Art is an adventure into the unknown world, which can be explored only by those willing to take risks.” Mark Rothko
Drawing
7.2Ac: Evaluate the effectiveness of an image or images to influence ideas, feelings, and behaviors of specific audiences.
PAGE 20 in your HANDBOOK – As this work develops, how are your ideas and Kandinsky’s similar and how are they different? What might you take away from this experience? How can you share that idea with the world? Write out Two similarities and One MAJOR difference.
As this work develops, how are your ideas and Kandinsky’s similar and how are they different? WRITE this out from the beginning of the hour. Has it Changed?
Studio Art 360
Develop Craft: Learning to use tools, materials, artistic conventions; and learning to care for tools, materials, and space.
PAGE 20 in your HANDBOOK – What challenges did you have in the process of using the grid as a device to transfer the image from the photograph to the piece of paper? Explain why the process why so hard to you.
Advanced Drawing
2.1Ad: Experiment, plan, and make multiple works of art and design that explore a personally meaningful theme, idea, or concept.
Hands and feet are challenging – what is going to be challenging about these aspects to make them believable – one doesn’t want to draw mittens and socks in the place of hands and feet.
PAGE 20 in your HANDBOOK: How will you use the knowledge of the shapes and joints to help you make the proportions CORRECT? Give some technique and ideas in your answer.
AP Studio Art
PAGE 20 in your HANDBOOK: What do you see as needing to be REALLY focusing on as NEXT WEEK comes up? I want you to be FOCUSED on the tasks at hand and get as much done next week so you have NOTHING but typing and tweaking your website over Spring Break. Make a list of things to do if you have to.
#90 “You can condense, but you cannot simplify.” —Ann Lauterbach, personal conversation: The world is infinitely complex, and any attempt to simplify, which means the elimination of contradictory elements, will fail to capture that complexity. One can, however, attempt to compress or condense those elements into a more abbreviated or altered form. That is the role of metaphor. Kit White 101 Things to Learn in Art School
Studio Art 360: Grids on the Canvas and the Drawing and Transfer it up to the Canvas
FOR NEXT TUESDAY: Using a camera ON YOUR OWN TIME THIS WEEK – RECREATE a famous painting, sculpture, drawing… Print out the photograph that you have created and also include the famous work of art that you were inspired by. Here are a few examples: Student Examples: https://goo.gl/Tvwv4X
get done today to make REALLY GOOD PROGRESS so you are either DONE transferring the image or you have VERY LITTLE to do over the next two days at home or in study hall?
How many squares did you get transferred up to the canvas today? What are 2 things that make this an exciting for you or scary for you artwork?
PAINTING: Making Plans? Got your Photo?
ASSIGNED DATES ON THE SAW – You’re ALL getting a day! Canvas BUILT by Friday!
What is one question you have about the process of building a canvas? Ask around and see if your classmates can help you resolve those questions before you begin to build.
What stage are you at in the process of building the canvas? How can you offer assistance in the process with your classmates. http://ruthshively.com/
#78 Self-portraiture has a long and storied history. It is something that most artists undertake in their training. It can yield great revelations of character and technique as in Rembrandt, van Gogh, and Bacon. It will succeed or fail based on its interest as an image. Try to judge it as an image, not as a mirror.Kit White 101 Things to Learn in Art School
What ideas do you see coming out from others works as you took the 4 minutes to walk around today and see what others are doing? How can you see working with OTHERS in a COMMUNITY as being beneficial to the development of your art?
What is something that you took away from the critique today – whether it be about YOUR work or about another person’s work.
REMEMBER-ASSIGNMENT FOR FRIDAY! THAT’S THE DUE DATE! ON YOUR OWN! NO QUESTIONS ASKED! You will have the 2 questions about your AP Concentration written – AND PROOFED by a classmate – and then pasted into the CONCENTRATION Portion of your pages. ALSO – You will have a GALLERY of 6 images FROM YOUR CONCENTRATION ITSELF uploaded to the CONCENTRATION PAGE. As a BONUS – you will have up to 6 and no fewer than 3 BREADTH works on your breadth page… I might be making some changes to these pages as we move along so… be prepared to LISTEN CAREFULLY and FOLLOW MY INSTRUCTIONS – I am hoping to streamline the process.
