#Thursday already? #WOW! Ok… Last day for SOME #Artworks… #Portraits #Books #PleinAir #Critique

Andy Warhol: Portrait of Jackie Kennedy: https://assets.paddle8.com/510/147/16390/p17lft6sa31rpmdj21fn81lhk17k83-xl.png

PLEIN AIR ART CLASS: Summer Opportunities – Plein Air and Printmaking!

Summer Plein Air Art - Taliesin - Frank Lloyd Wright - Spring Green, WI
Summer Plein Air Art – Taliesin – Frank Lloyd Wright – Spring Green, WI Images of Field Trip HERE.

Drawing – Last Day Kiddos

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Let’s get rolling and get outside to draw YOUR CHOICE! This drawing is going to be the COVER of your book (Laura… maybe the BACK COVER)

David Hockney "Pacific Mutual Life" Museum of Modern Art, New York: https://www.moma.org/collection/works/76380?locale=en
David Hockney “Pacific Mutual Life” Museum of Modern Art, New York: https://www.moma.org/collection/works/76380?locale=en

 

The ONLY writing today is the TITLE of our books – sit and wait for me to tell you what to do!

FlipBook of Mr. Korb’s Drawings


Studio Art 360 – Last Day Kiddos

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What are two things that are helping you EMPHASIZING the idea of  YOU as you create this self portrait?

p17lft6sa31rpmdj21fn81lhk17k83-xl
Andy Warhol: Portrait of Jackie Kennedy: https://assets.paddle8.com/510/147/16390/p17lft6sa31rpmdj21fn81lhk17k83-xl.png

How can ART be used to discuss IMPORTANT things in culture? List 3 ways in which you could use art to communicate ideas.


Advanced Drawing: Your Ideas? Kahlo? Hopper?

1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.

What have you been struggling with or succeeding with in your designs and Ideas?  

cri_261269
Edward Hopper, Nigh Windows: MoMA, 1929: http://www.moma.org/collection_images/resized/269/w500h420/CRI_261269.jpg

How are you dealing with the PLANNING stages of this artwork? Portraits, Figure, Architecture, Reference Materials? Write out 3 main ideas that you have accomplished in today’s planning stages.

Handouts:


AP Studio Art: I am SO EXCITED about this project! Hieronymus Bosch will AMAZE you!

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

What do you think of when it comes to what it means to be an artist? When your parents hear that you want to be an artist – or others hear you are an artist – what images / thoughts do you think come to their mind?

Seven Deadly Art Myths – Interactive Handbook

Museo del Prado – GREAT interactive images and storyline – description of the work.

bosch_table_detail_sm
Hieronymous Bosch – The Seven Deadly Sins: http://www.deliansociety.org/bosch_table_detail_sm.jpg

Website that defines the Sins

When you consider the ideas of the myths – do you see any of them in yourself?

What SINS do you want to make art about? Sign Up Here!

#WelcomeBack, now let’s #MakeArt (and #Critique)

“If I persist, if I continue to try, if I continue to charge forward, I will succeed.” — Og Mandino

1239979
Failure is an OPTION! Do(n’t Qu)It https://media.licdn.com/mpr/mpr/p/5/005/096/06f/1239979.jpg

“And even if you don’t succeed… there is NOTHING wrong with failure (just get back and try again – and again – and again…).” – Frank Korb 


Studio Art 360: Critique PORTRAITS and COLOR THEORY

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are the strengths of your work that you are most proud of in your painting? What challenges did you struggle with the most? YELLOW STICKY NOTE!

ak-double
Alex Katz in front of his own work. Let’s see you in front of yours! https://static1.squarespace.com/static/526498c9e4b0f1fda0be61d3/t/52d4d096e4b0002632d29461/1389678743130/AK-double.jpg

 Critique and prep for tomorrow’s glazing of work. G: How did the critique help you look at the skills and challenges in making art? Alex Katz: Portrait: 


Painting: Portraits and OILS

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

You’ve been away for some time… take a moment and look carefully at your artwork. What stands out as STRONG? What stands out as “I need to work on this?” Write out a BRIEF statement about the work in front of you.

use-oil-paints-800x800
Oil Painting – How do you feel about coming back to it? http://img.ehowcdn.com/615×200/ehow/images/a04/6v/40/use-oil-paints-800×800.jpg

What “discoveries” or “new insights” have you found about your work? 


