#HolyThursday #ArtMan – Time to #DRAW

“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews


Drawing: Soft Pastels

1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

Of the shapes we are using, which one is STRONG and why? Which shape describes a passive quality? Why? Are you using Impression, Improvisation, or Composition? What about the use of shapes? Melodic or Symphonic?

Wassily Kandinsky at the Milwaukee Art Museum Exhibition - not part of their permanent collection.  https://farm6.static.flickr.com/5287/13570248174_0cb6714488_z.jpg
Wassily Kandinsky at the Milwaukee Art Museum Exhibition – not part of their permanent collection. https://farm6.static.flickr.com/5287/13570248174_0cb6714488_z.jpg

How are you beginning to use the ideas of color and shape to communicate your ideas from your song?

MILWAUKEE: http://mam.org/kandinsky/

 

  1. Blending ANALOGOUS colors with and without finger blending
  2. Blending COMPLEMENTS with and without finger blending
  3. Straight and Curved lines with the TIPS and with the SIDES of the pastels
  4. Filling large areas with a color and then doing smaller details over the top with another DIFFERENT color
  5. Blending with CIRCULAR marks as well as BACK AND FORTH marks
  6. Using PAPER as a masking tool
  7. Adding a WHITE HIGHLIGHT over a darker colored surface
  8. Working UPRIGHT on an easel versus on the FLAT on a table top
  9. Cleaning your pastels with paper towel
  10. Experiment on your own – use your initial images of SKETCHING for the VISUAL experiment inspiration
  11. CLEANING with SPRAY and a CLOTH RAG – that’s not an exercise but a technique that will clean a lot faster than paper towel

Studio Art 360: Character Mugs

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What was your FAVORITE or LEAST FAVORITE part of working with clay. Please tell me WHY you LOVE or DON’T LOVE using this Clay. Please be specific. 

 

What was the most challenging part of working with ceramics / clay as you created your mug? What are three things that working with this material challenged you with?

DUE END OF CLASS TODAY.


Advanced Drawing: Figure Drawing and the GESTURE

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Look at the series of works from yesterday… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier?

Gesture Drawings - Side of Charcoal - FAST http://www.serenatran.com/images/2dsketchbook/gesture.jpg
Gesture Drawings – Side of Charcoal – FAST http://www.serenatran.com/images/2dsketchbook/gesture.jpg

What did taking an entire minute away from your drawings do for you? Harder? Easier? What did you have to do DIFFERENTLY? 

 


AP Studio Art: WORK on CONCENTRATION

Reflect: Learning to think and talk with others about an aspect of one’s work or working process, and learning to judge one’s own work and working process and the work of others.

What response do you have regarding your studio mate’s  works – really – that can help them see things that they might not see – things that might help them continue to learn from their own works and marks? Take 5 minutes and walk around – take a look – make some thoughts for MONDAY (the extended deadline). 

Brayden – This group of Photos is for YOU.

WHAT’s the Assignment? If you need another 1, 2, or 3 concentration works – this is your assignment (one at the minimum). You will have your WEBSITE updated with 12 concentration works – PERIOD. You will rework your statements and answers to the AP Questions… ALL DUE on APRIL 3 for CRITIQUE & PRESENTATION.

#NoMrKorb in the #ArtStudio @fjkorb is missing! Nope… #Volunteering Elsewhere for the #Arts

Kandisnky as an Impression Painter: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000276/189732_3296010.jpg

“Perseverance is failing nineteen times and succeeding the twentieth.” — Julie Andrews


Drawing: Soft Pastels

 

1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What ONE bit of theory has stuck with you as we have talked about the works and ideas of Wassily Kandinsky? Can you use any of his ideas on color and shape in your work as it is developed?

189732_32960101
Kandisnky as an Impression Painter: http://www.artic.edu/aic/collections/citi/images/standard/WebLarge/WebImg_000276/189732_3296010.jpg

  1. Blending ANALOGOUS colors with and without finger blending
  2. Blending COMPLEMENTS with and without finger blending
  3. Straight and Curved lines with the TIPS and with the SIDES of the pastels
  4. Filling large areas with a color and then doing smaller details over the top with another DIFFERENT color
  5. Blending with CIRCULAR marks as well as BACK AND FORTH marks
  6. Using PAPER as a masking tool
  7. Adding a WHITE HIGHLIGHT over a darker colored surface
  8. Working UPRIGHT on an easel versus on the FLAT on a table top
  9. Cleaning your pastels with paper towel
  10. Experiment on your own – use your initial images of SKETCHING for the VISUAL experiment inspiration
  11. CLEANING with SPRAY and a CLOTH RAG – that’s not an exercise but a technique that will clean a lot faster than paper towel

END OF CLASS TODAY – Write an answer to this on PAGE 19: What NEW ideas do you have about COLOR as you have used pastels?


Studio Art 360: Character Mugs

 

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design. A: How will you use the experience of working in 3D change the way you work in 2D in the future?

A Bit Blurry but... How's YOUR face on a mug? https://i.ytimg.com/vi/7-pk_0b1mKU/hqdefault.jpg
A Bit Blurry but… How’s YOUR face on a mug? https://i.ytimg.com/vi/7-pk_0b1mKU/hqdefault.jpg

END OF CLASS TODAY – Write an answer to this on PAGE 19: If you could do something in the beginning differently, what are the three things you might change? Why? 

DUE END OF CLASS ON THURSDAY.


Advanced Drawing: Figure Drawing and the GESTURE

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Look at the series of works from yesterday… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier?

line-drawings-wang-tzu-ting
GEsture over Gesture over Gesture… well maybe not exactly but… http://www.studentartguide.com/wp-content/uploads/2015/02/line-drawings-wang-tzu-ting.jpg

Next week – LONGER FIGURE DRAWINGS – 

END OF CLASS TODAY – Write an answer to this on PAGE 19: What were the the challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing? How did you SUCCEED?


 

AP Studio Art: WORK on CONCENTRATION

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What have your previous sketches been over the past months? How have you been planning the NEW and Important ideas out for your work? HOW DOES THIS HELP YOU? (Hand out the Artists pages from their websites and remind them of the expectations.)

4c9130b187f9557c4d1aad29c51cdb94
How are YOU doing in YOUR studio? Concentration of works: https://s-media-cache-ak0.pinimg.com/originals/4c/91/30/4c9130b187f9557c4d1aad29c51cdb94.jpg

END OF CLASS TODAY – Write an answer to this on PAGE 19: What materials and ideas are you using that are elevating your concentration? How have you demonstrated the LEARNING and GROWTH in the body of work you have produced? 

WHAT’s the Assignment? If you need another 1, 2, or 3 concentration works – this is your assignment (one at the minimum). You will have your WEBSITE updated with 12 concentration works – PERIOD. You will rework your statements and answers to the AP Questions… ALL DUE on APRIL 3 for CRITIQUE & PRESENTATION.

 

While Mr. Korb is Away the Art Students will #WORK!

AP and Advanced Drawing VIDEO

AP Studio Art: Update to AP Sites / Preparing work for Presentation

Great Quote!

 Goals:

  • 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.
  • How does one of the 5 QUALITY works you’ve chosen represent the visual art abilities that you possess?

When it comes to the making of art, what have you learned in the class about that part of being an artist?

Advanced Drawing: GESTURE!

Goals:

  • 2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
  • What details in the earlier gesture drawings are you forcing yourself to overlook and ignore in the process of the GESTURE drawing? What makes it difficult for you to OVERLOOK these and focus on the ideas of GESTURE?

Next week – LONGER FIGURE DRAWINGS – Be aware of the challenges you faced today? What was the BIGGEST CHALLENGE you faced today in the drawing? 

Drawing: Graffiti and Fauvism

Keith Haring in front of Crack is Wack!

Goals:

  • 1.1Ac: Individually or collaboratively formulate new creative problems based on student’s existing artwork.
  • Think about the PROCESS you have been going through with your drawing. Stop and SILENTLY think. What NEW SKILLS have you learned about / developed in the process of this drawing?

What do you need to look at tomorrow and think about – fix, change, clean up? WRITE THAT DOWN and make sure you deal with that first thing tomorrow! 

Studio Art 360: POP Art Painting

Jim Dine’s Bathrobes – Self Portrait through color and line!

Goals:

  • 1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.
  • What is ONE THING you have learned about the use of ACRYLIC PAINTS so far in the process?

What are three things you would / will CHANGE about the artwork that you are doing SO FAR? We are in a good spot to EXAMINE and REFLECT on the work in front of you. 

April 12, 2013 – FRIDAY

“Employing your imagination is the first step to the fulfillment of any dream.” ― Richelle E. Goodrich

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Art Foundaitions: If you can IMAGINE your ultimate building… what would your building have in it? What would your building be for? What type of business, house, environment, atmosphere would best describe the house? What are you doing to change the building to make it inspired by Frank Gehry?

Click on the above image to see a 4:28 video of Frank Gehry since 1997 at the Vitra Museum.

Cityscape Instructions – 2013 Spring Semester

GOALS:

  1. (1.2) Create 2 point perspective city that demonstrates how your ideas demonstrate your understanding of the media, techniques (VALUE) and processes you use. (P)
  2. (2.3) Create artworks that uses organization and function to solve specific visual challenges.

Knowing that this drawing is DUE on Tuesday of next week, what do you need to do in order to be at a finished point? How do you intend on working this drawing so that you ARE done and it is up to your best ability? We are NOT going to be able to shade the entire drawing (necessarily). What can you do to EMPHASIZE the idea of creating FORM through the use of CHIAROSCURO?

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Drawing: We have critiqued for a good number of days (6th hour has one more class time to critique). Today we are going to to be 3rd hour: polishing the drawings so that they are up to the par that you would like them to be – photograph – work on the papers and 6th hour: Wrap up the critique and if there is time continue to polish the work and prepare it for being done.

What do you have to do to WRAP IT UP and MAKE IT PERFECT?

GOALS:

  1. 3.3 describe the creation of images and explain why they are of value.
  2. 1.4 solve visual challenges using analysis.

What was it that you learned through the process of critiquing that you will CARRY INTO the next project. What skills will you use to make your next work stronger and more successful as a well thought out work?

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AP Studio Art: We have looked at and worked on the CONCENTRATION art pieces for QUITE SOME TIME… What have you been accomplishing with them that you are particularly proud of? What have you done that has caused you stress and anxiety? How do you feel that you can use the pride and frustration to advance and critique the works that you have to finish?

GOALS:

  1. 3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges

What do you have to do this weekend in order to be finished with your 3 works on Monday? We are going to CRIT. on Monday and Tuesday. Take a minute and find someone REALLY FAR AWAY FROM YOU right now (in the classroom) and take ONE WORK that you are struggling with… take the 3 minutes Bryan has announced to us and WRAP UP THE WEEK together (document your thoughts in the journaling portion of the binder).

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Study Hall: What have you done in each of your classes today? 1st hour, 2nd hour, 3rd hour, 4th hour, 5ABC, 6th hour, 7th hour, and what have you brought to 8th hour to work on? Take a moment and consider the work you saw as incomplete on Monday when we sat down with you. Think about what you have accomplished this week and all that you have to still complete. Write down all that you have done to accomplish what you have missed in the first 2 weeks and what you have not finished.

Do you have your work planned out for today? For the weekend?

GOAL:

  1. Remember to Bring Your Homework to School
  2. What have you brought to work on and get finished for the weekend?

What have you accomplished this week that makes you proud? What is something that someone else has done that you have been impressed with? Did you see some of those cool roller-coasters? How about the awesome smelling foods that were coming into our classroom this past week? Check out some of the fantastic drawings made in art class! What is your most memorable class event this week?

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