#Final #Friday of #FirstSemester in #Art

important-write-down-your-goals

Goals and Goal Setting: http://media3.popsugar-assets.com/files/2014/08/18/746/n/1922441/79c345334b05824e_Screen_Shot_2014-08-18_at_9.53.39_AMLXsU2E.xxxlarge/i/Important-Write-Down-Your-Goals.jpg


Studio Art 360: Wrap it up – Be Ready for the EXAM

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

Final thoughts on the metal bas-relief work you have created. Work through the lower portion of the self-evaluation and then the front of the rubric.

image134
Wrap up your Bas-Relief Copper Plate: http://www.mi.sanu.ac.rs/vismath/bridges2005/krawczyk/Image134.jpg

When it comes to the exam – what is one question that you have that I can answer for you right now? 


Painting: Portraits and OILS

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

Yesterday you were asked to begin thinking about the work in front of you… What DO YOU SEE IN YOUR PAINTING? That’s it.. WHAT DO YOU SEE? Take your time… look at everything you see in the work and write down all that you see. I hope that your reflection here will help you understand / resolve this work. We have to CLEAN on Monday.

paint_face_05
FINISH your Painting: http://media.galaxant.com/000/022/823/paint_face_05.jpg

3 things you enjoyed about painting in oils – 13 words for each statement.


Drawing: Drawings ready for Printing

10.1Ac: Utilize inquiry methods of observation, research, and experimentation to explore unfamiliar subjects through art-making.

Ready to print? Any last touch ups on your plate? Let’s get to it! FOCUS!

38bbf88cb50b1a11daf0cab1fc767ebf
Robert Rauschenberg and the Printing Press: http://www.paulkasmineditions.com/__data/38bbf88cb50b1a11daf0cab1fc767ebf.jpg

What are the surprises you found in your work today? What was unexpected as we made multiple images? Dry this weekend – Edition on Monday – Clean! 


AP: Art and Fear NEW UPDATES! Woo Hoo!

2.3Ad: Demonstrate in works of art or design how visual and material culture defines, shapes, enhances, inhibits, and/or empowers people’s lives.

Last day of the week to work in class to work on this breadth piece. How has it felt to be NOT working on your CONCENTRATION works this week? Give yourself a few sentences to reflect.

art-and-fear-page-61
Art and Fear: http://joel.franusic.com/assets/img/art-and-fear-page-61.jpg

Two things – Write up a one paragraph statement about your art and fear work for the website – we will put this into a space on the AP Studio Art Website as well as the Art and Fear Website. ALSO How is your webpage coming along? Remember that it can all be changed later – but you need to have something started – and some of you are REALLY falling behind in your responsibilities as AP Studio Artists. You need to make art and advance yourself as artists. Work hard. 

NEW AND EXCITING NEWS! Available on this website (look to the right under ARTICLES, BOOKS, AND VIDEO LINKS for Art and Fear – Audio as well as the individual chapter websites from www.KorbArtAndFear.WordPress.com and HERE is the link too.

 

This is the LAST WEEK of the Semester… How have you done?

 

The importance of goals (and I feel reflection)

important-write-down-your-goals
Goals and Goal Setting: http://media3.popsugar-assets.com/files/2014/08/18/746/n/1922441/79c345334b05824e_Screen_Shot_2014-08-18_at_9.53.39_AMLXsU2E.xxxlarge/i/Important-Write-Down-Your-Goals.jpg

Studio Art 360: Balance and Pattern – All sorts of types

 

G: 2.1P: Engage in making a work of art or design without having a preconceived plan.

What kind of balance do you find you prefer? Symmetry? Approximate Symmetry? Radial? Asymmetry?

cc3efb2250531ac2648122d83c86c4ff
Copper Bas-Relief Plate https://s-media-cache-ak0.pinimg.com/236x/cc/3e/fb/cc3efb2250531ac2648122d83c86c4ff.jpg

What type of balance have you chosen to use? What are three reasons you chose this direction to go with?