Drawing: Critique your Portraits

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

As you look over the final portrait – what are the skills you found that you have that you might not have seen at the beginning of this process? ALSO – Tomorrow – you begin on your final drawing for the semester – your OWN creation – ALL YOUR OWN IDEAS.

joemarinaro
Critique! http://www.thefeministwire.com/wp-content/uploads/2014/04/JOEMARINARO.jpg

Day of critiquing is reflection enough.


AP: Let’s Talk Concentration

3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.

How are you evolving in the development of your work – your concentration of works? What are three things that you see as true growth?

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Critique https://farm6.staticflickr.com/5289/5213149069_c6bda1985e.jpg

What are you looking to do with the “last” / next set of three? 

 

#3Days until #Thanksgiving. We are #WORKING on #ART!

printable-color-wheel-secondary-colors
I Love Color: https://images.mrprintables.com/learn/printable-color-wheel-secondary-colors.jpg

51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

STUDIO ART 360: color and Color Schemes

UW-M Field Trip: TOMORROW we will meet at DOOR #8 (Main Office) at 7:55 and go from there. We will NOT be dismissing you via the announcements – you’ll just have to  know to get up and leave class quietly and respectfully.

QUIZ – -What are the PRIMARY, SECONDARY, and TERTIARY colors? Sticky Note!

16a40-rothko1blueorange
Mark Rothko – Color Scheme of WHAT?

Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others?


PAINTING: Hallways and Abstraction

As an individual, what do you think you are going to struggle with the most in today’s (and tomorrow – and maybe Monday’s) Critique.

-Unearthed-BLANK-1310-1
Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What one thing did you add to the critique that nobody else did?


Drawing: Kandinsky- Computer Lab – Google SlideShow

What did you take away from the KANDINSKY / BAUHAUS / der Blau Reider project? How can you see using these skills, understanding, knowledge in the future of your artmaking career?

Expressionist Wassily Kandinsky Painting
Kandinsky painting hos works – in a TIE! https://s-media-cache-ak0.pinimg.com/originals/46/3e/aa/463eaa78c26e9402afe875bd79008723.jpg

What did writing about your image / ideas do to help you understand the ideas you were trying to communicate VISUALLY?  


AP STUDIO ART: Concentration

How have YOU begun to understand the importance of reflection and N: Class critique – REVIEW some of the things to talk about during the critique. Ask the kids to talk about what is helpful and appropriate.

-Unearthed-BLANK-1310-1
Cookie’s and Critiques – MONDAY! http://unearthedcomics.com/wp-content/uploads/2013/12/Unearthed-CritiquingCookie-1311-1-web.jpg

What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.

this_american_life

Listen to ONE OF THESE STORIES about ADVENTURE from ACT TWO! Tell a STORY and we will share it with Ira Glass: https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

What is the CENTRAL IDEA behind your concentration? Remember that you need to have a common thread / common theme / CENTRAL IDEA that ties your works together.

ASSIGNMENT PART 2: 3 concentration works. DUE NOVEMBER 21.

#MidWeek is HERE!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: YOUR PORTRAITS!

Todd Mrozinski: https://artconfetti.files.wordpress.com/2014/06/img_5747.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What is a color that POPS into your mind as you have spoken with and talked to your classmate? Why do you see that color as being something that represents them? 

Reflection: What was ONE accomplishment you made today in the process of the drawing? How have you felt about the PROCESS and MEANING in the work?

Studio Art 360: The Grid – Let’s Review…

Chairman Mao by Warhol: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000337/4396_4001158.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Why (again) is it important for an artist to choose colors CAREFULLY as they are developing a composition / artwork? What might the RIGHT colors for YOU and your PORTRAIT be in this artwork?

Reflection: Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others? Will these colors be in the portrait? 

HERE’s where were headed with this! Andy Warhol at MoMA.

AP Studio Art: Waterford Senior Living Art

https://s-media-cache-ak0.pinimg.com/736x/1a/dc/f9/1adcf98791409ae59ca55dc3f3a54719.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • DON’T LOOK AT YOUR WORK –  Set it out and step back… go get it – step back… Now… turn around and LOOK! What are three things that you see as working and NOT working in the art? 

