#WelcomeBack to the #ArtStudio

self-portrait-1971-thb-social-size
Francis Bacon: http://blog.francis-bacon.com/wp-content/uploads/2013/10/Self-Portrait-1971-thb-social-size.jpg

#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror. Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

PORTRAITS on the HORIZON!

Let’s Make Flashcards and LEARN HOW TO MIX COLORS! N: Build Color Scheme Flashcards. 3 cards per note card.

kehindewiley_randersonromualdocordeiro_theworldstage_brazil_2008
Kahinde Wiley – Color Scheme? Painting? Pattern? https://hoenartinsight.files.wordpress.com/2014/02/kehindewiley_randersonromualdocordeiro_theworldstage_brazil_2008.jpg

What color schemes are you struggling with as you develop your understanding? What is challenging about it?

 

BTW…

frank,
the results r great !! i am actually very impressed that you went beyond –
to make a drawings of the crumble pieces. it is a perfect move –
to show kids the possibilities and open the wide range of vision.
just perfect move!) and next one – as you said seems perfect too –
to the large scale paintings from it. plus it does bring the idea of pop –
using common objects reminding of course of warhol as well as rosenquist paintings
v
ps. next time in WI – coffee would be great)
Check out the photos from your Sketchbook last week! HERE

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon… Let’s build a DESIGN! Talk about the ideas here.

 

ASSIGNMENT Here – RESEARCH today!

What challenges do you see in the use of OIL paint versus Acrylic paint? What advantages do you see in the use of oil over acrylic?

hot-print-oil-painting-40-30-the-eye-with-drop-of-water-wall-art-home-decoragift
Oil Painting – What are you interested in when it comes to the contemporary world of Art? http://i01.i.aliimg.com/wsphoto/v0/32324421311_1/HOT-PRINT-OIL-PAINTING-40-30-THE-EYE-WITH-DROP-OF-WATER-WALL-ART-HOME-DECORAGIFT.jpg

What ideas do you see coming out from others works as you took the 4 minutes to walk around today and see what others are doing? How can you see working with OTHERS in a COMMUNITY as being beneficial to the development of your art?

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be worth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: LISTEN TO ME!

How is the Hair Line and DIRECTION of hair a different feature to draw than any other feature of the head? Please explain your ideas here.

how-to-draw-realistic-hair-featured-rfa-comp-534x280
GREAT HAIR MAN! http://rapidfireart.com/wp-content/uploads/2015/06/how-to-draw-realistic-hair-featured-RFA-comp-534×280.jpg

What successes did YOU have today? 

 


AP STUDIO ART: CRITIQUE TODAY and the Website and Uploads! I’ll Photograph your images!

How have YOU begun to understand the importance of reflection and revision?

-Unearthed-BLANK-1310-1
Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.

REMEMBER-ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

 

 

#Friday #Finally! #Already?

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

PORTRAITS on the HORIZON!

How is BREAKING the image down to basic shapes going to make the process of creating a memorable and successful work of art easier?

Colors and Portraits - Not your TRADITIONAL portrait. https://i2.wp.com/images.art.com/images/products/regular/11731000/11731840.jpg
Colors and Portraits – Not your TRADITIONAL portrait. http://images.art.com/images/products/regular/11731000/11731840.jpg

What 3 challenges do you see in the process of mixing colors? 

BTW…

frank,
the results r great !! i am actually very impressed that you went beyond –
to make a drawings of the crumble pieces. it is a perfect move –
to show kids the possibilities and open the wide range of vision.
just perfect move!) and next one – as you said seems perfect too –
to the large scale paintings from it. plus it does bring the idea of pop –
using common objects reminding of course of warhol as well as rosenquist paintings
v
ps. next time in WI – coffee would be great)
Check out the photos from your Sketchbook last week! HERE

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon… Let’s build a canvas!

 

What is the color scheme you have chosen for you composition? Please explain WHY you are headed that direction and THEN explain it to a classmate.

https://s-media-cache-ak0.pinimg.com/736x/78/39/9f/78399f1b26cc869e91f8b8327469f1c6.jpg http://www.nancydusenberry.com/paintings.htm
https://s-media-cache-ak0.pinimg.com/736x/78/39/9f/78399f1b26cc869e91f8b8327469f1c6.jpg http://www.nancydusenberry.com/paintings.htm

What is the ONE big challenge you will have in the process of building a canvas? What are TWO strengths in the planning of your painting? (Ended on December 3 2015 – 16)

ASSIGNMENT Here – Start Your RESEARCH today!

