#Tuesday in the #ArtStudio – I am still here!

Composition is the foundation of image making. It is the spatial relationship between all of the parts in an image. Whether a drawing, a painting, a sculpture, a photograph, a video, or an installation, how a thing is composed determines its look, its feel, and its meaning. Compositional variation, like musical tunes, is limitless.  101 Things to Learn in Art School Kit White © 2011 Massachusetts Institute of Technology and Kit White


Stained Glass: WORK TIME! Foil / Cut / Repeat

10.1Ac: Utilize inquiry methods of observation, research, and experimentation to explore unfamiliar subjects through art-making.

How many pieces did you get to yesterday? How many do you still have to cut and make sure fit?

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Cleaning up the foil of the stained glass: http://everythingstainedglass.com/wp-content/uploads/2016/08/trimming-copper-foil.jpg.pagespeed.ce_.kWQ6zyZ64c.jpg

What has been your biggest sense of achievement in the process so far? Are you pleased with the process – the idea of the final product?

BY THE WAY: everything-stained-glass.com is a good site for your own personal research.

CIaD: Gather into InDesign and then we will PRINT! Don’t Forget to REVERSE the image in AI.

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What is it you are MOST PLEASED with regarding your shirt design? While we are PRINTING and PEELING your work – you are beginning the MODERNIST PROJECT (another t-shirt? I hope so – these can be cool to wear.) The second shirt will require a $2.00 resale (first one is free – then you have to pay – some of – the cost.)

The Gardener Vallier c.1906 by Paul C?zanne 1839-1906
Cezanne at the TATE Gallery – Moderism: http://www.tate.org.uk/art/images/work/N/N04/N04724_10.jpg

What work have you chosen for the Modernism Artwork? What drew you to that artist? What is MODERNISM… Visit the TATE GALLERY for some good information HERE.

Drawing: Work for a couple of more days

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

HOMEWORK PRIOR to the CRITIQUE: https://goo.gl/Vi3kNQ (in google Classroom) Google Form. You can also go through Google Classroom for the same form. – Let’s look at it for a moment…

Last day in class is tomorrow. How many drawings have you got DONE? What do you need to do to be ready for your CRITIQUE DAY? We are critiquing them on Thursday- Get ready to TALK.

detail-from-david-hockney-009
David Hockney Drawing: https://i.guim.co.uk/img/static/sys-images/Books/Pix/pictures/2014/4/15/1397563411506/Detail-from-David-Hockney-009.jpg?w=700&q=55&auto=format&usm=12&fit=max&s=9009962a39e4cf07fa5eccd55048f6be

What do you need to do in order to wrap things up for Monday? Excellent job with your Observational skills. Let’s take one more day to polish up the ideas. You’ll talk about 3 of the drawings (maybe 4)… How many have you drawn

AP Studio Art: Concentration

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

What has this LAST batch of images helped you LEARN as an artist?

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Picasso’s Sketchbook on his journey tohis”Concentration” http://juddtully.net/wp-content/uploads/picasso_sb_2.jpg

We’re going to create one more SOLID SET of CONCENTRATION BEGINNING NEXT WEEK. Think about the FIRST works you created and the LAST work we are wrapping up this week. WHERE have you TRULY GROWN in the development of your work?

Adv. Drawing: Still Life a few more days

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

HOMEWORK PRIOR to the CRITIQUE: https://goo.gl/Vi3kNQ (in google Classroom) Google Form. You can also go through Google Classroom for the same form. – Let’s look at it for a moment…

How did last week’s critique help you or challenge you as you looked at it from that distance and heard from Mr. Korb or your fellow artists?

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Paper Bag Still Life” http://www.utdallas.edu/~mel024000/pages/2D_Design/PaperBagDrawing/paperbagdraw.jpg

Talk to your neighbor / partner about the potential meaning behind your work. Write those thoughts down PLEASE?

 

Let’s try #Friday today on #Monday. I hope you had a productive #SnowDay.

 

Composition is the foundation of image making. It is the spatial relationship between all of the parts in an image. Whether a drawing, a painting, a sculpture, a photograph, a video, or an installation, how a thing is composed determines its look, its feel, and its meaning. Compositional variation, like musical tunes, is limitless.  101 Things to Learn in Art School Kit White © 2011 Massachusetts Institute of Technology and Kit White


Stained Glass: Foil and then Homework

10.1Ac: Utilize inquiry methods of observation, research, and experimentation to explore unfamiliar subjects through art-making.