Reflection: GO Get TO WORK!You had a lot to think about today… What did you take a away? Look at the ORIGINAL WORK and look at your SERIES of works… what’s happening? 

Advanced Drawing: Your Work!

Jim Dine: http://static1.squarespace.com/static/53ed0a19e4b0a6f95242aaf2/54bad332e4b06856871c4445/54c2961ae4b0df35f1593841/1422038617026/Group.jpg

Goals:

  • 7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.
  • LOOK AT YOUR IDEAS and see what you are doing in the project. What are your inspirations in the world and in the project?
  • Handout HERE.

Reflection: You had a lot to think about today… What did you take a away? Look at the ORIGINAL IDEAS and look at your NEW SERIES of works… what’s happening? 

#Draw #Color #Fauvism #Portraits We’re doing a lot in the #ArtStudio

http://41.media.tumblr.com/9fb0dec87e24d32853d89658c2fe9a07/tumblr_nhvpzqtVOS1smyyw8o1_500.jpg

Drawing, AP Studio Art, Independent Art Students, Advanced Drawing  – ART INSTITUTE OF CHICAGO FIELD TRIP!

  • OTHER: Cap of 45 Students
  • Where: Art Institute of Chicago
  • When: May 4, 2016
  • Why: ART – Van Gogh Bedrooms Exhibit – and Chicago!
  • Time: Leave at 7:30AM – Return around 5PM
  • Cost: $16.00 + Lunch Money and Spending Money (Entrance to Show, Cost of Bus)

Drawing: PORTRAITS!

NEW PAGE on KORB’s Website: Facial Features!

Alex Jawlenski: http://en.wahooart.com/Art.nsf/O/8YDE4Y/$File/Alexei-Jawlensky-Lola.JPG

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • We’re getting theie folks – three more days – Every square inch needs pastel. What’s holding you back? What has propelled you forward in the process?

Reflection:Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing

Studio Art 360: COLOR and YOU!

Jamie Treadwell Color Wheel – Thanks Jamie: http://www.jaimetreadwell.com/colorwheel.JPG

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • Review with your neighbor the relationships of color on the color wheel.

Reflection: Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors.

AP Studio Art: Portrait of One Another

Collage Portrait! Mia – you’d like this one! http://cdn.trendhunterstatic.com/phpthumbnails/40/40829/40829_1_800.jpeg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • Take a minute with your partner and share your thoughts about the work you are completing. Take a compliment, take a criticism… repeat to your partner. 

Reflection:  Step back – SHUSH – 3 minutes left of class – WHAT DO YOU START WITH TOMORROW? 

Advanced Drawing: Jim Dine

Skeleton Shared Album HERE

 

Jim Dine Figure Drawing: https://s-media-cache-ak0.pinimg.com/736x/1b/26/76/1b2676ac3a8cbe8cd9a84937684d1eaa.jpg

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • Figure Drawing is ESSENTIAL to the strong portfolio. Why do you feel that every artist should have a strong background in the world of figure drawing? Or DO you? Why or Why NOT?

Reflection: How did your drawing challenge you today? Are you able to be focused on the figure for the period? Why do you stop short if you do? 

#YouCanDoAnything – well… not #Anything, but…

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Painting and Advanced Painting: Oil Paint Portraits!

https://s-media-cache-ak0.pinimg.com/736x/1b/97/7e/1b977e8749a65eb0c04888449a488f2d.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • Having had a day or more to begin painting in oils, what are you enjoying about it? If you HAVE NOT STARTED PAINTING… what are you going to be STARTING with TODAY?

Reflection / Evaluation: What were you most anxious about as we begin to think about and use oil paints?

Studio Art 360: COLOR SCHEMES

PRISM – Light Verus Pigment! http://www.photo-dictionary.com/photofiles/list/699/1110prism.jpg

Goals

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • Where do you see color? How does the color on TV get blended together? How does color in a magazine get blended together?

Reflection / Evaluation:  What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…

AP Studio Art: TALKING ART!

Cameron? What do YOU see in the work?  http://www.adrianartblog.com/uploads/2/1/7/6/21769396/2807198.jpg?389

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How have YOU begun to understand the importance of reflection?

Reflection / Evaluation:  What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.

Drawing: Hip-Hop and Fauvism… the Hip-Hop its time.