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be worth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: LISTEN TO ME!

 

FACE is a WHOLE NEW THING. Let’s talk about the placement of the facial features and how we can get that beautiful face of yours on it.

https://cdn.meme.am/instances/25724574.jpg
https://cdn.meme.am/instances/25724574.jpg

What – of ALL that we did – was the most DIFFICULT? What was the most fulfilling?


AP STUDIO ART: CRITIQUE TODAY and the Website and Uploads! I’ll Photograph your images!

ASSIGNMENT FOR FRIDAY – NEXT FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

What problems are you having with the BLOG / WordPress program – uploading? Writing? Maneuvering around the site?

Of all that you have done... what do you still need to accomplish? https://i0.wp.com/www.samfrancis.com/images/samfrancis/Portraits/Zoom/sam_francis_untitled_1992cf.jpg
Of all that you have done… what do you still need to accomplish? http://www.samfrancis.com/images/samfrancis/Portraits/Zoom/sam_francis_untitled_1992cf.jpg

What do you need to do in order to have ALL your work (made so far this year) photographed, edited, and uploaded to the website?

OVERDUE! THURSDAY! TYPE up a 200 word MAXIMUM page to introduce yourself and describe the work you have created – how can you help the author understand the image / artwork you created in response to their story? In case you need to RELISTEN… https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#MidWeek #Wednesday already? Sheesh…

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

PORTRAITS on the HORIZON!

04162012_edu_andy-warhol-self-portrait-1964_large
Andy Warhol: http://www.warhol.org/uploadedImages/Warhol_Site/Warhol/Content/Education/Resources_and_Lessons/Aesthetics_Unit/Images/04162012_EDU_Andy-Warhol-Self-Portrait-1964_large.jpg

What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?

brillo-box-foam-ottomans-by-fab-com-and-the-andy-warhol-foundation-photo-by-nick-hughes-for-yellowtrace-02
Moving into the world of POP art! http://assets.yellowtrace.com.au/wp-content/uploads/2013/05/Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg

What 3 challenges do you see in the process of mixing colors? 

BTW…

frank,
the results r great !! i am actually very impressed that you went beyond –
to make a drawings of the crumble pieces. it is a perfect move –
to show kids the possibilities and open the wide range of vision.
just perfect move!) and next one – as you said seems perfect too –
to the large scale paintings from it. plus it does bring the idea of pop –
using common objects reminding of course of warhol as well as rosenquist paintings
v
ps. next time in WI – coffee would be great)
Check out the photos from your Sketchbook last week! HERE

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon… Let’s build a canvas!

What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build.

What can YOU draw well when it comes to the portrait? Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg
What can YOU draw well when it comes to the portrait? Katherine Fox: “Face 3: Self-Portrait” Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg

Practicing the FACIAL FEATURES is a lot of work. Looking at the few facial features / shapes / forms you have drawn today… what is the #1 Challenge (and WHY) you faced – no pun intended.

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be woth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: Nose Goes!

2cf87334d706db96f7c97cadc5616f3d
Easy to draw if this is you! https://s-media-cache-ak0.pinimg.com/736x/2c/f8/73/2cf87334d706db96f7c97cadc5616f3d.jpg

How is the NOSE such a different facial feature to draw than say the MOUTH or the EYES? Please explain your ideas here.

article-2316509-198a16f8000005dc-186_468x286
Alright – time to pick up the task of the nose. http://i.dailymail.co.uk/i/pix/2013/04/29/article-2316509-198A16F8000005DC-186_468x286.jpg

What mistakes did YOU make – how bad were they when it came to eyes? Nose: 


AP STUDIO ART: Website and Uploads!

How are you doing on the webpage? What challenges are you facing?.

https://i2.wp.com/doejo.com/wp-content/uploads/old/man_at_old_computer.png
http://doejo.com/wp-content/uploads/old/man_at_old_computer.png

With ALL that is going on these past two weeks – and little input from me… what have you accomplished VISUALLY and / or TECHNOLOGICALLY?