First day in the studio this week to cut the glass. Today we learn to FOIL the work so we can move along in the process. What have you been struggling with so far? Open your handbook to page 11 so we can begin to reflect.

wrapping-foil-around-glass
Foiling stained glass: http://everythingstainedglass.com/wp-content/uploads/wrapping-foil-around-glass.jpg

BY THE WAY: everything-stained-glass.com is a good site for your own personal research.

How many individual pieces of glass did you get CUT last week? How many did you get FOILED today? Remember that we have a GOAL of 4+ pieces to be worked with EACH DAY… Are you meeting your goals?

CIaD: Logo Design and Adobe InDesign

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What is individual about your logo that others will be able to look at and EASILY identify that as a logo for someone extraordinary – you?

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Transfer Printing: https://i.ytimg.com/vi/AkGBMYyzxRM/maxresdefault.jpg

How do you feel about the final design of your image? What is successful? What would you do differently? Will it fit on the side of a pen? Will it fit on the side of a blimp? Is it SCALABLE?

Drawing: a QUICK Crit – then work…

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Last days in class are THIS week. How many drawings have you got DONE? We are critiquing them on Thursday and FRIDAY of NEXT WEEK- ALL THREE DRAWINGS. Get ready to TALK. Get ready to TALK.

HOMEWORK PRIOR to the CRITIQUE: https://goo.gl/Vi3kNQ (in google Classroom) Google Form. You can also go through Google Classroom for the same form. – Let’s look at it for a moment…

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David Hockney Trees and Road: https://i.guim.co.uk/img/static/sys-images/Books/Pix/pictures/2014/4/15/1397562958449/David-Hockneys-Woldgate-8-009.jpg?w=620&q=55&auto=format&usm=12&fit=max&s=48ed2ae6690eae9214e52c40d736945b

What do you need to do in order to wrap things up for Monday? Excellent job with your Observational skills. Let’s take one more day to polish up the ideas. You’ll talk about 3 of the drawings (maybe 4)… How many have you drawn?

AP Studio Art: Concentration

2.2Ad: Demonstrate understanding of the importance of balancing freedom and responsibility in the use of images, materials, tools, and equipment in the creation and circulation of creative work.

What has been your biggest challenge from the past week worth of making art. Today – get together, again, for 10 minutes and talk with one another about the current work. Works 9 – 12 are the second to last set of finished Concentration works. Are you developing a VOICE? Is it CLEAR? Let’s review the ideas of the AP Standards and see if you are a 6.

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Let’s Chat for a moment… http://www.saic.edu/media/saic/gfx/academics/undergraduatedegrees/undergraduateexperience/painting_critique.jpg

As you look back on the bast 2.5 quarters of work, what are 3 of your biggest impressions from your studio mates works?

Adv. Drawing: Still Life

1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.

What skills do you feel you are able to be falling back onto as you move into this drawing? Get ready to TALK.

HOMEWORK PRIOR to the CRITIQUE: https://goo.gl/Vi3kNQ (in google Classroom) Google Form. You can also go through Google Classroom for the same form. – Let’s look at it for a moment…

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Still Life of Paper Bags: http://chriseddins.com/wp-content/uploads/2011/05/paperbagstilllife-300×225.jpg

What has been your most successful area of this drawing today? MID Crit NEXT WEEK!

This is the #LastWeek of the #Semester – #Work and #Art needs to be done!

“Every problem has in it the seeds of its own solution. If you don’t have any problems, you don’t get any seeds.” —Norman Vincent Peal

http://turkeysong.files.wordpress.com/2009/12/buckeye-seed-and-buckeye-trees1.jpg?w=640&h=480
http://turkeysong.files.wordpress.com/2009/12/buckeye-seed-and-buckeye-trees1.jpg?w=640&h=480

Drawing: Landscape and the work of David Hockney

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Look at your series – What are your thoughts about your techniques / compositions? N: Mark making and process over product. Emphasize the ideas of the mark making and observation.

detail-from-david-hockney-009
David Hockney Drawing: https://i.guim.co.uk/img/static/sys-images/Books/Pix/pictures/2014/4/15/1397563411506/Detail-from-David-Hockney-009.jpg?w=700&q=55&auto=format&usm=12&fit=max&s=9009962a39e4cf07fa5eccd55048f6be

What are you happiest with in regard to your drawings? What are the lessons learned as you create a series of works versus one at a time?

