#EndOfTheWeek is in sight. #OneMoreWeek of #FirstSemester! #WOAH.

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: Onto the LANDSCAPE and LINE / Mark Making Drawings

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Look at ALL THREE drawings from yesterday. Of the 3, which one stands out as the STRONGEST? Which stands out as being the WEAKEST? WHY?

Translating the images from your PHOTOGRAPHS to the paper.

Get out the photographs and begin working on the drawing that has the most work to do. Start with a simple set of lines and then work towards more detail. Work for a variety of DISTINCT lines and VALUES. This is going to be about MARK MAKING.

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Wolf Kahn Experiments – How are you EXPERIMENTING with the lines and the PROCESS that we are attempting to work through? This is a challenge. http://4.bp.blogspot.com/-qgnVPScZXEk/T5VsJizuz3I/AAAAAAAABQs/jmDUJSZfAUg/s1600/IMG_6004.JPG

Stand back from your one drawing and write out 3 things that you are PLEASED with and 1 thing you see that is NOT VERY STRONG

Studio Art 360: LAST DAY TO PAINT – Collage NEXT WEEK for 5 Days.

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What is the aspect of your personality that the COLOR USE and POSE OF THE SELFIE are representing?

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Andy Warhol and Marilyn’s Lips http://www.imranomerart.com/images/essays/lips.jpg

What are the COLORS and the COLOR SCHEME you are using in your painting?

AP Studio Art: CONCENTRATE!

7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.

DON’T LOOK AT YOUR WORK –  Set it out and step back… go get it – step back… Now… turn around and LOOK! What are three things that you see as working and NOT working in the art? GO Get TO WORK!

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Watercolor and Mark Making – How are you ADVANCING your ideas and thoughts through making your work? https://s-media-cache-ak0.pinimg.com/736x/1a/dc/f9/1adcf98791409ae59ca55dc3f3a54719.jpg

You had a lot to think about today… What did you take a away? Look at the ORIGINAL WORK and look at your SERIES of works… what’s happening?

Already #Wednesday – It seems like the week has just begun.

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: Landscapes and YOU – I hope you gathered the images from outside.

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What kinds of lines did you use YESTERDAY that helped you create the image of a LANDSCAPE? How can you see similarities in the WOLF KAHN from today that you have in YOUR image?

Translating the images from your PHOTOGRAPHS to the paper: Begin with one photograph on NICE drawing paper to start. Begin like yesterday and define the space with 7 lines. Switch to another photograph and do the same. Another photograph so we have 3 going right now.

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Long and Slender, Wolf Kahn Painting: https://d32dm0rphc51dk.cloudfront.net/Z-RiaWhh1Skoc035Pd-0qw/large.jpg

What struggles did you face in the simplification of the images? Wolf Kahn Pastel:

Studio Art 360: Last days to paint.

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What are two things that are helping you EMPHASIZING the idea of  YOU as you create this self portrait?

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Jackie by Andy: https://assets.paddle8.com/510/147/16390/p17lft6sa31rpmdj21fn81lhk17k83-xl.png

How can ART be used to discuss IMPORTANT things in culture? List 3 ways in which you could use art to communicate ideas.

AP Studio Art: Crit among friends.

7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.

How has this last concentration trio challenged you? What about it is challenging? 

You Can Make a Difference Today. Your Generosity Will Have a Direct Impact on the Alzheimer’s Community in Greater Los Angeles.
Making MArks on the Page – All about YOU and YOUR MESSAGES: http://www.alzgla.org/wp-content/uploads/2015/09/LA-Memories-in-the-Making-Patricia-Disney.jpg

You had a lot to think about today… What did you take a away from the 1) conversation and then 2) WORK TIME?

#WelcomeBack – #2MoreWeeks to #MakeArt

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: Mark Making – PASTELS (No… the FINAL work isn’t going to be pastel)

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What are some of the photographs that you made over the past VACATION that you are able to use in the upcoming Artwork? Share your images with your classmates.

ON INEXPENSIVE DRAWING PAPER… Start with 2 or three colors to FILL the SKY and the GROUND (horizontal shapes) and then begin with identifying the BASIC lines in front of you. Start with 7 lines to define the ENTIRE photograph. What is a line?

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Wolf Kahn and some KIDS works – can you work to this level? http://3.bp.blogspot.com/-2NmizF4IoEo/T5VsHvaT-rI/AAAAAAAABQU/m2VWPdJYJFg/s1600/IMG_5996.JPG

What struggles did you face in the simplification of the images?

Studio Art 360: Portraits – FINISH this up this week!

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What are two things about PAINTING in ACRYLIC that you have discovered and will STAY WITH YOU in the future?

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Chuck Close: James: http://www.artyfactory.com/art_appreciation/portraits/chuck_close/james.jpg

What is it that you especially enjoy about the image you are creating in your painting? How do the ideas and colors RELATE to you?

AP Studio Art: a few days to finish this set of 3… (or 4 for two of you)

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What have your previous works of art been this year and how have you been planning the NEW and Important ideas for your work? How has the common vision helped you plan the work and GROW as an artist?