Painting: Portraits and OILS

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

You were asked to begin thinking about the work in front of you… What DO YOU SEE IN YOUR PAINTING? That’s it.. WHAT DO YOU SEE? Take your time… look at everything you see in the work and write down all that you see.

painting_critique
Let’s Chat for a moment… http://www.saic.edu/media/saic/gfx/academics/undergraduatedegrees/undergraduateexperience/painting_critique.jpg

Time to work today began with DESCRIPTION – was there anything NEW that you saw when you began writing and working today? We do not have a lot of time to work this week but… lots of time use that knowledge in your life.


Drawing: Contour and Printing

G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What struggles do you personally find in the making of a continuous line contour drawing? Two things you are challenged by – full sentences.

e83af84f67c970756dcd50b8aea8084c
What’s your face looking like today? https://s-media-cache-ak0.pinimg.com/736x/e8/3a/f8/e83af84f67c970756dcd50b8aea8084c.jpg

Work on own – focused and directed. G: Write out all that you have accomplished today. Tomorrow – Printing Plates and Watercolor Crayons.

 


AP: Art and Fear

G: 1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

Art and Fear had a lot to offer. Open the book and look through the chapters… What chapter do you feel you MIGHT relate to you the most  Based SOLELY on the title of the chapter (may not be fair)  –  and WHY?

art-and-fear-page-29
Art and Fear http://joel.franusic.com/assets/img/art-and-fear-page-29.jpg

What chapter did you decide to use for this next piece? What is ONE of the aspects of the theme you feel you will be working through?

 

 

#Oils and #Contours and #Pattern… What could be more fun in the #ArtStudio?

“If I persist, if I continue to try, if I continue to charge forward, I will succeed.” — Og Mandino

“And even if you don’t succeed… there is NOTHING wrong with failure (just get back and try again – and again – and again…).” – Frank Korb 


Studio Art 360: Balance and Pattern – All sorts of types

G: 2.1P: Engage in making a work of art or design without having a preconceived plan.

What is a balance? What is a pattern? What patterns and balance are you drawn to?

1520two20birds
MC Escher Sketch of Two Birds http://www.mcescher.com/Shopmain/ShopEU/facsilimeprints/data/1000/15%20Two%20Birds.jpg

M.C. Escher’s Website and Works

What challenges did you have in the ideas of drawing out a pattern – repeat the simple image over and over and over?

 


Painting: Portraits and OILS

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

You were asked to begin thinking about the work in front of you… What DO YOU SEE IN YOUR PAINTING? That’s it.. WHAT DO YOU SEE? Take your time… look at everything you see in the work and write down all that you see.

painting_critique
Let’s Chat for a moment… http://www.saic.edu/media/saic/gfx/academics/undergraduatedegrees/undergraduateexperience/painting_critique.jpg

Time to work today began with DESCRIPTION – was there anything NEW that you saw when you began writing and working today? We do not have a lot of time to work this week but… lots of time use that knowledge in your life.

 


Drawing: Contour and Faces

G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What struggles do you have when it comes to drawing the face to begin with? What struggles do you think you might have when drawing them without being able to lift your pencil?

be328200d1f131f9fb9471e6c8ca582b
Contour Line Drawing FACES: https://s-media-cache-ak0.pinimg.com/736x/be/32/82/be328200d1f131f9fb9471e6c8ca582b.jpg

In the end, what was the biggest challenge / success you had today in the studio?


AP: Let’s Talk Concentration

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

How does FEAR get in your way TODAY as you begin to or continue to create art?

b2526oquotewomat-402525

How have you learned to work beyond fears to create work this year? Do you find that you still have fears about the work you are creating?

 

#Thursday in the #ArtStudio – FUN!

#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror. Kit White 101 Things to Learn in Art School

Bell Schedule for Thurs. 12/8

1 hour          7:25 – 8:02
2 hour          8:07 –  8:46
3 hour          8:51 – 9:28
4 hour          9:33 – 10:10
Assembly    10:15- 11:10
5A lunch      11:10- 11:40
5B lunch      11:40 – 12:10
5C lunch      12:10 – 12:40
6 hour          12:45 – 1:22
7 hour          1:27 –   2:04
8 hour          2:09 –   2:46

STUDIO ART 360: PORTRAITS and HERE WE GO!

