April 17, 2013 – Wednesday, Waffle Wednesday

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman

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Art Foundations: FINAL DAY to work on your cityscapes. What do you need to do to make it more AWESOME? Do it today!

What might this architect have been thinking when he designed this structure? What is ONE thing that you did that you see in this drawing – ONE THING?

GOALS:

  1. 2.1 Form criticism about 2 point perspective drawings that work to accomplish personal meanings.
  2. 5.3 Describe meanings of artworks by analyzing 5.3.1 techniques of linear perspective.

10 minutes before the end of class – Self – evaluation of the writing for the day – What did you find NEW in your work that you forgot you did well or struggled with? PREZI Self – Evaluation

 

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Drawing: How’d your eyes turn  out yesterday? How about drawing a set of lips? A Mouth? Let’s give it a shot.

What is the GROUND of your image going to be? Let’s try to find something that relates to YOU and is a NEW ground for you to work on.

GOALS:

  1. 3.3 describe the creation of facial features and ideas behind them and explain why they are of value
  2. 1.4 create, define, and solve visual challenges of facial features using 1.4.1 analysis (breaking up the artwork / subject matter to basic elements)

What successes did YOU have in the drawings of the EYES and MOUTH? What is one area that you really felt were unsuccessful when it came to the areas you struggled? Be explicit and specific – PLEASE!

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AP Studio Art: Critique

Deborah Butterfield – Early work…
Late Work…

GOALS:

  1. 3.3 describe the creation of your concentration and ideas and explain why they are of value.
  2. 4.5 look at the qualities of art from the rest of your classmates / cultures to judge works of art – What is similar in the qualities and successes?

What did you go through mentally in building your concentration? What is the earliest memory of the decision? What were the stumbling blocks that you REMEMBER as being in front of you? Where were the support systems that helped you out of the pits of self-doubt etc…?

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Study Hall: What was the ONE thing you learned or struggled with or wrote down at the end of yesterday’s class? What is your response to it today?

 

GOALS:

  1. Work to accomplish the current homework or missing work you have in your classes.
  2. Understand that the responsibility lies with you – but that you have a lot of people willing and working to help you.

How much time are you putting into your schoolwork OUTSIDE of school? What is the biggest challenge for you at home? What are you doing to hold yourself accountable for the work you need to accomplish?

April 16, 2013 – Tuesday

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.” ~ Neil Gaiman

Make Mistakes… Mkae Mjoar Misktes…

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Art Foundations: 2 more days to work on the city scape. What is your plan of action for the last 2 days? Value? Perspective? ACCURACY?

Oldenburg / van Bruggen and Gehry works together!

GOALS:

  1. 2.2 evaluate the effectiveness of artworks
  2. 3.1 reflect on how art differs and describe how it relates to history and cultures

What have you done today to move your drawing forward toward completion? What is the STRONGEST aspect of your drawing? The thing you are most proud of? What are you in need of working on STILL? It is ok… but what still needs work?

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Drawing: Today – Eyes, Nose, Mouth, and Ears – Find 4 examples of each – larger than OR about the same size as REAL eyes from MAGAZINES that we have in the classroom – Slightly smaller if necessary, but… try to go large. Cut them out and GLUE them into your sketchbook. We are looking at the face this week…

Lovely No?

GOALS:

  1. 3.3 describe the creation of images and ideas and explain why they are of value
  2. 3.4 evaluate and defend the validity of sources for ideas

What mistakes did YOU make – how bad were they when it came to eyes?

Homework: Collect images from the newspaper or magazines that represent you or that you feel are important to you in today’s social environment. The images MUST be in your sketchbook at the beginning of class tomorrow!

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AP Studio Art: CRITIQUE of the Works you have accomplished SO FAR… ALMOST DONE!!! Bring out one of your EARLIEST concentration works and set it along side of the 3 most recent works we are looking at today.

Early Stuart Davis
Mid Career Stuart Davis
Late Career Stuart Davis

GOALS:

  1. 3.3 describe the creation of images and ideas and explain why they are of value.
  2. 4.5 look at the qualities of art from various times and cultures to judge works of art.

Ok… By Wednesday – You will have your 2 questions worked out for the upload of the projects to AP College Board… WE NEED TO SHARE THESE ALOUD and HELP ONE ANOTHER. What do you feel about the work you have created here?

