#Representational #PaintingBegins… #PaintingAbstractly in #ArtFoundations – Where are you in the process? #CoolestPortrait in #DigitalArtAndPhotography – How are you MAKING COOL ART?

NEW FOR YOU ALL: WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Color Theory, Tempera Paints, Prepping Board or Faux Stained Glass

COLOR THEORY PAINTING / STAINED GLASS ASSIGNMENT HERE!

  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: What color scheme have you chosen for the entire painting? What is your accent color going to be? How can you see through the thinness of the tempera paint?
  • G: What do you think is your largest success in this painting so far? Why?
Wassily Kandinsky: Cossacks: https://www.tate.org.uk/art/images/work/N/N04/N04948_10.jpg

Introduction to Painting: Representational Art Thumbnails and Prepping Canvas

  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What have you done to be ready for the beginning of the REPRESENTATIONAL PAINTING? This the final painting and you are using all the skills that you have and the research that you have done to make strong progress in the representational art. The artists you have researched are a part of the work as well. Some of the artists are going to be easier to incorporate into the work. Hey… what about the negative space? The background? What is the CONTENT – the MEANING / MESSAGE behind your work? Are you thinking about that? WHILE YOU WAIT TO SAW AND BUILD… MAKE SURE YOU ARE DRAWING and ADDING COLOR to your designs and plans! This is MANDATORY in the planning process. REPRESENTATIONAL ASSIGNMENT HERE.
  • G: What are your results and what do you need to do to take this home over the weekend to get a good set of work done for the remaining days in the studio?
Milwaukee Based Reginald Baylor : https://www.mtmary.edu/_files/images/marian-gallery/reginald-baylor-4.jpg

Representational Art Assignment Here

Prezi About Representational Art as Well


Intro to Digital Art and Photography: Editing in Photoshop

  • methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Today is the last day to work on this singular image in the studio. We are presenting this NEXT TIME – a very quick assignment. That’s ok. What do you need to do in order to get this DONE? Make your BEST PHOTOGRAPH!
  • G: Do you need to come into the studio during your ENRICHMENT to be ready to present? Here are the questions that you will be ready to speak about when you present.
Dorothea Lang: https://cdn.filtergrade.com/wp-content/uploads/2014/08/03041158/Poor_mother_and_children_Oklahoma_1936_by_Dorothea_Lange-1024×1024.jpg

NEW ASSIGNMENT – PORTRAIT of a loved one. Let’s look in Google Classroom for the assignment.

#Representational #Painting, #Critiques, #PaintingAbstractly – Where are you in the process?

NEW FOR YOU ALL: WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!

“There are three responses to a piece of design – yes, no, and WOW! Wow is the one to aim for.” Milton Glaser


Art Foundations: Color Theory, Tempera Paints, Prepping Board or Faux Stained Glass

If you are going to do STAINED GLASS – you need to have the materials NEXT TIME or you are officially BEHIND!

Sonja Delaney – Non Representational Artwork – VERY FAMOUS!
  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: What are you thinking about as you look over your tracings from last time? What color schemes are you drawn to and what color schemes do you dislike? We are going to PAINT today! 
  • G: What color scheme did you decide to use and WHY? What kinds of advancements did you make in the process today? What is the first thing you plan on doing next time we meet?

COLOR THEORY PAINTING / STAINED GLASS ASSIGNMENT HERE!

Rachael Cassiani: https://mymodernmet.com/wp/wp-content/uploads/2019/07/abstract-landscape-paintings-rachael-cassiani-7.jpg

Introduction to Painting: Representational Art Thumbnails and Prepping Canvas

  • G: 4.2Ad: Critique, justify, and present choices in the process of analyzing, selecting, curating, and presenting artwork for a specific exhibit or event. 
  • A: What do you have to say about the work in front of you? How are you going to look at the experience and learn from it? What have you done to PUSH yourself in the process of making your art stronger, more successful?
  • G: Nothing – we critiqued today.

