“Talent may get someone off the starting blocks faster, but without a sense of direction or a goal to strive for, it won’t count for much.” – David Bayles and Ted Orland
Kahine Wiley – Interview Magazine Article… Research HIP HOP and Graffiti! How can you use a name, tag, slogan in your composition in the style of graffiti to add to the BACKGROUND?
Goals:
Identify the intentions and purposes behind making art.
4.4 evaluate and interpret your art for relationships in 4.4.1 form 4.4.2 context. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges.
How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas?)
“Talent may get someone off the starting blocks faster, but without a sense of direction or a goal to strive for, it won’t count for much.” – David Bayles and Ted Orland
Apply acrylic paint focusing on mixing techniques, and processes (one shape at a time) with an 1.1.3 awareness so that your ideas (modifying the image to one specific color scheme) are executed well.
What is the most difficult part to mixing colors with the acrylic paints? What do you feel makes it the most challenging / frightening medium for some? What are you enjoying about this process?
Create multiple solutions to your CONCENTRATION visual challenges and apply media, techniques, and processes with skill confidence and awareness so that your ideas are executed well.
What were the biggest impressions you had from the classmate’s works? What were the most difficult things you felt as you presented your work? Conversation between classmates about the 2 questions for your exam. How does this work relate to your concentration?
“Talent may get someone off the starting blocks faster, but without a sense of direction or a goal to strive for, it won’t count for much.” – David Bayles and Ted Orland
Apply acrylic paint using the mixing techniques, and processes (one shape at a time with an 1.1.3 awareness so that your ideas (modifying the image to one specific color scheme) are executed well .
What is FUN about the use of acrylic paints? If you are NOT painting yet… what do you need to finish up so you can begin painting tomorrow? How can you use this in other classes, other aspects of your life?
1.4 Initiate, define, and solve challenging visual arts problems using skills of (1.4.1) analysis (.2) synthesis (.3) evaluation. (P).
Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information. – Get out there and visit a bit about Henri Matisse!
What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation? Facial Proportions
“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews
Art Foundations: COLOR and YOU!
Goals:
1.4 Analyse (break it down) and Define color schemes and how you use color on a daily basis.
Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and labels of the colors. What three colors can you use to mix ALL THE OTHER colors? In your GOALS SHEET…
Drawing: Genius Day (a bit longer than a day).
Goals:
1.1 Define and consider your PASSIONS through the media, techniques, and processes that you want to consider. Don’t forget about the 1.1.1 skill , 1.1.2 confidence and 1.1.3 awareness that you have and will use so that your ideas are executed well.
Working with Mr. Korb “out of the way/” Here are your “24 hours” of doing what you want with who you want in the way you want with the idea of a product being the end result and presenting being the final evaluation. What have you accomplished today and what do you need to accomplish tonight so that you can present tomorrow? The presentation is a huge factor. What did you intend to do? What did you intend to learn? Why is this a GREAT experience for you? How is having an assignment easier or harder for you? Lots to think about…
AP Studio Art: MAT YOUR WORK – Consider Duchamp
Goals:
6.3 use the principles and techniques of art with those from other discipline to PREPARE your WORK for QUALITY!
What are you doing this weekend to PREPARE for the next 1 weeks of WORKING on ONE BREADTH work based on the figure drawings that we worked on this week. How can you look at the Marcel Duchamp work of the world and resolve the image you have in front of you. Next week… resolution – Pastels, Conte, Charcoal? Whatever…
Use Google Presentation and Docs (and the lab) to resolve your self evaluation and work collaboratively to support individual learning and to the learning of others.
BEGIN PLANNING FOR TOMORROW – GENIUS DAY – ALL WEEKEND to work – PRESENT on MONDAY! ?What? Yikes!
Working with Mr. Korb “out of the way” here are your “24 hours” of doing what you want with who you want in the way you want with the idea of a product being the end result and presenting being the final evaluation. What have you accomplished today and what do you need to accomplish… the presentation day on Monday…
AP Studio Art: FIGURES… just figures.
Goals:
2.3 create artworks that solve visual challenges of a figurative nature… WHAT DO YOU WANT TO EMPHASIZE TODAY?
How did things go today? Look at everyone’s drawings and make comments about their figure drawings in their binders.
“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews
Art Foundations: Artist Statement
How are the ideas coming with the artist statement? This is a challenging process. Stay focused on the ideas we spoke about. Goals:
4.4 evaluate and interpret your oil pastel drawing for relationships in 4.4.1 form 4.4.2 context as it related to the original photographic image from the microscope.
How do you feel about the paper you have written? Does it fully describe your artwork? Does it partially describe your artwork? Does it fall flat? WHY?
Drawing: WRITE – SUMMARIZE – FINISH – INSPIRE!
Goals:
4.4 evaluate and interpret your oil pastel drawing for relationships in 4.4.1 form 4.4.2 context as it relates to the IDEAS of Wassily Kandinsky – Can you explain it concisely?
How do you feel that writing this artist statement has helped you to 1) better understand your art and 2) explained it to your audience, those interested in buying your art?
AP Studio Art: Art Mounting Time
Be CAREFUL as to how you use the tools. Make your lines STRAIGHT and CLEAN! Goals:
3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges – What are the VISUAL CHALLENGES that you are faced with in this part of the art toolbox?
Well… how did you do? What do you need to FOCUS on as you mount MORE and MORE artworks? Is this as easy as MAKING art? Would you reconsider HOW you make your work so you can skip this step?