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Study Hall: What are the classes you KNOW – before we meet with you – that you have missing work in?

What have you got in your backpack? What should be in your teachers’ hands?

GOALS:

  1.  Bring everything you need, nothing you don’t
  2. What do you need to accomplish today? Write BOTH of these goals down and BE AWARE OF THEM AS YOU WORK TODAY!

What was ONE NEW THING you learned today in ONE of your classes – be particular about the facts and information. How does it tie into what you will be able to use tomorrow? What is one thing you heard about today that you are not 100% sure on? Why might it be important tomorrow or in the future for your classes?

April 13, 2013 – Saturday

Visual Art GOALS and OBJECTIVES

Frank Korb

There are 6 OVERARCHING GOALS that all of my art students work toward and focus on during the year in all of my art classes. The goals are referred to on a daily basis and are been modified, but not “dumbed down,” from the National Standards for the Visual Arts so that they make more sense to the students who are working with them through their art making and other art experiences.

The use of GOALS in my classroom (in any classroom for that matter) is an essential part of the process of running a high energy and well planned / focused classroom. The introduction of the GOALS, and the interaction of the student with that goal, literally fires up and activates the neurons in the brain and gets the young artist (student, teacher, whomever) focused on the work that will be undertaken. This OPENS THE FOLDER to learning.

Over the next six weeks, we will be looking at and unpacking the goals so that they are more easily understood. It is important to note that, when the goals are given to the students, they are restructured (a smidgen) so that they are meaningful and pertinent to the day’s activity. Notice, they are not agenda items but rather bigger thinking topics.

1.      Understanding and applying media, techniques, and processes.

2.      Using knowledge of principles and functions.

3.      Choosing and evaluating a range of subject matter, symbols, and ideas.

4.      Understanding the visual arts in relation to history and cultures.

5.      Reflecting upon and assessing the characteristics and merits of the visual arts.

6.      Making connections between visual arts and other disciplines.

One last note about the day to day activities in the class and GOALS specifically is that when we wrap up the class – the last couple of minutes, we take time to reflect, to GENERALIZE the relationship to the goals and the day’s work. This is the CLOSING THE FOLDER that allows the neurons to settle down and pack away the learning, the experiences, until the following day.

You can find these (and more) in my Visual Arts Handbook HERE.

Thanks –

Frank

April 12, 2013 – FRIDAY

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

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Art Foundaitions: If you can IMAGINE your ultimate building… what would your building have in it? What would your building be for? What type of business, house, environment, atmosphere would best describe the house? What are you doing to change the building to make it inspired by Frank Gehry?

Click on the above image to see a 4:28 video of Frank Gehry since 1997 at the Vitra Museum.

Cityscape Instructions – 2013 Spring Semester

GOALS:

  1. (1.2) Create 2 point perspective city that demonstrates how your ideas demonstrate your understanding of the media, techniques (VALUE) and processes you use. (P)
  2. (2.3) Create artworks that uses organization and function to solve specific visual challenges.

Knowing that this drawing is DUE on Tuesday of next week, what do you need to do in order to be at a finished point? How do you intend on working this drawing so that you ARE done and it is up to your best ability? We are NOT going to be able to shade the entire drawing (necessarily). What can you do to EMPHASIZE the idea of creating FORM through the use of CHIAROSCURO?

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Drawing: We have critiqued for a good number of days (6th hour has one more class time to critique). Today we are going to to be 3rd hour: polishing the drawings so that they are up to the par that you would like them to be – photograph – work on the papers and 6th hour: Wrap up the critique and if there is time continue to polish the work and prepare it for being done.

What do you have to do to WRAP IT UP and MAKE IT PERFECT?

GOALS:

  1. 3.3 describe the creation of images and explain why they are of value.
  2. 1.4 solve visual challenges using analysis.

What was it that you learned through the process of critiquing that you will CARRY INTO the next project. What skills will you use to make your next work stronger and more successful as a well thought out work?

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AP Studio Art: We have looked at and worked on the CONCENTRATION art pieces for QUITE SOME TIME… What have you been accomplishing with them that you are particularly proud of? What have you done that has caused you stress and anxiety? How do you feel that you can use the pride and frustration to advance and critique the works that you have to finish?