Representational Art Assignment Here

Prezi About Representational Art as Well


Intro to Digital Art and Photography: Editing in Photoshop

Annie Liebovitz: Editorial of Leonardo DiCaprio
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What are your plans for this PORTRAIT? What are the things that you have done to make images to work from? Who is the person that you are working with? Why? This is important to keep in mind as you move forward and make an image that is about the person that is important to you.
  • G: What did you accomplish in studio today? What are the techniques / tools / whatever else that you used in the process?

NEW ASSIGNMENT – PORTRAIT of a loved one. Let’s look in Google Classroom for the assignment.

#Representational #Painting is #NEXT and #Abstraction is #DUE, #ArtFoundations is #Color, #Painting, and #StainedGlass, and #DigitalArt is all about your #Series in #photography

NEW FOR YOU ALL: WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Color Theory, Tempera Paints, Prepping Board or Faux Stained Glass

Stained Glass of Sigmar Polke: https://www.designsponge.com/wp-content/uploads/2014/01/sigmarpolkekfgm05full1480thumb.jpg
  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: Prepped board and base color added in (primed with Gesso and a warm or cool color here). Design and draw out the plans for your stained glass window and then begin painting in the spaces. How are you going to begin? Share your designs with your table mates and let us walk through a quiet and organized crit of the plans BEFORE you get started in the painting.
  • G: How much have you accomplished today? Are there spaces that you feel you are going to need to get into and add a second color over the top – to thicken up the colors and make them less transparent.

If you are going to do STAINED GLASS – you need to have the materials NEXT TIME or you are officially BEHIND!

COLOR THEORY PAINTING / STAINED GLASS ASSIGNMENT HERE!

Rachael Cassiani: https://mymodernmet.com/wp/wp-content/uploads/2019/07/abstract-landscape-paintings-rachael-cassiani-7.jpg

Introduction to Painting: Representational Art Thumbnails and Prepping Canvas

Amy Sherald – https://d7hftxdivxxvm.cloudfront.net/?resize_to=width&src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FbU97enr5sbABiRDD8O5z1w%252Famy-s.jpg&width=1200&quality=80
  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • A: Not a whole lot to talk about today – you have a canvas to build and a painting to resolve. What are you going to be working on specifically today?
  • G: A RECAP from last time… What have you gotten done today? What do you need to be getting done in the next few days? Make sure you have images and the like for references – IMPORTANT! We critique NEXT CLASS PERIOD and we discuss the next painting as well.
  • CRITIQUE NEXT TIME as Groups of 12. then we work on the RUBRICS. Take canvas home to get REPRESENTATIONAL WORK drawn in. WORK WORK WORK!
Non-Objective work from Aebra Drexler:

Representational Art Assignment Here

Prezi About Representational Art as Well


Intro to Digital Art and Photography: Editing in Photoshop

Nan Goldin Editorial Images:
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Last day of Studio Work 1/2 the block and then we RUBRIC.
  • This is IT.. Step back and see what you need to accomplish. The final slide of the slideshow will be a pair of self reflective paragraphs. One will be a paragraph that talks about the meaning, the narrative, the ideas of the series and the second will be about the skills that you have learned and put into use in the editing of the images. QUESTIONS?
  • G: OK… Have you been able to turn in the slideshow and the 5 or 6 images? If they are NOT DONE NOW you are officially late and will have to make sure you get in the make up for your lost time.

NEW ASSIGNMENT – PORTRAIT of a loved one. Let’s look in Google Classroom for the assignment.

#Photography, #Representational #Painting is #PASTDUE, #Color in #ArtFoundations and #StainedGlass

NEW FOR YOU ALL: WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Color Theory and Tempera Paints to WRAP UP.

