January 10, 2013 – Thursday

Art Foundations 2D:

  • Social Commentary Mixed Media work – ALL WEEK. This work will be due on Monday – First Thing.
  • Guest Teacher – Please show this Presentation of Romare Bearden’s “Black Odyssey”
  1. 5.1 identify the reasons (rationale) behind making your art 2.1 form criticism about artworks that work to accomplish 2.1.3 communal meanings
Family

How have you begun to create images that are not just cut out images pasted to the board? How are you using your skills to really push the ideas that you are hoping to communicate?

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Advanced Drawing: 

  • First few minutes will be a surprise – brace yourself… 10 minute drawing session – BREAK – 10 minute Drawing session – BREAK with Observation of classmates work – final minutes of drawing.
  • I am not sure how long the video is… it may take the hour.
  • Make sure the STANDBY button is green on the left side of the Promethean Board so SOUND from the VCR works.
  • On the WHITE Remote – switch from Computer 1 to VIDEO so the Tape in the VCR Plays.
  • When the video is done… swith back to Computer 1
  1. 1.1 apply media, techniques, and processes with 1.1.1 skill 1.1.2 confidence 1.1.3 and awareness so that your ideas are executed well
Diebenkorn – Figure Drawing

“What upset you about going back and erasing the drawing? What did you do with the erased part to make the drawing more accurate?”

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AP Studio Art:

  • Understand that you will have a brief presentation of the concentration works for your mid-term exam.
  • Gather up your current concentration works and evaluate them with a classmate.
  • Do they stand as a body of work?
  • YOU ARE WORKING TODAY!
  1. 5.5 evaluate responses to works of art for communicating 5.5.1 rationale and 5.5.2 ideas.
Elizabeth Peyton “Marc”

What are you continually doing to self-evaluate and resolve the work you have in front of you. What is ONE question that you have asked as you have moved your work forward?

January 9, 2013 – Wednesday

Art Foundations:

  • Social Commentary Mixed Media work – ALL WEEK. This work will be due on Monday – First Thing.
  • Mr. Korb will be making FORMATIVE evaluations on the first 3 categories of your work – Execution / Composition / Character
  • Looking at the work of Romare Bearden and listening to an NPR Snippet of Romare Bearden’s Life and Times – Studio 360 with Kurt Anderson. (5 minutes today… we will finish listening to this). Begin at 5:05
  • We will take a look at more of Romare Bearden’s work from the Black Odyssey Exhibition.
  • Presentation of Romare Bearden’s “Black Odyssey”
  1. 3.1 reflect on how your art differs from your classmates and describe how it relates to your culture
  2. 4.4 evaluate and interpret your art for relationships in 4.4.1 form and 4.4.3 meanings
The Conversation by Romare Bearden

What are you doing with the work that is different than what you have done in the past? How is it working for you or how is it a struggle?

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Advanced Drawing: Figure Drawing – Today we will be working from Figure Drawings based on your and  the live model.

  • Gesture drawings will be the first 4 minutes
  • BREAK – 10 minute drawing session
  • BREAK – 10 minute Drawing session
  • BREAK with Observation of classmates work
  • final minutes of drawing.
  1. 1.1 apply media, techniques, and processes with 1.1.1 skill 1.1.2 confidence 1.1.3 and awareness so that your ideas are executed well
Richard Diebenkorn’s “Seated Woman”

In the process of drawing the figure from the live model, what are you pleased with? What are you not happy about? What were the largest challenges you faced today?

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AP Studio Art: Working on the next batch of Concentration works and continuing to plan for the next works to come. Understand that you will have a brief presentation of the concentration works for your mid-term exam. You will have your 2 questions reviewed and retyped for the final. Your presentation and your commentary regarding others works will be your mid-term grade.

  1. 3.1 reflect on how your art differs from your classmates and describe how it relates to your culture
  2. 4.4 evaluate and interpret your art for relationships in 4.4.1 form and 4.4.3 meanings
Em (Blue)

Elizabeth Peyton: Bio from the Museum of Modern Art website.

What are the new ideas you have brought into this current work of your concentration? If you have NO NEW IDEAS… what are you missing in the process of developing the concentration?

