits of Mind, which one do you feel like you can most relate to? Which one do you feel like you are the furthest from? COMPUTER LOG IN and COMPLETE SURVEY on course.

oil-painting-portraits-by-artist-harding-meyer-1
Harding Meyer http://cdn.thecoolist.com/wp-content/uploads/2012/09/oil-painting-portraits-by-artist-harding-meyer-1.jpg

What was the biggest challenge you faced this semester in the art studio and how did you handle it?


Drawing: Print and Edition and Clean

2.2Ac: Demonstrate awareness of ethical implications of making and distributing creative work.

Read over the Artist Habits of Mind. If you look at these Habits of Mind, which one do you feel like you can most relate to? Which one do you feel like you are the furthest from? COMPUTER LOG IN and COMPLETE SURVEY on course.

What was the biggest challenge you faced this semester in the art studio and how did you handle it?


AP Studio Art: Work and Clean and Organize the Gallery

3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.

Once Again… What is the common thread that is connecting your different pieces in your body of work together?

What is ONE thing you need to do to finish up your website? What is REQUIRED on the EXAM? Do you know?

#Wednesday and #ThreeDays of #Studio time with #Korb

The importance of goals (and I feel reflection)

important-write-down-your-goals
Goals and Goal Setting: http://media3.popsugar-assets.com/files/2014/08/18/746/n/1922441/79c345334b05824e_Screen_Shot_2014-08-18_at_9.53.39_AMLXsU2E.xxxlarge/i/Important-Write-Down-Your-Goals.jpg

Studio Art 360: Balance and Pattern – All sorts of types

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What do you feel you need to do in order to be focused and intentional in the work you are creating? One aspect of this work is to know that the marks you are making are permanent – cannot be taken out – one and done. How do you work with the mistakes that you might make?

https://i0.wp.com/cdn2.bigcommerce.com/server5700/b7a27/products/1116/images/24186/Cross_n_diamond_faux_tin_backsplash_roll_wc70_antique_copper__52970.1447409610.1280.1280.jpg
http://cdn2.bigcommerce.com/server5700/b7a27/products/1116/images/24186/Cross_n_diamond_faux_tin_backsplash_roll_wc70_antique_copper__52970.1447409610.1280.1280.jpg?c=2

How do you feel about the process that you went through today in the making of you bas-relief metal work? 


Painting: Portraits and OILS

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Have you looked around the room? What are the other artists doing in the process that you might be able to incorporate into your ideas?

Painting with your references? Will you be ready for the Critique? https://i.ytimg.com/vi/DWt7711uCoM/maxresdefault.jpg
Painting with your references? Will you be ready for the Critique? https://i.ytimg.com/vi/DWt7711uCoM/maxresdefault.jpg

Step back and look – what are three things you need to work on in your painting that you might not have seen so far? 



Drawing: Drawings ready for Printing

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Today you are wrapping up the drawing. What are your plans? Have you chosen a compositional style? A color scheme? What is going to make this a STRONG work of art?

Printing from Continuous Line Contour Drawings: https://i0.wp.com/www.lindagermain.com/wp-content/uploads/2016/06/Linda-Germain-4794.jpg
Printing from Continuous Line Contour Drawings: http://www.lindagermain.com/wp-content/uploads/2016/06/Linda-Germain-4794.jpg

Are you ready for tomorrow? Will you be prepared to print on Friday? This is CRUNCH TIME! 


AP: Art and Fear NEW UPDATES! Woo Hoo!

Chapter 1 Available in AUDIO! Each Chapter is going to be recorded to help those who might need a bit of help reading through the chapters. The good part is – the words are almost all correct. The downside is – you need to listen to me.

NEW AND EXCITING NEWS! Available on this website (look to the right under ARTICLES, BOOKS, AND VIDEO LINKS for Art and Fear – Audio as well as the individual chapter websites from www.KorbArtAndFear.WordPress.com and HERE is the link too.

