Full Moon Trophies are DONE and ready to be WON!

Thank  you Brett Roberts (and myself – Brett had the hard part… I had the tedious part) for creating the vessels / trophies that will be given out to the winners of tomorrow night’s FULL MOON FOUR MILER! I will be unable to attend, but the race should be a great one nonetheless. All the best to the racers, the organizers, and the fans. Be aware of the NEW starting spot at St. Thomas Aquinas in Waterford – thanks to all the construction. The monies made from the trophies go to the Waterford Union High School Art Fund which gives students scholarships to attend art school, aids in young artists attending field trips, brings artists and other art world speakers and demonstrators to the classroom, and helps fund other arts projects that might not be covered by other funding. Run well runners! Now… off for my 12 miler I’ll miss tomorrow.

Frank


2016 Full Moon Four Miler
Run / Walk

Full Moon 4 Miler

13TH ANNUAL FULL MOON FOUR MILER
SATURDAY, AUGUST 6, 2016
REGISTRATION BEGINS AT 6:30 P.M.
RACE BEGINS AT 8:30 P.M.
2015 RACE RESULTS

The Race

The Annual Full Moon Four Miler event is one of the few nighttime races that begin after sunset in southeast Wisconsin.

Each participant receives a moisture wicking runner shirt (guaranteed to the first 450 participants), a goodie bag, one post party drink ticket and fruit/snacks. Registration, post run party and awards ceremony will be held in the gymnasium of St. Thomas Aquinas Parish School, 302 S. Second Street, Waterford. This year the route has been revised and will be on the east side of the Village due to construction happening just west of Village Hall. Participants and guests are invited to stay and enjoy the food, beverages and music at the post run party.

The Route

Full Moon 4 MIler Race Route

Select Map for Route Directions

Awards are given in 13 categories:

14 & under, 15-19, 20-24, 25-29, 30-34, 35-39, 40-44, 45-49, 50-54, 55-59, 60-64, 65-69 and 70 & over. Special award to overall male and female winners and to the first place male and female master winners.

Registration

You may download our Registration form and mail or walk-in with payment to the Chamber office at 102 E. Main St., Waterford, WI 53185)

You may also scan the QR code below or go to active.com to register online.

Full Moon Four Miler online registration

Registration Fees

$20.00 early registration by June 8

$25.00 June 9 – July 28

$30.00 July 29 – August 6

Full Moon Four Miler Committee:

Bill Czaja, State Farm Insurance – Full Moon Four Miler Chair
Katy Engels, Waterford Area Chamber Of Commerce
Rayana Kaul, St. Thomas Aquinas School
Julie Lobitz, Principal, St. Thomas Aquinas School
Tina Multhauf & Team, Skyline Landscape & Design
Lisa Pochowski, Patriot Financial

We Need Volunteers!

If you are able to help with setup, registration or being a corner guard, please fill out and return theVolunteer Form. Thank you!

If you have any questions regarding this event, please contact the Chamber office at: (262) 534-5911 orchamber@waterford-wi.org.

Beautiful Waterford, Wisconsin is located approximately 30 minutes Southwest of Milwaukee, 2 hours North of Chicago and 30 minutes West of Racine.

http://www.waterford-wi.org/fm4m_hmmm.html for more (not really – this is all from that site) information.

Two Groups of Artists – One Great Summer

This has been, and continues to be, a very productive summer for the artists of Waterford, WI. Artists that I have had the opportunity to work with are the Plein Air Art from the Waterford Union High School Artists and the Waterford Seven – clients of Connie Lelivelt and my 3rd year of work with them. For those of you who are not able to get out to see the Plein Air works of art in the WUHS Art Gallery – I have submitted a short video (à la manière de James Kalm) for your perusing.

Plein Air Artists: Video, Gallery, and (click to see) Day at Taliesin

And the Gallery:

And the Waterford Seven’s works of art: Click HERE for the full Gallery of images (so far)

 

Plein Air Art Show at WUHS

Although it looks like the floor of the gallery is about to be stripped and re-waxed, here is a walk through of the hard work by our 8 artists. Great work everyone!

The End Has Come – #PleinAir #Paint #Draw on your own

That’s it folks… Summer School is OVER. I am really happy with the work that has been created over the past four weeks. I would venture to bet, if I were a betting man, that this was the most work some of you have done in the shortest period of time. That tells me that one needs to make a LOT of art and not focus on ONE work… well… in some cases make a lot of work but in other cases… persistence and sticktoitiveness is important.