January 8, 2013 – Tuesday

Art Foundations:

  • Social Commentary Mixed Media work – ALL WEEK. This work will be due on Monday – First Thing.
  • Looking at the work of Romare Bearden and listening to an NPR Snippet of Romare Bearden’s Life and Times – Studio 360 with Kurt Anderson. (5 minutes today… we will listen to this).
  • We will take a look at more of Romare Bearden’s work and discuss the poetry of Langston Hughes – Harlem Renaissance Artists. http://www.sites.si.edu/exhibitions/exhibits/romareBearden/index.htm
  1. 1.1 apply your collage materials, techniques, and processes with 1.1.3 an awareness so that  your ideas are executed well
  2. 4.3 compare relationships in visual art in terms of 4.3.3 your culture as it relates to your own art
Quilting Time by Romare Bearden. What did he do to create this work instead of cutting one figure from a magazine? What can you do that is similar?

How can you remember to use these techniques once you have left this classroom? What might the use of these new skills do for you outside of the classroom?

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Advanced Drawing: Figure Drawing – Today we will be working from GESTURE Drawings based on your classmates and your live modeling skills. Long drawings beginning from 5 minutes and finally getting to 30 seconds. We will NOT be switching pages today. We will be allowing the drawings to overlap and continue to develop into a composition that is ABSTRACT and FIGURATIVE.

  1. 1.1 apply media, techniques, and processes with 1.1.2 confidence 1.1.3 and awareness so that your ideas are executed well
Who painted this and why was it so controversial for it’s time? What year was it painted in?

Here is some information about the above painting. Link Here. ALSO – Culture Shock 1913 – Listen Here.

Looking at your drawings – what are you pleased with? What are you not happy about? What were the largest challenges you faced today?

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AP Studio Art: Working on the next batch of Concentration works and continuing to plan for the next works to come. Understand that you will have a brief presentation of the concentration works for your mid-term exam. You will have your 2 questions reviewed and retyped for the final. Your presentation and your commentary regarding others works will be your mid-term grade.

  1. 1.2 create art that demonstrates an understanding of how your ideas relate to the 1.2.1 materials 1.2.2 techniques 1.2.3 and processes you use
  2. 3.3 describe the creation of images and ideas and explain why they are of value
Elizabeth Payton: Nick (Poquatuck Park) (2003)

Looking ahead at your concentration… what works have you got planned? What do you need to do to get the work from the past semester all wrapped up and solidified? What is the meaning behind your most current concentration work? How well thought out are your answers to your 2 AP questions?

January 7, 2013 – Monday

Art Foundations: Social Commentary Mixed Media work – ALL WEEK. This work will be due on Monday – First Thing. Looking at the work of Romare Bearden and listening to an NPR Snippet of Romare Bearden’s Life and Times – Studio 360 with Kurt Anderson. (Tuesday we will listen to this).

  1. 1.3 communicate your thoughts on social topics clearly
  2. 4.3 compare relationships in visual art in terms of 4.3.3 your culture as it relates to your own art
Romare Bearden and his work

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Advanced Drawing: Figure Drawing – Today we will be working from GESTURE Drawings based on your classmates and your live modeling skills. Long drawings beginning from 5 minutes and finally getting to 30 seconds.

  1. 1.1 apply media, techniques, and processes with 1.1.3 an awareness so that your ideas are executed well

What is the process that you see in this video that you have used in the past?

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AP Studio Art: You will be presenting your 2 questions and the works to the class today. 3 minutes per student – no discussion, no comments but you need to use the three minutes to talk about the answers and defend your work – GRADES WILL BE MADE ON YOUR PRESENTATION

  1. 5.1 identify the rationale behind making art 5.2 stand behind your criticism of art
What are your warning signs? Do you exhibit any that may tell others the importance art has in your life?

Link to talking about your art:  http://www.artbusiness.com/appearpub.html

January 4, 2013 – Friday

R.C. – I pasted the image in your GOOGLE DOC. You are all set.

.Art Foundations 2D: Social Commentary – What are social topics that are important to you in life? We are going to create works over the next week that speak to the social topic that you feel is important enough in your life that you can make work to respond and comment on it. – Social Commentary Brainstorming Worksheet.

  1. 2.6 Work on creating multiple solutions to solve visual challenges.
  2. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

http://www.banksy.co.uk/menu.html

Banksy Street Art is SOCIAL COMMENTARY… What social topics are important to you? What might Banksy have been saying about society or life with this work of graffiti?

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Advanced Drawing: Classroom critique is the topic for the day. Online rubrics should have been completed and shared with Mr. Korb. Past today… sad for your deadline.

  1. 4.3 compare relationships in visual art in terms of 4.3.2 aesthetics 4.3.3 and culture as it relates to your own artwork.
  2. 6.2 compare characteristics of the visual arts and other disciplines from history or movement
How do YOU represent when you are talking about art? Do you dress the part?