David Hockney Landscape Drawing: The Guardian Newspaper link HERE

Studio Art 360: Collage and Gallery hanging

2.1P: Engage in making a work of art or design without having a preconceived plan.

What do you think about when you hear the work COLLAGE? We are going to look at 4 different artists this week and make ONE simple collage each. Della Wells, Romare Bearden, Richard Hamilton, and Kara Walker (began with Pablo Picasso and George Braque).

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Della Wells and collage: http://mainstreetgallery.net/wp-content/uploads/headway/gallery/Wells_61308_PeggyAndLittleT_12x12_300.jpg

What kinds of messages might you be communicating with the ideas of collage? How can you throw the normal rules of art making out the window?

Della Wells BIOGRAPHY

AP Studio Art: Critique

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

As you look at the work in front of you, what element / principle stands out in your ARTWORK? What element / principle from your music are you trying to explain THROUGH your artwork.

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Calvin and Hobbes Critiquing Art. http://hyperallergic.com/wp-content/uploads/2013/05/Calvins-artists-statement.jpg

Continue to develop ideas for the works as you move along. We are doing a SHORT Short project Wednesday – Friday – How will this break help you?

#Friday!? #Woah – SO FAST it came this week. 5 more days of #FirstSemester

“Never tell a young person that anything cannot be done. God may have been waiting centuries for someone ignorant enough of the impossible to do that very thing.” — John Andrew Holmes

Drawing: Do you have your PHOTOGRAPHS? It is time to work on your MARK MAKING today.

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Look at you ONE drawing from yesterday. We are beginning another drawing today. What can you use from your experience yesterday and move into the work today?N: Translating the images from your PHOTOGRAPHS to the paper.

Get out the photographs and begin working on the nest drawing. Again, start with a simple set of lines and then work towards more detail. Work for a variety of DISTINCT lines and VALUES. This is going to be about MARK MAKING.

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Wolf Kahn – A more developed image with pastels. How is your PENCIL version of your drawing coming along? http://images.wolfkahn.com/www_wolfkahn_com/WK_Cedars_Among_Them_slideshow_221280.jpg

Stand back from the first TWO Drawings and write out 3 things that you are PLEASED with and 1 thing you see that is NOT VERY STRONG.

Studio Art 360: Painting Crit and Gallery Hanging. Good to see you take PRIDE int he Portrait!

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Sit with your RUBRIC – the 4 part FEEDBACK from your classmates – and then we will do our own Self – Reflections – That’s good to start with.

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Chuck Close and the FOCUS of working on a portrait. How are you feeling about your work? https://www.washington.edu/alumni/columns/june97/studio23.gif

Open to Page 25 – What did you get from your studiomates that helped you 1) recognize what you did well and 2) areas that you struggled with?

WEEKEND HOMEWORK: Social Commentary Worksheet HERE.

Slideshow FULLSCREEN HERE.


AP Studio Art: You have had a BOATLOAD of time on this series of works. Get to work to RESOLVE THESE for MONDAY.

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

Best part of yesterday? Plans for today? how’s it coming?

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Mark Rothko? No . Maybe a MARY Rothko – How is your FOCUS going? http://www.autumngrove.com/wp-content/uploads/DSC_0008.jpg

How are you moving forward in the process of developing a series of works based on someone else’s work? How are you keeping the images the SAME and how are you changing the ideas?

#Tuesday and we have #SoMuchToDo!

#20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School

SCHOLASTIC ARTS FOLKS – LISTEN UP! QUICK ANNOUNCEMENT – Artwork Available HERE for upload.

Drawing: Critique and then LINES and PENCIL

9.1Ac: Determine the relevance of criteria used by others to evaluate a work of art or collection of works.

Well… Grab a RUBRIC II – and begin your self evaluation – AFTER you have taken a few 15 – 20 minutes to do written evaluation of 4 works of art – make sure your written critiques use ACTIONABLE / CRITICAL / IMPROVEMENT type statements. Let’s start this critique then. Get the work up in front of us and you lead the way. KORB will sit back and listen… Keep time Korb.

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Group Critiques – Separate yourselves and put the works up! http://www.saic.edu/media/saic/gfx/admissions/whysaic-undergrad/critiquereplace.jpg

Nothing – The Critique was part of it.

Studio Art 360: PAINT – I’m Critiquing your MUGS

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What colors are you using in this portrait? What IS your color scheme and what colors are you going to be using?

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How are you Warhol? http://www.que.es/archivos/201208/4745013w-640x640x80.jpg

What struggles are you having with this painting so far? This is DUE at the end of the week – End of Class Thursday. DO NOT RUSH.