THURSDAY! TYPE up a 200 word MAXIMUM page to introduce yourself and describe the work you have created – how can you help the author understand the image / artwork you created in response to their story? In case you need to RELISTEN… https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#Tuesday and #Sketchbooks – Let’s use #Selfies #StudioArt360 – #Art making for the rest and #Critique while were at it… Sheesh.

 

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

What STRUGGLES do you have with OBSERVATION? How about VALUE? Did you come to class with your SELFIE MADE and PRINTED? Take your selfie – your entire head needs to be in the photograph and cut out the head, glue it to the sketchbook page, and then give it to a friend. Using the photograph that has been glued down – resolve the rest of the picture with a friend. Let them begin the background and encourage them to DISREGARD to what was in the original background. HAVE FUN with this.

Check out Mica Angela Hendrick’s website – see what her and her daughter can come up with. http://goo.gl/Xiihh1

Mr. Korb and his daughter’s run at this assignment HERE.

Mr. Korb's and his daughter's run at this!
Mr. Korb’s and his daughter’s run at this!

What was the most fun about the sketchbook as it required nothing but creativity for you today? What was challenging in the process for you today?

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon LAST DAY TO CRIT!

What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build. N: Build a canvas and resolve the drawing.

What can YOU draw well when it comes to the portrait? Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg
What can YOU draw well when it comes to the portrait? Katherine Fox: “Face 3: Self-Portrait” Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg

Practicing the FACIAL FEATURES is a lot of work. Looking at the few facial features / shapes / forms you have drawn today… what is the #1 Challenge (and WHY) you faced – no pun intended.

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be woth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: Ralph Malph (Mouth)

https://s3.amazonaws.com/metvnetwork/jx639-1470683016-5301-list_items-donmost_credit.jpg
https://s3.amazonaws.com/metvnetwork/jx639-1470683016-5301-list_items-donmost_credit.jpg

When you start out drawing the MOUTH… what do you start with? Why do you feel that you start with that facial feature?

Ouch! https://i2.wp.com/ih1.redbubble.net/image.7138760.9464/flat,1000x1000,075,f.jpg
Ouch! http://ih1.redbubble.net/image.7138760.9464/flat,1000×1000,075,f.jpg

What mistakes did YOU make – how bad were they when it came to mouth? 

https://i0.wp.com/d28mt5n9lkji5m.cloudfront.net/i/WaDX6VlZA2i.jpg
http://d28mt5n9lkji5m.cloudfront.net/i/WaDX6VlZA2i.jpg

 


AP STUDIO ART: Website and Uploads!

What are two things (specifically) that you have accomplished during your past week as you’ve worked on your CONCENTRATION? Write out the IDEA behind your work and then SHARE the story with your classmate and MORE IMPORTANTLY – ON THE SITE – Let’s log in.

https://i2.wp.com/doejo.com/wp-content/uploads/old/man_at_old_computer.png
http://doejo.com/wp-content/uploads/old/man_at_old_computer.png

With ALL that is going on these past two weeks – and little input from me… what have you accomplished VISUALLY and / or TECHNOLOGICALLY?

THURSDAY! TYPE up a 200 word MAXIMUM page to introduce yourself and describe the work you have created – how can you help the author understand the image / artwork you created in response to their story? In case you need to RELISTEN… https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

 

#MidWeek and we’re almost DONE with the #SchoolYear

TODAY’S SCHEDULE

  1. 7:25 – 8:02
  2. 8:07 – 8:46
  3. 8:51 – 9:28
  4. 9:33 – 10:10
  5. 11:10 – 12:40
  6. 12:45 – 1:22
  7. 1:27 – 2:04
  8. 2:09 – 2:46

ASSEMBLY between 4 – 5

EMPTY YOUR LOCKERS THIS WEEK! Take it ALL HOME – Except what you are working on right now (and your folders).

“Every problem has in it the seeds of its own solution. If you don’t have any problems, you don’t get any seeds.” —Norman Vincent Peal

Drawing – Todd Mrozinski and YOU!

Keep Painting Todd! https://s-media-cache-ak0.pinimg.com/736x/34/cf/34/34cf346fa659f5f55f31d5339691bfe3.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What TWO things do you want to accomplish today so you are REALLY ready for the finished product? Is there time to complete ONE MORE DRAWING? The Person Made Object shadow?  