Stained Glass in COOL COLORS and WARM COLORS… what color scheme are you thinking about? https://cdna.artstation.com/p/assets/images/images/011/069/514/large/nick-beaufait-stainedglassvariants.jpg?1527697328
  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: Today we begin the ideas of THUMBNAILS and COLOR SCHEMES. You will be designing a work of art based on the ideas of the COLOR SCHEMES and creating a FAUX Stained Glass Window. We are working on the idea of using a base color to the painting as well. This will affect the feeling of the colors as you lay them on top. What are your feelings about the warmth or coolness of the painting? If you are thinking about creating a FAUX stained glass window you will need to bring in a frame with glass in it to paint on.
  • G: How many thumbnails did you come up with? How many color schemes are you using? What is your MAIN idea for the color  scheme painting?

COLOR THEORY PAINTING / STAINED GLASS ASSIGNMENT HERE!

Rachael Cassiani: https://mymodernmet.com/wp/wp-content/uploads/2019/07/abstract-landscape-paintings-rachael-cassiani-7.jpg

Introduction to Painting: Abstraction and Representational Art

  • 7.1Ac: Recognize and describe personal aesthetic and empathetic responses to the natural world and constructed environments.
  • A: Abstraction paintings are in the final days of work and you are in the need of wrapping things up. Are you spending time in the resolution phase? What are your plans for the final painting? Let’s get out your THUMBNAILS for the final painting? Let us have a roundtable conversation about them. ORGANIZED SKETCH CRIT. of the plans. You have three days to get your paintings done and the canvas built for the next painting. This is IMPORTANT and NEEDS TO BE DEALT WITH in the enrichment time – perhaps.
  • G: What have you gotten done today? What do you need to be getting done in the next few days? Make sure you have images and the like for references – IMPORTANT!
Amy Sherald – https://d7hftxdivxxvm.cloudfront.net/?resize_to=width&src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FbU97enr5sbABiRDD8O5z1w%252Famy-s.jpg&width=1200&quality=80

Representational Art Assignment Here – This research and the SKETCHES were DUE on MONDAY (BTW).

  • 3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • A: Abstraction paintings are in the final days of work and you are in the need of wrapping things up. Are you spending time in the resolution phase? What are your plans for the final painting? Let’s get out your THUMBNAILS for the final painting? Let us have a roundtable conversation about them. ORGANIZED SKETCH CRIT of the plans. You have three days to get your paintings done and the canvas built for the next painting. This is IMPORTANT and NEEDS TO BE DEALT WITH in the enrichment time – perhaps.
  • G: What have you gotten done today? What do you need to be getting done in the next few days? Make sure you have images and the like for references – IMPORTANT!

Prezi About Representational Art as Well

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: Editing in Photoshop

Anna Gaskell and her work at the Guggenheim
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Not much new today – it is a SOLID WORK DAY. Step back and see what you need to accomplish. Are you taking notes? Are you aware of the things that you are doing in Photoshop to make the photographs strong – across the board? What are the tools you are using? Talk to your neighbors about the images you have so far?
  • G: Again… What did you accomplish today? What are the things that you need to get organized in the image gathering or editing to have this series done in the next two periods. We will set up the GOOGLE SLIDESHOW next time (or you can do it on your own) and then turn in the series at the end of the next block.

#Series in #Photography, #Representational #Painting, #Color in #ArtFoundations

https://www.brainyquote.com/photos_tr/en/r/ralphwaldoemerson/108800/ralphwaldoemerson1-2x.jpg

NEW FOR YOU ALL: WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Color Theory and Tempera Paints

Great Article about the Tom Fruin and other Contemporary Stained Glass Artists: HERE
  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: Looking back on the color wheels you have begun, talk to your tablemates about the way in which you mix the secondary colors and tertiary colors. QUIZ TIME? No… just a discussion so we can move forward. How do you make the TINTS, SHADES, and TONES?
  • G: Were you able to mix the colors for the tints, shades, and tones today? What else do you need to do here?