AP Studio Art: WORK! Concentration is HUGE and so are your WEBSITES!

7.1Ad: Analyze how responses to art develop over time based on knowledge of and experience with art and life.

How has this last concentration challenged you? Working from OTHER’s work may be a new idea for you. What is challenging?

alisha-breadth_1_orig
More STRONG STUDENT work – HOW ARE YOU GROWING? AP Concentration: http://www.ichenartacademy.com/uploads/9/1/6/7/9167260/alisha-breadth_1_orig.png

You had a lot to think about today… What did you take a away from the 1) conversation and then 2) WORK TIME? Strong Student Work.

4 1/2 Days Left – Ok – Let’s Make #ART

#20 “Clear sight makes clear art.” Observation lies at the heart of the art process. Whether your art derives from mimicking nature or extrapolating a mental construct, your powers of observation are critical. Unless you can see what lies before you, you cannot describe it. Train yourself to eliminate preconceptions and received understandings when observing anything. Try to see what is before you, not what you think you see or want to see.  Kit White 101 Things to Learn in Art School

Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357
Edward Hopper Chop Suey: Fair use, https://en.wikipedia.org/w/index.php?curid=9254357

Drawing: CRIT!

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

Looking at the still life in front of you, what is the one aspect of it that you are most pleased with? Why are you so pleased with how you handled the materials and composition? What do you need to TOUCH UP TODAY! Crit Tomorrow!

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Time To Critique: http://www.artic.edu/sites/default/files/styles/slideshow_scale/public/cal_TP_crit_360.png?itok=AhqbYJZS

What was it that you took away from today’s critique? How did you contribute to the success of the conversation?

Studio Art 360: Paint – Let’s get this thing done this week!

7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.

What colors are you going to be using in this portrait? What IS your color scheme and what colors are you going to be using? This is important to know as you begin – PLANNING is essential here!

marilyn36
Andy Warhol and Marilyn: http://www.georgetownframeshoppe.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/m/a/marilyn36.jpg

What are your thoughts about this as the work is developing as a work of art? This is the VERY BEGINNING of the process – how do you feel about the work? 3 ideas please.

AP Studio Art: Let’s INDIVIDUALLY LOOK at your pages.

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

What have your previous works of art been this year and how have you been planning the NEW and Important ideas out for your work based on the work of the residents of Waterford Senior Living? HOW DOES INSPIRATION FROM OTHERS WORK HELP or CHALLENGE YOU?

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Strong Student AP Concentration Work: http://www.ichenartacademy.com/uploads/9/1/6/7/9167260/phoebe-concentration_1_orig.png

What ideas have you come up with? What materials are you using that help you to challenge yourself? How does it fit into your current body of work?  How does it REACH OUT into NEW IDEAS? Strong Student Work:

#Working in the #Studio – #StillLife, #Glazing, #Critique

If you don’t like change, you’ll like irrelevance even less” General Eric Shinseki

Drawing: 4 days to work in class

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Biggest things you need to work on before MONDAY and TUESDAY’s FINAL crit?

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Fred Bell and his MULTIPLE OBJECTS in the still life. https://saimg-a.akamaihd.net/saatchi/13404/art/3946714/additional_0a5b90189af2fb3a04aff952190e791896652dcd-7.jpg

Draw – Colored Pencil – Keep working. G:What strengths are you needing to continue to work on? Is it a technique? Is it a studio habit?

Studio Art 360: Under-glazes 3 coats – WORK! We Have Got To Get It DONE!

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

What struggles did you have in the glazing of your work yesterday? How can you avoid that today?

glazing
Dag Studios: http://www.dagworks.com/classes/glazing.jpg

How do you feel about the sculpture / artwork as you have now finished glazing it? What do you hope to do with it when you get it back in a week?

AP Studio Art: Crit Day 2

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

What are you doing to move your artwork FORWARD and develop a sense of investigation? Concentration?

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AP Readers “reading the QUALITY” portion of the portfolio: http://blogs.edweek.org/edweek/curriculum/assets_c/2013/06/APArt2_400%20(2)-thumb-420×236-5362.jpg

No more reflection today. Are you done with your uploads? Are you done with your artist statement and modifying it to be written with the newest works to comment on? Are you ready to make photographs of the breadth work and other concentration works? 

#Monday of Week 15 – The #Holiday’s Art Coming!

If you don’t like change, you’ll like irrelevance even less” General Eric Shinseki

Drawing: Week of DRAWING your objects!