Reflection: What are TWO THINGS that you see as being successful in the BEGINNING of the work you and your collaborator are doing in your respective works.

Studio Art 360: The SCULPTURES! The RUBRIC! The CRITIQUE!

Oh Andy… http://archv.sfmoma.org/images/artwork/medium/78.196.A-F_01_D02.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • What are two things about PAINTING in ACRYLIC that you have discovered and will STAY WITH YOU in the future?

Reflection: What is it that you especially enjoy about the image you are creating in your painting? How do the ideas and colors RELATE to you? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Collaboration

NAMETAGS HERE for your ART in the GALLERY

wp-1464026053982.jpg

Goals:

  • 6.1Ad: Curate a collection of objects, artifacts, or artwork to impact the viewer’s understanding of social, cultural, and/or political experiences.
  • As this is a GROUP SHOW, what challenges did you seeing in the process of installing the show? What’ needs work in the visual end of it all? What do you need to do to BALANCE the show? 

Reflection: Is the show hung? Are your name-tags made? Are your images shot (maybe you make photos of your section of the gallery and display them in your website.) What are your feelings – what do you stand back and look at specifically and say with pride “I made that.”

Advanced Drawing: Individualized SERIES

Series of Flags! http://www.hbs.edu/PublishingImages/schwartz/fullimage/aronsteindaniel22.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • LOOK AT YOUR IDEAS and see what you are doing in the project. What are your inspirations in the world and in the project?

Reflection: You had a lot to think about today… What did you take a away? Look at the ORIGINAL IDEAS and look at your NEW SERIES of works… what’s happening? 

#Friday is HERE! Let’s Wrap up our #Art for the week.

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: YOUR PORTRAITS!

Hey Todd Mrozinski! http://onmilwaukee.com/images/articles/sh/shadowpaintingsmrozinski/shadowpaintingsmrozinski_fullsize_story2.jpg?20140915104043

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Looking at yesterday – Thursday – What’s happening in the IDEAS that we started? It was a lot of experimentation – what new ideas that you are thinking about using for your and your partners work? Seriously – what’s interesting and strong about the ideas in your work?

Reflection: What are you taking home this week this weekend? Why is it important to make strides and visual accomplishments in this drawing for you? TWO REASONS! 

Studio Art 360: The Grid – Let’s Review…

Blue and Orange Marilyn – Andy Warhol: http://www.georgetownframeshoppe.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/m/a/marilyn36.jpg

Goals:

  •  7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • What colors are you going to be using in this portrait? What IS your color scheme and what colors are you going to be using? This is important to know as you begin – PLANNING is essential here!

Reflection: What are your thoughts about this as the work is developing as a work of art? This is the VERY BEGINNING of the process – how do you feel about the work? 3 ideas please.  

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Waterford Senior Living Art

What are you doing with your inspiration? http://www.alznorcalblog.org/wp-content/uploads/2013/02/Jerry-Live-Oak-Radiant-Mandala-520×245.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • What are three things that you would like to SPEAK about in regards to your work? How will you talk about the work to make your ideas clear and understandable to your classmates?

Reflection: Best part of the day? Why are you making SUCCESSFUL WORK? How is it YOUR VOICE inspired byt eh work of another?

Advanced Drawing: Your Work!

Van Gogh’s Chairs… How can you use ideas to work on moving an idea forward? https://korbartwuhs.files.wordpress.com/2016/05/a0b67-vangogh21.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • We have all talked today… Let’s get things rolling so that the day is productive. What are three things that you are planning on doing to get yourself started?

Reflection:   Best part of working on your VERY OWN WORK that is IMPORTANT and SERIOUS? What are you trying to SAY in the work with your ARTISTIC VOICE? 

#NewWeek #NewWorks #LetsGo!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

I Love this video… ENJOY!

Drawing: YOUR PORTRAITS!

Henri Matisse at the Art Institute of Chicago: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000260/196879_3116026.jpg

Goals:

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What is one of the biggest lessons you learned in the creation of the FAUVIST / Kehinde Wiley Self-Portrait over the past 4 weeks? 
    • Fill out the Google Form and then 3) insert images from today into the GOOGLE DOCUMENT.
    • SHARED FOLDER OF IMAGES HERE

Reflection: How did you feel to see your work all wrapped up and finished, hanging in the hallways and up for all to see? 

