#WelcomeBack, now let’s #MakeArt (and #Critique)

“If I persist, if I continue to try, if I continue to charge forward, I will succeed.” — Og Mandino

1239979
Failure is an OPTION! Do(n’t Qu)It https://media.licdn.com/mpr/mpr/p/5/005/096/06f/1239979.jpg

“And even if you don’t succeed… there is NOTHING wrong with failure (just get back and try again – and again – and again…).” – Frank Korb 


Studio Art 360: Critique PORTRAITS and COLOR THEORY

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are the strengths of your work that you are most proud of in your painting? What challenges did you struggle with the most? YELLOW STICKY NOTE!

ak-double
Alex Katz in front of his own work. Let’s see you in front of yours! https://static1.squarespace.com/static/526498c9e4b0f1fda0be61d3/t/52d4d096e4b0002632d29461/1389678743130/AK-double.jpg

 Critique and prep for tomorrow’s glazing of work. G: How did the critique help you look at the skills and challenges in making art? Alex Katz: Portrait: 


Painting: Portraits and OILS

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

You’ve been away for some time… take a moment and look carefully at your artwork. What stands out as STRONG? What stands out as “I need to work on this?” Write out a BRIEF statement about the work in front of you.

use-oil-paints-800x800
Oil Painting – How do you feel about coming back to it? http://img.ehowcdn.com/615×200/ehow/images/a04/6v/40/use-oil-paints-800×800.jpg

What “discoveries” or “new insights” have you found about your work? 


Drawing: Critique your Portraits

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

As you look over the final portrait – what are the skills you found that you have that you might not have seen at the beginning of this process? ALSO – Tomorrow – you begin on your final drawing for the semester – your OWN creation – ALL YOUR OWN IDEAS.

joemarinaro
Critique! http://www.thefeministwire.com/wp-content/uploads/2014/04/JOEMARINARO.jpg

Day of critiquing is reflection enough.


AP: Let’s Talk Concentration

3.1Ad: Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.

How are you evolving in the development of your work – your concentration of works? What are three things that you see as true growth?

5213149069_c6bda1985e
Critique https://farm6.staticflickr.com/5289/5213149069_c6bda1985e.jpg

What are you looking to do with the “last” / next set of three? 

 

#ThankGoodness it’s #Friday

#90 “You can condense, but you cannot simplify.” —Ann Lauterbach, personal conversation: The world is infinitely complex, and any attempt to simplify, which means the elimination of contradictory elements, will fail to capture that complexity. One can, however, attempt to compress or condense those elements into a more abbreviated or altered form. That is the role of metaphor. Kit White 101 Things to Learn in Art School


Studio Art 360: Grids on the Canvas and the Drawing and Transfer it up to the Canvas

What colors are you going to be using in this portrait? What IS your color scheme and what colors are you going to be using? This is important to know as you begin – PLANNING is essential here!

marilyn36
Marilyn Monroe – Andy Warhol: http://www.georgetownframeshoppe.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/m/a/marilyn36.jpg

What are your thoughts about this as the work is developing as a work of art? This is the VERY BEGINNING of the process – how do you feel about the work? 3 ideas please. 

PORTRAITS are HERE!

SKETCHBOOK TUESDAY – FOR NEXT TUESDAY: Using a camera ON YOUR OWN TIME THIS WEEK RECREATE a famous painting, sculpture, drawing… Print out the photograph that you have created and also include the famous work of art that you were inspired by. Here are a few examples: Student Examples: https://goo.gl/Tvwv4X


PAINTING: Making Plans? Got your Photo?

What do you need to do in order to be READY to transfer your image up to the canvas on MONDAY? Study Halls? After School? Before School? PROCESS! THIS IS HUGE.

selffrontal2008sm
Milwaukee Artist – Katie Musolf – Self Portrait: http://4.bp.blogspot.com/_nrDR7SFveHc/S3MOoZ7No7I/AAAAAAAAAMs/1XYjyXGkVyY/s1600/Selffrontal2008sm.jpg

Today – Successful in the process? Finished? What did you accomplish today and how did you help your classmate out? Katie Musolf 

 


DRAWING: Fauvists and YOU!

What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor. We are going to make photographs of the work we have RIGHT NOW

hb_1999-363-83
Maurice de Vlamink “Andre Derain” http://www.metmuseum.org/toah/images/hb/hb_1999.363.83.jpg

After having had a chance to look at the progress of your work so far, how do you feel you are progressing? What do you feel you need to do in order to have a solid product by the end of next week?

Andre Derain by Maurice de Vlkamink 

 

 


AP STUDIO ART: Concentration 3rd of 3

Letters to our AUTHORS – Put your letter in THIS DOCUMENT. I will finish the spacing and page separations. Please do this today so we can gather the info and mail it out by Friday. Thanks.

What is happening in your classmates work that you are truly glad to see happening? Write that out and then take a moment to give them encouragement and support.

65617288

What’s on your plate for the weekend? What have you got to work on? Website? Artwork? Job? Relationships? Make sure some of it is ART.

 

 

#Tuesday and #TooMuchToDo in the #ArtStudio

#90 “You can condense, but you cannot simplify.” —Ann Lauterbach, personal conversation: The world is infinitely complex, and any attempt to simplify, which means the elimination of contradictory elements, will fail to capture that complexity. One can, however, attempt to compress or condense those elements into a more abbreviated or altered form. That is the role of metaphor. Kit White 101 Things to Learn in Art School


Studio Art 360: Grids on the Canvas and the Drawing and Transfer it up to the Canvas

THE RULER GAME!

inch-ruler-standard-lifetime-46567091

http://www.markgreenbergphotography.com/images/warhol/andy_warhol_01.jpg

OUR MEASUREMENTS for the GRID on CANVAS!

1 3/8″, 2 3/4″, 4 1/8″, 5 1/2″, 6 7/8″, 8 1/4″, 9 5/8″, 11″, 12 3/8″

PORTRAITS are HERE!

SKETCHBOOK TUESDAY

FOR NEXT TUESDAY: Using a camera ON YOUR OWN TIME THIS WEEK RECREATE a famous painting, sculpture, drawing… Print out the photograph that you have created and also include the famous work of art that you were inspired by. Here are a few examples: Student Examples: https://goo.gl/Tvwv4X

get done today to make REALLY GOOD PROGRESS so you are either DONE transferring the image or you have VERY LITTLE to do over the next two days at home or in study hall?

How many squares did you get transferred up to the canvas today? What are 2 things that make this an exciting for you or scary for you artwork? 


PAINTING: Making Plans? Got your Photo?

ASSIGNED DATES ON THE SAW – You’re ALL getting a day! Canvas BUILT by Friday!

What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build.

What stage are you at in the process of building the canvas? How can you offer assistance in the process with your classmates.  http://ruthshively.com/

ASSIGNMENT Here

http://www.nancydusenberry.com/paintings.html


DRAWING: Fauvists and YOU!

What’s holding you back? What has propelled you forward in the process?

Are you taking pastels home? Where are you going to work on the drawing? What has been the HARDEST PART of the drawing?


AP STUDIO ART: Concentration 3rd of 3

While looking at your studiomates work, how do  you see the works needing to GROW? Do you see  yours growing?

What have you come up with? What materials are you planning on using? How does it fit into your current body of work? 

 

9 Days until #Break! So much to do.

dt1326
Constantine Brancusi “Bird in Space” http://images.metmuseum.org/CRDImages/ma/web-large/DT1326.jpg

#90 “You can condense, but you cannot simplify.” —Ann Lauterbach, personal conversation: The world is infinitely complex, and any attempt to simplify, which means the elimination of contradictory elements, will fail to capture that complexity. One can, however, attempt to compress or condense those elements into a more abbreviated or altered form. That is the role of metaphor. Kit White 101 Things to Learn in Art School


Studio Art 360: Grids on the Canvas and the Drawing and Transfer it up to the Canvas

THE RULER GAME!

inch-ruler-standard-lifetime-46567091

http://www.markgreenbergphotography.com/images/warhol/andy_warhol_01.jpg

OUR MEASUREMENTS for the GRID on CANVAS!

1 3/8″, 2 3/4″, 4 1/8″, 5 1/2″, 6 7/8″, 8 1/4″, 9 5/8″, 11″, 12 3/8″


PORTRAITS
 are HERE!

Looking at the portrait of yourself that you have created a tracing of, what portion of the face do you feel is going to be the most challenging to transfer ONE SQUARE AT A TIME and WHY?

04162012_edu_andy-warhol-self-portrait-1964_large
Andy Warhol: http://www.warhol.org/uploadedImages/Warhol_Site/Warhol/Content/Education/Resources_and_Lessons/Aesthetics_Unit/Images/04162012_EDU_Andy-Warhol-Self-Portrait-1964_large.jpg

How many squares did you get transferred up to the canvas today? COUNT THEM and do some math. 88 squares minus what you got done today… this is what you have left. How much more for this week? 

What part of the process of tracing and transferring the image up to the canvas did you struggle with? Name 2 things that were challenging.


PAINTING: Making Plans? Got your Photo?

ASSIGNED DATES ON THE SAW – You’re ALL getting a day! Canvas BUILT by Friday!

ASSIGNMENT Here

 

What is the color scheme you have chosen for you composition? Please explain WHY you are headed that direction and THEN explain it to a classmate.

NPG 6185; Harold Pinter by Justin Mortimer
“Harold Pinter” Justin Mortimer: http://images.npg.org.uk/264_325/3/7/mw08237.jpg

What is the ONE big challenge you will have in the process of building a canvas? What are TWO strengths in the planning of your painting?

http://www.nancydusenberry.com/paintings.html


DRAWING: Fauvists and YOU!

 

Take a HARD LOOK AT YOUR DRAWING and determine what you need to focus on in the next 46 minutes. WRITE IT OUT!

b34c85e0db5e975eab91b6b6d3dfd0f4
Alexi Von Jawlenski: Spaniard with Red Scarf: https://s-media-cache-ak0.pinimg.com/236x/b3/4c/85/b34c85e0db5e975eab91b6b6d3dfd0f4.jpg

What did you accomplish with your drawing today? Are there aspects of your goal at the beginning of the hour that you accomplished? Didn’t accomplish? Why? Explain.


AP STUDIO ART: Crit – Figure Drawing then the Concentration AGAIN!

 

On your GALLERY Images: “Title,” Your Name, Height” x Width”, Medium, Year. DO THIS NOW so it is EASIER in May. I am disappointed that Friday came and went and some are NOT done. Zero’s are SET, you can earn points again later…

As you look at the work in front of you, what element / principle stands out in your ARTWORK? What have you taken away from this process of OBSERVATION and REWORKING the ideas in your drawing? How can you use these ideas as you move forward in your CONCENTRATION?

calvins-artists-statement
Calvin and Hobbes Critiquing Art. http://hyperallergic.com/wp-content/uploads/2013/05/Calvins-artists-statement.jpg

What did working on the figure drawing do for you in the process of developing /  articulating yourself through your artwork?

 

 

#Friday. FINALLY

/4#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror. Kit White 101 Things to Learn in Art School.


Studio Art 360: Grids on the Canvas and the Drawing

How is BREAKING the image down to basic shapes going to make the process of creating a memorable and successful work of art easier?

THE RULER GAME!

inch-ruler-standard-lifetime-46567091

http://www.markgreenbergphotography.com/images/warhol/andy_warhol_01.jpg

OUR MEASUREMENTS for the GRID on CANVAS!