Introduction to Painting: Abstraction and Representational Art

Thumbnails? In Proportion to the larger work you are going to build. https://korbartwuhs.files.wordpress.com/2019/12/2d086-mg_novel_sketches_01_stefanie_schmiedel_small.jpg
  • .1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision.
  • A: Abstraction paintings are in the final days of work and you are in the need of wrapping things up. Are you spending time in the resolution phase? What are your plans for the final painting? Let’s get out your THUMBNAILS for the final painting? Let us have a roundtable conversation about them. ORGANIZED SKETCH CRIT of the plans. You have three days to get your paintings done and the canvas built for the next painting. This is IMPORTANT and NEEDS TO BE DEALT WITH in the enrichment time – perhaps.
  • G: What have you gotten done today? What do you need to be getting done in the next few days? Make sure you have images and the like for references – IMPORTANT!

Representational Art Assignment Here

Prezi About Representational Art as Well

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: Editing in Photoshop

Theresa Hubbard and Alexander Birchler
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: This week we EDIT the photographs you have made that are important to you from OUTSIDE of the school – you do have a life outside of the school – interests and the like, right? What are your plans and how are you going to be using photoshop to perfect and make these a strong series that is narrative?
  • G: What did you accomplish today? What are the things that you need to get organized in the image gathering or editing to have this series done in the next two periods? We will put them into a Google slideshow (6 or seven slides) as well as handing in the original Photoshop images.

#Series in #Photography, #Representational #Painting,

Ansel Adams. “You don’t take a photograph, you make it”

Ansel Adams: https://images.fineartamerica.com/images-medium-large-5/an-ansel-adams-view-of-sedona-phill-doherty.jpg

WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Color Theory

Henri Matisse Stained Glass:
  • G: 1.1P: Use multiple approaches to begin creative endeavors.
  • A: As we think about COLOR… What are the PRIMARY COLORS? What are the SECONDARY COLORS? What are the TERTIARY COLORS? Do you know anything about COLOR SCHEMES? Write out all the COLOR SCHEMES that you can think of (we have spoken about some of them already – all of them that we are talking about actually).
  • G: What did you accomplish in regards to the color scheme worksheet and what have you accomplished with the idea of an abstract  or landscape inspired color wheel? How well do you understand the ideas of the color wheel and the relationships of the colors with one another – the color wheel is the first page of our final exam by the way.

Introduction to Painting: Abstraction and Representational Art

Representational Art Assignment Here

Prezi About Representational Art as Well

Representational Art Click here to read more!
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: When we talk about ABSTRACTION, we can look at the ideas of OBJECTIVE and NON – OBJECTIVE abstraction. Non – Objective os when we have ZERO reference to anything real or observed. In most of the works you have created thus far, the ideas are NON-OBJECTIVE. On the other hand there is abstraction based on observable things. Now… we are going to be dealing with a new style of painting (and you are going to be developing this over Thanksgiving break) and that is creating a work that is REPRESENTATIONAL. You will be creating a work of art that is based on the ideas of looking at and creating a work of art that is based on your observational skills. When it comes to observational imagery… observational art… what images are you drawn to?
  • G: Know that you are going to need to be building the NEW CANVASES LONG BEFORE THE NEXT painting time begins. This week? When we come back. Before you are done with the abstraction.

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: Editing in Photoshop

Julie Blackmon: Website HERE
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Today is a day of EDITING the images that you have begun the process of gathering your images for your series. What are the skills that you have learned in the process of our introduction to Photoshop? What are you planning on doing today?
  • G: What do you plan on doing to finish gathering your images over break?

#Photoshop #Editing#Series, #Bas Relief Sculpture – #LASTDAY, #Painting in the #Abstract #Quick #MidCrit

e

#51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Bas Relief (Low Reflief) SCULPTURE? Last Day to work?

  • G: 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • A:What are you hoping to accomplish today to FINISH your BAS RELIEF we get back into our DAY 2? We need to let things dry now as we finish this up. Then we BISQUE and then we GLAZE!
  • G: List one or two ways that you have seen your CONCEPT develop and be EMPHASIZED in the ceramic sculptural version of the collage?

http://bit.ly/ClayBasRelief


Introduction to Painting: Mid Crit.