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Jacob Lawrence and the important work he has created. Migration Series. https://www.moma.org/media/W1siZiIsIjMxNzIxMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEzNjZ4MTM2Nlx1MDAzZSJdXQ.jpg?sha=ff9d62ea1568ceb8

What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS?

#30Minutes x 8 and you are out the door. #MakeItWork!

20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School

Drawing: Masterworks

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What struggles do you personally find in the making of a continuous line contour drawing? Two things you are challenged by – full sentences.

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Write out all that you have accomplished today. When we come back we are going to be looking at landscapes and observation of that space as well as how we use line. Vincent Van Gogh and the Impressionist Drawings may be a starting point for our final artworks.

Studio Art 360: Painting

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What are two things that are helping you EMPHASIZING the idea of  YOU as you create this self portrait?

What is one way that you feel ART be used to discuss IMPORTANT things in culture?

AP Studio Art: Concentration and WHAT ARE YOU TAKING HOME?

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Best part of yesterday? Plans for today? How’s it coming?

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Masterly crafted art by an AP Studio Artist. Good to see the work. http://redoakart.weebly.com/uploads/8/6/9/2/8692977/7947222.jpg?768

How are you moving forward in the process of developing a series of works based on someone else’s work? How are you keeping the images the SAME and how are you changing the ideas?

#HolyCow – 1 1/2 Days left before #Break, but whose counting?

Drawing: Blind Continuous Line Drawings – OR – Timed OBSERVATION and DRAWING

1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What struggles do you have when it comes to drawing with pencils to begin with? What struggles do you think you might have when drawing them without being able to lift your pencil? How about your sense of OBSERVATION and LOOKING CAREFULLY? What are your biggest struggles?

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OBSERVATION: Time to LOOK at the objects and DRAW them after we look. https://i.pinimg.com/originals/b9/c5/14/b9c514cd519b8ca9ac2ea5af36f7883c.jpg

In the end, what was the biggest challenge / success you had today in the studio?

Studio Art 360: Paint for another day my artists.

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What are two things you think the PROCESS is going to do to help you in the creation of this artwork? How is this going to be a skill that can help you in the future with OTHER ideas and assignments (in or out of art)?

What is it that you especially enjoy about the image you are creating in your painting? How do the ideas and colors RELATE to you?

AP Studio Art: Looking at sketches tomorrow – What are your ideas?

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Best part of yesterday? Plans for today? How’s it coming?

How are you moving forward in the process of developing a series of works based on someone else’s work? How are you keeping the images the SAME and how are you changing the idea?

#Wednesday and 2 1/2 Days to go…

#20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School

Drawing: Mark making and the Pencil (crits. for those who missed it yesterday)

1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

What struggles do you have when it comes to drawing with pencils to begin with? What struggles do you think you might have when drawing them without being able to lift your pencil?

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Lines – How can we use LINE to make art – MOvement TOO! https://s-media-cache-ak0.pinimg.com/736x/e8/3a/f8/e83af84f67c970756dcd50b8aea8084c.jpg

In the end, what was the biggest challenge / success you had today in the studio

Studio Art 360: Painting – yes – more of this

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environment.

how much of your painting have you got covered? What GOALS do you have for the painting today? DO NOT RUSH – Keep an EYE on the LINES and EDGES.

Andy Warhol and HIMSELF: http://artknowledgenews.com/files2009b/Andy_Warhol_Strangulation.jpg
Andy Warhol and HIMSELF: http://artknowledgenews.com/files2009b/Andy_Warhol_Strangulation.jpg

Thick and Thin – How are the colors covering the canvas / lines / underdrawing of the the painting?

AP Studio Art: Concentration and the Website – Get to it!

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Best part of yesterday? Plans for today? How’s it coming?

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CONCENTRATION of an AP Student – SCORE 6 https://image.slidesharecdn.com/apart-100513113841-phpapp01/95/ap-art-4-728.jpg?cb=1273750789

How are you moving forward in the process of developing a series of works based on someone else’s work? How are you keeping the images the SAME and how are you changing the idea?

4 1/2 Days Left – Ok – Let’s Make #ART

#20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School

Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357
Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357

Drawing: CRIT!

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

Looking at the still life in front of you, what is the one aspect of it that you are most pleased with? Why are you so pleased with how you handled the materials and composition? What do you need to TOUCH UP TODAY! Crit Tomorrow!

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Time To Critique: http://www.artic.edu/sites/default/files/styles/slideshow_scale/public/cal_TP_crit_360.png?itok=AhqbYJZS

What was it that you took away from today’s critique? How did you contribute to the success of the conversation?

Studio Art 360: Paint – Let’s get this thing done this week!

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What colors are you going to be using in this portrait? What IS your color scheme and what colors are you going to be using? This is important to know as you begin – PLANNING is essential here!

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Andy Warhol and Marilyn: http://www.georgetownframeshoppe.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/m/a/marilyn36.jpg

What are your thoughts about this as the work is developing as a work of art? This is the VERY BEGINNING of the process – how do you feel about the work? 3 ideas please.

AP Studio Art: Let’s INDIVIDUALLY LOOK at your pages.

