#SpringBreak is almost here! Make #Art and then we’re OFF!

Andy Warhol, Self-Portrait, 1966, 9 Canvases, Museum of Modern Art: https://www.moma.org/media/W1siZiIsIjM0MjYyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEzNjZ4MTM2Nlx1MDAzZSJdXQ.jpg?sha=a2109c3bf865cd29
Albert Einstein: https://s-media-cache-ak0.pinimg.com/originals/3f/17/61/3f176185b7269a1576868f47e85bac7c.jpg
Albert Einstein: https://s-media-cache-ak0.pinimg.com/originals/3f/17/61/3f176185b7269a1576868f47e85bac7c.jpg


Drawing: Critique Day and then ONLINE over break!

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

Think about what you wrote regarding your studio mates work and use that pre-writing to make yourself engaged and prepared for the conversation today.

Wassily Kandinsky: Colorful Life - Even Kandinsky Painted what he REALLY saw when he was learning: http://paintingdb.com/art/xl/7/6957.jpg
Wassily Kandinsky: Colorful Life – Even Kandinsky Painted what he REALLY saw when he was learning: http://paintingdb.com/art/xl/7/6957.jpg

You are responsible for building your page on the Google Slides page (available through the http://www.ArtWithKorb.com website. Write about the SHAPES, COLORS, EMOTIONS, COMPOSITION, and how that all relates to the SONG and WASSILY KANDINSKY’s ideas and color theory. DUE when you get back. This should take you a half-hour – maybe an hour over break.


Studio Art 360: Grids and Canvas

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What do you think the PROCESS is going to be in how we DUPLICATE the image over to the canvas?

Andy Warhol, Self-Portrait, 1966, 9 Canvases, Museum of Modern Art: https://www.moma.org/media/W1siZiIsIjM0MjYyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEzNjZ4MTM2Nlx1MDAzZSJdXQ.jpg?sha=a2109c3bf865cd29
Andy Warhol, Self-Portrait, 1966, 9 Canvases, Museum of Modern Art: https://www.moma.org/media/W1siZiIsIjM0MjYyMiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEzNjZ4MTM2Nlx1MDAzZSJdXQ.jpg?sha=a2109c3bf865cd29

What part of the process of tracing and transferring the image up to the canvas did you struggle with? Name 2 things that were challenging.

MoMA and Andy Warhol: https://www.moma.org/visit/calendar/exhibitions/1572#related_events


Advanced Drawing: Skeleton – Final Drawing: Handout for Contest!

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Last day of the drawing process – 4 days of FAST drawing.

ENTIRE composition - What do you need to do to BE DONE! We are entering this into a competition folks! https://s-media-cache-ak0.pinimg.com/736x/f8/bc/4b/f8bc4b7b80742cdb2913bfb605e3f5f8.jpg
ENTIRE composition – What do you need to do to BE DONE! We are entering this into a competition folks! https://s-media-cache-ak0.pinimg.com/736x/f8/bc/4b/f8bc4b7b80742cdb2913bfb605e3f5f8.jpg

How does your drawing look in your own eyes? Three things you are enjoying about the final drawing that you worked on this week.


AP Studio Art: Getting the Portfolio Together

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are you planning on doing TODAY to set yourself up for a productive BREAK? What is your body of work centered on? Drawing? 2D Design? How did you see this in your first three artworks? How did you see it in the LAST 3 artworks?

Vincent Van Gogh and his self-portrait: http://www.clevelandseniors.com/images/funny/art-thief/van-gogh-painting.jpg
Vincent Van Gogh and his self-portrait: http://www.clevelandseniors.com/images/funny/art-thief/van-gogh-painting.jpg

What did you accomplish today? What do you need to do tomorrow?  EXIT TICKET – Sticky Note – What is the Central Idea behind your concentration of work. 3 more  hours of AP Studio Art this week in class – are you putting in time outside of class? REALLY WORKING? No? You need to be. Self-Reflection

How can it be #Thursday in the #Art #Studio already?

“Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will.” – Martin Luther King, Jr. 

AP Studio Art – Art and Fear – Make your ART!

Goals:

  • G: 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • Look through your chapter in the the book again – is there anything else in the chapter that is standing out to you? Is there a way you can work a second or third idea into the current work – cover more topics?

REVIEW The ideas with your classmates that you are working on. How do you see the ideas growing from your initial ideas?

Advanced Drawing: Let’s pin up our Abstraction and Pastels and talk!

Günter Fruhtrunk and his artwork – Color Scheme?

Goals:

  • G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What are the challenges you have had with the pastels and charcoal so far? What skills have you learned? What skills are you needing to continue developing?

REFLECT on the STRENGTHS of your use of your Color scheme and how you are using it successfully throughout. What are your plans as you move forward?

Drawing: Still Life -Time to draw the FINAL WORK! 

I gotta say – LOVE his stuff! http://static.guim.co.uk/sys-images/Observer/Pix/pictures/2013/1/10/1357823154138/morandi-still-life-five-o-023.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • What did you accomplished yesterday? What are the differences in drawing materials – in your own words?  N: Hands on use of a variety of materials. A: Boxes and Sphere drawings OBSERVATION.

How does it feel to get that BLANK sheet of paper and then get instructed to get to work? What FEARS did you face as you got started?

Studio Art 360: Construction Time!

Love and Hope exhibition – see how the same object can be used MANY times in the arts? https://rosenbaumcontemporary.com/imgs/exhibitions/Robert-Indiana-Exhibit-2.jpg

Goals:

  • 2.1P: Engage in making a work of art or design without having a preconceived plan.
  • What are your plans to get at least ONE of the forms constructed today? Are you going to get all the cardboard cut first or are you going to work on one, finish it, and then move onto another? What’s your plan of attack? Allow yourself to EXPERIMENT!

What parts of CONSTRUCTING your sculpture are you having success with right now? What areas are you struggling with? Use the ART TERMS you know.

#LateStart on #WaffleWednesday – #Work is #FASTandFURIOUS today

WHSoc20 Blog

Click on the image above to follow a STRONG conversation with Teachers, Administrators, and Students about the direction, concerns, solutions, challenges that face everyone in the world of education! Join us on Wednesday nights on Twitter at 8:00CST using the hashtag – #WHSoc20

~~~

“Goals are the fuel in the furnace of achievement.” Brian Tracy

http://sd.keepcalm-o-matic.co.uk/i/keep-calm-and-eat-that-frog-3.png

~~~

Studio Art 360 – Paper Mache – Finish your FORMS in cardboard!

From TUBES and CUBES to buildings and overhangs! http://www.likecool.com/Gear/Projects/Abu%20Dhabi%20Art%20Pavilion%20made%20from%20cardboard%20tubes/Abu-Dhabi-Art-Pavilion-made-from-cardboard-tubes.jpg

Goals:

  • 9.1P: Establish relevant criteria in order to evaluate a work of art or collection of works.
  • What are TWO IDEAS of PERSONAL criteria that you might set up for yourself as you work on an artwork?

Based on your initial thoughts about personal criteria, are you matching, exceeding, or just barely hitting the standards you would set up for yourself? WHY?

AP Studio Art: 1 week Magazine Article Assignment, Plants and Flowers – BEGIN ON THE LARGER WORK!

I LOVE this plant… Here is MINE below…

Expression Plant

Goals:

  • 10.1Ad: Synthesize knowledge of social, cultural, historical, and personal life with art-making approaches to create meaningful works of art or design.
  • Not knowing what your thoughts are about plants / flowers, know that they have been and will be a large and important image in art. Working to make sure you have a REAL connection with the images you make, what are your personal connections to the art or the making of the art?

What materials have you used today? What were the focal points of the drawings for the day. What are you enjoying / hating about the ideas of drawing based on observation?

Jim Dine – Plants and Trees: http://1.bp.blogspot.com/- AND THEN: Bring up an image from the Alan Cristea Gallery: http://www.alancristea.com/collection-41-109-Plants-Andamp%3B-Trees

 

Painting: Collage and Painting Critique!

TECHNIQUES and YOU! Come up with a VARIETY of TECHNIQUES to strengthen ALL of your painting skills – good day or bad day. https://korbartwuhs.files.wordpress.com/2014/09/ed539-demo000.jpg

Goals:

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • What do you feel about talking aloud when it comes to other’s works? What are your thoughts about why you may be apprehensive or confident when discussing other individual’s work?

What were 3 things that you took away from today’s critique? How will you apply that information as you move forward?

REMEMBER! Create a ONE PAGE PAPER (double spaced, 11 or 12 point Times New Roman, Palatino – Serif-ed type font) that discusses the artists and their works. Use ideas about the work as to what drew you to the work, what styles did you like, what techniques do you appreciate? A small history of the artist and personal reflection. How will you use similar ideas in your work as they did in theirs? Here are the artists to research: Winslow Homer, Charles Demuth, Thomas Eakins, Edward Hopper, Dong Kingman, Reginald Marsh, Charles Sheeler, J.M.W. Turner, Thomas Moran, Georgia O’Keefe, James Whistler, or Andrew Wyeth. PAPER IS DUE ON Friday, September 19, 2014.

What did you have for #Breakfast? #Frog?

WHSoc20 Blog

Click on the image above to follow a STRONG conversation with Teachers, Administrators, and Students about the direction, concerns, solutions, challenges that face everyone in the world of education! Join us on Wednesday nights on Twitter at 8:00CST using the hashtag – #WHSoc20

~~~

“Goals are the fuel in the furnace of achievement.” Brian Tracy

http://sd.keepcalm-o-matic.co.uk/i/keep-calm-and-eat-that-frog-3.png

~~~

Studio Art 360 – Paper Mache – Finish your FORMS in cardboard!

What’s your cube look like?

Goals:

  • 1.1P: Use multiple approaches to begin creative endeavors.
  • As you look BACK on the projects, what might you have done differently on the project – if you could go back and try some of these letters / forms again?

Knowing that this was a new approach to making art – sculpture – what has been the most difficult part of the project?

AP Studio Art: 1 week Magazine Article Assignment, CRITIQUE TODAY – Hang works in the HALLWAY Cork Strip!

There are 4 parts to a written critique. What are they? Now we advance in the process as AP Studio Artists and REALLY get into the critique.

Goals:

  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • What are the Four parts to a Written Critique. Critiquing the learning of a skill – We will be creating a Departmentally Designed Rubric for your critiques – Not yet though. 

What did you take away from the critique today? Write down what you have taken from the crit. ON YOUR PRINTED SELF-CRIT.

Painting: Collage, Critique, Sketch, Research… Sounds like last Friday!

What techniques are you using in your painting?

Goals:

  • 6.1Ac: Make, explain, and justify connections between artists or artwork and social, cultural, and political history.
  • Looking at the work you have in front you, what are the aspects that you feel TRULY speak about you – socially, culturally, or historically.

What was the most challenging part of the first bit of the painting?

REMEMBER! Create a ONE PAGE PAPER (double spaced, 11 or 12 point Times New Roman, Palatino – Serif-ed type font) that discusses the artists and their works. Use ideas about the work as to what drew you to the work, what styles did you like, what techniques do you appreciate? A small history of the artist and personal reflection. How will you use similar ideas in your work as they did in theirs? Here are the artists to research: Winslow Homer, Charles Demuth, Thomas Eakins, Edward Hopper, Dong Kingman, Reginald Marsh, Charles Sheeler, J.M.W. Turner, Thomas Moran, Georgia O’Keefe, James Whistler, or Andrew Wyeth. PAPER IS DUE ON Friday, September 19, 2014.