“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews
REMEMBER – Goals are a Changing – JUST A SMIDGE – It is becoming a lot more thoughtful and less VERBATIM! Read the Goal – Read my questions – Write your thoughts and reflections – Let’s take a moment to visit the CHANGES!
Art Foundations: How’s the self-evaluation / art statement going?
4.4 What are the strengths and weaknesses in your art regarding the ideas of 4.4.1 form 4.4.2 and context (ideas) and how you understand linear (and non-linear) perspective?*
REREAD the work you have done for today. What was the best and the worst part of the work? What are you going to take into your next major artwork that you learned from this artwork?
Drawing: How are you coming up with the statement? Anything you need to focus on? Let’s break it up.
Goals:
4.4 What are the relationships in 4.4.1 form 4.4.2 context and 4.4.3 meanings that you are focusing in with your Kandinsky inspired / music inspired / BAUHAUS inspired oil pastel drawing?
What did your FAVORITE part of this overall DEEP and difficult project? How do you feel you have summed up your work in the FIRST EVER ARTIST STATEMENT?
AP Studio Art: No welcome back today – I tried yesterday. Figure Drawing – 2 10 minutes.
Goals:
2.3 What challenges do you feel you will need to work on today as we create figure drawings?
How did things go today? Look at everyone’s drawings and make comments about their figure drawings in their binders.
4.4 evaluate and interpret your art for relationships in 4.4.1 form 4.4.2 context and 4.4.3 meanings showing understanding of the work of various art professionals* ANSWER THIS FOR YOUR GOALS? What relationships do you see between your work and the ORIGINAL Scientists vision of the microorganism?
What was the best and the worst part of the work? What are you going to take into your next major artwork that you learned from this artwork? What makes you stop and THINK about the work you have seen bu others?
Drawing: FINAL DAY! These are AWESOME – Get Ready to WRITE about the work as you make your artist statement!
4.4 evaluate and interpret your art for relationships in 4.4.1 form 4.4.2 context and 4.4.3 meanings showing understanding of the work of various art professionals* – Answer this for your GOALS:What are the STRONG relationships you have with Kandinsky in his work and yours?
What did you take away from this overall DEEP and difficult project?
AP Studio Art: 1 Drawing today – 20 minute reclining figure – How about looking at a Henry Moore instead of the Mary Cassatt.
2.3 create artworks that solve visual challenges – ANSWER THIS: What has been the BIGGEST CHALLENGE you have faced with the idea / activity of the figure drawing? How will you handle 20 minutes today?
How did things go today? Look at everyones drawings and make comments about their figure drawings in their binders.
While in class we set goals in class based on the N.V.A.S. and the N.E.T.S… let’s take a look at our individual picture for a moment. Please think about the larger goal (NVAS) that is presented, but write out what we were hoping to gain from these experiences. It is always good to “look into the rear view mirror” to see who we were that made us who we are. Challenging to really see perhaps, but always good to think about and reflect upon.
“No matter how many goals you have achieved, you must set your sights on a higher one.” – Jessica Savitch
What does your pastel drawing say about how you understand the relationships in 4.4.1 form 4.4.2 context and 4.4.3 meanings? What were YOU hoping to learn or take away from this project?
REVIEW the work you have done for today. What do you need to do for tomorrow? What do you need to expand on, tweak? Share the ideas / challenges with your neighbors.
Drawing: What does your music say to you? Perhaps revisit the song and see if it takes you where you wanted to go.
What does your Kandinsky inspired pastel drawing say about how you understand the relationships in 4.4.1 form 4.4.2 context and 4.4.3 meanings? What were YOU hoping to learn or take away from this project?
How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas? Please don’t think of worse than or better than, but rather compare / contrast, similar / different.
AP Studio Art: Great to be a GROUP again… Let’s draw MORE of US!
3.2 apply our models poses, and idea of capturing the human form QUICKLY and use skill to capture that pose and form completely. What does this mean to you?
What are the strengths of the Composition? Where do you find the weaknesses in your work? How can you reflect tomorrow to change / alter / move forward from that?
What goals have you set for yourself? Are they BIG and BOLD? Are they small and subtle? Regardless as to the goals you have, make them attainable – but not too easy… you may get bored, and not too difficult… you may get frustrated. Just make them a smidge out of reach so you have to stretch!
“No matter how many goals you have achieved, you must set your sights on a higher one.” – Jessica Savitch
2.3 Resolve (extended deadline) your pastel drawing as you solve visual challenges. ALSO Consider the reflection on your works.
What was the most interesting thing you took away from this process of two point perspective, pastel drawing, microscopic images? Talk to your neighbor about the project and have a REAL discussion.
Drawing: EXTENDED DEADLINES – So long as the GREAT WORK continues.
Goals:
2.4 compare Kandinsky’s points of view and your theory regarding composition and meaning in artwork. This is going to be the PAPER you present for this work… BE THOUGHTFUL – Korb will bring you up to speed.
As this develops, how are your ideas and Kandinsky’s similar and how are they different? What might you take away from this experience? How can you share that idea with the world? WRITE this out from the beginning of the hour. Has it Changed?
AP Studio Art: Gesture Drawing – Remember this stuff? Let’s see what you can do.
1.2 create gesture drawings that demonstrates an understanding of how your ideas and observations (and mark making) relates to the 1.2.1 materials, 1.2.2 techniques, 1.2.3 and processes you use.
1.3 communicate ideas clearly
What was most difficult about the drawings today? what were the things that you found fun? What is your largest fear of the human form?
Art With Korb 