GOALS:

  1. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

What do you have to do this weekend in order to be finished with your 3 works on Monday? We are going to CRIT. on Monday and Tuesday. Take a minute and find someone REALLY FAR AWAY FROM YOU right now (in the classroom) and take ONE WORK that you are struggling with… take the 3 minutes Bryan has announced to us and WRAP UP THE WEEK together (document your thoughts in the journaling portion of the binder).

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Study Hall: What have you done in each of your classes today? 1st hour, 2nd hour, 3rd hour, 4th hour, 5ABC, 6th hour, 7th hour, and what have you brought to 8th hour to work on? Take a moment and consider the work you saw as incomplete on Monday when we sat down with you. Think about what you have accomplished this week and all that you have to still complete. Write down all that you have done to accomplish what you have missed in the first 2 weeks and what you have not finished.

Do you have your work planned out for today? For the weekend?

GOAL:

  1. Remember to Bring Your Homework to School
  2. What have you brought to work on and get finished for the weekend?

What have you accomplished this week that makes you proud? What is something that someone else has done that you have been impressed with? Did you see some of those cool roller-coasters? How about the awesome smelling foods that were coming into our classroom this past week? Check out some of the fantastic drawings made in art class! What is your most memorable class event this week?

April 11, 2013 – Thursday

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

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Art Foundations: Who is Frank Gehry? We will introduce you to some of his works of Architecture and a bit about him… DRAW, DRAW, DRAW!!!

Oldenburg / Van Bruggen / Frank O. Ghery collaborative effort for business center.

Cityscape Instructions – 2013 Spring Semester

GOALS:

  1. (1.2.2 and 3) Create 2 point perspective drawings that demonstrate an understanding of how your ideas relate to technique and process.
  2. (5.1) Identify the intentions and purposes in creating 2 point perspective / use of values to create form.

How did you enjoy the architecture of Frank Gehry? What was it that interested you in the style of his buildings? What might you do to CHANGE the work you have in front of you and make your architecture more Gehry’esque?

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Drawing: FINAL DAY OF CRIT? Not for ALL of the classes. Make sure you have your PAPERS worked on and the final changes made to your artwork.

Agnes Martin – One of my favorites… Take a moment and have a conversation with your neighbor about these 4 works. What are your THOUGHTS, RESPONSES, REACTIONS, and EDUCATED CRITIQUES? 2 minute Conversation… GO!

GOALS:

  1. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.
  2. 2.4 compare different points of view regarding composition and meaning in artwork.

You have HOPEFULLY taken a lot of learning and experience from the critiques so far. What is the one thing that you have learned about the workings of drawings, the building of a composition, and the making of QUALITY ART? Number ONE thing you walk away with and HOW will you put that gained knowledge to your future works?

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AP Studio Art: WORK – That’t it… WORK on Making, Critiquing, Writing, Photographing, Editing, Uploading, etc…

Hong Kong International School… Social Commentary!

GOALS:

  1. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

What is going well? What can you share about the process you are going through RIGHT NOW? Go to the person in this room that is the FURTHEST AWAY from you and have a SOLID conversation about the work you are making and ALL THAT YOU HAVE TO DO.

April 10, 2013 – Wednesday – Hello Janie!

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

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Art Foundations: What object from your POPular Culture did you bring in? Today we are going to draw it a number of times and then incorporate it into the final composition.

Spoonbridge and Cherry

Oldenberg Van Bruggen Website

Cityscape Instructions – 2013 Spring Semester

GOALS:

  1. (1.2.2 and 3) Create 2 point perspective drawings that demonstrate an understanding of how your ideas relate to technique and process (P).
  2. (5.1) Identify the intentions and purposes in creating 2 point perspective / Values. (D)

What aspect of your OBJECT drawing demonstrates your ability to OBSERVE and DRAW? What is the most successful aspect of your drawing? What are you most proud of? Share this with your classmate.

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Drawing: Critique today – have you shared your file with me? I am not 100% convinced…

What is an element or principle of art that you feel is the DOMINANT factor in this Sculpture by Louise Bourgeois? What questions about it might you have?

GOALS:

  1. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.
  2. 2.4 compare different points of view regarding composition and meaning in artwork.

What did you hear from today’s critique session that you had a differing opinion regarding? Were you able to voice your opinion without any fear of being wrong? What do you feel is an important aspect of listening and participating in an oral critique?