I think about the Studio Habits of Mind as the artists were out there and appreciate all the work that was demonstrated. I am curious about how those thoughts and ideas stuck with the young artists as they worked out in the real world. Developing Craft, Observing, Reflecting,  and Engaging and Persisting are some that really stand out to me as being some of the habits that really stood out. All of the SHoM, if the artists were to sit back and really look at the ideas they were working with, were with them everyday – and to see the development in all the artists is a great thing to see. Now… did all the artists take away the same level of learning, experience, development… of course not. But they all did take some away.

This link will take you to see the many photographs that were made during the 4 weeks of Plein Air Art in the Waterford (and Spring Green) area from this past summer. Enoy.

PLEIN AIR STATE FAIR OPPORTUNITY – If you are interested – and I hope some of you are – the Wisconsin State Fair is having their SECOND Plein Air Art Opportunity. The cost is $35 and you get 4 tickets to the fair. You need to supply you own materials and the day is yours to paint. You DO need to have something to show – framed and ready to share – but this is a GREAT resume builder and day to paint. READ THE RULES and be ready to PAINT!

PDF Information HERE

Entry Form HERE

Frank

Week 2 #PleinAir #Art – #MakeArt #Outside – #Critique and #Rubrics too.

20160620_145209
Emily really got thinking about her art today…

Today we started with ACRYLICS as well as some SELF-EVALUATION. The three different National Visual Arts Standards Based Rubrics are all focused on the different levels of abilities and skills and standards that high school art students ought to be confident in as they leave certain levels of their art making career. These have been developed over the past two years and really broken down over the first part of the summer vacation. Please enjoy them and see if there are aspects of them YOU might utilize.

And then we have photos from today’s artventure!

 

#Monday withOUT #MrKorb in #Art – What WILL you DO?

Start With THIS video… then onto YOUR CLASSES:

What has Jerry Saltz got to say to Art Students? Let’s hear it from Mr. Korb:

1. Go to an art school that doesn’t cost too much. Those who go to Yale and Columbia might get a nine-month career bump right after graduation, but you’ll all be back on the same level in a year, and you won’t be in as much debt.

2. Envy will eat you alive.

Drawing: 2 Days to DRAW in CLASS

Morandi SIMPLIFIED! http://uploads3.wikiart.org/images/giorgio-morandi/natura-morta-1(1).jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • How have you changed in the process since you have begun? How are you drawing DIFFERENTLY than you did PRIOR to this Drawing?

Reflection: Have you improved your drawings skills over the past project?  What is the biggest success you have accomplished with this work? Where are you struggling still? EXPLAIN – Sentence… not just a word.

Studio Art 360: One solid day to FOCUS on the DRAWING

Morandi – http://www.artsjournal.com/aboutlastnight/op_inc_253_gra.gif

Goals:

  • 10.1P: Document the process of developing ideas from early stages to fully elaborated ideas.
  • What are you nervous, apprehensive, afraid of when it comes to drawing in perspective? I mean… what do you struggle with?

Reflection: Of ALL the parts of your drawing – SINCE DAY ONE – what are you happiest with and what caused you the biggest problem? WHY?

AP Studio Art: Work on your Work of Art inspired by Work Of Art! 

Nils Udo – Sacred Ecology: http://sacredecologyfilms.com/wp-content/uploads/2014/10/Sacred_Ecology_Nils_Udo_02.jpg

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design based on a theme, idea, or concept.
  • What has been successful for your outdoor work? What has FAILED you? Where do you need to go from here?

Reflection: With this OUT OF THE BOX (out of the doors) assignment… What struggles are you facing? What New ideas and  skills do you see developing?

Advanced Drawing: 

Are your paperbags a bit more challenging? I think so. http://www.utdallas.edu/~mel024000/pages/2D_Design/PaperBagDrawing/paperbagdraw.jpg

Goals:

  • 1.2Ad: Choose from a range of materials and methods of traditional and contemporary artistic practices, following or breaking established conventions, to plan the making of multiple works of art and design.
  • How did last week’s critique help you or challenge you as you looked at it from that distance and heard from Mr. Korb or your fellow artists?

Reflection: Talk to your neighbor / partner about the potential meaning behind your work. Write those thoughts down PLEASE?

#WAEA 2105 Convention Thoughts (and Studio Time)

WAEA Art e-times

Published in this month’s WAEA ART e-Times is my article on the 2105 WAEA Convention. I have my article below, but I have also included a link (above) to the e-times so you can read through the whole thing. Having the opportunity to teach in Waterford gives me the great pleasure to have the support of the community, administration, school-board, and fellow staff members (as well as the students – thank you students for your hard work) to challenge the young artists with what it is to be an artist in the 21st century. It’s not about making the pretty pictures, but it’s about the thought and consideration in the choices we make. Art is about the challenges and persistence to get through the difficult tasks. Making art is about the failures and successes, the time BETWEEN artworks that help us grow as artists. Enough already… here’s the article.