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What have your previous works of art been this year and how have you been planning the NEW and Important ideas out for your work based on the work of the residents of Waterford Senior Living? HOW DOES INSPIRATION FROM OTHERS WORK HELP or CHALLENGE YOU?

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Strong Student AP Concentration Work: http://www.ichenartacademy.com/uploads/9/1/6/7/9167260/phoebe-concentration_1_orig.png

What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS? Strong Student Work:

Thursday is a #GoodDay to #MakeArt in the #Studio

If you don’t like change, you’ll like irrelevance even less” General Eric Shinseki

Drawing: 2 Days Left

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

How did the critique from LAST WEEK FRIDAY help you see your work in a new way? What are you doing to FULLY ACTIVATE THE BACKGROUND?

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Cherries – Fred Bell: https://i.pinimg.com/236x/f6/2f/5b/f62f5b81138be08b46c4167c35d7fdd7–fred-leveon-bell.jpg

What do you WANT to do to tie these works together? YOUR VOICE? Is it coming through?

Studio Art 360: Paint (and finish the glaze)

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What colors are you THINKING about using in this portrait? What will your color scheme be and what colors are you going to be using?

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Warhol and the Portrait of Marilyn: http://www.que.es/archivos/201208/4745013w-640x640x80.jpg

What struggles are you having with this drawing / beginning of the painting so far? This is DUE at the end of NEXT week. DO NOT RUSH.

AP Studio Art: Computer Work? Photography? Website? Finish the Concentration from LAST WEEK?

Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information.

How have you been able to use the NEW skills you’ve developed this year and create a STRONG BODY of CONCENTRATION works? How are you being interested in the CONCENTRATION work that you are creating? How do you see your works as a whole as you are photographing and uploading your images?

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Helen Frankenthaller: http://www.raneytown.com/wp-content/uploads/2012/01/3455854_slideshow.jpeg

Knowing that you are working on your concentration works and STRONG IDEAS with SKILL Building ideas, how are you advancing the ideas of the ARTIST’S JOB? (Or would you like to draw / make JUST TO MAKE ART TO CHALLENGE YOURSELF)?

#LateStart #Wednesday – HALF THE TIME – TWICE THE WORK

If you don’t like change, you’ll like irrelevance even less” General Eric Shinseki

Drawing: WORK for a HALF HOUR – WORK!

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Final Crit MONDAY – What skills are you looking to develop?

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FRED BELL tomatoes: https://i.pinimg.com/236x/a1/61/05/a161050a5a3643b8599ba3abe031c239–fred-tomatoes.jpg

What feedback did you take away from Friday’s MID CRIT that you see being put to use today? Critique?

Studio Art 360: Glaze and DIP Glaze too. Portraits! Color Schemes.

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What struggles did you have in the glazing of your work yesterday? How can you avoid that today?

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Dipping for the final coat of glaze – CLEAR coat and COLORED Coats: https://s3.amazonaws.com/amacobrent/projects/images/169/large_Screen_Shot_2015-09-01_at_9.03.11_PM.png?1441155817

How do you feel about the sculpture / artwork as you have now finished glazing it? What do you hope to do with it when you get it back in a week?

AP Studio Art: Work and Work and WORK some more!

Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information.

Looking at the AP Rubric and Standards – how are you using traditional (or better) BREAKING contemporary art making practices? Please give 2 specifics.

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Keith Haring (He’s Coming Up in the near future with Scholastic Arts). https://d2jv9003bew7ag.cloudfront.net/uploads/Keith-Haring-via-artreport-com.jpg

While we HAVE NOT EMPHASIZED this… How much work have you photographed, edited, and uploaded to the computer?  How can I help you?

 

#Friday? #What! Yes… It is Friday.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good…” Ira Glass


Drawing: Mid Critique

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

What are 3 things you would like to hear about your work that you feel would help you with your drawing(s).

Get your handbooks and turn to p23. As the artist:

  1. Speak about your objects and why you chose them.
  2. Speak about 2 challenges you are having currently and WHY you are struggling.
  3. Speak about 2 successes that are new to you in this drawing series.

Listen to each person and write down, in full sentences, the comments they make about your work. As a critic:

  1. Speak about the areas of their work that are successful and WHY you see it as a success.
  2. Speak about the an area of their work that you see is in need of attention and HOW they might be able to overcome the issue or WHY you feel there is a struggle in the work.

painting_critique

Crit. G: What are 3 things that you took away from the critique today? Write it out as to help yourself move forward.


Studio Art 360:

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are the biggest challenges that you see facing you today in the process of enlarging the photographs? Are you about ready to begin the painting process?

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What challenges did you face today in the gridding out of the portrait? Are you ready to begin the painting part of the process?

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AP Studio Art: Monday – CRITIQUE / Helen Frankenthaller / Photography this coming week.

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Thinking about the work that you are doing… what are the visual skills that you feels you are developing? how has this year been beneficial to you so far?

 

What is the ONE SKILL that you feel would be worth your time to continue to FOCUS and CONCENTRATE on? CRITIQUE on MONDAY! Richard Estes Working: