Tuesday and the Color of Art is moving us Forward!

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School


Drawing: Color and the Colored Pencil

1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

How are your compositions beginnings? What are you thinking about as you work the positive and negative space? N: Mark making and process over product. Emphasize the ideas of the mark making and observation.

23659506_10213355019024300_2430715751463750231_n
Fred Bell – Cherries – No Horizon Composition – How do you play with the negative space? https://scontent-ort2-1.xx.fbcdn.net/v/t1.0-9/23659506_10213355019024300_2430715751463750231_n.jpg?oh=4d88642397b3a03d8670a27d511b141f&oe=5AA4622C

As you look at your beginning drawings what are the strengths of the drawings are moving forward? Light Bulb Fred Bell:


Studio Art 360: Color Schemes and the Sketchbook

What STRUGGLES do you have with OBSERVATION? How about VALUE?

Cut out the head, glue it to the sketchbook page, and then give it to a friend. Using the photograph that has been glued down – resolve the rest of the picture with a friend. Let them begin the background and encourage them to DISREGARD to what was in the original background. HAVE FUN with this.

Check out Mica Angela Hendrick’s website – see what her and her daughter can come up with. http://goo.gl/Xiihh1

Oooo Rah Rah Korb

What was the FUN part of this assignment? What was the CHALLENGE you had with it?



AP Studio Art: Concentration #s4, 6, and 6

G: NETS: Use digital media and environments to communicate and work collaboratively

What are your FEARS as you begin to come to the end of the first three works? What are your FEARS about the AP Process? N:Concentration and SELF DIRECTED WORKS!

Website about Robert Arneson’s Work.

Robert Arneson: http://www.artnet.com/artwork_images_484_822284_robert-arneson.jpg
Robert Arneson: http://www.artnet.com/artwork_images_484_822284_robert-arneson.jpg

Ask 2 probing questions about the work of one of your classmates.

#PTConferenes #TOMORROW – #Today we #MAKEART

Twyla Tharp
Twyla Tharp: https://businessinrhyme.files.wordpress.com/2015/12/tharp.jpg

Drawing: Shhhh – Look at the EYES and DRAW THEM

1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.

What is it about the EYES that makes it EASIEST or most DIFFICULT to draw?

hot-print-oil-painting-40-30-the-eye-with-drop-of-water-wall-art-home-decoragift
This is an Oil Painting – What are you interested in when it comes to the contemporary world of Art? http://i01.i.aliimg.com/wsphoto/v0/32324421311_1/HOT-PRINT-OIL-PAINTING-40-30-THE-EYE-WITH-DROP-OF-WATER-WALL-ART-HOME-DECORAGIFT.jpg

What mistakes did YOU make – how bad were they when it came to eyes?


Studio Art 360: VALUE(s) is (are) IMPORTANT

10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.

What challenges have you found in the process of drawing your still life from OBSERVATION?

1f7a9ad080d44d8b1676cf9e6a570ef5
Pile of Shoes: https://i.pinimg.com/originals/1f/7a/9a/1f7a9ad080d44d8b1676cf9e6a570ef5.jpg

Where can you see the idea of OBSERVATION as being a skill that is worthy of you focusing on?


AP Studio Art: Will you be ready for a MID CRIT on Monday? Will Skype?

Field Trip OPEN to you on Wednesday Night from 3 – 8pm

Permission Slips – I have them…

1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.

What has been successful for your outdoor work? What has FAILED you? Where do you need to go from here? N: QUICK Classroom Critique of works. Feedback and Suggestions.

robinia-leaf-swing
Udu Nogu and earth art https://jmmathenyblog.files.wordpress.com/2013/04/robinia-leaf-swing.jpg

With this OUT OF THE BOX (out of the doors) assignment… What struggles are you facing? What are your challenges? What do you need to do to be ready to PRESENT YOUR WORK – Mid Crit – on Monday?