Frank

P.S. Remember Artists… I’ll be in the art studio at WUHS on Monday and Wednesday this coming week to work – but more importantly to help you out if you are in need of some studio time.

~~~

It’s been at least 17 years since my first (and last) WAEA Convention. I took little away from it then in comparison to what I learned this year. Maybe I was too young to truly appreciate what I didn’t know about teaching, students, or learning. Perhaps I was just naive in the ways of education. I just remember that I didn’t walk away with an appreciation of what was offered. As I look back on the 2015 convention, I find myself thinking more on what art education is, what it can be, and what it should should be for today’s student.

WHAT IT IS: Being part of the visual arts are problem solving skills that the arts offer but other academics may not. These skills however are ones that are helpful in the success other fields. Considering the hands on experiences we provide, the act of making allows risk taking and often encourages failure in the search for success that other fields may not. Process over product, something that we and our students rely on to create the world we create.

WHAT IT CAN BE: Our young artists (and older ones) can become stronger and more thoughtful members of society than their non-art counterparts. I consider the ideas about the National Visual Arts Standards and goal setting as examples. As grown-up artists (mature?), it seems natural that we should know what it takes to make successful, important, engaging art. However, implementing the use of standards and goals can allows for points of departure, reflection, and assessment in making the successful work that gets made. While our artists may not always be making art that changes society, is engaging, or is as successful as they (or we) thought it could be, at the very least it can begin to change the individual on a level that leads to larger changes down the road.

WHAT IT SHOULD BE: Sessions that looked at assessment and rubrics, techniques in art teaching and art making, and even the ever popular PDP, SLO and PPG reminded me how the arts need to make connections that engage with the larger community and (as I mentioned before) society. Seeing the arts out in the big world, not just in the tiny studio, is essential. I often feel that my students, as well as their families, teachers, and the larger community, need to be reminded that there are strong connections between what we do in studio and how it relates to what happens outside of the studio. Art is important in the world.

The arts (visual, musical, theatrical, written, to mention a few) need to be an experience, an encouraging place, an opportunity for experimentation, a happening, an object that encourages self-discovery, creativity, new ways of thinking, and invention that today’s world demands. I look forward to the development of new friendships, and connections that I made at this year’s convention. More importantly however, I look forward to the conversation, collaboration, and art making that inspired me, and in turn my students, from the 2015 WAEA State Convention.

#NewArt #Updated #APStudioArt #Website

Songs of Sanctuary: AP Studio Art 2015

maraea adiamus Quezaire
Adeimus: MaRaea Quezaire

Hello and HAPPY SATURDAY! Over the past two weeks, our AP Studio Artists have been working to put visual to the musical (Wassily Kandinsky inspired? The conversations around the studio mentioned his name a few times). Choir Director Mr. Derek Machan and his choirs at Waterford Union High School will be performing (January 9 and 10 100 Field Drive, Waterford, WI)  the music of Karl Jenkins, Songs of Sanctuary.

“I conceived Songs of Sanctuary in the European classical tradition, but it was my intention that the vocal sound should be more akin to those heard in ethnic or world music. The “words” are invented; in this respect the work is a vocalize, albeit one in which the vowels and consonants are specified.” – Karl Jenkins

Tintenaula West-Windschanz
Tintinnabulum: Julia West-Windschanz’s Statement
Please visit the AP Studio Art Website HERE (and SHARE IT AROUND) to see the works, read the artist statements, and listen to the music. Please, add comments to the page, offer the student artists feedback, and come join the choirs to hear the performance. All of the AP Studio Artists work will be on exhibition at the WUHS Gallery for you to enjoy.
– Frank
Cantus Inaequalis Heebsh
Cantus Inaequalis: Mary Heebsh

#MidWeek #Friday? #Reflect on #Portraits are #Passion!

There’s no retirement for an artist, it’s your way of living so there’s no end to it. – Henry Moore

Painting and Advanced Painting: CANVAS Building

Alice Neel – How to handle the portrait? https://d1ycxz9plii3tb.cloudfront.net/additional_images/52fbd3077622ddb3300001c1/large.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • What differences do you know about ACRYLIC Paints and OIL Paints? Today we are DEMONSTRATING the differences. We NEED to be AWARE of STORING THEM in the YELLOW RACK (or in the locker)  – Safer in there than on the TOPS OF THE LOCKERS.
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: What differences do you NOW KNOW about acrylic paint and oil paint?

Studio Art 360: Reflect on Progress

MODELING of the clay… http://edhamiltonworks.com/images/lincoln/bas_relief/slaves_detail.jpg

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • How does working three dimensionally make you think differently about the making of art than working on the collage (2D work) did?
  • http://edhamiltonworks.com/bas-relief.htm 
    • REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.

Reflection / Evaluation: What are you seeing in the works of others that you find successful? What are you doing that OTHERS could learn from? PAUSE 5 minutes before cleanup. GIVE COMMENTS in one another’s RUBRIC – PAPER COPY. WHAT DO YOU NEED TO DO TO KEEP IT FROM DRYING OUT THIS LONG WEEKEND?

AP Studio Art: Critique!

Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.

http://www.thelogomix.com/files/u7/art-on-music.png

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How have YOU begun to understand the importance of reflection and CRITIQUE? AND…
  • 7.2Ad: Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture.
  • You’ve got the music at your fingertips – how are you going to work and BUILD this creation over the Thanksgiving Break (in your sketchbook) so we can GO TO IT FAST AND FURIOUS when we get back. One Week to DO IT!

MUSIC TO BE INSPIRED BY HERE!

MUSIC SIGN UP SHEET HERE! Thanks Julia.

Reflection / Evaluation: What are you going to do on FRIDAY, SATURDAY, and then SUNDAY to be READY to work on Monday? 3 things…

Drawing: Google Slideshow

Andre Derain – Self Portrait: http://uploads7.wikiart.org/images/andre-derain/self-portrait-with-a-cap.jpg

Goals:

  • 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • How are you going to SOLVE the issue we are having with the combining of the PORTRAIT and the GRAFFITI? This is a CHALLENGING idea – how are you tackling it?

Reflection / Evaluation: What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors.

#WiArtChat TONIGHT at 7:00 PM – What #Questions do YOU have for the#ArtTeacher?

#WiArtChat is on TWITTER TONIGHT! Join Us!

There’s no retirement for an artist, it’s your way of living so there’s no end to it. – Henry Moore

Henry Moore – “King and Queen” 1954 http://www.henry-moore.org/images/glenkiln_lh350_4.jpg

Painting and Advanced Painting: CANVAS Building

What is your PORTRAIT going to START like? Continuous line? Observation from Photograph? http://watercolorjournal.files.wordpress.com/2011/11/inverted-drawing-of-portrait-of-igor-stravinsky-pablo-picasso.jpg

Goals: 

  • 5.1Ac: Evaluate, select, and apply methods or processes appropriate to display artwork in a specific place.
  • Knowing you have the options of REALISM in colors or going out on your own in choices of colors… what do you see as advantages of the direction you are NOT planning on going?
    • SELF PORTRAITS from PREVIOUS Classes – HERE

Reflection / Evaluation: How do you see the plans you are developing as being successful? What ELEMENT are you focusing on? Line, Color, Texture, Value?

Studio Art 360: CLAY! Finally!

How did /can you use MODELING in the sculpture? No this is NOT Han Solo… http://edhamiltonworks.com/images/lincoln/bas_relief/bas_relief_young_lincoln.jpg

Goals

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What challenges did you have in getting started last week on Friday with the clay? REQUIREMENTS FOR THIS ARTWORK: Subtractive, Additive, and Manipulation to the clay. These techniques are REQUIRED in the FINAL Sculpture.:
This Is. http://williambeem.com/wp-content/uploads/2012/09/Han-Solo-in-Carbonite.jpg

Reflection / Evaluation: What was the largest success you have in today’s work? Take a look at the rest of the classes work BEFORE we clean up. PAUSE 10 minutes before the end of class.

AP Studio Art: Critique!

Have you looked at the AP Studio Art Portfolio for Inspiration? Here are the AP Studio Art Portfolio Example Pages.

1123150730b

Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • We are listening to Erica Meier’s Gallery Talk today – As an AP Studio Artist who is DEVELOPING their OWN Body of work… What is a solid question you have that you can ask a contemporary artist about the development / process / working habits?

Reflection / Evaluation: Good Gallery Talk!

Drawing: Google Slideshow

Relax Ma… It’s Only Fauvism… http://www.craftsy.com/blog/wp-content/uploads/2013/10/498px-Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_1906.jpg

Goals:

  • G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.
  • Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro and color to better define the ideas of form (in the face especially)?

Reflection / Evaluation: What is the LARGER message that you are hoping to get across with your work? It is MORE than just creating a portrait… we could use a camera and do that.