1 3/8″, 2 3/4″, 4 1/8″, 5 1/2″, 6 7/8″, 8 1/4″, 9 5/8″, 11″, 12 3/8″

What challenges did you have today with the transferring of the portrait up to the canvas? Two struggles?
PORTRAITS
 are HERE!

What do you think the PROCESS is going to be in how we DUPLICATE the image over to the canvas? What colors are you considering for the portrait?

What part of the process of tracing and transferring the image up to the canvas did you struggle with? Name 2 things that were challenging.

Check out the photos from the UWM Field Trip: https://goo.gl/lmmiu9


PAINTING: Making Plans? Got your Photo?

ASSIGNMENT Here

What challenges do you see in the use of OIL paint versus Acrylic paint? What advantages do you see in the use of oil over acrylic?

Vermeer – Details of pearls

What ideas do you see coming out from others works as you took the 4 minutes to walk around today and see what others are doing? How can you see working with OTHERS in a COMMUNITY as being beneficial to the development of your art?

Reginald Baylor Portrait


DRAWING: Fauvists and YOU!

What is successful in your artwork? What is the color scheme you are using? Share this with your neighbor.

“Henri Matisse” Andre Derain – Fauvism

What is the progress of the drawing thus far? What is your neighbor doing well? What is your neighbor not doing successfully? Share your thoughts with your neighbors. 

 


AP STUDIO ART: Figure Drawing

Copy and Paste your LETTERS to the ADVENTURE! authors in THIS DOCUMENT so I have ONE FINAL DOCUMENT. I can go through to make small changes, but make sure you COPY AND PASTE your FINAL LETTER INTO THIS DOCUMENT. Thanks.

Look at the series of works from yesterday… how have you begun to see the figure differently? Are you thinking about the the FORM in a different fashion than you had earlier?

What did taking an entire minute away from your drawings do for you? Harder? Easier? What did you have to do DIFFERENTLY? 

REMEMBER -ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

#Thursday in the #ArtStudio – FUN!

#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror. Kit White 101 Things to Learn in Art School

Bell Schedule for Thurs. 12/8

1 hour          7:25 – 8:02
2 hour          8:07 –  8:46
3 hour          8:51 – 9:28
4 hour          9:33 – 10:10
Assembly    10:15- 11:10
5A lunch      11:10- 11:40
5B lunch      11:40 – 12:10
5C lunch      12:10 – 12:40
6 hour          12:45 – 1:22
7 hour          1:27 –   2:04
8 hour          2:09 –   2:46

STUDIO ART 360: PORTRAITS and HERE WE GO!

PORTRAITS are HERE!

What do you think the PROCESS is going to be in how we DUPLICATE the image over to the canvas? What colors are you considering for the portrait?

chuck-close-working-self-portrait
Grid with Chuck Close – How are we doing it? Yep! http://www.artyfactory.com/art_appreciation/portraits/chuck_close/chuck-close-working-self-portrait.jpg

What part of the process of tracing and transferring the image up to the canvas did you struggle with? Name 2 things that were challenging.

alex_katz_self-portrait_with_sunglasses__0
Alex Katx: http://images.tate.org.uk/sites/default/files/images/alex_katz_self-portrait_with_sunglasses__0.jpg

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Making Plans? Got your Photo?

ASSIGNMENT Here – RESEARCH today!

Which direction have you decided to go in regarding the use of colors while using oil paints? What kind of mood / feeling do you hope to incorporate into the idea of your painting?

4419634_orig
Details in Oil and Collage: http://www.mauradibartolo.com/uploads/2/6/1/2/26123522/4419634_orig.jpg

Have you  decided HOW you are going to break apart the space that you are building in the painting? Are you emphasizing the new SHAPES or are you developing the LINES that you have in the portrait?

eowyn_lores
Jill Millward – I’m buying a work of hers! Woo Hoo! https://jillmillwardartworkdotcom.files.wordpress.com/2016/03/eowyn_lores.jpg?w=924

DRAWING: Fauvists and YOU!