 

#Humpday in the #ArtStudio – #Critiques and #Deadlines are Here

#17 Drawing is About Mark Making “Every mark has a distinct character and quality.Every mark is a signature. Variations in pressure and weight is the visual equivalent of intonation. Marks, or lines, of consistent weight or thickness surrounding a figure or object will flatten the image. Tapering or breaking a line in a curve can connote a highlight or make the curve flow. Also, a tentative line will read as such. Give every mark or line authority and make sure it serves a purpose. Try to use only the marks you need.” 101 Things Learned in Art School, Kit White, 2011, MIT Press


Drawing: Last Day to Work on Book Drawings – CRIT TOMORROW

Develop Craft: Learning to use tools, materials, artistic conventions; and learning to care for tools, materials, and space.

Today you resolve the drawings. What challenges do you still have in front of you?

jonathan_callan
Books AS Art: http://beautifuldecay.com/wp-content/uploads/2013/11/jonathan_callan.jpg

What do you need to do TONIGHT or TODAY to finalize your work?

 


Studio Art 360: Final Day to Work on the Bas Relief Work – New Stuff TOMORROW!

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What colors are working BEST for you with your painting and how can you improve the rest of the idea?

copper_03
What do you need to do to complete this work? http://juliasanderl.com/wp-content/uploads/2014/06/copper_03.jpg

Let’s take a QUICK critique… Rubrics everyone.


AP Studio Art: Critique and then MOVING FORWARD

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

What do you feel about talking aloud when it comes to other’s works? What are your thoughts about why you may be apprehensive or confident when discussing other individual’s work?

gettyimages-158315328-581c1cfd3df78cc2e8f36e8a
Critiquing Art – Are you READY to TALK? Listen? https://fthmb.tqn.com/ngD6NBVuBQ39iyOvs8GF_U5beWs=/2080×1441/filters:no_upscale():fill(FFCC00,1)/about/GettyImages-158315328-581c1cfd3df78cc2e8f36e8a.jpg

What were 3 things that you GAVE to the group during our critique?

#FinalFriday in the #Studio

Check out your shadows. EXCELLENT JOB this week! https://midwestartiststudios.files.wordpress.com/2016/03/img_4202.jpg?w=640

Today’s Schedule

1 – 7:25-8:06
2 – 8:11-8:52
3 – 8:57-9:38
4 – 9:43-10:24
6 – 10:29-11:10
A Lunch – 11:10-11:51
B Lunch – 11:51-12:33
C Lunch – 12:33-1:14
5AB Class – 11:15-12:33
5BC Class – 11:56-1:14
5AC Class – 11:15-11:51 & 12:38-1:14
7 – 1:19-2:00
8 – 2:05-2:46

“Every problem has in it the seeds of its own solution. If you don’t have any problems, you don’t get any seeds.” —Norman Vincent Peal


Art Careers – Conservation 


Drawing: Last Day to Work – Let’s Meet Todd on Tuesday!

  • Pre-Critique Worksheet HERE
  • Pre-Critique Artworks to critique HERE

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What have you accomplished to make this work REALLY STAND OUT in your mind? Can you resolve this image over the weekend?

Check out your shadows. EXCELLENT JOB this week! https://midwestartiststudios.files.wordpress.com/2016/03/img_4202.jpg?w=640
Check out your shadows. EXCELLENT JOB this week! https://midwestartiststudios.files.wordpress.com/2016/03/img_4202.jpg?w=640

What are you taking home? PLEASE use the PAPER CRITIQUE FORM that has been handed out (and is available here) to prepare your final written critique for EXAM DAY.


Studio Art 360: Final Day to MAKE YOUR SOCIAL COMMENTARY COLLAGE!

2.1P: Engage in making a work of art or design without having a preconceived plan.

Today is the FINAL day to collage, title, and write – we evaluate in 30 minutes or less. GO!

Final assessment and evaluation. Fill out the rubric and hand it is as your exit ticket!