1.2 How are you using the ideas of RATIOS to transfer your IMAGE UP to a larger size? (grid and drawing – then to painting)
How do you see the work you are creating now improving or being more successful than the work you have done in the past? Do you REALLY think you are taking the time in drawing (sketchbooks) as being more thought out? Are you using techniques from our class elsewhere in your day-to-day making of objects?
5.3 describe meanings of artworks by analyzing 5.3.1 techniques and 5.3.2 how they relate to history and culture
What was the most CHALLENGING Part of this week? What would you do differently? What would you suggest be DONE differently? Hang Work in MATT and DISPLAY on Back Wall With Paragraph / RESEARCH – Hallways Next Week – CHARCOAL!
AP Studio Art: DuCHOMP some snacks with your art – PRESENTATIONS!
Where are YOUR figures? http://www.chicagoreader.com/imager/how-to-find-the-nude-in-nude-descending-art-collector-arthur-jerome/b/original/9173306/4a04/eddy_s-nude.jpg
GOALS
5.3 describe meanings of artworks by analyzing 5.3.1 techniques and 5.3.2 how they relate to history and culture
What was the most CHALLENGING Part of this week? What would you do differently? What would you suggest be DONE differently? Hang Work
1.2 How are you using the ideas of RATIOS to transfer your IMAGE UP to a larger size? (grid and drawing – then to painting)
6.1 How might someone NOT in art use RATIOS in the rest of their life – Mathematical Ratios and Transferring ideas?
What are the challenges you have been having with this process? What colors have you begun using and how easy / hard has this been for you?.Did you need or offer help from / to a classmate? Collaboration is ESSENTIAL to solving problems
3.3 describe the creation of images and ideas and explain why they are of value – WHY is this of value to you? What are you learning? What’s happening in your brain about art?
Are you in a resolution stage for this artwork? Are you struggling with it? How are you dealing with the NEGATIVE space?
Share your ideas with ONE classmate and WRITE in your BINDER – What have I accomplished today. What am I doing / knowing better today than I was yesterday?
AP Studio Art: Duchamp… How is the Drawing? Positive Negative Space? Figure / Ground Relationships?
3.3 describe the creation of images and ideas and explain why they are of value (How have the solutions been coming along? Are you able to stay focused on the GOALS you are hoping to accomplish with this drawing? How is it going?) Go ahead and DESCRIBE your thoughts!
Are you in a resolution stage for this artwork? Are you struggling with it? How are you dealing with the NEGATIVE space?
“Remember, all the answers you need are inside of you; you only have to become quiet enough to hear them.” — Debbie Ford
Art Foundations: Color Schemes
Goals:
1.2 Create art that demonstrates an understanding of how your ideas relate to materials.
What color scheme would it be if… examples of colors?
Drawing: Genius WEEK…
Goals:
2.6 create multiple solutions to visual challenges that show understanding in relationships between composition and meaning of artwork – Maybe you are already into one of the solutions – is it powerful enough?
Share your ideas with ONE classmate and WRITE in your BINDER – What have I accomplished today. What am I doing / knowing better today than I was yesterday?
AP Studio Art: Moving Through Space and Time – in one drawing.
Goals:
5.5 evaluate responses to works of art for communicating 5.5.1 rationale, 5.5.2 ideas and, 5.5.3 opinions – What is the message – question – idea you are trying to work through? Explain your thoughts…
What do you feel is different about treating this DRAWING from last week and transforming it into an ARTWORK?
#Goals – POSTING TIME CHANGE – 7:00 AM versus 6:00 AM – MORE TO RT on Twitter!
“Remember, all the answers you need are inside of you; you only have to become quiet enough to hear them.” — Debbie Ford
Art Foundations: Working on Colors
Goals:
1.4 Define color schemes using analysis (what are the colors that we, as painters / drawers use to make all the other colors?)
Review with neighbors the relationships of the colors on the color wheel? QUIZ one another on the names, types and relationships of the colors. (5, 9) – CREATE A CLC SHEET ASAP MONDAY! Assignment – FOR WEDNESDAY – Bring in a PHOTOGRAPH / Advertisement of a POPULAR CULTURE IMAGE (product, celebrity, OBJECT – Not a Drawing / Cartoon… Something that is of interest to you.
Drawing: Genius Hour
Goals:
1.4 create, define, and solve visual challenges using 1.4.1 analysis (breaking up the artwork / subject matter to basic elements), 1.4.2 synthesis (put all the parts of a work together to form a whole), 1.4.3 evaluation [critique] (formative and summative reflections about your artwork)
Share your ideas with ONE classmate and WRITE in your BINDER – What have I accomplished today. What am I doing / knowing better today than I was yesterday?