Take a look at your previous week’s works – where did you struggle the most with the idea of the portrait? Where did you succeed the most? How do you use the ideas of chiaroscuro and color to better define the ideas of form (in the face especially)?

498px-henri_matisse_self-portrait_in_a_striped_t-shirt_1906
Matisse – Fauvism! http://www.craftsy.com/blog/wp-content/uploads/2013/10/498px-Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_1906.jpg

What was the most challenging part for you to draw that you LEARNED the most from? Why was this most difficult way to go and how do you see the LEARNING? What is most important about drawing when it comes to observation?


AP STUDIO ART: Figure Drawing

How did you struggle with the drawing from yesterday? What do you see as TWO benefits from learning how to GESTURE DRAW?

sheet-with-numerous-figure-sketches
Van Gogh: http://www.vangoghgallery.com/catalog/image/1649r/Sheet-with-Numerous-Figure-Sketches.jpg

What strengths did you develop in your drawing today? What three things do you look at with your drawing and say – “Hey… that’s not so bad!” 

REMEMBER -ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

NEW TIME – 7:00AM – The Weeks go by SO FAST!

#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror. Kit White 101 Things to Learn in Art School



STUDIO ART 360: PORTRAITS and HERE WE GO!

PORTRAITS are HERE!

What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?

chuck-close-working-self-portrait
Grid with Chuck Close – How are we doing it? Yep! http://www.artyfactory.com/art_appreciation/portraits/chuck_close/chuck-close-working-self-portrait.jpg

What challenges did you face with the grid?

 

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Making Plans? Got your Photo?

ASSIGNMENT Here – RESEARCH today!

3490805730_baa8154e3a
CAKE – Wayne Theibauld TEXTURE! http://farm4.static.flickr.com/3371/3490805730_baa8154e3a.jpg?v=0

What are the first areas you feel that you will begin working on as you approach your oil painting?

tumblr_lxxobuhehh1qz6xmmo1_400
Karen Klimnick: http://3.bp.blogspot.com/-ToB8hxrgNzY/T5nbZqMZjNI/AAAAAAAAIF8/jKYB_FE4_fU/s1600/tumblr_lxxobuheHh1qz6xmmo1_400.jpg

What was surprising about the use of oils as you began working today?

http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: Colored Pencils and YOU!

 

Having looked through Matisse’s Portraits – How are you going to use the ideas of Kehinde Wiley and APPROPRIATING COMPOSITION to develop the ideas for your self portrait?

kw-pa12-010-saint-denis
Kahinde Wiley: http://kehindewiley.com/wp/wp-content/uploads/2014/02/KW-PA12-010-Saint-Denis.jpg

How have you progressed with the use of photography and the Henri Matisse images to help you develop your understanding of composition and contemporary art? What do you think you are doing to develop the ideas of the late 1800’s and early 1900’s into the early 2000’s?

Symbolism and Portraits: http://www.museumnetworkuk.org/portraits/theme/settingSymbolism/settingSymbolism.html


AP STUDIO ART: Figure Drawing

Looking at yesterday’s gesture drawings – What did you struggle with in the process, in the final product?

image006
GESTURE! http://spssailors.org/pschulz/Sites/Gesture%20Drawing_files/image006.jpg

What is most important about drawing when it comes to observation?

REMEMBER -ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.

#Thursday and #Paint and #Portraits – ALL AROUND!

52 Every color has an opposite, called a complement. Complementary colors sit opposite one another in the color wheel. Additionally, all colors are affected by the presence of other colors. Even the smallest presence of a complement will enhance the intensity of a color when it is present in the same visual field. The presence of red, for instance, will cause the retina to “seek” green in the other colors present, hereby enhancing all parts of the green spectrum. If you wish to intensify a color in a composition, place some of its complement nearby. This applies to all media. The effective use of color is one of the greatest tools at an artist’s disposal. – Kit White 101 Things to Learn in Art School

STUDIO ART 360: Sketchbook (and Color Scheme)

PORTRAITS on the HORIZON!

04162012_edu_andy-warhol-self-portrait-1964_large
Andy Warhol: http://www.warhol.org/uploadedImages/Warhol_Site/Warhol/Content/Education/Resources_and_Lessons/Aesthetics_Unit/Images/04162012_EDU_Andy-Warhol-Self-Portrait-1964_large.jpg

What is the emotional feeling that you are showing in your photograph / selfie? From all the color schemes, what color scheme best fits you?

brillo-box-foam-ottomans-by-fab-com-and-the-andy-warhol-foundation-photo-by-nick-hughes-for-yellowtrace-02
Moving into the world of POP art! http://assets.yellowtrace.com.au/wp-content/uploads/2013/05/Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg

What 3 challenges do you see in the process of mixing colors? 

BTW…

frank,
the results r great !! i am actually very impressed that you went beyond –
to make a drawings of the crumble pieces. it is a perfect move –
to show kids the possibilities and open the wide range of vision.
just perfect move!) and next one – as you said seems perfect too –
to the large scale paintings from it. plus it does bring the idea of pop –
using common objects reminding of course of warhol as well as rosenquist paintings
v
ps. next time in WI – coffee would be great)
Check out the photos from your Sketchbook last week! HERE

Check out the photos from the UWM Field Trip last week: https://goo.gl/lmmiu9


PAINTING: Oil Painting Coming Up Soon… Let’s build a canvas!

What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build.

What can YOU draw well when it comes to the portrait? Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg
What can YOU draw well when it comes to the portrait? Katherine Fox: “Face 3: Self-Portrait” Practice in your sketchbook! https://s-media-cache-ak0.pinimg.com/736x/9f/fb/ca/9ffbcae8de3b925577329c6197a6b51b.jpg

Practicing the FACIAL FEATURES is a lot of work. Looking at the few facial features / shapes / forms you have drawn today… what is the #1 Challenge (and WHY) you faced – no pun intended.

ASSIGNMENT Here

Using CONTEMPORARY ARTISTS as your impetus… you will need to RESEARCH a GALLERY ARTIST that is CONTEMPORARY and base your pose on their composition. This might be homework, but it’ll be woth it! http://artviaanderson.weebly.com/theory-and-practice/self-portraits-then-and-now


DRAWING: LISTEN TO ME!

 

How was the NOSE such a different facial feature to draw than say the MOUTH or the EYES? Please explain your ideas here.

features-ears-1
http://www.yalescientific.org/wp-content/uploads/2011/05/features-ears-1.jpg

What mistakes did YOU make – how bad were they when it came to ears? Other parts of the face that caused you grief?


 AP STUDIO ART: CRITIQUE TODAY and the Website and Uploads! I’ll Photograph your images!

How are you doing on the webpage? What challenges are you facing? How many photographs have you made?

https://i0.wp.com/doejo.com/wp-content/uploads/old/man_at_old_computer.png
http://doejo.com/wp-content/uploads/old/man_at_old_computer.png

With ALL that is going on these past two weeks – and little input from me… what have you accomplished VISUALLY and / or TECHNOLOGICALLY?

THURSDAY! TYPE up a 200 word MAXIMUM page to introduce yourself and describe the work you have created – how can you help the author understand the image / artwork you created in response to their story? In case you need to RELISTEN… https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#FieldTrip to #UWM with #StudioArt360 #Artists – Others… #Studio #Work

51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

STUDIO ART 360: color and Color Schemes

UW-M Field Trip: Meet at DOOR #8 (Main Office) at 7:55 and we leave from there. We will NOT be dismissing you via the announcements – you’ll just have to  know to get up and leave class quietly and respectfully.

 


PAINTING: Hallways and Abstraction OR Sketchbooks!


DRAWING: Kandinsky- Computer Lab – Google SlideShow

Expressionist Wassily Kandinsky Painting
Kandinsky painting hos works – in a TIE! https://s-media-cache-ak0.pinimg.com/originals/46/3e/aa/463eaa78c26e9402afe875bd79008723.jpg

AP STUDIO ART: Adventures!

 

this_american_life

Listen to ONE OF THESE STORIES about ADVENTURE from ACT TWO! Tell a STORY and we will share it with Ira Glass: https://www.thisamericanlife.org/radio-archives/episode/448/adventure 

#Middle of the #Week – Already? Making #Art in #Stduio

delta-theta-1961
Morris Loius “Delta Theta” 1961 COlor Field Painter: https://uploads8.wikiart.org/images/morris-louis/delta-theta-1961.jpg

#69 Color is not Neutral It has an emotional component. Certain colors have specific associations and induce certain responses. Learn what they are. When you use color, try to determine and understand the accompanying emotional response and how to use it effectively. Color has a visceral impact. – Kit White 101 Things  to Learn in Art School.


capture


Studio Art 360: Color Wheel and Schemes!

Permission slips are due Monday. If you’re interested, or need a new one, let me know.  I will be accepting people until Friday.

What are the PRIMARY colors in the color wheel? What are the SECONDARY colors in the color wheel? How do you MIX the secondary colors? STICKY NOTE QUIZ!

Something is wrong with this color wheel... What is it? https://artwithkorb.com/wp-content/uploads/2011/04/color_wheel_pencils.jpg
Something is wrong with this color wheel… What is it? https://artwithkorb.com/wp-content/uploads/2011/04/color_wheel_pencils.jpg

Review with your neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors. 


PAINTING: Hallways and Abstraction

How does this work relate to the space / feelings about the space or yourself? What can you do with the VISUAL ARTS that the written or spoken word cannot? Have you begun or finished the written critique? Have you reflected and edited the critique? DUE WHEN YOU WALK IN TOMORROW! Bring in a snack to eat during the CRIT!

Sean Scully and his work: https://i0.wp.com/gabriellejones.com.au/wp-content/uploads/2014/01/1997_scully.jpg
Sean Scully and his work: http://gabriellejones.com.au/wp-content/uploads/2014/01/1997_scully.jpg

What is the strongest aspect of your painting that you feel communicates a message or feeling?


Drawing: Kandinsky- CRITIQUE!

What were the similarities and differences in your ideas and Kandinsky’s

Kandinsky's work - how did you do? https://i0.wp.com/www.moma.org/collection_images/resized/443/w500h420/CRI_241443.jpg
Kandinsky’s work – how did you do? http://www.moma.org/collection_images/resized/443/w500h420/CRI_241443.jpg

How does your art compare with the work of “professionals” and how can you work to create a better understanding of your approach / intent / ideas?) 


AP Studio Art: Concentration

How have you been able to use the NEW skills you’ve developed this year and create a STRONG BODY of CONCENTRATION works? How are you being interested in the CONCENTRATION work that you are creating?

anne-truitt-working
Anne Truit and her Paintings / Sculptures. (MAM has a couple) http://s3.amazonaws.com/auteurs_production/images/film/anne-truitt-working/w856/anne-truitt-working.jpg

Knowing that you are working on your concentration works and STRONG IDEAS with SKILL Building ideas, how are you advancing the ideas of the ARTIST’S JOB? (Or would you like to draw / make JUST TO MAKE ART TO CHALLENGE YOURSELF)?

What is the CENTRAL IDEA behind your concentration? Remember that you need to have a common thread / common theme / CENTRAL IDEA that ties your works together.

ASSIGNMENT PART 2: 3 concentration works. DUE NOVEMBER 21.