Advanced Drawing: Last Day in the Studio… Frida…

  • Pre-Critique Worksheet HERE
  • Pre-Critique Artworks to critique HERE

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What are you going to be taking home this weekend to work as as we WRAP THIS WORK UP for the final exam. NO WORK TIME ON MONDAY!

Edward Hopper
Edward Hopper “House by the Railroad” http://www.edwardhopper.net/images/paintings/house-by-the-railroad.jpg

Questions? What is it you need to do on the final exam? How do you plan on finishing this artwork?


AP Studio Art: This is it… In Class… You have the WEEKEND and then we CRIT on Wednesday.

1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.

What are your plans today as you move forward with the work?

Emiliy Garcia's Concentration... Do you know where she is going with her new works? I do! https://i1.wp.com/apartwithkorb.files.wordpress.com/2016/11/lexy.jpg?w=370&h=&crop=1&ssl=1
Emiliy Garcia’s Concentration… Do you know where she is going with her new works? I do! https://i1.wp.com/apartwithkorb.files.wordpress.com/2016/11/lexy.jpg?w=370&h=&crop=1&ssl=1

As you look at your progress – consider the ideas of Develop Craft: Learning to use tools, materials, artistic conventions; and learning to care for tools, materials, and space. How are you progressing?

#Monday with #ArtWork to be done and #NewIdeas to be tackled.

Kandinsky SKETCHES: What are you doing with your ideas? https://www.artgallery.nsw.gov.au/media/collection_images/1/147.1982%23%23S.jpg

“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews

Perseverance... Keep at it Julie Andres... https://s-media-cache-ak0.pinimg.com/736x/e2/80/b1/e280b1667ed5f85421461ddfe470c498.jpg
Perseverance… Keep at it Julie Andres… https://s-media-cache-ak0.pinimg.com/736x/e2/80/b1/e280b1667ed5f85421461ddfe470c498.jpg

Drawing: Kandinsky DEVELOPMENT and PLANNING

G: 2.3Ac: Redesign an object, system, place, or design in response to contemporary issues.

How are you see geometric or organic shapes in your life? Do you relate meaning / feel moods or feelings with them? What are some shapes that are dominant in your life? As you listen to your music… what are the colors and shapes (or lines) that come to mind as you move forward? Look over the worksheet about music and work through it.

Kandinsky SKETCHES: What are you doing with your ideas? https://www.artgallery.nsw.gov.au/media/collection_images/1/147.1982%23%23S.jpg
Kandinsky SKETCHES: What are you doing with your ideas? https://www.artgallery.nsw.gov.au/media/collection_images/1/147.1982%23%23S.jpg

What NEW ideas might you have had about COLOR and Shape in the art you were creating?

Studio Art 360: Character Mugs

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What challenges did you have in getting started last week on with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Mug with a face. We are DONE with this on THURSDAY.

DUE END OF CLASS ON THURSDAY.

FACES and MUGS - What's going on with YOUR MUG? http://uploads.neatorama.com/images/posts/923/70/70923/1396818054-0.jpg
FACES and MUGS – What’s going on with YOUR MUG? http://uploads.neatorama.com/images/posts/923/70/70923/1396818054-0.jpg

What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.

Advanced Drawing: Figure Drawing

 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What are the biggest fears that you have about the ideas of drawing a full human figure? Why do you think this is so tough?

8711_20_47-body-proportions-pose-variations-male

What was the most challenging way to draw? Why was this most difficult way to go? How OFF were you from the original that you drew from your memory? What is most important about drawing when it comes to observation?

AP Studio Art: WORK

WHAT’s the Assignment? If you need another 1, 2, or 3 concentration works – this is your assignment (one at the minimum). You will have your WEBSITE updated with 12 concentration works – PERIOD. You will rework your statements and answers to the AP Questions… ALL DUE on MARCH 30 for CRITIQUE & PRESENTATION.

3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.

How does your work for this week Re-Engage the ideas you have been using in the past while ALSO provide ideas of REVISION?

Do your works show GROWTH? http://www.vachonstudio.com/wp-content/uploads/Artist-working-in-the-studio.jpg
Do your works show GROWTH? http://www.vachonstudio.com/wp-content/uploads/Artist-working-in-the-studio.jpg

I try to get you to talk to one another and reflect. Look at each other’s work today and do that. Explain, listen, WRITE DOWN THOUGHTS for your own reflections.

 

 

#Tuesday and a BIG #CRITIQUE in on our way.

Felix Gonzales Torres: https://tit-assets.s3.amazonaws.com/articles/117/Felix-Gonzalez-Torres,-Untitled,-1988__large.jpg
Ted Kruzan TED Talk: http://www.vancouversun.com/life/cms/binary/8032880.jpg?size=620x400s
Ted Kruzan TED Talk: http://www.vancouversun.com/life/cms/binary/8032880.jpg?size=620x400s

Shane Koyczan – TED Talk “To This Day”... for the Bullied and Beautiful… “If you can’t see anything beautiful about yourself, get a better mirror, look a little closer, stare a little longer, because there’s something inside you that makes you keep trying despite everyone who told you to quit.”

Drawing: Nests – ONE more day?

9.1Ac: Determine the relevance of criteria used by others to evaluate a work of art or collection of works.

Well… Grab a RUBRIC II – and begin your self evaluation – AFTER you have taken a few 15 – 20 minutes to do written evaluation of 4 works of art – make sure your written critiques use ACTIONABLE / CRITICAL / IMPROVEMENT type statements. Let’s start this critique then. Get the work up in front of us and you lead the way. KORB will sit and listen… Keep time Korb.

Critique: http://www.saic.edu/media/saic/gfx/admissions/whysaic-undergrad/critiquereplace.jpg
Critique: http://www.saic.edu/media/saic/gfx/admissions/whysaic-undergrad/critiquereplace.jpg

Nothing – The Critique was part of it.

 

Studio Art 360: Sketchbook Tuesday

2.1P: Engage in making a work of art or design without having a preconceived plan.

What are 3 things about your SKETCHBOOK that you are VERY PLEASED with? What are 3 things you WANT TO IMPROVE ON?

Color: Begin by drawing out three 7” x 4” FORMAT BOXES on three pages in your sketchbook. Divide your format box up by using 7 straight or curved lines. Do the same on the next two pages. On the first page, use one color scheme (page 29 in your handbook)of watercolor paints and fill the spaces in. On the second page, choose another color scheme and do the same. Lastly, on the third page – use whatever colors you want. When they are all dry – either define the lines with black sharpie marker (thick / thin / variety) or crayons that are of similar color scheme. When you evaluate this assignment – consider the successfulness of the works that have a specific color scheme in comparison to the one without a specific color scheme.

Grant Wiggins Artwork and Abstractions: www.GrantWiggins.com http://www.grantwiggins.com/wp-content/uploads/2015/05/hard-edge-abstraction.jpg
Grant Wiggins Artwork and Abstractions: http://www.GrantWiggins.com http://www.grantwiggins.com/wp-content/uploads/2015/05/hard-edge-abstraction.jpg

How much time OUTSIDE of class do you feel you are going to need for NEXT WEEKS DUE DATE?  What DAY are you going to work on that? Maybe 5 – 10 minutes PER day? What benefits would LITTLE bits of time do versus ONE BIG HUGE TIME? 

 

Advanced Drawing: 50 SoP WORK 

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

Why are two things yo? have learned from the beginning of this artwork (about BEING AN ARTIST – the JOB, not the act)

Felix Gonzales Torres: https://tit-assets.s3.amazonaws.com/articles/117/Felix-Gonzalez-Torres,-Untitled,-1988__large.jpg
Felix Gonzalez Torres: https://tit-assets.s3.amazonaws.com/articles/117/Felix-Gonzalez-Torres,-Untitled,-1988__large.jpg

What are two things you have learned about the ACT of making art since the beginning of this work? 

AP Studio Art: Concentration CRITIQUE (and PLAN)

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

Let’s finish this critique up. Get the work up in front of us and you lead the way. KORB will sit and listen… Keep time Korb.

SQUAK SQUAK SQUAK - What have you got to say? http://blog-imgs-50.fc2.com/a/f/g/afg2/The-critique-Group.jpg
SQUAK SQUAK SQUAK – What have you got to say? http://blog-imgs-50.fc2.com/a/f/g/afg2/The-critique-Group.jpg

Ok. Your LAST Set of works begins when our critiques are DONE. Be ready to work.

#Tuesday in an #ArtMakingDay in the Studio – #Texture for #360

Elena Ray - Nests! What are you doing at this point? https://s-media-cache-ak0.pinimg.com/564x/8c/93/3c/8c933c98529e7fdc5399a3370640ed44.jpg

 


Drawing: CHARCOAL and White Charcoal.

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

As you are developing compositions, what skills are you looking to develop?

Elena Ray - Nests! What are you doing at this point? https://s-media-cache-ak0.pinimg.com/564x/8c/93/3c/8c933c98529e7fdc5399a3370640ed44.jpg
Elena Ray – Nests! What are you doing at this point? https://s-media-cache-ak0.pinimg.com/564x/8c/93/3c/8c933c98529e7fdc5399a3370640ed44.jpg

What feedback would you offer and like to get about your work? This will be a YELLOW STICKY NOTE that develops into a final work sheet for critiques…  Elena Ray: 


Studio Art 360: TEXTURE!

2.1P: Engage in making a work of art or design without having a preconceived plan.

What do you feel is the value of practicing in a sketchbook? How can you see this as being a place that others (engineers, designers, architects, artists) might need as a valuable tool?

SKETCHBOOK TASK TODAY:Texture: Using crayons, let’s go make some Frottage (rubbings). Choose 5 different colored crayons go out and gather 10 different textures from around the first floor of the building – you have 13 minutes. When you come back we will take these frottages and create a collage. We’re doing this as a group.

Max Ernst - Collage - Frottage, Grattage, Decalcomania: http://study.com/cimages/multimages/16/max_ernsts_the_wood.jpg
Max Ernst – Collage – Frottage, Grattage, Decalcomania: http://study.com/cimages/multimages/16/max_ernsts_the_wood.jpg

Ok – What kind of FUN did you have in getting back to CRAYONS, Scissors, and Glue?

 


Advanced Drawing: 50 Sheets of Paper

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What are three different types of PAPER you can consider using or (better yet) have BROUGHT IN TODAY? AND – What sort of PERSONAL IDEAS or MEANINGS that you might be able to bring into your work of art?

img_5985
David Hockney – MANY Cnavases for LARGE Painting: http://www.aestheticamagazine.com/wp-content/uploads/2011/02/IMG_5985.jpg

This is THE PROJECT art students want – make something of my own ideas… Considering some of the boundaries presented, what ARE your ideas that you hope to convey


AP Studio Art: Record your FEAR and make Photographs of the Art.

While looking at your studio mates work, how do  you see the works needing to GROW? Do you see  yours growing?

What's going on in your SKETCHBOOK to help you deal with your concentration? http://www.studentartguide.com/wp-content/uploads/2015/02/as-art-sketchbook.jpg
What’s going on in your SKETCHBOOK to help you deal with your concentration? http://www.studentartguide.com/wp-content/uploads/2015/02/as-art-sketchbook.jpg

What have you come up with? What materials are you planning on using? How does it fit into your current body of work?

Welcome to another #4DayWeek in the #ArtStudio

AP Level 6 on Google


Drawing: CHARCOAL and White Charcoal.