Studio Art 360: The Grid – Let’s Review…

Andy Warhol – SIMPLIFIED A LOT! http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000338/265141_4009202.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • Looking at the portrait of yourself that you have created a tracing of, what portion of the face do you feel is going to be the most challenging to transfer ONE SQUARE AT A TIME and WHY?

Reflection: How many squares did you get transferred up to the canvas today? COUNT THEM and do some math. 88 squares minus what you got done today… this is what you have left. How much more for this week? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Senior Exhibition Time!

http://worldonline.media.clients.ellingtoncms.com/img/photos/2012/01/17/Alzheimers_photo_t754x500.jpg?e2ab5d5ff800159b25286787e4d07e06ad4e5dea

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What have your previous works of art been this year and how have you been planning the NEW and Important ideas out for your work based on the work of the residents of Waterford Senior Living? HOW DOES INSPIRATION FROM OTHERS WORK HELP or CHALLENGE YOU? 

Reflection: What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS? 

Advanced Drawing: Your Work!

Squeak Carnwath and a SERIES of WORKS!http://lh3.ggpht.com/_2MqkzpICYFQ/SkRrwZ-FhRI/AAAAAAAAB7g/qVhUM6qGTBA/Carnwath3.jpg?imgmax=800

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you see as your strongest bit of growth over the past semester in the Advanced Drawing course? N: Read handout – look at concentration images from AP Site.
  • Handout HERE.

Reflection: What ideas have you come up with? What materials are you considering as you think about moving forward?

#TGIF – Seriously – a LONG and CHALLENGING week!

“If you don’t like change, you’ll like irrelevance even less”

General Eric Shinseki

Taliesin – Frank LLoyd Wright’s Home and School. A look at my weekend HERE!

Drawing: FAUVISM and CONTEMPORARY PORTRAITS!

Ah Matisse! http://www.ibiblio.org/wm/paint/auth/matisse/matisse.mme-matisse-madras.jpg

Goals:

  • 6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
  • What is your reaction to the 1 works of art that is in front of you today. FIRST INITIAL REACTIONS! If you are done with your drawing – this is a day to WRAP up your written critique. If you are still drawing – you have a lot more on your plate in the critique end of things.
    • TODAY! We are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form and then 3) insert images from today into the GOOGLE DOCUMENT.
    • SHARED FOLDER OF IMAGES HERE

Reflection: What did you take away from today’s written critique? SERIOUSLY – What are you taking away from the process of writing about your works?

Studio Art 360: The Grid – Let’s Review…

Marilyn Monroe by Andy Warhol. http://puffin.creighton.edu/museums/archive/7_abarnett/marilyn.jpg

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is it that makes painting or the “slow arts” scary and intimidating and sometimes put people off from investing time and effort (signing up for class)? WHAT CAN I DO TO HELP ENCOURAGE OTHERS?

Reflection: What is working in the use of the GRID drawing? Name 2 things that are coming along EASILY for you in the process of the transfer?

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Senior Exhibition Time!

Let’s get into the inspired works! http://ww1.hdnux.com/photos/24/62/11/5448284/3/1024×1024.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What do you think the skills that you currently have will help you in the process of the artwork?

Reflection: How does your drawing look in your own eyes? What are a few things that you are focusing on to be inspired by the work and not just COPY the work?

Advanced Drawing: 

What can you do on your own? https://img.washingtonpost.com/wp-apps/imrs.php?src=https://img.washingtonpost.com/express/wp-content/uploads/2015/03/Elaine-de-Kooning-Self-Portrait-NPG_94_81.jpg&w=1484

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • How does the freedom of this work 1) put you at ease and 2) scare the heck out of you? N: Series of Artworks on your own. This is NEW and SCARY. Working on your own ENTIRELY! What can you do to start? Let’s sit and chat…

Reflection: What NEW ideas have you come up with today? What advances are you making? This is a FASTER work than you might be used to – WORK in and out of class to continue to resolve this image(s).

AP Exam Day – #ColorTheory – #Taliesin – SO MUCH TO DO!