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

How does FEAR get in your way TODAY as you begin to or continue to create art?

How have you learned to work beyond fears to create work this year? Do you find that you still have fears about the work you are creating?

the Waterford Seven create prints (and then some)

The Waterford Seven have continued to create wonderful works of art over this summer. I am truly proud of the ideas and decisions that they make in the arrangement of their visual compositions. From today’s prints to the drawings of landscape in oil pastels and marker, to the acrylic paintings, they make GREAT choices and are following some very challenging processes to their Art making. Way to go ALL! GALLERY is HERE.

#Two #Days of #Art. What do you have to do in order to #FINISH and #LEARN?

“This day is all that is good and fair. It is too dear, with its hopes and invitations, to waste a moment on yesterdays.” — Ralph Waldo Emerson

Studio Art 360: PRINT and Clean and REVIEW!

Would you like to print today? That’s what we’re doing! http://www.kala.org/images/class/individual/robinson-printing.jpg

Goals:

  • 1.1P: Use multiple approaches to begin creative endeavors.
  • What do you need to do in order to be ready to PRINT in 15 minutes?

How have you chosen to use shapes? Are you looking at GEOMETRIC over ORGANIC? Hard Edged or Soft Edged? What mood – feeling do you take from your initial drawings? 

Painting: Paint and RESOLVE the image.

Edward Hopper – One of the GREATEST PAINTERS! Look at his WEBSITE – on your own – HERE.

FRIDAY’s Final Exam ONLINE SELF CRITIQUE – HERE.

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What is it you need to be working on ONLINE to be ready for Friday? What snacks are you bringing for the POT-LUCK?

What do you hope to accomplish in the creation of this work? what messages are you communicating in this painting?

AP Studio Art – Let’s CRIT!

Elizabeth Peyton – I’ve talked about her before – let’s look one more time – it is FUN and FRESH work! Here is a BIO.

Goals:

  • 3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.
  • How many images do you have up on your site? Are your questions answered?

How have you ADVANCED in your work this semester? What is ONE THING that you have seen as a new strength?

Tomorrow at MIDNIGHT CHAPTER 9 is due in Art and Fear Blog. Last Chapter!

#Friday and let’s stay #Warm in the #Arts

“An average person with average talent, ambition and education, can outstrip the most brilliant genius in our society, if that person has clear, focused goals.” – Brian Tracy

”Even talent is rarely indistinguishable, over the long run, from perseverance and lots of hard work.” Ted Orland and David Bayles – Art and Fear.

Studio Art 360: Continuous Line PORTRAITS and then…

Mono Print TOMORROW!

Goals:

  • 9.1P: Establish relevant criteria in order to evaluate a work of art or collection of works.
  • Using CRITERIA to EVALUATE a work of art can be a personal thing. Generally we use a four steps process to a well thought out critique. What are three things you would choose to use when critiquing your non-objective print? What are two things you will focus on today when working on it?

What is ONE thing you found that worked out really well for you today in class?

Painting: Continue to Paint and RESOLVE the image

Our critique will be a lot like this… but WAY BETTER! Use this link to access the ONLINE critique sheet and make sure you SHARE it with me.

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • You were asked to begin thinking about the work in front of you… What DO YOU SEE IN YOUR PAINTING? That’s it.. WHAT DO YOU SEE? Take your time… look at everything you see in the work and write down all that you see.

Time to work today began with DESCRIPTION – was there anything NEW that you saw when you began writing and working today? We do not have a lot of time to work this week but… lots of time use that knowledge in your life. 

AP Studio Art – PAINT and CONCENTRATE!

One More by Frank Juarez…

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How is the online presentation coming along? What do you STILL NEED TO DO in order to get the website finished and polished?

Presentation of your current body of work is on Monday. What do you have to do in order to get the 3 works finished?

LAST NIGHT at MIDNIGHT CHAPTER 8 was due in Art and Fear Blog