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

How are your compositions beginning?

Ah the birds nest of Vincent Van Gogh: http://66.media.tumblr.com/980f8013c2c35c3e845bade1721c5f82/tumblr_nj8rr2Oxuz1slb5k6o2_1280.jpg
Ah the birds nest of Vincent Van Gogh: http://66.media.tumblr.com/980f8013c2c35c3e845bade1721c5f82/tumblr_nj8rr2Oxuz1slb5k6o2_1280.jpg

As you look at your beginning drawings what are the strengths of the drawings are moving forward?


Studio Art 360: Still Life DRAWING – DAY 3!

2.1P: Engage in making a work of art or design without having a preconceived plan.

What was the biggest challenge you found as you began to draw your objects yesterday?

Georgio Morandi Still Life - How are you beginning? http://ahuskofmeaning.com/wp-content/uploads/2012/05/1956-2.jpg
Georgio Morandi Still Life – How are you beginning? http://ahuskofmeaning.com/wp-content/uploads/2012/05/1956-2.jpg

What are 2 difficulties that you had in beginning your drawing today? Remember – DRAWING IS A CHALLENGE – let it be!


Advanced Drawing: 50 Sheets of Paper

3. Envision: Learning to picture mentally what cannot be directly observed, and imagine possible next steps in making a piece.

What are the GOALS that you’d like to accomplish with this self-driven assignment? Teach me.

Joseph Piccillo - Not a lot of paper - but PERSONAL drawings: http://www.chaseyounggallery.com/Artist_Profiles/Piccillo_extra/JP42009.jpg
Joseph Piccillo – Not a lot of paper – but PERSONAL drawings: http://www.chaseyounggallery.com/Artist_Profiles/Piccillo_extra/JP42009.jpg

Of all the conversation, materials, messages, and ideas that came to mind… what are your FIRST ideas about how you can MOVE FORWARD? 14 “hours” on this drawing – it will be due in 2.5 weeks… How will you know when you have gotten to your final goals? How will you know that you are learning in the process? Let’s keep your personal goals in mind as you are working through the art process.


AP Studio Art: Record your FEAR and make Photographs of the Art.

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

What has been your biggest challenge from the past week worth of making art.  Today – get together for 10 minutes and talk with one another about the current work.

AP Level 6 on Google
AP Level 6 on Google

As you look back on the bast 2.5 quarters of work, what are 3 of your biggest impressions from your studio mates works?

 

MidWeek? #Tomorrow is the #EndOfTheWeek! #FAST!

“Art is the only way to run away without leaving home” Twyla Tharp – Choreographer

Where are you hoping to run away to with your work?


Drawing: Talk about the materials. CHARCOAL and White Charcoal.

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What do you see about the use of thumbnail drawings as a strong starting point for the artist as they develop their initial ideas? Why more than one? Why more than 2?

How are you moving forward as you are developing the preliminary drawings as well as the final drawings.


Studio Art 360: Still Life DRAWING!

2.1P: Engage in making a work of art or design without having a preconceived plan. A: What skills do you see in yourself that are coming out in the drawing SO FAR? What strengths do you see in your drawing?  

flack_marilyn
Audrey Flack “Marilyn” http://s3-us-west-2.amazonaws.com/uama/wp-content/uploads/2012/12/30034738/flack_marilyn.jpg

What are 2 skills you have already that are going to make your experiences in Studio Art 360 easier?


Advanced Drawing: 50 Sheets of Paper

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What are three different types of PAPER you can consider using or (better yet have BROUGHT IN TODAY)? AND – What sort of PERSONAL IDEAS or MEANINGS that you might be able to bring into your work of art?

50 Sheets of Paper: http://www.drawingforum.net/uploads/1/3/8/8/13882322/6249955_orig.jpg?228
50 Sheets of Paper: http://www.drawingforum.net/uploads/1/3/8/8/13882322/6249955_orig.jpg?228

This is THE PROJECT art students want – make something of my own ideas… Considering some of the boundaries presented, what ARE your ideas that you hope to convey? 