PORTRAITS are HERE!

What do you think the PROCESS is going to be in how we DUPLICATE the image over to the canvas? What colors are you considering for the portrait?

chuck-close-working-self-portrait
Grid with Chuck Close – How are we doing it? Yep! http://www.artyfactory.com/art_appreciation/portraits/chuck_close/chuck-close-working-self-portrait.jpg

What part of the process of tracing and transferring the image up to the canvas did you struggle with? Name 2 things that were challenging.

alex_katz_self-portrait_with_sunglasses__0
Alex Katx: http://images.tate.org.uk/sites/default/files/images/alex_katz_self-portrait_with_sunglasses__0.jpg

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Making Plans? Got your Photo?

ASSIGNMENT Here – RESEARCH today!

Which direction have you decided to go in regarding the use of colors while using oil paints? What kind of mood / feeling do you hope to incorporate into the idea of your painting?

4419634_orig
Details in Oil and Collage: http://www.mauradibartolo.com/uploads/2/6/1/2/26123522/4419634_orig.jpg

Have you  decided HOW you are going to break apart the space that you are building in the painting? Are you emphasizing the new SHAPES or are you developing the LINES that you have in the portrait?

eowyn_lores
Jill Millward – I’m buying a work of hers! Woo Hoo! https://jillmillwardartworkdotcom.files.wordpress.com/2016/03/eowyn_lores.jpg?w=924

DRAWING: Fauvists and YOU!

Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro and color to better define the ideas of form (in the face especially)?

498px-henri_matisse_self-portrait_in_a_striped_t-shirt_1906
Matisse – Fauvism! http://www.craftsy.com/blog/wp-content/uploads/2013/10/498px-Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_1906.jpg

What was the most challenging part for you to draw that you LEARNED the most from? Why was this most difficult way to go and how do you see the LEARNING? What is most important about drawing when it comes to observation?


AP STUDIO ART: Figure Drawing

How did you struggle with the drawing from yesterday? What do you see as TWO benefits from learning how to GESTURE DRAW?

sheet-with-numerous-figure-sketches
Van Gogh: http://www.vangoghgallery.com/catalog/image/1649r/Sheet-with-Numerous-Figure-Sketches.jpg

What strengths did you develop in your drawing today? What three things do you look at with your drawing and say – “Hey… that’s not so bad!” 

REMEMBER -ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

#MidWeek #Wednesday already? Sheesh…

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

PORTRAITS on the HORIZON!

04162012_edu_andy-warhol-self-portrait-1964_large
Andy Warhol: http://www.warhol.org/uploadedImages/Warhol_Site/Warhol/Content/Education/Resources_and_Lessons/Aesthetics_Unit/Images/04162012_EDU_Andy-Warhol-Self-Portrait-1964_large.jpg

What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?

brillo-box-foam-ottomans-by-fab-com-and-the-andy-warhol-foundation-photo-by-nick-hughes-for-yellowtrace-02
Moving into the world of POP art! http://assets.yellowtrace.com.au/wp-content/uploads/2013/05/Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg

What 3 challenges do you see in the process of mixing colors? 

BTW…

frank,
the results r great !! i am actually very impressed that you went beyond –
to make a drawings of the crumble pieces. it is a perfect move –
to show kids the possibilities and open the wide range of vision.
just perfect move!) and next one – as you said seems perfect too –
to the large scale paintings from it. plus it does bring the idea of pop –
using common objects reminding of course of warhol as well as rosenquist paintings
v
ps. next time in WI – coffee would be great)
Check out the photos from your Sketchbook last week! HERE

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon… Let’s build a canvas!

What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build.

What can YOU draw well when it comes to the portrait? Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg
What can YOU draw well when it comes to the portrait? Katherine Fox: “Face 3: Self-Portrait” Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg

Practicing the FACIAL FEATURES is a lot of work. Looking at the few facial features / shapes / forms you have drawn today… what is the #1 Challenge (and WHY) you faced – no pun intended.

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be woth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: Nose Goes!