  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What are you planning on doing? This is the last day to work in the studio – the last FULL DAY that is. 
  • G: day 4 of painting is done… What are your results and what do you need to do to take this home over the weekend to get a good set of work done for the remaining days in the studio?
Charlene Von Heyl: http://www.petzel.com/media/cache/resolve/enlarge/59c5131c5a4091aa128b4568/6e80cf81ecb9c80a784cc9b3dd5188ae.jpg

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: Editing in Photoshop

Justine Kirkland – Lawless Nature of Teenage Girls
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Open your photographs and , with your neighbor, talk about the series of images you have developed or begun developing in PHOTOSHOP. We will be taking the images you have created and, eventually, develop them into a work of FINE ART that combines the images. But today we work on the series.
  • G: What tools and techniques have you used in PHOTOSHOP today? List 5 things / tools / editing techniques that you used today on your images.

Lori Nix – Series / Body of Work – WEBSITE HERE!

#Photography #Series, #Bas Relief Sculpture, #Painting in the #Abstract (but not necessarily #Non-Objective(

#51: Learn the basic principles of color. There are three primary colors: red, blue, and yellow. They are the building blocks of all other colors. The secondary colors are violet (blue and red), green (blue and yellow), and orange (red and yellow). They are composed by the equal mixture of two primaries. All other colors are referred to as tertiary, because they are mixtures of a primary and a secondary color. Kit White 101 Things to Learn in Art School

WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Bas Relief (Low Reflief) SCULPTURE? Last Day to work?

  • G: 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • A: What are three textures / techniques  you are going to have to interpret into your sculpture from your research? 
  • G: What techniques are REALLY important to be using to make sure any ADDITIVE clay really HOLD TIGHT to the clay you are adding it to?

http://bit.ly/ClayBasRelief


Introduction to Painting: PAINT! That’s IT… oh – a short video too.

Lily Stockman: http://bit.ly/2CvyWm7
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What did you do last block and what do you need to do today to get a solid block of work accomplished? This is using the skills that you have and the research that you have done to make strong progress in your abstraction. Some of the artists are going to be easier to incorporate into the work. Hey… what about the negative space? The background? Are you thinking about that?
  • G: day 3 of painting is done… What are your results and what do you need to do to take this home over the weekend to get a good set of work done for the remaining days in the studio?

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: A NEW Series and a few minutes to work on the slides…

  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What do you think of when you think of a SERIES of something? When it comes to ARTWORK… the artist creates a body of work that all has a common theme, feel, imagery to it. TODAY… we are going to be creating a SERIES of works in the building – COMMON idea. We are THEN going to be editing the images in PHOTOSHOP with a few specific techniques – all images need some tweaking.
  • G: What was the SERIES you created for the studio time today? With limited space, objects, and ideas… you are going to take the experience from today and move it into the OUTSIDE of class time and space. This work is about YOU and YOUR experiences…
Tina Barney:

Lori Nix – Series / Body of Work – WEBSITE HERE!

#Sculpture in the #BasRelief as well as #MakingArt that is the #Artist’sVoice

#69: Color is not Neutral: It has an emotional component. Certain colors have specific associations and induce certain responses. Learn what they are. When you use color, try to determine and understand the accompanying emotional response and how to use it effectively. Color has a visceral impact. Kit White 101 Things I Learned in Art School.

WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: Bas Relief (Low Reflief) SCULPTURE?

  • G: 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • A: What are three techniques that are REQUIRED in the process? What textures are you going to have to interpret into your sculpture from your collage? 
  • G: What techniques are REALLY important to be using to make sure any ADDITIVE clay really HOLD TIGHT to the clay you are adding it to?

http://bit.ly/ClayBasRelief


Introduction to Painting: PAINT! That’s IT… oh – a short video too.

