#Week 7! Holy Moly!

โ€œGo and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.โ€ ~ Neil Gaiman


CLASSES? Still looking to fill some space? There is a need for Advanced Painting Artists, Advanced Sculpture, and AP Art History! SIGN UP NOW! TELL YOUR FRIENDS! TELL YOUR ENEMIES – Let’s get these classes FILLED. If you DON’T DO IT NOW, you can’t do it later!


Art Foundations: Still Life of SHOES!


Dennis Mogelgaard http://www.artnet.com/WebServices/images/ll01006lld8noGFgFaECfDrCWvaHBOcKy8C/dennis-mogelgaard-white-bowl-with-apple-and-books.jpg
  • G: 2.1P: Engage in making a work of art or design without having a preconceived plan.
  • A: WE NEED SHOES for WEDNESDAY! Bring them in ASAP PLEASE! What technique have you learned when it comes to draw something in 3 dimensions? What are different techniques you know?
  • G: What is ONE thing you are CERTAIN you did successfully with your drawing today? What is ONE THING you are CERTAIN you need to focus on in order to create a more realistic / successfully accurate observation drawith tomorrow

Intro to Painting: Acrylic Paintings PREP and Planning

Jude Rae https://artwithkorb.com/wp-content/uploads/2018/10/jude-rae-painting-3.jpg?w=525
  • G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • A: Acrylic Painting Techniques. Now we begin with acrylic paintings. What objects have you brought in today for the still life. We are going to prep our canvas with a light coat of color to start with and then we will be working in the sketchbooks to create thumbnails for the final composition (we may do a few as we are going to study a number of techniques). Jude Rae is the artist we are going to explore for a while here. Letโ€™s take a look at her works.
  • G: What are your thoughts about the works you have sketched out today?

Advanced Painting: CRITIQUE! FOOD!

How will we CRITIQUE?
  • G: 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • A: What do you feel about talking aloud when it comes to otherโ€™s works? What are your thoughts about why you may be apprehensive or confident when discussing other individualโ€™s work?
  • G: What were 3 things that you took away from todayโ€™s critique?

Intro to Digital Art: Logo and InDesign

Letterhead, etc…
https://i.ytimg.com/vi/W4UE4b98I2I/maxresdefault.jpg
  • G: 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • A: What do you need to do in order to make this logo design work in 3 ways? Letters Only, Words Only, an the COMBINATION MARK (and also the SYMBOL / ICON – 4 ways I guess. What will you do to be ready to combine it with a partner in the process?
  • G: What are you HAPPIEST with regarding your designs? What is it about them that you see as working SPECIFICALLY with the PAUL RAND ideas from last time?

Advanced Digital Art: Photography and Series.

Let’s watch the first video together and then you can watch more on your own.
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What challenges are you having in developing AUTHENTIC photographs? Are you able to develop a SERIES of works that are OBVIOUSLY part of a single theme, single train of thought? Share your slideshow with your neighbor and have a conversation about all the images. Strongest? WHY? Least Strong? WHY?
  • G: What new tools, ideas, themes have you developed with your images? We are going to work out 5 VERY strong images from the 20 that you have pulled together.
Edward Weston:
https://www.fenimoreartmuseum.org/wp-content/uploads/2018/02/weston_slider.jpg

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