AP Studio Art: C’Mon – Let’s FINISH this already. FEAR NO CRITIQUE!

 

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

What has been your biggest challenge from the past week worth of making art.  Today – get together for 10 minutes and talk with one another about the current work.

Have you gotten any positive FEEDBACK / Critique from your class mate? http://blog-imgs-50.fc2.com/a/f/g/afg2/The-critique-Group.jpg
Have you gotten any positive FEEDBACK / Critique from your class mate? http://blog-imgs-50.fc2.com/a/f/g/afg2/The-critique-Group.jpg

As you look back on the past 2.5 quarters of work, what are 3 of your biggest impressions from your studio mates works? What can you do to move forward with your work based on the feedback and comments you’ve gotten from the studio critiques?

#2ndQuarter Starts NOW! Let’s get going #ArtWithKorb

36a11602706f6714a53f991ad13bfac5
Vito Accioni: https://s-media-cache-ak0.pinimg.com/originals/36/a1/16/36a11602706f6714a53f991ad13bfac5.jpg

Art has no boundaries except those imposed by the needs of the maker. Boundaries are a form of definition, nothing more. They are a way to create a hierarchy of concerns, interests and priorities. Boundaries change all the time. That is part of what art does. By defining an area of interest or by stating a new priority, art allows us to create new definitions of ourselves and the context in which we operate. To blur a boundary is to confuse the definition. To move a boundary is to make a new definition. Kit White 101 Things I Learned in Art School

P. 28 in the HANDBOOK too! Let’s talk about inspiration.

Studio Art 360: CLAY and Cups and Figures and Animals

What challenges did you have in getting started last week on with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.

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Roter Wald: Top 10 Ceramacists today! http://www.top10listland.com/wp-content/uploads/Roter_Wald_2005.jpg

What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.

PAINTING: Hallways and Abstraction

Consider the layering and transparency of the images / colors… what does this visually do for you, the painter? What does it do visually for the audience?

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http://ecx.images-amazon.com/images/I/81CIvE3XoYL._SL1500_.jpg Brice Marden drawing with a stick.

As you look back on the development of your composition, what are especially satisfied about? What are 3 things that you feel are successful compositionally?

Drawing: Kandinsky and YOU!

Looking at your classmates work – what’s the BEST Thing you see? Write it out – name and all – then at SOME POINT TODAY – go and tell them.

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Degenerate Art and Kandinsky: https://upload.wikimedia.org/wikipedia/en/1/1a/Degenerate-Hitler-Ziegler.jpg

How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas?)

Let’s Read Aloud: http://www.theguardian.com/artanddesign/2014/mar/13/degenerate-art-attack-modern-art-nazi-germany-review-neue-galerie

AP Studio Art: Concentration – CRIT DAY!

With three works due WEDNESDAY (Thursday Really) – do you feel that the 2+ weeks was TOO MUCH TIME? We need to continue working at a quicker pace… lots to do yet…

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Edvard Munch: Despair: http://edvardmunch.co.uk/Edvard%20Munch%20Despair.jpg

What is the ONE THREAD that your AP READER might see as they look at the 3 works you have (or are working on) that will tie things together?

HERE is the link to the RUBRIC. – Still Being Built… Ready for Monday (I HOPE)

Beginning on the FIRST set of 3 works… What is the CENTRAL IDEA behind your concentration? Remember that you need to have a common thread / common theme / CENTRAL IDEA that ties your works together. Work on THIS with me – let’s explore our ideas!

ASSIGNMENT PART 1: 3 concentration works. DUE NOVEMBER 7.

Assignment Part 2: 50 Images – All On You Own. Due on NOVEMBER 6, 2016 at 11:59PM. You need to use the school based Google Drive: LINK HERE