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

Look at your series – What are your thoughts about your techniques / compositions?

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Fred Bell – PEAR! https://fredbell.files.wordpress.com/2016/09/image2.jpeg?w=616

What are you happiest with in regard to your drawings? What are the lessons learned as you create a series of works versus one at a time?

Studio Art 360: Glaze and Finish the Ceramics Work

1.2P: Shape an artistic investigation of an aspect of present-day life using a contemporary practice of art or design.

How do you feel about the ceramic work of art in front of you? Name on the rubric – begin to evaluate the sculpting process – hand in the rubric to begin to glaze the work – DEMO TIME TOO

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Glazing your FACE! http://www.glazedexpectations.com/wp-content/uploads/2014/09/Photo-May-21-4-58-49-PM-1030×1030.jpg

What went well today? What was a struggle?

AP Studio Art: CRIT!

4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event.

What are your answers to your AP Online uploads? Are they concise? Are they thorough? Do they answer the questions effectively?

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Are you developing your body of work? How so? http://1.bp.blogspot.com/-EVF4LtJ7qyA/T6xHtPpJFII/AAAAAAAAEoQ/xHQWFnaKQKc/s1600/110520122437.jpg

Are you ready for TUESDAY? Both online and on mounting boards?

#Friday? #What! Yes… It is Friday.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good…” Ira Glass


Drawing: Mid Critique

3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.

What are 3 things you would like to hear about your work that you feel would help you with your drawing(s).

Get your handbooks and turn to p23. As the artist:

  1. Speak about your objects and why you chose them.
  2. Speak about 2 challenges you are having currently and WHY you are struggling.
  3. Speak about 2 successes that are new to you in this drawing series.

Listen to each person and write down, in full sentences, the comments they make about your work. As a critic:

  1. Speak about the areas of their work that are successful and WHY you see it as a success.
  2. Speak about the an area of their work that you see is in need of attention and HOW they might be able to overcome the issue or WHY you feel there is a struggle in the work.

painting_critique

Crit. G: What are 3 things that you took away from the critique today? Write it out as to help yourself move forward.


Studio Art 360:

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What are the biggest challenges that you see facing you today in the process of enlarging the photographs? Are you about ready to begin the painting process?

chuck-close-working1

What challenges did you face today in the gridding out of the portrait? Are you ready to begin the painting part of the process?

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AP Studio Art: Monday – CRITIQUE / Helen Frankenthaller / Photography this coming week.

2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.

Thinking about the work that you are doing… what are the visual skills that you feels you are developing? how has this year been beneficial to you so far?

 

What is the ONE SKILL that you feel would be worth your time to continue to FOCUS and CONCENTRATE on? CRITIQUE on MONDAY! Richard Estes Working:

#Making #Art as the #Week #Ends – #Thursday in the #Studio

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good…” Ira Glass


Drawing: Tomorrow – MID CRIT – What do you have to show?

2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

What skills do you want to demonstrate as we prepare for the mid-crit for tomorrow.

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Fred Bell : https://2.bp.blogspot.com/-wSxmce88u2Y/WBP1-gWb0zI/AAAAAAAAEVk/KarrZZchi-InsTs3WASwutM7pEEs91KBgCPcB/s1600/IMG_1288.JPG

Take a look at the FIRST portion of the back of the rubric and fill out the EXECUTION portion of it.


Studio Art 360: The GRID and your CANVAS

3.1P: Apply relevant criteria from traditional and contemporary cultural contexts to examine, reflect on, and plan revisions for works of art and design in progress.

What challenges did you have in the finding of SHAPE in the portrait? Talk for 2.67 minutes to your table about the process.

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Alex Katz’s Ted Barrigan. Portrait: https://assets.paddle8.com/media/editorial/entry/1452526259-alex-katz-ted-berrigan.jpeg

How have you begun to transfer the images to the canvas? Success? Not as much? Why? Explain.


AP Studio Art: Concentration – Mid Crit on Monday? Sketchbook Looks on Friday.

Research and Information Fluency – Students apply digital tools to gather, evaluate, and use information.

What problems are you having with the BLOG / WordPress program – uploading? Writing? Maneuvering around the site?

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Sam Francis in the studio – Look at ALL THE WORKS! http://www.samfrancis.com/images/samfrancis/Portraits/Zoom/sam_francis_untitled_1992cf.jpg

What do you need to do in order to have ALL your work (made so far this year) photographed, edited, and uploaded to the website?