  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: Talk to your neighbor about the idea that you have and talk about the CONCEPT that you are trying to communicate with your work? What is the MESSAGE? What is the MEANING? Use the RUBRIC that you have (or will get) and in the CONTENT section write out your thoughts. Make WISE USE of your ENRICHMENT TIME. On the sticky notes… what are your plans this week to get the most work done that you can?
  • G: Looking at the day you had today… what did you accomplish? What fell short? Remember that we have VERY LITTLE TIME ON THE GRAND SCHEME OF THINGS in studio to work. Will you be ready? What are you going to be doing outside of class to get the work done? The painting created? Abstraction Handout
What is YOUR take away from the work here? Olivier Vrancken: http://www.oliviervrancken.com/media/_hq/olivier_vrancken_2018_0000_01.jpg

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: Day to learn PHOTOSHOP (or B Day is time to work on the slideshow and Photographs).

Frank Korb – 10 Brushes Waiting for Paint. What TECHNIQUES? What Elements? What Principles am I using in this photograph that makes it successful?
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What do you already know about PHOTOSHOP? Take out your handbook and write out ALL THAT YOU KNOW about Photoshop – Timer is set for 3 minutes. Let’s get into it!
  • G: What new techniques did you take away from the use of PHOTOSHOP today? How far along in the making of photographs / editing of the photographs / assembling of the slideshow are you and how far along do you have to go?

Lori Nix – Series / Body of Work – WEBSITE HERE!

#Begin #Painting #Sculpting and #MakingPhotograhs… it is NOW TIME TO #Create!

#69: Color is not Neutral: It has an emotional component. Certain colors have specific associations and induce certain responses. Learn what they are. When you use color, try to determine and understand the accompanying emotional response and how to use it effectively. Color has a visceral impact. Kit White 101 Things I Learned in Art School.

WAEA Flag Contest Form – Get your Designs to Mr. Korb by December 31!


Art Foundations: What are your thoughts with SCULPTURE?

We will work a bit more 3D – but here is a set of MUGS: https://www.dhresource.com/0x0s/f2-albu-g4-M00-57-78-rBVaEFc8QfuABcLWAABpgKg9Erg521.jpg/creative-hand-painting-ocean-series-3d-animals.jpg

http://bit.ly/ClayBasRelief

  • G: 7.1P: Hypothesize ways in which art influences perception and understanding of human experiences.
  • A:What are you NERVOUS about as we venture into the work of clay? What are three things that you ar going to be focusing on as we create the new work? Techniques?
  • G: How have you researched and developed the ideas into your OWN idea versus someone else’s?

Introduction to Painting: Let’s Start Painting in Abstraction

Zachary Tyler Abstraction: Zachary Tyler
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: What did you do last block and what do you need to do today to get a solid block of work accomplished? This is using the skills that you have and the research that you have done to make strong progress in the abstraction. The artists you have researched are a part of the work as well. Some of the artists are going to be easier to incorporate into the work. Hey… what about the negative space? The background? What is the CONTENT – the MEANING / MESSAGE behind your work? Are you thinking about that? WHILE YOU WAIT TO SAW AND BUILD… MAKE SURE YOU ARE DRAWING and ADDING COLOR to your designs and plans! This is MANDATORY in the planning process. Abstraction Handout
  • G: day 2 of building is done… What are your results and what do you need to do to take this home over the weekend to get a good set of work done for the remaining days in the studio?

MoMA In the Studio Series on YouTube – Great to see how various abstractions are made. HERE


Intro to Digital Art and Photography: TODAY is a solid day to WORK in Photography and EXAMINE the Photographs you have MADE and are also RESEARCHING

Do we have a wall like this? Can you find diagonals to work from and emphasize? http://collection.mam.org/vmedia/tms768/r_m1995_301.jpg
  • G: 1.2Ac: Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.
  • A: How many images are you short? ZERO – This was DUE TODAY! Looking at your 14+ Professional images… what are your 5 most successful? Today we are going to do a small amount of EDITING and then moving forward with our making of photographs.
  • G: What new techniques did you take away from the use of PHOTOSHOP today? How far along in the making of photographs / editing of the photographs / assembling of the slideshow are you and how far along do you have to go? In the next 2 nights you will make a series of 10 photographs that all revolve around one central