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AP Studio Art: WORK on your body of work. You have made me proud. What amount of works do you need to deal with as it comes to MOUNTING art and UPLOADING art?

Nina Kwon, Fairfax High School, Los Angeles, Calif. Score: 5

GOALS:

  1. 4.4 evaluate and interpret your art for relationships in 4.4.1 form 4.4.2 context.
  2. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

What is your biggest accomplishment as you look back at your collection of artworks from this year? Where have you grown the most? Where do you still feel you’d like to improve your skills and abilities?

April 9, 2013 – Tuesday

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

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Art Foundations: Cityscape – Where are you still struggling? Where are you succeeding? What is going well for you and how do you remember how to do what you need to do?

Do you carry this in your purse?
The schematic drawing of an ordinary everyday object…
Oldenberg’s Lipstick – The Sculpture

 

GOALS:

  1. (1.2.2 and 3) Create 2 point perspective drawings that demonstrates an understanding of how your ideas relate to technique and process(P).
  2. Create 2 point perspective and Value drawing that uses COMPOSITION to solve visual challenges.

Cityscape Instructions – 2013 Spring Semester

What are you most proud of today in your drawing? What EVERYDAY OBJECT might you be interested in incorporating into your final drawing?

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Drawing: Critique!

What are the elements / principles that you find the strongest aspects of this artwork? How would YOU critique this artwork?

GOALS:

  1. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.
  2. 2.4 compare different points of view regarding composition and meaning in artwork.

What did you take away from today’s critique that will help you move forward with the process of WRITING a crit about your artwork? What did you add to the discussion with? What did you take away form the conversation?

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AP Studio Art: WORK WORK WORK! Crit 2 more works.

How are you coming up with ways to move your artwork forward?

GOALS:

  1. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.
  2. 1.1 apply media, techniques, and processes with 1.1 .1 skill 1.1.2 confidence 1.1.3 and awareness so that your ideas are executed well.

Knowing that you have 4 days and 2 weekend days – how much have you got to accomplish in the next week? Make a day by day plan! NOW!

April 8, 2013 – Monday – WELCOME BACK!

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

Korb’s Trip to New York… Images!

How was your Spring Break?
How was your Spring Break?

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Art Foundations: Let’s review the use of 2 point perspective AND see Mr. Korb’s slide show from New York – some GREAT architecture!

Richard Estes – New York Scenes!

GOALS:

  1.  (1.2.2 and 3) Create 2 point perspective drawings that demonstrates an understanding of how your ideas relate to technique and process.
  2. Create 2 point perspective and Value drawing that uses COMPOSITION to solve visual challenges.
Claes Oldenberg – Soft Sculpture

What is the theme behind your city? What did you FORGET about the use of the rules of perspective? What did you HELP your neighbor remember?

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Drawing: Critique – Oral Critique – the written crit. should be being worked on at this point!

What do you see? What do you like? What do you dislike? WHY?

GOALS:

  1. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.
  2. 2.4 compare different points of view regarding composition and meaning in artwork.

What was the success in today’s Crit? What is something  you are proud of in the work you have seen or in your own work?  and the use of the GOOGLE DRIVE?

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AP Studio Art: Quick Crit. of the work you have – What is working and what is a struggle? What did you accomplish this past week? Surprise me!

This is a scored 5 from the AP Site… what is your work going to be scored at?

GOALS:

  1. 2.2 PEER-evaluate the effectiveness of artworks
  2. 3.5 Evaluate and defend the manner in which subject matter, symbols, and images are used.

What were the biggest impressions you had from the classmate’s works? What were the most difficult things you felt as you presented your work? Conversation between classmates about the 2 questions for your exam. How does this work relate to your concentration?

April 6, 2013 – Saturday – The ABC’s of Art 2013

The Newest ABC of the Arts: A – Z
By: Frank Korb

Frank Korb

Frank Korb

In 2002 and again in 2007, John Tusa of The Guardian wrote the ABC’s of what was facing the world of the arts and how to deal with them. Inspired by his ABC’s, these are my 26 thoughts on the importance of support of the arts in school systems and communities across the country / world.

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A is for Assessment – One’s self and the evaluation of others needs for evaluation and assessment of hard and dedicated work is essential in a well rounded and successful art education. With a focus on the learning of technique and terms as well as a space that allows for REAL exhibition – knowing that the work will earn a space on the white wall of the gallery – gives more credence to the learning and assessment of that learning.