AP Studio Art: Duchamp is in your Head!
Goals:
2.3 create artworks that solve visual challenges – NOW STOP and think about the GOAL you have for this ARTWORK – WRITE IT DOWN. Same colors Duchamp used. White, black, sanguine.
What do you feel is different about treating this DRAWING from last week and transforming it into an ARTWORK?
Is your LATE work in? What is your excuse? What do you have to do to get it done? What are you at?
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LATE WORK IS DUE TODAY! IF YOU HAVE ANY LATE SKETCHBOOKS OR PROJECTS THAT HAVE NOT BEEN TURNED IN… THEY ARE NOT GOING TO BE ACCEPTED AFTER 3:00 TODAY!
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Are YOU following the site? Keep up with all that is happening in the art room and stay ahead of the rest of the crew!
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Art Foundations: Final day for PORTRAITS. Cut the faces out, finish the backgrounds, adhesive the portraits to the painting.
Is there pattern in this drawing? Did the artist use any contour lines in the artwork? Is there a sense of form? Have you gained any in your artwork?
GOALS:
3.2 apply subjects, symbols, and ideas in art and use skill to solve visual challenges
How can you successfully or with failure, use pattern in your daily life? What are the safety techniques we discussed regarding the X-Acto Knives?
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Drawing: Continue with the value grid drawing, evaluate the process, make photographs of the image (this weekend when it is done) and write your self-critique… seems like a lot.
So… let’s imagine what it might be like of we were able to gather in a GALLERY space to talk about our art. What are your biggest concerns about the discussion of the works you have completed?
GOALS:
2.1 form criticism about artworks that work to accomplish 2.1.2 personal or 2.1.4 other meanings
What do you feel was the MAJOR aspect of the written crit. that YOU NEED TO WORK ON? What are the challenges you think you are facing when it comes to the written portion. What do you see as the benefit of the Crit. What do you see as a downfall / challenge?
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AP Studio Art: What ideas are you getting regarding your “Outside of the classroom” project? What are your challenges that come up? What do you want to do? What are you afraid of?
What can you do to continue your concentration ideas moving forward? What is it about the work that you are currently making? What is it about the work that is causing you STRESS?
GOALS:
Technology Operations and Concepts – Introduction to the AP Studio site.
1.3 communicate ideas clearly with your NEW ideas for the BREADTH work and the CONCENTRATION work.
What has been happening in your work that FITS with your statements? How can you continue to think about the statement you have written and refresh your ideas?
ALL LATE WORK WILL BE ACCEPTED THROUGH THURSDAY! ANYTHING AFTER THAT WILL BE A ZERO IN THE GRADE BOOK. PERIOD.
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Drawing: Finish Patterns, Cut out Continuous Line Portraits, Assemble parts into FINAL Artwork (time allowing)
What kind of pattern best describes YOU? Why?
GOALS:
1.1 apply media, techniques, and processes with (1.1.1) skill so your ideas are executed well
(1.2) create art that demonstrates how your ideas relate to the 1.2.1 materials and 1.2.2 techniques
What forced you to think about the medium of watercolor and what it could and could not do? Where did you find challenges in the process? What was COOL about the use of the material? What was UNCOOL about it? (1, 2, 3, 5, 9).
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DRAWING: Interpretation and Judgement in your critique
When choosing an outfit… what are some of the INTERPRETATIONS and JUDGEMENT you use to determine what you will wear?
GOALS:
(2.1.4) form criticism about artwork that work to accomplish an understanding of generalized value, ratios, portrait (Interpretation and Judgement)
What have you taken from the crit. written by your classmate? What do you need to finish up for Monday’s critique? (2, 5) Computer Lab – 2 Days. Use the 4 step process and really examine the others drawings. What is Formalism, what is Imitationalism? How are we using it to critique what we are doing at this point?
What materials did these artists use to create their works of art?
GOALS:
2.3 create artworks that solve visual challenges
2.6 create multiple solutions to visual challenges that show understanding in relationships between composition and meaning of artwork.
This is a very challenging, out of the box exercise in creating artwork. What can you do to really get yourself thinking about the work at hand and how you can work to “not get voted off” unlike someone whom we shall not mention. (Second from right…)