2cf87334d706db96f7c97cadc5616f3d
Easy to draw if this is you! https://s-media-cache-ak0.pinimg.com/736x/2c/f8/73/2cf87334d706db96f7c97cadc5616f3d.jpg

How is the NOSE such a different facial feature to draw than say the MOUTH or the EYES? Please explain your ideas here.

article-2316509-198a16f8000005dc-186_468x286
Alright – time to pick up the task of the nose. http://i.dailymail.co.uk/i/pix/2013/04/29/article-2316509-198A16F8000005DC-186_468x286.jpg

What mistakes did YOU make – how bad were they when it came to eyes? Nose: 


AP STUDIO ART: Website and Uploads!

How are you doing on the webpage? What challenges are you facing?.

https://i2.wp.com/doejo.com/wp-content/uploads/old/man_at_old_computer.png
http://doejo.com/wp-content/uploads/old/man_at_old_computer.png

With ALL that is going on these past two weeks – and little input from me… what have you accomplished VISUALLY and / or TECHNOLOGICALLY?

THURSDAY! TYPE up a 200 word MAXIMUM page to introduce yourself and describe the work you have created – how can you help the author understand the image / artwork you created in response to their story? In case you need to RELISTEN… https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#Friday in the #ArtStudio. #FourClassesOfArt!

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Painting and Advanced Painting: PAINTS are HERE!

TEXTURE – Brush Stroke _ How are you USING the PAINTS? http://www.allartclassic.com/img/works/vincent_van_gogh_field_001N_Bs.jpg

Goals: 

  • 10.1Ac: Utilize inquiry methods of observation, research, and experimentation to explore unfamiliar subjects through art-making.
  • What differences, likes, preferences do you now FEEL / HAVE about ACRYLIC Paints and OIL Paints or WATERCOLOR Paints?

Reflection / Evaluation:  What are your thoughts about the painting as you have had a few / couple of days working on your portrait? Explain your thoughts to your classmate before you pack up today

Studio Art 360: Color Schemes – WORK TIME – YEAH!

Pablo Picasso’s Rose Period. What is the COLOR SCHEME? Why? http://www.dailyartfixx.com/wp-content/uploads/2010/10/Acr%C3%B3bata-y-joven-arlequ%C3%ADn-Pablo-Picasso-Rose-Period-1905.jpg

Goals

  • 3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.
  • Why is it important for an artist to choose colors CAREFULLY as they are developing a composition / artwork? What might the RIGHT colors do in an image versus the “wrong” colors?

Reflection / Evaluation:  Review with neighbors the two NEW color relationships we talked aobut today. When you look in your closet… what COLORS do you think you have the most of hanging? Why do you think that you have more of that color than others?

AP Studio Art: MOVING ON – Concentration!

Sterling Ruby – This is MEANINGFUL, THOUGHTFUL, Researched and DEVELOPED – Just like your concentrations need to be! http://www.gagosian.com/__data/fc73d1e3d60d2db64586a0008a3d7359.jpg

Goals:

  • 2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.
  • What is the biggest (or two) Element / Principle you are using in your work this week? Explain in SPECIFICS – Use your individual pieces to explain.

Reflection / Evaluation:  3 things that were successful today in your three NEW works?

Drawing: RAISE THE ROOF, it’s Hip-Hop time.

John Feckner – AKA – Space Invader – KIMMY – This is the Artist I was TALKING about! Your BATMAN LOGO – TOTALLY works here! http://hyperallergic.com/wp-content/uploads/2010/04/space-invader-old-new.jpg

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • After ONE SOLID + WEEK of pastels, what is your STRONGEST aspect of the composition? Describe WHY you feel it is working so well.

Reflection / Evaluation: How do you feel about the work you accomplished today? What has changed in how you are looking at using Soft Pastels?

#YouCanDoAnything – well… not #Anything, but…

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Painting and Advanced Painting: Oil Paint Portraits!

https://s-media-cache-ak0.pinimg.com/736x/1b/97/7e/1b977e8749a65eb0c04888449a488f2d.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • Having had a day or more to begin painting in oils, what are you enjoying about it? If you HAVE NOT STARTED PAINTING… what are you going to be STARTING with TODAY?

Reflection / Evaluation: What were you most anxious about as we begin to think about and use oil paints?