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AP Studio Art: Working on the next batch of Concentration works and continuing to plan for the next works to come.

Assignment for Monday: In GOOGLE DRIVE, and SHARED WITH ME, answer the following questions…

  1. Clearly and simply, state the central ideas of your concentration (500 CHARACTER maximum).
  2. Explain how the work in your concentration demonstrates your intent and the EXPLORATION of your idea. You may (and should) refer to specific images (art works) as examples. (1350 CHARACTER maximum).

GOALS:

  1. 1.2 create art that demonstrates an understanding of how your ideas relate to the 1.2.1 materials 1.2.2 techniques 1.2.3 and processes you use
  2. 3.3 describe the creation of images and ideas and explain why they are of value
How does this work by Frank Juarez fit with the work we saw yesterday?

Link to works and profile of Wisconsin Artist Frank Juarez

January 3, 2013 – Thursday

Art Foundations: TEXTURE TODAY – Wrap up EMOTION collages and begin on the SOCIAL COMMENTARY thoughts. Read from “The Block” a book of poetry by Langston Hughes and art by Romare Bearden. Read in ArtTalk about PROPORTIONS and additional principles on scale. COLLAGE. Social Commentary: What are social topics that are important to you in life? We are going to create works over the next week that speak to the social topic that you feel is important enough in your life that you can make work to respond and comment on it.

Happy Abstraction – What makes this image a Happy one?
"Anger and Conflict" What makes this feel angry or full of conflict? How can you use the colors and shapes to create emotion?
“Anger and Conflict” What makes this feel angry or full of conflict? How can you use the colors and shapes to create emotion?
  1. 2.6 Work on creating multiple solutions to solve visual challenges.
  2. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges.

http://www.banksy.co.uk/menu.html

Banksy Street Art is SOCIAL COMMENTARY… What social topics are important to you?

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Advanced Drawing: Classroom critique is the topic for the day. Online rubrics should have been completed and shared with Mr. Korb. Past yesterday… sad for your deadline.

  1. 4.3 compare relationships in visual art in terms of 4.3.2 aesthetics 4.3.3 and culture as it relates to your own artwork.
  2. 6.2 compare characteristics of the visual arts and other disciplines from history or movements.
What can YOU bring to the critique to make it the best and most productive one of the year? Stay focused and stop talking garbage. Focus on what you would like to hear to HELP you. If you aren’t talking – START. So much of what is said is wasted breath.

Elements of Art: Line, Shape, Form, and Space, Color, Texture, Value

Principles of Design: Rhythm, Pattern, and Movement, Balance, Proportion, Variety, Harmony, Emphasis, and Unity

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AP Studio Art: Working on the next batch of Concentration works and continuing to plan for the next works to come. FRIDAY: Be READY to answer the 2 AP Poster Questions for FRIDAY in front of the class with 2 artworks that demonstrate the growth and development you have gone through. Be prepared to discuss this with the idea of getting into college with these works

  1. 1.2 create art that demonstrates an understanding of how your ideas relate to the 1.2.1 materials 1.2.2 techniques 1.2.3 and processes you use
  2. 3.3 describe the creation of images and ideas and explain why they are of value
Frank Juarez is a Milwaukee based artist and has done very well for himself. Look at the simplicity but deliberateness of his marks… what are you lacking as you make your marks?

January 2, 2013 – Wednesday

Art Foundations: TODAY – Texture: Work on the ideas of non-objective art and collage. Look at works by non-objective AbEx artists (links). Review the work of Max Ernst. How do you viscerally (in your gut) respond to the images that you have seen on screen?

  1. 1.1 apply paint, crayon, and charcoal, through various texture making processes, using collage with 1.1.3 an awareness so that your ideas are executed well.
  2. 4.3 compare relationships of texture and meaning in visual art in terms of 4.3.2 aesthetics (how things look and how you respond to them).

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Advanced Drawing: TODAY – Classroom critique is the topic for the day. Online rubrics should have been completed and shared with Mr. Korb. Past today… sad for your deadline.

AP Studio Art: TODAY – Classroom critique is the topic for the day. Be READY to answer the 2 AP Poster Questions for FRIDAY in front of the class with 2 artworks that demonstrate the growth and development you have gone through. Be prepared to discuss this with the idea of getting into college with these works.

  1. 4.3 compare relationships in visual art in terms of 4.3.2 aesthetics 4.3.3 and culture as it relates to your own artwork.
  2. 6.2 compare characteristics of the visual arts and other disciplines from history or movements
Time To CRITIQUE

Happy New Year! Mr. Korb’s Goals Page – 2012 in Review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 28,000 views in 2012. If each view were a film, this blog would power 6 Film Festivals

Click here to see the complete report.