Graffiti Artist KLASS in front of his work at the Longwood Art Gallery https://bronxbohemian.files.wordpress.com/2009/02/img_1897.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Now that you have your artwork out in front of you… What is a STRENGTH in the visual image that you can build off of?

Reflection / Evaluation: What are THREE things you have done to move the artwork forward – NEW for you in the making of art?

#Abstraction in the #Hallways, #Value in the #StillLife

“The question for each man is not what he would do if he had the means, time, influence and educational advantages, but what he will do with the things he has.” — Frank Hamilton

Painting and Advanced Painting: Hallway Drawing

http://previousexhibitions.fondationbeyeler.ch/e/images_11son/34leger/werke_03.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Looking back at the hallway drawings from the past two days why do they TEND to be boring? What are 2 things you are considering about doing to make it EXCITING and YOUR OWN? What angles and lines are you drawn to in your thumbnails?

Reflection / Evaluation: How has TRANSFORMING and ABSTRACTING these drawings changed the boring into more interesting works. Give three SPECIFIC examples.

Studio Art 360: Value and DRAWING!

http://www.tonysmithsouthorange.org/images/imgTauEasel.jpg

Goals:

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • What skills do you have that will help you create a CUBE, CYLINDER, PYRAMID and LETTER in one or two point perspective that you didn’t have a few weeks ago? Describe your thoughts.

Reflection / Evaluation: Given the opportunity to SELF EVALUATE… BASED ON CRITERIA you may set up for yourself… what grade would you say you have earned? WHY!!!???

AP Studio Art: Plants and Drawing! Time to WORK!

http://niteart.com.au/wp-content/uploads/peter-davidson_001.jpg

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • Consider the RUBRIC AP uses. What are you doing with the first 8 cards to push yourself and challenge yourself? Are you working to make INTRIGUING and SUCCESSFUL Artworks (even though they are VERY SMALL?)

Reflection / Evaluation: Does working on these cards give you a new understanding of what you DO NOT KNOW about the ELEMNTS and PRINCIPLES? 2 reasons / explanations… THINK!

Drawing: Kandinsky and Shapes!

http://www.kimberleyjones.com/wp-content/uploads/2013/03/K3-Wassily-Kandinsky-Concentric-Circles.jpg

Goals:

  • 7.2Ac: Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.
  • As this develops, how are your ideas and Kandinsky’s similar and how are they different? What might you take away from this experience? How can you share that idea with the world?

Reflection / Evaluation:  As this work develops, how are your ideas and Kandinsky’s similar and how are they different? WRITE this out from the beginning of the hour. Has it Changed?

#Friday (of sorts) in the #Studio. What are you taking home?

“Remember, all the answers you need are inside of you; you only have to become quiet enough to hear them.” — Debbie Ford

AP Studio Art: Duchamp – Let’s take the figure and break it into planes.

ARTnews $10 award… http://www.artnews.com/wp-content/uploads/2011/05/article-2400.jpg

Goals:

  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • What was the MOST FUN about taking your figure drawing(s) from LAST week and incorporating them all into ONE drawing for this week? How do you see this as being a part of the LARGER ART MAKING PROCESS?

What was the most CHALLENGING Part of this week? What would you do differently? What would you suggest be DONE differently? Hang Work 

Advanced Drawing: Bauhaus Drawing – Figure / Ground Relationships

ONLINE CRIT HERE: Due Monday of RETURN from SPRING BREAK!

Hallway of the BAUHAUS – How is your drawing getting resolved? http://nuweb4.neu.edu/architectureinberlin/wp-content/uploads/2014/09/IMG_2513.jpg

Goals:

  • ALL ABOUT THE REFLECTION THIS WEEK
  • 8.1Ad: Analyze differing interpretations of an artwork or collection of works in order to select and defend a plausible critical analysis.
  • This is it – FAST Goal today… What three things are you going to really focus on today in order to be DONE with the work? That’s it – GET TO IT!

How many hours do you need to finish this work for presentations on MONDAY after break? REMEMBER that the WRITTEN CRITIQUE is DUE on the MONDAY we get back – Photograph is ONLINE at the end of the day – you can upload it from the website from TOMORROW’s Posting. Questions over break – EMAIL me!

PHOTO FOLDER IS HERE: Use this over BREAK OR / AND update your images with your own camera!

Drawing: Faces and Fauvism.

HERE is your WORKSHEET for RESEARCH on STREET ART and GRAFFITI for over SPRING BREAK! Do not forget to do your work. It will be hard to get started without some QUALITY WORK and RESEARCH in.

Brooklyn Street Art Museum – HERE.

Kandinsky and the Bauhaus Presentation is HERE

Andre Derain and His CAP – Self – Portrait. http://uploads7.wikiart.org/images/andre-derain/self-portrait-with-a-cap.jpg
Life Remote Control - Graffiti and Street Art! Directed by MBW (Mr. BrainWash)
Life Remote Control – Graffiti and Street Art! Directed by MBW (Mr. BrainWash)

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor.

What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.

Studio Art 360: Color Mixing!

ROSE Period PICASSO! Great Color Scheme – Tint’, Shades, and TONES! http://www.dailyartfixx.com/wp-content/uploads/2010/10/Acr%C3%B3bata-y-joven-arlequ%C3%ADn-Pablo-Picasso-Rose-Period-1905.jpg

Goals:

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Why is it important for an artist to choose colors CAREFULLY as they are developing a composition / artwork? What might the RIGHT colors do in an image versus the “wrong” colors?

Review with neighbors the relationships of the colors on the color wheel? When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others? Assignment for MONDAY WHEN WE GET BACK… Bring in a LOGO of a PRODUCT from something that is of interest to you. 

THIS is what it SHOULD look like!

Worry About the Process and NOT About the Finished Product

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.” —Zig Ziglar

What is overwhelming you and why are you still sitting there?

Art Foundations: Color Theory / Schemes / Value

Thanks Jamie: AGAIN for the FIRST TIME! http://www.jaimetreadwell.com/colorwheel.JPG

Goals:

  1. 1.4 Define visual challenges using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)

Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors.

Advanced Drawing: Gesture!

Thanks Jamie! http://www.jaimetreadwell.com/pafa-drawing-figure-02.JPG

Goals:

  1. 1.4 Define, and solve GESTURE DRAWINGS using skills of (1.4.1) analysis (.2) synthesis.
  2. Identify the intentions and purposes behind Gesture Drawing / figure study.

What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation?

AP Studio Art: Art and Fear – Chapters / Collection of Art

How did Matisse come up with this “Pink Nude?” Was it a one and done… oh no mister… it was a PROCESS.

Goals:

  1. Students demonstrate a sound understanding of technology concepts, systems, and operations (how to use and organize your files in Google Drive)
  2. What is a PERSONAL GOAL that you can create for the next 3 days that is big enough to create an umbrella but not too big, and narrow enough to be focused but is not an agenda item. (Look at the NATIONAL STANDARDS for examples…)

How much work have you photographed? How much work have you edited? How can I help you in the computer lab and in this process of creating a respectable website / digital portfolio?

Get Involved, develop Hope and Accomplishment. Make Things Better.

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.”Zig Ziglar

Oh No… So Much To Do!

Art Foundations: Hand in your 2 Point Perspective Drawings / COLOR

What do you think is WRONG with this picture? https://korbartwuhs.files.wordpress.com/2011/04/color_wheel_pencils.jpg

Goals:

  1. 1.4 Define visual challenges using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)

What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…

Advanced Drawing: Hand in your Hallway Drawings / Gesture Drawing

Gesture Drawings! The BEGINNING of the Figure Study. Let’s Gesture!

Goals

  1. 1.4 Define, and solve GESTURE DRAWINGS using skills of (1.4.1) analysis (.2) synthesis. Identify the intentions and purposes behind Gesture Drawing / figure study.

What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation?

AP Studio Art: Hand in 2 Works from last week (and 2 works from PREVIOUS series of Works)

Goals

  1. 1. Students demonstrate a sound understanding of technology concepts, systems, and operations (how to use and organize your files in Google Drive)
  2. 5.3 describe rationale of breadth works by analyzing 5.3.1 techniques (WHAT IS THE ELEMENT / PRINCIPLE that you are focused on?).

What is your plan for accomplishing this one work in the short time allowed? What was the struggle you had in the past 2 weeks creating 2 works? What struggled? What soared? What will you have to do to adjust your working schedule?