Studio Art 360: COLOR SCHEMES

PRISM – Light Verus Pigment! http://www.photo-dictionary.com/photofiles/list/699/1110prism.jpg

Goals

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • Where do you see color? How does the color on TV get blended together? How does color in a magazine get blended together?

Reflection / Evaluation:  What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…

AP Studio Art: TALKING ART!

Cameron? What do YOU see in the work?  http://www.adrianartblog.com/uploads/2/1/7/6/21769396/2807198.jpg?389

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How have YOU begun to understand the importance of reflection?

Reflection / Evaluation:  What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.

Drawing: Hip-Hop and Fauvism… the Hip-Hop its time.

Graffiti Artist KLASS in front of his work at the Longwood Art Gallery https://bronxbohemian.files.wordpress.com/2009/02/img_1897.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • Now that you have your artwork out in front of you… What is a STRENGTH in the visual image that you can build off of?

Reflection / Evaluation: What are THREE things you have done to move the artwork forward – NEW for you in the making of art?

#Happy #Friday in the #ArtStudio – #Painting #Portraits #ColorSchemes Anyone?

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.” — Zig Ziglar

Painting and Advanced Painting: Oil Paints – Ready, Set, GO!

Talk about REAL and OILS: http://i01.i.aliimg.com/wsphoto/v0/32324421311_1/HOT-PRINT-OIL-PAINTING-40-30-THE-EYE-WITH-DROP-OF-WATER-WALL-ART-HOME-DECORAGIFT.jpg

Goals: 

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What challenges do you see in the use of OIL paint versus Acrylic paint? What advantages do you see in the use of oil over acrylic?
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: What ideas do you see coming out from others works as you took the 4 minutes to walk around today and see what others are doing? How can you see working with OTHERS in a COMMUNITY as being beneficial to the development of your art?

Studio Art 360: COLOR 

Ah – THIS is the COLOR WHEEL! http://www.jaimetreadwell.com/colorwheel.JPG

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is the difference between PRIMARY COLORS and SECONDARY COLORS? Share this with your neighbor.

Reflection / Evaluation: Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors. 

AP Studio Art: Tune in! Tune Out!

What is your work SAYING? http://www.agora-gallery.com/advice/wp-content/uploads/2015/05/Artist-Statement-Audience-1024×617.jpg

Goals:

  • 6.1Ad: Curate a collection of objects, artifacts, or artwork to impact the viewer’s understanding of social, cultural, and/or political experiences.
  • Put all your works up in front of class and then step back… in your folder – write out ONE THING that you see as making the works seem to relate to one another or DOESN’T seem to help them relate. This is a curious observation considering we are all working on the same ideas of the music BUT have a very different idea in the composition.

Reflection / Evaluation: PLEASE Read over ALL THE WRITINGS / Journaling, Statements that you have compiled this week about these works… what is the STRENGTH / THEME / IDEA that stands out in YOUR ARTWORK that will help it engage a viewer’s attention? THIS WEEKEND – ASSIGNMENT – One 12 sentence Paragraph the clearly explains your ideas about your artwork and the music it is tied to. MONDAY – Google Drive / SHARE with me. 

Drawing: Google Slideshow

Goals:

  • 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • Who is the Graffiti Artist that you have chosen to work from and WHY are you inspired by their work?

Reflection / Evaluation: What was the most challenging part of the work today? Why was this most difficult? What is most important about observation when it comes to drawing?

#PortraitsThursday – Not a real thing but it is now!

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.” — Zig Ziglar

 Painting and Advanced Painting: Oil Paints – Ready, Set, GO!

Eye Eye Captian! What technique do you see here? https://korbartwuhs.files.wordpress.com/2014/12/143da-maitha_eye.jpg

Goals: 

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Which direction have you decided to go in regarding the use of colors while using oil paints? What kind of mood / feeling do you hope to incorporate into the idea of your painting?
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: Have you  decided HOW you are going to break apart the space that you are building in the painting? Are you emphasizing the new SHAPES or are you developing the LINES that you have in the portrait?