B is for Business – The operations of what it takes to be an artist and to deal with a gallery (space) becomes a needed aspect of courses  taught and give the students an understanding (or at least exposure) to the marketing, hanging, organizing, business end of being a professional artist. When the first show is up, opened, appreciated and critiques, and finally taken down, the learning of the hard work of being an artist in the truest sense of the job, is finally understood.

C is for Collaboration – Working with individuals from the arts community, gaining ideas and insights from professionals, and developing ideas together are skills and tools that are often looked for in professionals entering the working world. the gallery space would give students, faculty, and the community these opportunities to work together to reinforce the importance of the Arts in our growing community and culture.

D is for Development – Art making, speaking, and critiquing skills are abilities that are important aspects of the student’s education that need to be honed and developed. Art in the schools and community, and a space to share those artworks and skills allow for skills to be developed and delivered in an honorable and respectable way, thus  allowing for artistic pride in one’s work to be reinforced.

E is for Education – The lessons and skills learned in the making of art are enhanced through the lessons and skills developed through the exhibition of art as the artist keeps the goals of presentation, conversation, and appreciation in mind as the work is created.

F is for Fine Art – The final product (but for the artist not the most important part of the art – that would be process) that the hard and dedicated work an artist strives to produce and be recognized for.

G is for Goals – It is all about setting them, working towards them, and then reflecting upon them as they are completed (or not completed). The presentation and conversation allows for the “wall” to be the Goal for the learning and a place for reflecting upon the ideas of whether or not those goals were accomplished in the process. What is it that we hope to learn from the process of making art? Is is only about the manipulation of a medium on a ground? Is it only about the plasticity of a clay or metal? Is it just the digital images put into the computer and reproduced through the printer? NO! The objectives are larger than the simple “art making” and revolve around History, Aesthetics, and Art Criticism.

H is for Holistic – It starts with concepts to practice, then practice to presentation, presentation to conversation, conversation to appreciation. The appreciation on a gallery wall is the final space that artists work long and hard to achieve recognition (one more step would be to the hands and walls of the arts patron – but that is another story).

I is for Importance – The importance of the visual arts is often overlooked, yet when walls need decorating, fliers need printing, shirts need designing, sets need painting, the visual artists are the ones that are called upon. Image the walls of a household, office, classroom without the visuals – how sterile and unimportant would that space be (think of a prison cell… maybe I have offered up too much information – Just Kidding.)?

J is for Juxtaposition – The side by side comparison of professional artists, the community artists, and the student artists is essential to the community of artists and learners. The professional, weekend warrior, and the student learning what it is to work in and be around art may not always be attained by those in the arts BUT it is essential to the arts. The Artist, the Critic, the Historian, the Consumer… Art does not get made in a vacuum and is essential to all those involved.

K is for Kindred Spirits – The closeness of a group of artists (professionals and students alike) who are making work, discovering skills and abilities, solving problems and coming up with new and inventive solutions, and then showing work together with a sense of pride… this is something desperately needed in our world – here is an opportunity to promote that spirit of unity. Start an art group with your friends and have pizza while talking about the art you make.

L is for Lifelong Learning – What does it take to be an artist? This is a question that many colleges and universities fail to provide a solid answer for. Opportunities abound as one learns what it is to juggle the time, management, resources, artworks, and all the other things that are part of a successful artist (professional and students alike).

M is for Mediums – So often students are afraid of the learn the basics of handling a medium, yet tend to be amazed at what a completed artwork in an unfamiliar (or all too familiar) medium is. Through the use of the visual arts, high quality and resolved ideas,  images, experiments, mediums, topics, sizes, colors… you name it… are experienced in a way that allows the risk of failure to be superseded by the potential of new success.

N is for New – New ideas and opportunities  that individuals come up with allow for a different approach for problem solving and discoveries of the self that other ways of thinking may not be able to provide.

O is for Opportunities – The arts offer the students so many opportunities to create and work their minds in different ways that other areas of academia do not. Studio spaces, drawing tables, sketchbooks, empty canvases, open minds, supportive communities and families offer that opportunity.