“If you don’t like change, you’ll like irrelevance even less”

General Eric Shinseki

 

Taliesin – Frank LLoyd Wright’s Home and School. A look at my weekend HERE!

Drawing: FAUVISM and CONTEMPORARY PORTRAITS!

Jawlenski! http://en.wahooart.com/Art.nsf/O/8XX6J7/$File/Alexei-Jawlensky-Child.JPG

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Step back – yesterday you looked at the class work and got some feedback from them. Take a HARD LOOK AT YOUR DRAWING and determine what you need to focus on in the next 46 minutes. WRITE IT OUT!
    • NEXT WEEK we are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form http://goo.gl/forms/3q3rPakz8m and then 3) insert images from today into the GOOGLE DOCUMENT.

Reflection: Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing?

Studio Art 360: COLOR and YOU!

Not Portrait – But WARHOL! http://assets.yellowtrace.com.au/wp-content/uploads/2013/05/Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg

Goals:

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?  

Reflection: What 3 challenges do you see in the process of drawing out your face onto the tracing paper?

ASSIGNMENT FOR TODAY! – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

Mr. Korb! Selfie!
Mr. Korb! Selfie!

 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: EXAMS! YIKES!

AP Readers at work… for REAL! http://blogs.edweek.org/edweek/curriculum/assets_c/2013/06/APArt2_400%20(2)-thumb-420×236-5362.jpg

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • Share and REVIEW – EACH PERSON’S SITE and Mounted Works. What do you need to do before 7th Hour? Are you 100% Ready?

Reflection: No more reflection today. Are you done?

Advanced Drawing: Critique? Draw?

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • What do you have to do to complete your masterpiece drawings? How are you BEHIND? Are you up to speed?

Reflection: What did you accomplish today in your SKETCHBOOK TODAY? Are you working on your figure drawings tomorrow? What’s up? What do you need to accomplish?

#FinallyFriday – Yes even in the #ArtStudio

“The Earth without ART is just… eh.”

WHOSE IN? Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 35 Students – 7 SPOTS LEFT!
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

Ol Andre Derain AGAIN! Love this one… by Maurice de Vlaminik: http://www.metmuseum.org/toah/images/hb/hb_1999.363.83.jpg

Goals:

  • Communication and Collaboration – Students use digital media and environments to communicate and work collaboratively, including at a distance, to support individual learning and to the learning of others.
  • What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor.
    • NEXT WEEK we are going to 1) make photographs of the work we have RIGHT NOW and 2) go to the COMPUTER LAB (Laptops). Fill out the Google Form http://goo.gl/forms/3q3rPakz8m and then 3) insert images from today into the GOOGLE DOCUMENT.

Reflection: How will the focus of the written critique and the use of the GOOGLE FORM help you in the critiquing of your works oraly?

Studio Art 360: COLOR and YOU!

What is Mark Rothko’s Color Scheme HERE? http://www.markrothko.org/images/paintings/orange-and-yellow.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • What do you mix to get a TINT? What do you mix to get a SHADE? What do you mix to get a TONE?

Reflection:  Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others? Assignment – FOR MONDAY – REPEAT THE ASSIGNMENT from above – HAVE TO HAVE IT on Monday!

ASSIGNMENT FOR MONDAY – Bring in a FEW FULL FACE SELFIES – Black and White or Color – OR EMAIL them to me… This is the UPCOMING ASSIGNMENT Requirement…

20160428_125757

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Portrait of One Another

Ben Slow: http://api.ning.com/files/kV4MbYiv7oQ1gfHsnmrCmFsEZg8c8*Jz8GI4Ig9pU8jSXX7nmQJU4RjUM7o5PYWWJMxoepAqsFttdoMe8gSs4Wviz0BU9Xj2/1082064526.jpeg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • How does your image BEST DESCRIBE your model – EXPLAIN!

Reflection: What NEW information did you learn about yourself with this artwork? Whgat do you need to complete this weekend?

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

http://raggedclaws.com/wp-content/uploads/2010/10/richard-diebenkorn_seated-woman-no-44.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • RESOLUTION of the figure drawing is today. What are three strengths that are happening in your drawing? How are you going to build on those strengths and develop the final drawing?

Reflection: Step back – how did it turn out? Give a thought here – think about your work and step back with pride in the process.