Studio Art 360: COLOR (Critique First)

What is WRONG with this color wheel? https://korbartwuhs.files.wordpress.com/2011/04/color_wheel_pencils.jpg http://www.photo-dictionary.com/photofiles/list/699/1110prism.jpg

Goals

  • 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • Where do you see color? How does the color on TV get blended together? How does color in a magazine get blended together? Optical color?

Reflection / Evaluation: What are the three types of colors on the color wheel? What can you NOT mix? How do you mix Orange, etc…

AP Studio Art: Tune in! Tune Out!

http://image.slidesharecdn.com/artiststatementagain-140320215710-phpapp02/95/artist-statement-again-9-638.jpg?cb=1395354152

Goals:

  • 6.1Ad: Curate a collection of objects, artifacts, or artwork to impact the viewer’s understanding of social, cultural, and/or political experiences.
  • Looking at the ARTWORK, the MUSIC and your STATEMENT so far… how do you feel the idea of incorporating the VISUAL ART into the MUSICAL EXPERIENCE can / might / should / hopefully will add to the cultural experience?
    • MUSIC SIGN UP SHEET HERE! Thanks Julia.

Reflection / Evaluation: 3 successes in today’s work that help you explain / create a successful VISUAL experience that ties into the musical one.

Drawing: Google Slideshow

Goals:

  • 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • Take a look at your beginning drawing – WHAT is WORKING? What is something (2 things) that are POSITIVE about the process you are using?

Reflection / Evaluation: What was the most challenging or LEAST successful today? Why was this most difficult way to go? What is most important about drawing when it comes to observation?

#NewLook in the #Arts – Hope you had a great #Vacation

NOTICE the NEW LOOK – Let’s take 2 minutes to work through the changes…

“When you do nothing, you feel overwhelmed and powerless. But when you get involved, you feel the sense of hope and accomplishment that comes from knowing you are working to make things better.” — Zig Ziglar

MAM Box

TAKE A LOOK at the Shepherd Express about the NEW MAM!

Painting and Advanced Painting: Portraits and Oil Paints

Alice Neel Portrait. http://www.lalouver.com/html/gallery-history-images/small/Alice-Neel-painting-PEGGY-ca-1949-oil-on-canvas.jpg

Goals: 

  • G: 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What differences do you know about ACRYLIC Paints and OIL Paints? Today we are DEMONSTRATING the differences. We NEED to be AWARE of STORING THEM in the YELLOW RACK – Safer in there than on the TOPS OF THE LOCKERS.
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: What differences do you NOW KNOW about acrylic paint and oil paint?

Studio Art 360: Bas – Relief Sculpture

Contemporary Bas-Relief Sculpture http://www.bnyee.com/Black%20Bas-relief%20Faces.jpg

Goals

  • G: 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • STOP and LOOK at the work you have been away from for four days – What do you like about working in three dimensions that is DIFFERENT than working in two dimensions?
    • REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.

Reflection / Evaluation: What are you seeing in the works of others that you find successful? What are you doing that OTHERS could learn from? PAUSE 7 minutes before the end of class. GIVE COMMENTS in one another’s RUBRIC – PAPER COPY.

AP Studio Art: MUSIC MUSIC MUSIC

Play your music Mr. Piano Man: http://www.worldupsidedown.org/wp-content/uploads/edd/2014/03/Stocksy_txp22cd4d66Xi3000_Medium_77702.jpg

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • When you think about the music that you have chosen (and it was to be chosen by today) what images, ideas, colors, shapes… elements or principles come to mind? List 3 different but possibly related ideas.
    • MUSIC SIGN UP SHEET HERE! Thanks Julia.

Reflection / Evaluation: Have a 4 minute discussion with your classmates at your table and describe your work. Write down one thing from each of your classmates that help explain their work.

Drawing: Google Slideshow

Green Stripe – Let’s get to our OWN green Stripes – http://www.artionado.com/Matisse/Images/Matisse/Matisse-Green-stripe.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Take a look at your previous week’s IDEA works – where did you struggle? How do you use the ideas of chiaroscuro to better define the ideas of form?

Reflection / Evaluation: What was the most challenging part of coming up with an idea for this PORTRAIT? How are you tying the ideas in together to come up with a strong COMPOSITION?