P is for Professionalism – As a high school teacher (and former high school student) it is one thing to move a pushpin display board around the cafeteria and pin artwork to it in hopes that it gets looked at and appreciated (and not touched and smeared up by other students). It is another thing altogether to give the work by our quality students a place to be appreciated in a space that allows the viewer to step back and see the hard fought efforts on display is a safe and protected space. Many people (students, myself as a high school student and even at the college level) are often too intimidated to even venture into an art gallery if they stumbled upon one. While a critique can often be a good destination for artwork, a gallery IS the destination for artwork (MoMA will be calling soon enough) while a pushpin display board is a destination for a mid-critique… maybe.

Q is for Quiet – Reflection is always a wonderful and necessary skill to develop as one thinks about the skills that have been mastered and the skills that need refining. The arts, and a place to properly view the visual arts, allow for that necessary practice of self-reflection and contemplation to occur. As artists work through the process of making art, the sense of reflection (and feedback from those involved and interested in the work) is essential to that process of making art.

R is for Reflection – See above (Quiet). If the above is not convincing enough, try Socrates out for size with”The unexamined life is not worth living.”

S is for Society – Art has defined, redefined, reflected, and changed society since the beginning of humankind. The arts challenge our perceptions and help us see the world in new and creative ways (Sixteen Trend: Their Profound Impact on Pur Future, p 170). From the cave paintings at Lascaux, where the artists painted their ceremony and day to day activities to the Renaissance artists where Leonardo Da Vinci and Michelangelo di Lodovico Buonarroti Simoni defined what it was to create perfection and question the status quo. Pablo Picasso and his , the visual representation of the horror, bloodshed, and devastation of the small Basque Country village of Guernica during the Spanish Civil War.  Society of the past would not be known without the arts and the society of today requires the same.

T is for Teamwork – By working together, students, faculty, community members can create exhibitions,  build collections, and develop relationships, “conceive of ideas, products, services, performances and pathways to peace and understanding. The arts can help us find common ground (170)”. They can build the skills to really understand what it’s like to work as a team and come up with extraordinary results.

U is for Unity – Artists (and the rest of us who may not be artists – me excluded as I am one… whatever that means) have a need for the a sense of belonging. While the sharing of a personal body of work is one way to create a sense of unity among the artworks, the gathering of artists, whether it be at a local coffee shop, gallery, or museum, (or family room over pizza and beverages once a month – Thanks Ted) is essential in the development of a strong body of work and connection.

V is for Variety – Artists offer so much more than what they tend to get credit for when it comes to the work they produce and the individuals they are. The diversity of works that the artists create is only outdone by the diversity of actual artists themselves that are out int he community. The use of UNITY (see above) is something that helps bring them all together to share their ideas and breakthroughs in the future of the arts.

W is for Wanting – There is something that everybody wants. Whether it be love, community, understanding, attention, conversation, or something else entirely. The visual arts offer these and more tho those who are interested enough in the investigation and risks that are involved. Go ahead… make a mistake, try something new, forge a path ahead that nobody else has had the courage to do as of yet. The visual arts DARE you!

X is for eXtraordinary – The use of eXtraordinary here is because the level of education that the visual arts offer to the community is just that, extraordinary. The images and thoughts that are offered, the levels of skill that are developed, the levels and expectations of visual understanding and thought set in front of the audience (and maker alike) are high. Hopefully just high enough that reaching for them is within the grasp of everyone. The end result is if those challenges are actually reached for and grasped by those that they are put in front of.

Y is for Youth – The kids are the future and we, the mature artists, are there for them. The youth of our community is challenged by what it is to make art, to appreciate art, and to learn from art. Why we, as artists, are all here is to help them know about the importance of the arts in their developmental opportunities toward acquiring the knowledge, skills and experiences to become successful and responsible adults.

Z is for Zackenstil – While this zig-zag style of art (created in the 13th-century) was used in sculpture, painting, stained glass and manuscript illumination (and is reputedly an offshoot of the angularly-draped clothing one sees on human figures in Byzantine art) helps to demonstrate the wide variety of approaches to making art. The arts elevate the ideas of learning and through the academics as well as lifelong learning of our community and world. The arts brings the rest of out existence to a new and higher level.

April 1, 2013 – Monday – April Fools Day…

I am on Spring Break – I hope you enjoy the next week or so without me.

Don’t forget to set some Spring Time Goals of your own… or just take it easy for a bit (there is a goal in itself).

Art Foundations… here is the link to the cityscape in the event you are drawing at home…

Frank