December 21, 2012 – Friday – The End (of the 2012 year at school) is Here!

Art Foundations 2D – Wrap up Chapter 9 – Texture, Grattage and Decalcomania (Frottage from Yesterday).

Paint!
  1. 2.3 Work on creating artworks that solve visual challenges using TEXTURE making techniques.
  2. 1.1 Work on applying media, techniques, and processes with 1.1.3 awareness so that your ideas are executed well.
Max Ernst – Grattage, Decalcomania, and Frottage – Texture in Abstract Artwork.

A crumbling city looms oppressively below the ring-shaped moon. Ernst made a whole series of such works. The imagery may reflect his pessimism as Nazism took hold in his native Germany. The ruined cityscape was created using a technique that Ernst called ‘grattage’ (scraping). It involved placing the canvas over planks of wood or other textured surfaces, then scraping paint across it. The shapes that emerged formed the basis of the image. Grattage was one of a number of techniques that Surrealist artists explored as a way of letting a chance element into their work. – http://www.tate.org.uk/art/artworks/ernst-the-entire-city-n05289

Of ALL the different types of texture making… what was your favorite? What about the process was so much fun? What part of the process gave you NEW approaches that you NEVER would have thought of?

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Advanced Drawing – Inside / Outside Portrait – PLAN FOR BREAK!

“New York Movie” Edward Hopper. How does this painting reflect your work? What do you find as being similarities between the two? What are the differences?

Yesterday we FAILED on Goals (and I mean ME…)

  1. 3.4 Know about the evaluation and defense of your sources for ideas
  2. 3.2 Work on applying subjects, symbols, and ideas in art and use skill to solve visual challenges.

What are the aspects of the work that you really need to focus on during the break? What supplies do you need to bring home with you so that you are fully prepared to finish the work that you need to finish. Tell your neighbor all that you need to do in order to accomplish the work you need to do. WRITE DOWN the supplies you need to pick up and take home.

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AP Studio Art – Concentration work, 1″ Artwork, Planning on the work for the break – TAKE WORK HOME!

LINE is the ELEMENT of FOCUS in this artists work. What are you FOCUSING on? Do you see that focus and development in your work? How do I need to kick you in the behind or light a match under your feet to get you moving (do I)?
  1. 1.2 Work on creating art that demonstrates an understanding of how your ideas relate to the 1.2.1 materials 1.2.2 techniques 1.2.3 and processes you use.
  2. 2.6 Work on creating multiple solutions to solve visual challenges.

Regrettably, I am going to have to REALLY start holding the grades to a higher level. I feel as though I have been VERY soft this first semester. I have had some VERY good conversations with some of you about the works and with some of you… I am worried about shutting you down and turning you off from making art. That day ends today. Be prepared for a new set of expectations from me and new expectations I hope you have for yourself. WHAT DO YOU NEED TO DO TO ADVANCE YOURSELF? What do you need to do to UP YOUR GAME? Look over the body of work you have made so far… what is successful? What is failing / falling short of the quality that you need to do.

December 20, 2012 – Thursday

Art Foundations 2D: Chapter 9: Lesson 3. Chapter on Texture – Lets go get some texture in the halls.

How would you describe this? What are your reactions to this? What do you think this might be from?
  1. 2.6 Work on creating multiple solutions to solve visual challenges.
  2. 2.2 evaluate the effectiveness of artworks

How are you able to see that the element of TEXTURE is an important part of creating successful art? How else is TEXTURE important in life?

Advanced Drawing: Work on Inside / Outside Portraits. Review and plan on what happens tomorrow… snow day?

Office at Night,” Edward Hopper

AP Studio Art: Concentration and Breadth work. One on One Concentration Work Conversations. Review current assortment of CONCENTRATION (today and Friday) and reflect on the 2 questions from the AP Poster.

Donald Sultan at the Lowe Gallery
  1. 1.2 create art that demonstrates an understanding of how your ideas relate to the 1.2.1 materials 1.2.2 techniques 1.2.3 and processes you use
  2. 2.2 evaluate the effectiveness (and cohesiveness) of artworks / cocentration

What are your thoughts about the 2 questions? What are your answers to the questions regarding the concentration? Do YOU think that you are growing in the development of your body of work? What is the common thread that is holding your classmates works together? What is missing in the body of work they have as a concentration thus far?